Ex Demo B-Stock Equipment

Notes: ***B-STOCK: Paint chip on some parts***


A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case

Notes: ***B-STOCK: Box opened, product in perfect working order***


The entry-level option to get started with Akai's MPC workflow. Hardware controller for the MPC 2 software, which runs on Mac or PC. Features 16 MPC pads and a new assignable touch strip.

Supplier's Notes:
MPC Studio is a Complete MPC System

MPC Studio brings the total MPC experience to your computer by combining intuitive hardware control and innovative, inspiring software. Load a loop from the library, chop it into samples, lay down a beat, then play instruments over it to add more melodic textures. Add some insert effects to develop your song structure and arrangement, or to build drops and transitions. MPC Studio makes your workflow one continuous stream of non-stop creativity.

Premium Pads for Perfect Production

Pad performance is the top priority for any beat maker. With MPC Studio, you can be confident that every beat and note will be right on time, every time. Velocity-sensitive RGB pads mean maximum expression, whether you're playing soft melodies or booming kick drums with coloured visuals to keep track of your velocities and pad groupings. Switch from Note to Chord Mode quickly and build out your tracks right as inspiration strikes.

Assignable Touch Strip Control and Expression

Create your own signature sounds with the assignable Touch Strip. This fluid controller bends and shapes your sounds however you want. Make that pad synth more mysterious with a swell, control the roll of your hi-hats to fill your trap drumbeat, or make that guitar part more realistic by articulating the strum right where you need it. Assign any of the numerous knobs, sliders, and parameters to the Touch Strip for new and inventive manipulation of any track. Add dynamic and real-time Touch Strip effects for the ultimate live production and performance.

Colour Screen for Vibrant Feedback

When you're locked in the creative moment, the vibrant colour screen ensures you can keep your hands on the MPC Studio and your focus on the music. Whether you need to trim a waveform, browse through instruments, samples, and plugin presets, or adjust parameters on the fly, the screen gives you the visual feedback you need in a moment's glance without having to stop your workflow and reach for your laptop. When it comes to your musical efficiency, every moment matters, and every move needs to help you effectively capture your ideas to finish your songs faster.

World-Class Plugins & Effects

MPC Studio includes an extended palette of sounds, instruments, drum samples, loops, insert effects, and much more to both spark your creativity and complete any music project or task. With over 100 instrument and effects plugins combined, MPC Studio can tackle any style or genre of music with rich, inspiring sound. The modern-day beat making insert effects plugins are powered by award-winning AIR Music Tech. with powerful editing, arranging, and mixing tools including the AIR Vocal Suite. Create, record, and mix the perfect vocals with the Vocal Suite to add everything from pitch correction, to harmonising, to thickening your vocals and audio tracks with the AIR Doubler.

Includes MPC2 Software

Akai Professional's acclaimed MPC2 Software works seamlessly with MPC Studio for the ultimate beat making and music production experience. This cutting-edge production suite and DAW combines 128-track sequencing capability, real-time time stretching, advanced MIDI editing capability, VST compatibility, and numerous plugin instruments and Insert Effects for creating and mastering professional finished songs and tracks. MPC2 software has a dedicated set of plugins to record and produce the perfect vocal recordings with the AIR Vocal Suite including automatic vocal tuning, vocal doubling, and vocal harmonising. Legendary plugin instruments including AIR Hype, AIR Mellotron, AIR Solina, and WayOutWare Odyssey, among others, offer a plethora of world-class sounds and presets to sculpt the perfect master track. A massive suite of modern plugin Insert Effects powered by AIR Music Tech - including a Limiter for finalising tracks - rounds out the infinite music and beat making possibilities.

Includes Loop Content From: Decap, F9 Audio, Mvp Loops, Rawcutz, Snipe Young, and more.

