Review: Budde & Osti of 100 Records presents an experimental "playground" that offers listeners a unique perspective on their work. The sizzling six-track EP blends jazz and house and features experimental highlights from the Trash Archives, which is a collection of 99 tracks available for free on Bandcamp. All pieces were recorded live in the studio utilising, on the whole, analogue gear that best shows off the duo's raw and unfiltered creativity. From the opening jazz dance of '40' to the closing jazz-funk-techno of '57' this is a beguiling collection.
Review: There's lots to get your teeth stuck into on this new and blistering collection of electro from Adepta Editions. And don't let the title fool you - it's not all accessible summer festival fare, in fact none of it is. It is all head down and serious tackle. 7053M4R14's '4 N3W HUM4N' is a driving, dark, visceral sound with raw breakbeats powering through the cosmos. Rec_Overflow offers a moment to catch your breath with some slower, dubby rhythms on 'Pocket Dial' and Pauk explores twitchy future synths capes and post-human transmissions on 'Shiawasena Fukushu'. Promising/Youngster shuts down with a sense of optimism and hope with the airy melodies and slithering electro drum patterns of 'Arbey.'
Review: Certain parts of Canada's proximity to techno birthplace Detroit means the country has always had its own fresh take on the sound, right back to the early Richie Hawtin days of minimalism. Over a quarter of a century of releases now, Aquaregia has kept up that tradition. Behind this latest missive is 747 who opens with lashings of acid and coarse, chattery percussive over jacked-up drums. There is a more psychedelic edge to the loopy synth patterns and softer acid of 'Suffocating In Stardust' then 'Iron Tears' gets gritty, tense, and douses you in melodic fireworks. Last of all, 'Deep Space Opera' takes a more widescreen approach with misty-eyed synthscapes and soft, gently pitch-bent acid.
Tactics Of Bass - "Big Hips Blue Gloves (No Dubs)" (7:48)
Tactics Of Bas - "Tactics Of Bas" (7:59)
The Ron Honey Experience - "D66" (7:14)
Quadruplex - "Sky Wave" (7:01)
Quadruplex - "Robot Rotate" (5:30)
Quadruplex - "G-Hop" (7:24)
The Secret Garden - "Rough Diamond" (3:24)
Review: A special white vinyl edition of a stonker of a UK techno LP. The legendariness of The 7th Voyage's Return Voyage LP is said to outstrip that of others, with the short-lived label and artist moniker of one Joe Smilovitch locking in a "lost album" compiling works by fellows Tactics Of Bass, The Ron Honey Experience and Quadruplex for gem-hunters. That's the cherry on top of two already-wonderful single-EPs from the Smilovitch himself, 'The Predator' and 'The 4 Point', both from 1996. Pariter deem it "an exceptionally rare issue of a highly sought-after classic", and we can vouch for that. Wicked tunes all round.
Review: Bristol genre-blurrer A Sagittariun reemerges with 'The 23 Enigma', a three-track implied "conceptechno" EP, and his first new material since 2022's 'Strange Brew' on Rekids. Having already conquered Hypercolour, Running Back, Craigie Knowes and Secretsundaze, he's now spent close to fifteen years weaving strands of techno, ambient dub, breakbeat, and deeper electronics, lacing each with a heavy psychedelic dosage just shy of overdose. The latest hears 'Fountainhead' and 'Mind Games' offer a percussive jolt through rugged high-impact tools, set aside for dirtier floor works. The title track is the only one to trade the club's rough pulse for a subtler, high crown cognition, riding warped, muscular electronics till we reach an unbidden cavernous zone. A Sagittariun continues to operate outside the grid, where cosmic intent meets merciless studio power.
