Review: The forthcoming collaboration between anaiis and Grupo Cosmo presents a captivating fusion of contemporary soul and Brazilian musical traditions. The album features tracks like 'Toda Cor' and 'Voyage,' which blend anaiis's soulful vocals with Grupo Cosmo's rich instrumentation, creating a sound that is both innovative and deeply rooted in cultural heritage. This milky vinyl LP offers listeners a unique auditory experience, highlighting the seamless integration of diverse musical styles.
Review: Belgian-Moroccan singer Aicha Haskal is at the heart of this fabulous project which sees her joining creative forces with super-talented musicians from the Belgian scene. Between them, the group has a mad diverse spread of backgrounds and influences which means their music too is broad in scope - psychedelic sounds and funky grooves, Arabic melodies and European rhythms all feature in this album as do rap and parlando. Egyptian poet Abdelhamid Farag penned their first single 'Ghalat' and now this album expands around that with music that fights the oppression of women and fights for revolution.
Review: Medway's garage rock king Allan Crockford has credits flittering all the way back to the 80's including the likes of The Prisoners, Billy Childish's Thee Headcoats, The Solarflares, and even the OG line-up of the James Taylor Quartet, to name but a handful. Keeping sharp and busy, however, The Galileo 7 serves as his own passion project; melding 60s mod-beat garage rock with jangling psychedelic pop, leading to a sonic bickering between anthemic hooks and fuzzed out, twinkling guitar lines. Following two exceptional full-lengths released through Damaged Goods; 2017's Tear Your Minds Wide Open! and 2019's There Is Only Now, the collective return after a half-decade of respite to deliver another batch of lysergic, hazy power pop goodness, intended for the wannabe mod/hippie in all of us.
Review: Gandalf's 1969 self-titled album stands as a masterpiece of haunting psych-pop, now reissued from the original master tapes. Recorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur, the album's ethereal vocals and innovative production techniques - including the use of a Binson Echorec - set a mesmerising tone. With sitars, vibes, B3 organs, and harpsichord layered over minor guitar chords and bass drones, each track unfolds like a vivid journey through sonic landscapes. Released on clear vinyl and cut by Kevin Gray, this reissue invites listeners into a richly textured experience best enjoyed with eyes closed and the music turned up. Gandalf's album is a shinning example of timeless craftsmanship in psychedelic music, beckoning both old fans and new listeners alike to immerse themselves in its beauty and depth. This version comes on clear vinyl.
Review: Building on the success of their A New Kind of Love album back in 2022, Ghost Funk Orchestra ventures further into the realms of film music, exotica, and psychedelic surf rock with new record A Trip To The Moon.' It was written with the aim of creating a richly layered and collaged listening experience with myriad elements waiting to be discovered with each new spin, and they have certainly achieved that. Featuring fuzzy guitars drenched in spring reverb and horns arranged in a studio big band style, it offers a blend of garage rock attitude and big compositions with influences like Eddie Palmieri and Dusty Springfield to be found within. It also features real recorded transmissions from the Apollo moon missions weaved throughout the tracks as a tale is told of a woman left stranded on Earth by her cosmonaut partner.
Review: Formed in the peak pandemic year of 2020, GIFT emerged during a challenging time but quickly found their sound as they blended early shoegaze, 90s alternative rock and modern pop. Their 2022 debut Momentary Presence showcased their potential and now their new album Illuminator on Captured Tracks further highlights the band's ever-evolving sound and unique chemistry. With nods to label mates like Beach Fossils and DIIV, GIFT creates sleek, danceable, and mesmerising tracks led by TJ Freda. The quintet deftly explores themes of time, love, and change through standout songs like 'Wish Me Away' and 'Going In Circles' to make Illuminator a soundtrack to life's fleeting moments.
Review: Scott Gilmore's tracks are deceptively pared back. Putting an Arp Odyssey, Yamaha CS-01, Korg DW-8000, Hohner Pianet T, Roland TR 606, Roland SH 101, bamboo alto saxophone, clarinet, electric guitar and electric bass to very good use on this nine track Balearic-downtempo stunner, the tunes are easy to groove with yet subtly complex. They feel simple, but are incredibly detailed. Veering between a kind of synth-y smooth jazz, lounge, lofi electronica and sunset instrumental, Volume 01 is the proof after the promise of Gilmore's 2019 debut, Two Roomed Motel. Second album in and it's quite clear how talented the guy is. We just wish there was more information available for us to get to know him better with.
Review: Brooklyn-born, New Orleans-based multi-instrumentalist Gitkin delivers a rich fusion of global sounds on Golden Age, his latest ten-track album. Known for his guitar-driven style, Gitkin blends the rhythms of cumbia, North African, and Middle Eastern music, creating a sonic journey that feels both expansive and deeply rooted. As the frontman of The Pimps of Joytime, a staple in the festival circuit, his influence on the soul-funk scene is undeniable. From Bonnaroo to Electric Forest, Gitkin has built a reputation for electrifying live performances. Beyond his own projects, he's produced for artists like Corey Henry, Bernard Purdie and Cedric Burnside, whose Benton County Relic earned a Grammy nomination for Best Traditional Blues Album. With Golden Age, Gitkin further explores the intersections of global music traditions, weaving his soulful guitar into a captivating tapestry that speaks to his wide-ranging influences.
Review: Russia's Gnoomes (aka Sasha Painkov and his wife Masha Piankova) have really overcome some hefty odds to get out their new album Ax Ox - the pandemic, illness, depression and of course turmoil back home. But it was worth the graft as they offer up a potent and moving mix of melancholia and strident optimism. The mix up the hope of dream pop with the drive of Krautrock, the vidid melodies of transcendent music with plenty of great narratives about the troubled relationship the band has with their home country. This is an eye-opening and thought-provoking record that is very much reflective of the troubled global times in which we love.
When The Food Runs Out (We Still Have Each Other) (3:24)
I'm Going Down To Hell (5:25)
Keep Your Eyes Wide Open (4:33)
In Flames (4:32)
Al-Sayyida (4:56)
Dance For You (4:27)
Creeping Vine (4:11)
Regeneration (3:20)
Review: Reading-based Garage/Punk/Psychobilly band The Go Go Cult signed to the iconic rockabilly-led Western Star label in 2012. This electrifying new album is their sixth studio record since then and it's an electrifying addition to their back catalogue. Led by a frontman who rivals The Cramps' Lux Interior when it comes to a darkly-theatrical approach, the tracklist is bursting with highlights. 'Black Is The Colour Of My Love' is hypnotic and menacing, 'When The Food Runs Out' nods to Joy Division, whilst 'Regeneration' has an air of Fat White Family about it. The label only pressed a limited number of copies, making it potentially a future collectible, not to mention its stunning, niche work of art thanks to retro illustrator Vince Ray's cover.
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