Technical Specifications:
Pads: (16) velocity- and pressure-sensitive pads, RGB-backlit, (8) banks accessible via Pad Bank buttons Knobs
Knobs: (1) 360- push encoder for display navigation and selection
Touch Strip: (1) multi-function 5.5" (140 mm) touch-capacitive controller with LED indicators
Buttons: (39) LED backlit dedicated function buttons
Display: Full-colour LCD
Connections (1) 1/8-inch (3.5 mm) MIDI input, (1) 1/8-inch (3.5 mm) MIDI output, (1) USB Type-B port
Power: via USB
Dimensions (width x depth x length): 12.0" x 6.7" x 1.5"/305 x 171 x 37mm
Weight 1.8 lbs./0.83kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


MIDI keyboard controller with production software package

Your entry-point into a world of pro production starts here. Introducing the MPK mini mk3, the third iteration of the world's legendary best-selling mini keyboard controller that redefined how a generation of creators makes music.

Everything the modern producer demands is here: Universal compatibility for instant integration with your favorite host music production application; it's compact size makes it an ideal travel companion; its arsenal of pads and assignable controls let you take complete command of every aspect of your production; the new Gen 2 enhanced dynamic keybed guarantees your performance is captured with every subtle infection of your delivery.

For the beginner, MPK mini is a complete package with every tool you need to create hit songs from the get-go. For the working professional, MPK mini is the ultimate musical Swiss Army knife, ready to deliver on any musical task. Every song starts somewhere, so rid yourself of any roadblocks by starting your next hit with MPK mini.

New to MPK mini is a reimagined Gen 2 enhanced dynamic keybed, delivering a piano key performance fit for the world's finest keyboard players. From grand pianos to searing synth leads and lush electric pianos, this keybed guarantess to get the best out of any playing style and virtual instrument.

Add that human touch to your drum tracks with 8 pads pulled right from Akai's flagship MPC series. These bankable velocity-sensitive backlit MPC pads deliver the perfect touch for precise drumming and melodic sample playback that even the most demanding performers will find unmatched.

KEY SPECS:

Note Keys:
(25) velocity-sensitive keys; 10-octave range with octave up/down buttons

Pads:
(8) assignable backlit pads, velocity- and pressure-sensitive; 2 banks

Knobs:
(8) assignable 360- knobs

X-Y Controller:
(1) configurable thumbstick with 3 modes

Connections:
(1) 1/4" (6.35mm) TS input for sustain pedal
(1) USB port

Power: USB Bus-powered

Dimensions (width x depth x height):
12.5" x 7.13" x 1.75"
318mm x 181mm x 44mm

Weight: 1.65 lbs./0.75 kg

Notes: ***B-STOCK: Slight surface marks ***


Innovative real-time sound mangling is the name of the game with the Timetosser. Hook up a stereo audio signal, re-order and re-sequence on the fly for a unique twist on DJing and live remixing.

*** Firmware update - October 2022 ***

As well as some bug fixes, this firmware update will add two more play modes to the unit: a looper and a slicer. The Loop mode allows you to record a loop of up to 16 beats, play patterns during that recording and have the Timetosser loop that, or remix a recorded loop like you would do in the original Live mode. The Slicer mode allows you to make slices of a recorded loop and play those slices on top of the live audio in MPC style. Overall a very quick and easy way to make live samples of your ongoing audio.

Next to that, Alter Audio have added a full set of new preset patterns which auto-remix your music by adding in a bit of beat shuffling, some nice offbeat timings and drop in the odd mute and reverse within the pattern.

Nice to know: The update brings Apple silicon support for the Mac version of the VST3 plugin as well.

Supplier's Notes:
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.

The novelty of Timetosser lies in the way it is used: the user is not simply enabling an effect, but has to actively and skillfully play the instrument in order to yield good results. By combining Timetosser with a classic DJ set-up, much value can be added to any stage act. Furthermore, Timetosser can be hooked up to any device, giving you much artistic freedom. From drum machines to modular synthesizers, from a single track on your mixer (e.g. guitar, vocals, drums .. ) to the master output. By adding Timetosser, you instantly gain a unique live effect by adding variety to your tracks and loops.

How does it work?

Standalone - Use the tap-tempo key to tap in sync with the music. From this, Timetosser learns the length of 1/4, 1/8 and 1/16 notes, as well as their triplets.