Review: Portuguese producer A Thousand Details is back on Hayes four years after his 'Mirage' EP and shows a smart evolution in his sound. With releases on labels like Knotweed 51, Tar Hallow and EarToGround, he's built a reputation for blending technique with creative vision and his decade of techno expertise is evident in his production here. He uses hardware like the Digitakt, TR-909 and modular systems to cook up emotive, chord-driven motifs that balance harmony with techno's raw energy. The 'Unrestful Mind' EP blends nostalgia and innovation and draws from Detroit's heritage while introducing fresh, glowy textures to melt body and soul.
Review: A2L were active between 1988 and 1990 and released two albums and several EPs on labels like 1st Bass, Big One and Force Inc. Their sound blended British psychedelic house with elements of new beat, industrial, EBM and early acid house and in doing so captured the raw energy of the UK rave scene. Notably different from typical acid house acts of the time, A2L's music took in machine funk, samplers and turntable techniques to create trippy, infectious grooves. This collection compiles rare underground gems from them from 1989 and features standout tracks like 'Even Though It's Make Believe' and 'Come On.' It's a great look back to the experimental spirit of the late 80s.
Review: The Abstract Eye often works live and crafts tunes in one take, and that MO is the idea behind this new collection. It features plenty of hard-to-define sounds from over the last ten years, many of them with a cosmic synth outlook and raw analogue drums. 'Skyfather' is a real eye opener with its sense of mystic cosmic wonder, 'Real Myths' fizzes bring as burning phosphorus and 'A Yearning Feeling' is more paired back and introspective with jittery drums and electro rhythms all soothed by the melancholic synth work.
Review: Following a string of explosive releases on labels like Acid Artists In Action (Triple A), Stay Up Forever, Hydraulix, and Interruption, ACERBIC is raising the stakes with a colossal triple-vinyl, limited-edition LP on the SUF/Hydraulix collaboration label. Packed with nothing but high-energy, dancefloor-destroying cuts, it kicks off with the anthemic 'Acid Way Of Life' and powers through a relentless selection of techno and acid techno bangers that push the boundaries of both genres. No filler, just pure, peaktime fire. Already road-tested by scene legends D.A.V.E. The Drummer and Chris Liberator, this one is sure to rip up rulebooks and dancefloors alike.
Review: An electrifying journey through relentless acid and high-energy techno as Acid Asian goes in hard. The title track, 'Deep Soul', sets the pace with a fierce acid trance vibe, pulling listeners into its hypnotic rhythm. 'Space Colors' escalates the energy with epic, pounding euphoric trance, creating a sweeping sense of exhilaration. Side-2 kicks off with 'Ain't Nobody Like Us', a hardcore techno banger that's percussive, catchy and impossible to ignore. Closing with 'Humans', the EP dives into heavy, intense techno, wrapping up with a powerful and gritty finish. From start to finish, a high-octane, genre-blending ride that masterfully mixes acid, trance and techno, creating a standout release for those who like their beats pulsating and energetic.
Review: Acid For The Grandma's fourth release is another boundless trip into warped rhythms and surreal soundscapes with acid liquid textures that make for a psychedelic experience that sparks the imagination while pulling you into otherworldly dimensions. 'Login Beat' casts you adrift amongst circling snares over jacking beats and 'Biancone Interno' then cuts loose with freewheeling arms and sci-fi motifs that leave long neon trails. 'Strobe Transforms Thinking' taps into more taught dub tech with sinewy leads and last of all, 'Light And Illusion' places you in a colourful world of refracted rhythm and slivery tech house drums sent back from a distant planet.
Review: This release presents a dynamic exploration of electro and techno, blending fast-paced, acid-driven energy with atmospheric depth. Side-1 opens with 'Destruction Industries', a heavy, dramatic track that pulses with acid electro, creating an intense, alien vibe. 'My Vision Of Space' follows with a futuristic, Carl Finlow-esque feel, offering a sleek, forward-thinking electro sound. The Belaria Remix of the track slows things down, providing a lower BPM version that retains the original's spacey atmosphere but with a more subdued, deeper groove. Side-2 shifts gears with 'Ammoniax', diving into otherworldly techno with a hypnotic, immersive quality and 'We Come For Acid', a darker, trancey track that builds tension with heady, layered acid sounds, perfect for late-night listening. Overall, this release offers a varied, yet cohesive mix of high-energy electro and atmospheric techno.
