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Notes: Inside the brand new issue:

Cosey Fanni Tutti: The industrial music icon has been to Hull and back with her new album 2t2. By Claire Biddles

Quinton Barnes: The Montreal rapper and producer flips the script in a new project with free musicians. By Emily Pothast

David Van Tieghem: The New York percussionist who has played with everyone on the Downtown scene receives a dedicated collection of his own work. By Robert Barry

Happy Family: Over four decades the Japanese group have moved from rigorous prog to euphoric harmony. By Daniel Spicer

Amina Claudine Myers: Honing her skills on the old school nightclub circuit, the keyboardist is now forging ambitious suites for choir and pipe organ. By Stewart Smith

Quade: Landmark album. By Lucy Thraves

Milk Eyed Sigh: Let it bleed. By Misha Farrant

Liu Zhenyang: Language games. By Josh Feola

Invisible Jukebox: billy woods: Will The Wire's mystery record collection be recognised by Backwoodz Studioz's main man? Tested by Mosi Reeves

Global Ear: Bratislava's LGBTQI+ scene creates safe spaces amid repressive policing. By Chiara Rendekova

Unlimited Editions: LA's Colorfield label creates spontaneous studio magic. By Daniel Spicer

The Inner Sleeve: Circuit Des Yeux on Weyes Blood's Titanic Rising

Against The Grain: Jo Hutton celebrates radiophonic art as a unique field of creative endeavour

Epiphanies: Daniel O'Sullivan steps outside of himself via the ambiguous, understated moods of library music

Soundcheck: Al Karpenter, Anika, Black Arches with Sexton Ming, Blind IO, Ivor Callin, Rex Casswell, Nels Cline, Coffin Prick, Cosmic Ear, Angel Bat Dawid, Angel Bat Dawid & Naima Nefertari, Demonologists, Deradoorian, Peter Evans & Petter Eldh, Adam Fairhall & Johnny Hunter, Fatboi Sharif & Driveby, Flying Lotus, Mary Halvorson, Jenny Hval, IOM, Evan Johnson, Eleonora Kampe, Kelan, Phil Langero, Ingrid Laubrock, Annea Lockwood, David Longstreth/Dirty Projectors/s t a r g a z e, Lullahush, Sue Lynch & Regan Bowering, Mamuthones, Gabriele Mitelli: Three Tsuru Origami featuring Camila Nebbia, Mopcut, Moundabout, Bill Nace & Evan Parker, Maggie Nicols & Dan Johnson, Paal Nilssen-Love Circus with The Ex Guitars, Bill Orcutt Guitar Quartet, Kory Reeder, Marc Ribot, Crystabel Efemena Riley, Scanner & Nurse With Wound, Ferdinand Schwarz, Nadah El Shazly, Sleep Unhealed, Alan Sparhawk, Spellling, Stereolab, Surgeon, Territorial Gobbing, Luca Tilli/Sebi Tramontana/Steve Beresford, Julia Olehla & Dalava, Kamasi Washington, Water Damage, billy woods, Youth Code, Various Marc Urselli's Best Of Ramones Redux, Various Marc Urselli's Ramones Redux, Various Only sounds that tremble through us, Various Planet Mu 30

The Columns: Avant Rock by Tony Rettman; Dub & Reggae by Steve Barker; Electronics by Emily Bick; Hiphop & R&B by Richard Stacey; Jazz & Improv by Bill Meyer; Modern Composition by Julian Cowley; Noise, Industrial & Beyond by Raymond Cummings; Size Matters by Byron Coley

The Boomerang: Ash Ra Tempel, Henry Badowski, Cindytalk, Julee Cruise, Purple Trap, Various Born In The City of Tanta: Lower Egyptian Urban Folklore & Bedouin Shaabi From Libya's Bourini Records 1968-75, Various Eli Roth's Red Light Disco: Dancefloor Seductions From Italian Sexploitation Cinema, Various Roots Rocking Zimbabwe, Various Secret Superstar Sounds: Scraping Bubblegum Off My Soul 1977-80