MIDI IN - Another option is to sync to midi-clock. By connecting the supplied mini-jack to DIN-5 adapter cable to the sync input, Timetosser is able to synchronise to an incoming midi-clock signal.

Analog Gate - The sync input also supports analog gate voltages. To use analog gate sync, just connect a standard mono mini-jack cable to the sync input directly.

MIDI OUT - Having both a MIDI-input and output means these will be usable from within your DAW software when Timetosser is connected to your computer. But the true advantage comes when Timetosser is used in standalone-mode. Since Timetosser detects the tempo of the incoming audio, the MIDI-output can be used to send out that tempo. This means you can synchronise your MIDI-gear and have them play in time with anything you feed into Timetosser. We're very excited about the possibilities this brings: blur the lines between deejaying and live performing by having synths and drum machines play alongside your tracks!

By pressing any of the keys of the upper row, the player basically selects a delay that is a multiple of the selected note length. By playing patterns using the upper keys , we can keep changing the delay time in a way that we can repeat a note, or change the order of the music entirely.

Size & weight

200 x 120 x 25 mm
380 grams

High-quality sound
Digital audio, up to
24-bit / 192 KHz
low noise, high quality codec
2-in / 2-out 1/4" jack connectors

CPU
180 MHz 32-bit ARM

microcontroller for real-time audio analysis and smooth visual feedback

VST plug-in

Use Timetosser as audio interface and plugin controller when connected to a computer

MIDI / Gate IN, MIDI OUT

Sync to MIDI-clock and analog gate voltage. Send detected or external sync as midi clock

Durable & minimal design

Sleek aluminium hardtop casing to withstand severe freestyle sessions
Full color spring loaded key switches for intuitive visual feedback and tactility
Compact (200x120x25mm.) and lightweight (380 gr.) standalone unit, ideal for touring

"Merge live performing with the DJ artform!"
Timetosser enables you to repeat parts and even completely change the order of any connected source. Have the power at your fingertips to instantly add variety to your tracks and loops.

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Chorda by Artiphon is a versatile, all-in-one musical instrument that combines the features of a guitar, piano, drums, and synthesizer - making it easy for anyone to create a wide variety of music. It's user-friendly, offering over 100 different sounds and touch-sensitive pads for expressive playing, ideal for both music enthusiasts and beginners.

An instrument built for you.

Chorda is the all-in-one instrument that adapts to the way you play. Whether you strum it like a guitar, play it flat like a piano, or hold it over your shoulder like a violin, Chorda will adjust to your style, making it the perfect instrument for both music enthusiasts and beginners alike.

Play every part of the song.

With Chorda's built-in synthesizer, you can easily create full songs by switching between the four instrument parts (Drum, Bass, Chord, and Lead) directly on the device. Each mode has unique capabilities, with hundreds of sounds to choose from.

Loop and layer.

Chorda's built-in looper lets you record and layer the four instrument parts, creating songs in seconds. Start with a drum beat, add a groovy bass line, throw in some angelic chords, and improvise a solo with a lead melody for as long as you want.

Adapts to the way you play.

Play Chorda like a guitar, flat like a piano, or hold it over your shoulder like a violin -- Whatever your style may be, Chorda will adjust to you.

Go beyond the touchscreen.

Use Chorda as a Bluetooth MIDI Polyphonic Expression (MPE) controller to take your production to new heights. Controlling your favourite music apps and software like Ableton, Garageband, Logic Pro, and more. You can even use MIDI to control your hardware instruments.

Smart playing modes

Chorda boasts a Strumable smart bridge, built-in arpeggiator, snap-to-grid and groove quantization, traditional set keys, an array of customizable settings, and effects to take your musical production to new heights!

Choose from hundreds of sounds.

Change sounds with the Artiphon Connect companion app. The app offers a diverse selection of over 100 sounds, drawing inspiration from various genres like Hip-Hop, EDM, Rock, and even traditional instruments such as violins and horns.

Or sample your own.

Create your own sounds and instruments with audio sampling in the app. Load them into Chorda, and it automatically adjusts to your chosen scale, allowing you to craft the perfect song with your own unique sounds.