Review: Acid Sessions Vol. 3 is another white-knuckle journey into the world of acid with five top talents in the field all pushing their own limits. Acidulant opens with "Serpentacid' featuring hypnotic 303 grooves and relentless energy, then Sarufaromeo & Papaverhof deliver 'Acid Nihonshu' which blends atmospheric depth with chaotic acid vibes. G303 takes you beyond with 'Live Long and Prosper,' an interstellar anthem filled with cosmic acid and resonant grooves. Paul Renard closes with 'SO36' which is all about the fat rhythms and powerful dancefloor drive. Long live acid is what we say.
Every Pleasure, Every Sin (Ivan Iacobucci's remix) (6:02)
Review: Acoustic Vision crafts an exceptional EP bursting with rich techno personality. The opening track, 'Peyote Country Club' grabs attention immediately with its infectious rhythm, sharp percussion, and irresistible flow. A light yet captivating melody hovers over deep, bouncing basslines, building into a perfect storm of dancefloor energy. It's a standout cut that seamlessly blends a cool vibe with driving momentum. 'Human Endeavour' ventures into darker territory, offering a tribal groove layered with eerie, hypnotic elements. The haunting melodies create a sense of being swept into a deep, mystical rave, where the rhythm pulls you in. Subtle house influences sneak in as the track progresses, with distant keys adding a sophisticated touch that leaves an impression on you.
'Every Pleasure, Every Sin' shifts gears, delivering a refreshing blend of ambient house that feels like a breezy summer afternoon. The track is pure elegance that harkens back to the vintage early 90s. The remix of the same track turns things on their head, adding a wicked bassline, playful breakbeat, and a more ominous vibe. The inclusion of an acid line gives it a nostalgic, classic feel, ensuring this version stands out with its playful edge.
Definitely an artist to watch in the future."
Review: In June, Actress delivered an RA mix that was nothing short of surprisingientirely new, unheard material from Darren S. Cunningham himself. Asked if it was an album, he called it "a collage -Braque," leaving interpretation open. This CD edition captures the essence of Actress's sound: fluid, shape-shifting, and unconcerned with traditional definitions. Whether a mixtape or sonic collage, it's unmistakably Actress, offering listeners a raw, evolving soundscape that resists labels and challenges boundaries, making it an essential piece for fans of his ever-innovative style.
Review: This new solo outing from Aussie talent Ad Nauseaum has it all - acid, rave, techno, hardcore and more. 'Omega System' sets a pretty brutal tone to get things underway with filtered synths and blazing acid lines searing about the mix over raw, hard, flat drums. 'Alpha System' is even quicker and brings serrated synth madness to video game motifs and slamming kicks. Last of all is 'Always Acid,' a track that was made back in 2004 but doesn't sound in any way out of date. It's another one to blow the roof off any party.
Review: Utter wildness ensues, and the dancefloor is left tarnished. After the success of their last release together, 'Mirazh', Thomas Schumacher and A.D.H.S. reunite for a potent follow-up, both bottling and jarring the essence of Berlin techno. Simplicity abounds on 'Ex Machina' - perhaps alluding to the portentous Alex Garland film of the same name whose artificially intelligent omens will never leave us - as repetitious carnival drums blend madly with a semaphoric, high-octave melody. 'Umbra' and 'Morbida' are of course wicked techno accompaniments to boot, but in our view, it's really the A that risks most for the biscuit; we're sure you'll love it.
Review: AgainstMe makes a powerful debut on 47 with four tracks of deep, spiralling techno rooted in Berlin's famous underground energy. The Greek producer showcases his signature multi-dimensional sound design well here as he fuses dynamic rhythms and immersive atmospheres with great precision. Each track builds on a foundation of undulating basslines and intricate textures, which takes you on a trip through shifting sonic terrain. From hypnotic momentum to cavernous depth, there is a balance between raw propulsion and detailed production that makes for a bold, immersive statement that positions AgainstMe as a key rising voice in forward-thinking techno.