Print Run: America's Greatest Noise by Frans de Waard; Music In Orbit: Satellite Radio In The Streaming Space Age by Brian Fauteux; The Capitalist Imaginaries Of Popular Music by Charles Fairchild; Feel Like Going Home: Portraits In Blues & Rock 'N' Roll by Peter Guralnick; Krautrock Eruption: An Alternative History Of German Underground In The 60s And 70s by Wolfgang Seidel; Dub: The Sound Of Surprise by Helmut Phillipps (translated by Ursula Munch); Studio Electrophonique: The Sheffield Space Age From The Human League To Pulp by Jamie Taylor; To Hell With Poverty! A Class Act: Inside The Gang Of Four by Jon King

On Screen: Harmony Korine Baby Invasion; isold Uggadottir Cornucopia

On Location: Tribute To Maryanne Amacher, Paris, France; Hamid Drake & Michael Zerang Winter Solstice Concerts, Chicago, US; Rewire, The Hague, Netherlands; Only Connect, Stavanger, Norway; TLF Trio + CTM/Frederik Worm, Los Angeles, US; Wendy Eisenberg & Ryan Sawyer, London, UK; Counterflows, Glasgow, UK; From The Lips To The Moon, London, UK; MaerzMusik 2025, Berlin, Germany; Maher Shalal Hash Baz, London, UK; Big Ears, Knoxville, US

On site: Kathe Kruse, It's All Good Now, Berlin, Germany

Notes: The Vinyl Tonic 12" Vinyl Sleeve provides the perfect protection for your record collection. The vinyl sleeve measures 12.75" x 12.75" allowing you to fit on standard size 12" single or gatefold jacket.

Box Contents: 50x 12" Vinyl Sleeves

Notes: Typost's non-woven cloths are specifically designed to be gentle on your records, are resistant to fluff and fiber scraps and absorb dirt firmly. They are made of environmentally friendly materials and minimizes static electricity generation.

Review: Jimi Tenor's latest single, ahead of his upcoming album, presents two contrasting moods that evoke his inimitable style with striking clarity. 'Summer of Synesthesia' conjures the feeling of long summer days, where sound melts into colour and colour into flavour. The track flows with a dreamy synth progression, subtly assembled over Cold Diamond & Mink's rhythm section, while Tenor's soft vocal adds a final touch of elegance. It's a sweet escape, a piece that envelops you from start to finish. On the flip, 'Tsicroxe' is a stark departure, opening with a menacing organ riff straight out of a horror film. The funk underneath from Cold Diamond & Mink grounds it, but Tenor's eerie flute solo keeps the tension high. It's a dark, ritualistic journey and the cryptic vocal snippets at the end are an invitation to rewind and discover something hidden.

Review: West Coast soul outfit Thee Baby Cuffs keep the slow-burning romance alive with 'There Ain't Enough Roses', a tender ballad drenched in harmonised falsettos and vintage charm. Now composed of Joe Narvaez and Reality Jonez, the group channels classic lowrider soul, working once again with Finnish production outfit Cold Diamond & Mink. Their signature downtempo style remains intactilush instrumentation, delicate grooves, and a melody built to sway. Previous Timmion singles like 'My My Baby' and 'You're My Reason' cemented their status as torchbearers of group soul, and this latest offering only deepens that legacy. On the flip, a flute-led instrumental nods to Steve Parks, sealing the track's timeless appeal.

Review: Talented funk, jazz and soul outfit Bronze, Silver & Brass are back on Finland's finest Timmion Records with a second outing that confirms their top-shelf credentials. This latest high-grade outing opens with 'Renard's Groove which bursts forth and has a speedy, dramatic rhythm driven by tight guitar riffs and breakbeat energy, ll with hints of 1970s cinematic charm. Then comes 'Brass In Motion' which slows the tempo with a smooth, mid-paced jazz-funk groove. It balances its funky vibe with a lyrical, laid-back charm and is another gem from this increasingly essential band.

Notes: Synth Cables' braided quality 6.5mm to 3.5mm adapter cables.

Features

Braided stiffer cables, perfect for connecting synthesiser systems, mixers and EuroRack modules together
Quality Nickel Plated 6.5mm Male to 3.5mm Male Mono TS connection
Cables built to high specification 28awg *1C + spiral shielded wire
Planet friendly PVC, recyclable cables

Notes: Synth Cables' braided quality 6.5mm to 3.5mm adapter cables.

Features

Braided stiffer cables, perfect for connecting synthesiser systems, mixers and EuroRack modules together
Quality Nickel Plated 6.5mm Male to 3.5mm Male Mono TS connection
Cables built to high specification 28awg *1C + spiral shielded wire
Planet friendly PVC, recyclable cables

Notes: Synth Cables' braided quality 6.5mm to 3.5mm adapter cables.