On-the-go playing.

With Chorda's built-in speaker, onboard sounds, headphone jack, and rechargeable battery you can play anywhere creativity strikes.

Tech Specs

What's in the box?

Chorda
USB Cable
Quickstart Guide

Dimensions
440 mm (W) x 59mm (D) x 29mm (H)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out

Features

Multi-coloured LEDs
12 capacitive sense/ touch-sensitive pads
Built-in accelerometer
Built-in Gyroscope
Embedded Haptic feedback
Smart-strum bridge with 6 triggers
(A) menu button
Power + volume button
Built-in battery (up to 5 hours of battery life)
MIDI Polyphonic Expression (MPE) Support

Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI

Speaker System
3W built-in active speaker system

Compatibility
iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Notes: ***B-STOCK: Box opened, product in perfect working order***


Arturia's flagship audio interface is designed for maximum versatility as well as top quality sound. With 16 analogue inputs, 12 analogue outputs and an array of digital I/O including ADAT, MIDI and clock, your creative process won't be interrupted by reconfiguring your hardware.

Supplier's Notes:
AudioFuse 16Rig

Studio mastermind interface

AudioFuse 16Rig is a high-density audio interface that combines an unmatched array of connections with a creativity-first workflow, built to handle a hardware-focused setup and keep your devices always in sync, always sounding pristine, and always ready to go.

Make your sound count

Introducing an interface that lets you leave everything connected, route anything to anything, and be more creative with your projects.

A workhorse hub of connections and smart features designed to get the job done, no matter the complexity. A powerful, reliable production tool that can be moulded to suit your audio setup, your workflow, and your sound.

A standalone mixer

For DAWless recording, live mixing, and outside-the-box audio configuration, AudioFuse 16Rig just works. Fire up its two low-latency internal mixers for sessions away from the studio, process audio & MIDI without a computer connection, and save your configurations for instant recall and quick setup switching.

Intricate audio routing

Get hands-on with an interface that lets you configure its connections to suit any need, including multiple sends/returns for effects, quick A/B speaker monitoring, and more. The included AudioFuse Control Center even features a matrix for quick 'connect anything and everything' configuration.

Quantity, meet quality

Give every recording the shine, clarity, and projection it deserves with two high-quality digitally-controlled preamps and 24-bit AD/DA converters from ESS and Cirrus Logic. Whether it's red-hot synths, dynamic guitars, delicate vocals, or any combination of inputs, expect top-notch sound across the board.

Choose your workflow

Your interface should adjust to suit your setup, not the other way around. Control AudioFuse 16Rig's settings via the display or the included software, configure it for desktop or 1U rackmount operation, use the DC-coupled outputs to send signals to synth modules, and connect your high-impedance headphones.

It's time your music had an upgrade

x16 ADAT I/O
x8 Analog Line DC coupled Outputs
x16 Analog Line Inputs
x1 MIDI In & 2x MIDI Out/Thru
Wordclock I/O
24-bit AD/DA 192kHz
Creative FX Bundle Included

Smart design

Sometimes it's the little things that matter most. You need your gear to complement and enhance the way you work, and that's the driving force behind AudioFuse 16Rig.

See how every piece of the AudioFuse 16Rig puzzle fits together to deliver a dream interface for audio & music hardware lovers.

Premium FX included

Every AudioFuse interface comes with an ever-evolving suite of creative plugins curated from Arturia's award-winning FX Collection. Refine any incoming audio with vintage studio tools, get experimental with contemporary effects, and embark on a journey through classic & modern sounds with Analog Lab.

AudioFuse Range

The new studio reference

The AudioFuse interface range connects your computer to the world of music. Record with the highest quality, monitor with absolute precision, and bring all of your gear together to create the music you always wanted to.

Analogue signal path

The highest quality components are used in the input and output signal paths of the AudioFuse series, giving you an audiophile-quality experience with no compromise.

Powerful monitoring

Multiple outputs, integrated A/B switching, monitor mix options, and even headphone outputs with both 3.5mm and 6.35mm connectors. The AudioFuse makes monitoring a joy.