Review: Agonis' debut album Neutropia receives a well-earned remix treatment here. Originally released in 2021, the album showcased Agonis' evolution beyond deep, hypnotic techno by incorporating half-paced drum & bass, rolling amen breaks, trip-hop and futuristic techno. Neutropia Remixed broadens this palette further with four distinctive reworks. Carrier slows 'Thermo' into a half-time rhythmic masterpiece, Christina Vantzou crafts a mesmerising drone trip, upsammy injects shimmering dynamics into 'Algoflash' and Felix K transforms 'Pyrchid' into an intricate drum workout.
Review: If you like your techno slung at you in emotive waves, look no further than Alarico's latest LP. Releasers Primal Instinct speak as if to restore to techno its very essence by describing an asymptote of techno, one that must be held fast to or lost: "complex and groovy patterns generated by advanced, yet organic sound design, unifying the two antipodes that create the essence of techno: primitivism and innovation." Alarico's record is an exemplary egg of this principle, hatched from within the PI hutch: over the span of two years, many of these tunes come culled from the Milanese producer's live performances, and prefer reams of wavy emotion amid hard pummellings. Unlike many of his peers, Alarico is unafraid of varying the tonal centre, interceding stark and heavy drum design with moving progressions, yet not indulging overt tranciness, as on the drowned world of 'Mezcal & Sangre' or the opening vibe-promulgator 'Iruka'.
Review: Aleqs Notal shares a machinic new EP of counfounding delights for the Industrial Light label, also run by the artist and based out of Paris. Named after the artist's debut release which shared equal sides with fellow producer Modern House Quintet, here Notal changes the game, occupying a full four sides of wax. The A-siders 'City Smile' and 'True I Am' bring atmospheres of motoric rigidity, functioning as premier schema for the human navigation of comparatively less human urban environments. 'Let Me In' and 'Confused Reaction' offer similar blueprints, though there's an ever so slightly upped acidity on the B2.
Review: Leeds is a city that has always primarily been known for its house scene, but Nathan Alexander is an ever more vital talent who is delving deep into futuristic techno. After a fine outing on Drum Workouts late last year, he's now back on NIX with a shadowy, body-moving three-tracker. Opener 'Language' sets the tone with sharp stabs and a moody tension that gets the space-trip underway. 'Pulsewidth' raises the energy with heavy low-end and warped textures, glitchy stabs and funny, swinging drums. The title track 'Skin' stretches into tribal rhythms, hypnotic vocal snippets, and deep filter sweeps and taps into that liminal space where reality slips. All in all, these are seriously punchy but sensual and immersive late-night weapons.
Review: Ross Alexander debuts on Yore and brings with him a more tech-leaning sound that you might expect of this traditionally techno-centric outlet. It still calls on plenty of Motor City signifiers, however, such as warm synth soul, machine grooves and a dusty depth. 'Soul Roots' has all that and a cosmic melodic air, 'Cycles' gets more twisted with a pressurised baseline and drums full of rebound while 'All I Need' sets off on freewheeling, psychedelic pads and serene grooves that carry you away in a reverie before 'Reflections' shuts down with twinning cosmic pads and gurgling low ends. A classy and escapist EP of futuristic bliss.
Review: It's double figures for Bruto Industries, who as the name suggest like to offer up brutalistic techno bangers. These latest six missives come from Alf who opens with lurching beat beats and zippy synth loops that lock you in the moment. 'Servil Comadreja' is another broken beat rocker this time with twitchy synth modulations and acid lines slashing through the mix. There is raw machine rigidity to 'La Tipica Historia' that echoes the vibe of EBM and three further cuts keep exploring a rase of textures and busted rhythms with 'Raquitismo' being particularly heavy.
Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno and now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label is one well worth watching.