Features

Braided stiffer cables, perfect for connecting synthesiser systems, mixers and EuroRack modules together
Quality Nickel Plated 6.5mm Male to 3.5mm Male Mono TS connection
Cables built to high specification 28awg *1C + spiral shielded wire
Planet friendly PVC, recyclable cables

Notes: Synth Cables' braided quality 6.5mm to 3.5mm adapter cables.

Features

Braided stiffer cables, perfect for connecting synthesiser systems, mixers and EuroRack modules together
Quality Nickel Plated 6.5mm Male to 3.5mm Male Mono TS connection
Cables built to high specification 28awg *1C + spiral shielded wire
Planet friendly PVC, recyclable cables

Notes: Synth Cables' braided quality 6.5mm to 3.5mm adapter cables.

Features

Braided stiffer cables, perfect for connecting synthesiser systems, mixers and EuroRack modules together
Quality Nickel Plated 6.5mm Male to 3.5mm Male Mono TS connection
Cables built to high specification 28awg *1C + spiral shielded wire
Planet friendly PVC, recyclable cables

Notes: Connects pedals that have a power connector with reverse (center positive) polarity to the Strymon Ojai or Zuma power supply.

Connector #1: 2.1mm straight
Connector #2: 2.5mm female.
Polarity: reverse (center positive) Length: 6" (15cm).

Pedals that require this cable include some models Line 6, Electro-Harmonix, Eventide and others.

Notes: 18"

Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.

Connector #1: EIAJ-05 straight

Connector #2: EIAJ-05 right angle.

Notes: 9"

Connects a Strymon Ojai power supply to either the provided power block (PS-124) or to another Strymon multi- power supply (Ojai + Zuma, Ojai + Ojai) for expanded flexibility.

Connector #1:EIAJ-05 straight

Connector #2: EIAJ-05 right angle.

Notes: Connects pedals that have a power connector with reverse (center positive) polarity to the Strymon Ojai or Zuma power supply.

Connector #1: 2.1mm straight
Connector #2: 2.1mm female.
Polarity: reverse (center positive) Length: 6" (15cm).

Pedals that require this cable include Janglebox pedals, some Fulltone and some Moogerfooger pedals, and others.

Review: The 40th Anniversary Edition of Wham!'s iconic Christmas hit is a nostalgic trip through the beloved holiday classic. The first track, the original version remains as timeless as ever with its catchy melody and emotional lyrics, capturing the spirit of both love and heartbreak. The 'Pudding Mix' adds a playful, slightly altered twist, giving a fresh take on the classic while maintaining its festive charm. The live version recorded at Wembley Arena in 2006 showcases the energy and warmth of Wham!'s performance, adding an exciting, crowd-fueled vibe. Finally, the instrumental version strips down the vocals, letting the lush production and catchy synths shine in a new light. A Christmas classic!

Review: Dream pop loving indie rockers The Pains of Being Pure at Heart announced their reformation last year, having previously called it a day at the end of 2019. While we wait for new music, former label Slumberland Records - the imprint that first pushed the New York combo into the international spotlight - has offered up this slender retrospective focusing on the band's formative years at the tail end of the noughties. Atmospheric, with a uniformly 'big' (if lo-fi) sound (they loved reverb back then), the collected cuts sound like they were recorded at the turn of the nineties rather than at the end of the noughties. Highlights are plentiful though, with our picks including jangly anthem 'Side Ponytail', the brilliantly titled 'Kurt Cobain's Cargidan' and the effortlessly upbeat and life-affirming swell of 'Higher Than The Stars'.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


The Raw Joints series is one of the best things about the ever-excellent SlapFunk Records, and now the Dutch label is back with a fresh bout of sounds from some of the most inventive artists operating in the minimal house sphere. Ferro's "Electric Sunshine" leads the charge with a militant groove and a rubbery bassline to die for. William Caycedo has a rugged, sample slicing thrust at work on "Mi Casa", while Malin Genie takes things far out on the wonderfully freaky "Superposition". The record wraps up with Ingi Visions, whose "RJG" wriggles into a skippy 2-step groove that will have bodies shaking uncontrollably when it gets deployed in the dance.