Huge versatility

Each AudioFuse interface has its own unique set of features designed to make recording as fun and easy as possible.

Main Features

16 x TRS analogue inputs
Includes 2 x high-quality digitally-controlled preamps
Inputs 3 & 4 also available as 3.5mm stereo input

12 x analogue outputs
Includes 8 x DC-coupled TRS line outputs
Stereo monitor outputs
6.35mm front-panel outputs for reamping, dual-headphones

2 x ADAT in, 2 x ADAT out

Up to 16 channels of I/O at 48kHz, 8 channels at 88.2/96kHz

Wordclock in & out

1 x MIDI in, 2 x MIDI out/thru
5-pin DIN connectors
Route MIDI standalone

Low-latency USB-C connection

Class-compliant MIDI
3 x USB hub connections

Two internal standalone mixers

No computer connection needed
Cue mixer for sub-mixing and added flexibility
Main mixer controllable by MIDI

Color display with rotary control & menu buttons
Desktop or 1U rackmount configuration
Includes AudioFuse Control Center
Includes AudioFuse Creative Suite

Analog Lab Intro
Comp DIODE-609* NEW
Pre 1973
Pre V76
Pre TridA
Filter MINI
Chorus JUN-6
Comp FET-76
Delay TAPE-201
Rev PLATE-140
Phaser BI-TRON

What's in the box

Box content
AudioFuse 16Rig unit
Power supply
2x USB cable

Instrument dimensions
size : 17.3 x 11.6 x 1.7 inches (493 x 294 x 43mm)

Platform requirements

Windows
Win 10+ PC: 4 GB RAM; Intel i5 CPU or faster
1GB free hard disk space
OpenGL 2.0 compatible GPU

Apple
10.13+: 4 GB RAM; Intel i5 CPU or Apple Silicon CPU
1GB free hard disk space
OpenGL 2.0 compatible GPU

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


The definitive MIDI controller keyboard, KeyLab MkII is a luxurious, expressive tool for your studio or live rig. Unsurpassed connectivity, effortless integration, customizable interface, and inspiring included software; there simply is no other MIDI controller quite like KeyLab MkII.

KeyLab MkII is an expressive, versatile, and superbly powerful next-generation USB MIDI controller keyboard. It features dynamic performance and studio controls, including a high quality 49-note keyboard with aftertouch, 16 RGB backlit pads, 9 faders, 9 rotary knobs, and dedicated DAW and transport controls. Its huge connectivity also includes CV/Gate outputs, so you can take command of outboard synth and Eurorack modules with ease. Factor in the amazing included software, and you've just found your ideal creative companion for the studio and stage.

Another level in terms of quality and luxury, KeyLab MkII is a treat for the fingertips and gives unprecedented levels of control over your music and software.

Both 49-key and 61-key versions of KeyLab MkII feature Arturia's Pro-Feel action, the same lusciously playable keybed as the MatrixBrute and MiniBrute 2. Sensitive enough to accurately capture the subtleties and nuances of delicate playing, while still being robust enough to feel the energy of high-impact playing.

Every version of KeyLab MkII also offers 16 RGB-backlit, multi-function performance pads which can be used in a huge variety of ways, whatever suits your performance style or studio needs best. Trigger custom chords, activate samples, quickly switch user maps, KeyLab MkII puts the "control" firmly back into "controller".

A gateway to software, KeyLab MkII features 9 rotary encoders, 9 faders, and a selection of fully assignable buttons to give you unfettered access to your virtual instruments, effects, and recording environment. Send and receive CV/gate data to bridge the gap between modular and MIDI, with a fully customizable setup.

To allow for maximum expression, and to put that unmistakable "human touch" into your music, KeyLab MkII features multiple expression pedal inputs, that can be assigned to whatever parameters you desire in your DAW or virtual instruments, and sports robust, luxurious machined metal pitch and mod wheels. Truly a live-performers dream!

Amazingly versatile, hugely expressive, and geared up to enhance your creativity and workflow wherever your music takes you.