Review: The sixth release in the 303 Pattern series marks the first time artists' identities are revealed. What doesn't change is the fact this is a powerful 12" of hard-hitting, hypnotic and atmospheric acid techno with the legendary Roland TR-303 at its core. Alien Rain makes his debut on the label with 'Holosexual's' raw drums and distorted acid lines, Akkaelle's 'Acid Mood' delivers funky, bouncy techno energy with atmospheric depth and Sour returns with another hypnotic, high-intensity bomb. Closing in style is Dima Gastroller who drops a banger of an acid techno track that should come with a health warning for anyone with a weak heart.
Review: Altone aka. Yuki Takasaki is a champion channeller of dub techno trueness, having made many a wave on the Tokyo underground scene already; his efforts come to a renewed head on the new EP for Primary Colours, 'Wonderscape Numinous', a high-impedance, phantom-powered trip through figurative J-scapes; to 'Self-Replication', 'Adaptive Swarm' and 'Wonderscape Numinous', we imagine a simulacrum web of nanobots splayed across the city, their many lens refocusings and field reconfigurations emitting a syntonic electric hum. The closer is especially beautiful, haunting the nighttime itinerant ear with cutoff chord ricochets and an endless fumbling foley sound; the sound recalls a restless cyborg, endlessly fiddling with its field recording equipment as though it were a dopaminergic Rubik's cube.
Review: Yuki Takasaki aka. Altone delivers tactile dub techno tonage with 'Wonderscape Numinous', his latest miracle EP to hit the Primary(Colours) shelves. Honouring traditional dub techno sounds while also treading new counterweighted waters, this is a short symphony of reverberative basslines and delicate synths, reminiscent of skulking Tokyo streets, gripped by a hooded curiosity for the urban alley, the railway underpass, the red lit skyline. Brendon Moeller brings a UK bassier womp to 'Self Replication' - itself a self-replicating track, as there's not one but two versions - replete with silicate sound design that both sloshes and tinkles away in the mix's midfield, like a quantum energy source, overflown with potential.
Review: With over half a dozen releases on the techno instituion that is this label, Spanish producer Toni Alvarez continues to perfect his ability to craft tracks that resonate with both energy and depth that are ideal to represent the label. The title track, 'Groove System', kicks off with looped melodic chords and immaculate production, creating an irresistible rhythm that captures the essence of modern techno. 'Jingo' follows with a pounding beat, tribal undertones and a primal energy that veers into sci-fi territory, making it perfect for adventurous DJs. On Side-2, 'Magalenha' dives deeper into tribal elements, delivering a thunderous groove that commands the dancefloor. Closing the release, 'Land Of Nowhere' offers hypnotic loops and hard-hitting percussion, seamlessly blending upbeat energy with an entrancing rhythm. With this EP, Alvarez not only reinforces his status as a Planet Rhythm mainstay but also continues to push boundaries, delivering tracks that are as functional as they are engaging.
Review: This new one on mysterious UK label MoonVoid Records serves up a trio of previously unreleased tracks that were originally recorded in the early 90s on tape cassette by Benjamin Wetherill under the Amethyst Moon alias. Apparently this EP is the first of a few, which is great news once you hear them. 'Lifestheme' is a crunchy and wiry electronic workout with fizzing synths and dense beats. 'Human At The Controls' brings slower rhythms and snaking synths and hissing hits while 'False Alarm (Look Over Your Shoulder)' spins you out in silky cosmic synths and snappy metallic snares.
Review: There is a murky underworld feel to these new techno sounds from Ireen Amnes. They come on the cultured KR3 label and soon hook you in as 'Images Of Us' is both deep and moody but dynamic and impactful. 'Surrounded' flips the script with more industrial drums and an unsettling sense of urgency then 'October' daisy it back to cavernous dub 'scapes with lonely vocal musings. 'KTO' brings lithe broken beats and 'I'd Rather Be Sleeping' is a suspenseful ambient sound.
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