Included is an impressive software bundle: Arturia's complete Piano V virtual piano instrument, Analog Lab 3, and Ableton Live Lite.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The music-making essentials

Whether you're a beginner producer, an experienced music maker, or anyone in between, unlock your full creative potential with a MIDI controller that breaks down all the barriers between you, your DAW, and your perfect sound.

Find joy in your workflow

Find the right sound faster than ever. Customise your mix in real-time. Finish that track with ease. Music-making shouldn't feel like work; KeyLab Essential removes barriers and puts the joy back into your workflow.

Your DAW, upgraded

Your favourite synth sounds, your DAW transport, and your mixing desk all in one. Enjoy next-level control over your sounds & DAW projects, seamless communication with Analog Lab, and a bundle of pro creative software to supercharge your sound.

Quickly inspire new ideas

KeyLab Essential doesn't just help you play & navigate your projects - it's also built to inspire. Summon catchy melodies, curious rhythms, and moving chord sequences with its array of creative features, and see where it can take your sound.

That quality feeling

You want the feeling of a premium instrument, the flexibility of a top-class controller, and the ease-of-use of a beginner keyboard. KeyLab Essentials sensitive controls, hybrid synth-feel keybed, and smart layout puts it all at your fingertips.

Your keys to creativity
However you choose to make music, KeyLab Essential has all the creative answers - before you've even thought of the questions. This controller fits right into your setup to become an extension of your creative identity.

Control any DAW

Enjoy plug-and-play connectivity and ready-mapped controls with your DAW of choice. KeyLab Essential doesn't just feature familiar MCU & HUI compatibility; it also has custom scripts for major DAWs for next-level integration.

Customize your workflow

KeyLab Essential easily adapts to your creative needs; recall your favourite 'liked' presets from Analog Lab, navigate your custom-made playlists, activate custom User programs for your own control assignments, and more.

At one with Analog Lab

Turn Analog Lab into a hardware synth and get hands-on with your sound thanks to KeyLab Essential's seamlessly mapped controls. Adjust sound parameters, tweak FX, and browse presets without ever needing to touch your computer.

Main Features

Premium Keybed quality:

61-note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls:

1 clickable encoder, 9 rotary encoders, 9 x 30mm faders, 8 transport switches, 4 command switches, 1 modulation wheel & bend wheel, 8 touch & pressure-sensitive pads

Display control:
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls

Smart features:
Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration:
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services:
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center, MIDI 5-pin DIN output for, connection to external instruments, gear, Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows:
Win 10+ (64bit), 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost), 3GB free hard disk space, OpenGL 2.0 compatible GPU, ARM processors not supported on Windows

Apple
Mac OS 11+, 4 GB RAM, 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU, 3GB free hard disk space, OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box
Box content
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 61 keys
Size : 35 x 9.45 x 2.76 inches (890 x 240 x 70mm)
Weight : 6.8 lbs. (3.08 Kg)

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Dimensions is a true stereo chorus effect for the Eurorack modular system featuring two algorithms. The first is a direct port of our Fluid chorus plug-in, and the second is taken from the unit's namesake. With automatic routing based upon what you plug in the I/O, Dimensions can do mono->mono, mono->stereo, and true stereo chorus duties.

Dimensions' Mode A operation is a ludicrously thick chorus. Most chorus effects have either a single delay line or a pair. Dimensions has six of them, each with its own modulation scheme. The Mode B operation changes the routing to match the vintage rack unit, but keeps the controls available. This results in a subtly different, but equally thick and appealing, effect.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Hi-X15 closed-back headphones are the workhorse of the award-winning Austrian Audio Hi-X series, bringing the crystal-clear and precise listening experience of High Excursion technology to everyday use at an unbeatable price.

Reach for Hi-X15 headphones when you need reliable sound and know things might get a little rough. Their sophisticated folding design, rare in this price range, means they're easy to store and carry, and their durable all-metal hinge and bow mean they're extremely robust. The closed construction and good insulation of the Hi-X15 headphones open up many areas of application. They're perfect for studio, stage, rehearsal room, on tour, or practicing at home.

When it comes to great sound, Austrian Audio have not compromised. Hi-X15 headphones use the award-winning drivers of the Hi-X series. The development of Hi-X technology is the result of decades of experience and state-of-the-art engineering. Thanks to the low impedance of 25 ohms, the Hi-X15 delivers precise sound even with weak amplifiers and mobile devices.

Specifications

Frequency range: 12 Hz - 24 kHz
Sensitivity: 113 dBspl/V
Impedance: 25 O
Input Power: 150 mW
Cable (detachable): 1.4 m
Connector: 3.5 mm (1/8")
Adapter (included): 3.5 to 6.3 mm (1/8" to 1/4")
Dimensions: 205 x 170 x 80 mm
Weight (without cable): 255 g

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiptop's reissues of iconic Buchla modules continue with the 285 frequency shifter. Edgy, twangy harmonic modulation with ring mod options and stereo operation via sum and difference outputs.

Supplier's Notes:
The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analogue stereo widening effects and more.

As Tiptop Audio continues its aural odyssey of preserving and transforming the hallmark engineering prowess of Don Buchla's namesake synthesizer modules, the 285t brings a constellation of blistering sonic-contouring tools to your Eurorack array. Like its predecessor, the Tiptop Audio Buchla 285t is a menagerie of modulation madness, offering variable degrees of ring, frequency, and amplitude styles of modulation. Plus, its dyad of modulation sub-modules operates independently, with dedicated audio and CV I/O for each, functionally giving you the sum of performance possibilities you'd get with two modules, all in one instrument. Suffice it to say: Sweetwater's synthesists commend Tiptop Audio on capturing the electric magic of Don Buchla's imaginative engineering while transposing it for the world of Eurorack to experience. For a constellation of timbral sculpting and summitting heretofore unknown peaks of daring synthesis exploration, the Tiptop Audio Buchla 285t Frequency Shifter module is your key. Discover what awaits at the fringes of Eurorack possibility!

Note: This module is not compatible with Buchla system voltages. CV signals require a distinct connectivity configurations. Please contact your Sweetwater Sales Engineer with any questions or concerns regarding compatibility or use in your Eurorack case.

Type: Frequency Shifter
Depth: 1.77" (45mm)
HP Size: 18HP
Power Usage: +12V/70mA, -12V/40mA
Power Supply: Requires Eurorack Case and Power Supply
Manufacturer Part Number: 285t

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The ideal support for your three Boutique synthesizers.

To use them in a comfortable and ergonomic position, which in turn saves space.

Specially designed taking into account the need for space for wiring and rear connectors.

On the support faces, each support has a recess to place silicone feet and prevent the equipment from slipping or scratching.

Includes the two side supports, the rods and the silicone feet

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing the Decksaver cover, meticulously designed for the Panorama CS12, the essential accessory for protecting your controller and enhancing your music production experience with Logic Pro. Crafted with precision and constructed from premium-grade materials, this custom-made cover offers unbeatable protection against dust, spills, and accidental impacts, allowing you to focus on your creativity with confidence.

The Panorama CS12 is renowned by music producers for its advanced features, robust performance, and seamless integration with Logic Pro. As a dedicated music creator, you understand the importance of maintaining your equipment in pristine condition, and the Decksaver cover is here to ensure just that. Engineered to fit the unique contours of the CS12 perfectly, this cover embodies Decksaver's commitment to safeguarding your prized gear.

Constructed from durable polycarbonate, this Decksaver cover offers exceptional durability and resilience, capable of withstanding the rigours of any studio or live environment. Its precision-moulded design ensures a snug fit, enveloping your CS12 in a protective shield without compromising its sleek aesthetics. Whether you're working in a home studio, a professional setting, or on the move, the cover guarantees maximum protection for your valuable controller. The exclusive smoked clear finish of the cover not only adds a touch of sophistication to proceedings, but also allows you to monitor your controller's status at a glance, even during late-night sessions.

Designed to accommodate the CS12's specific features, the Decksaver cover ensures full compatibility and seamless integration with your setup. Whether you're fine-tuning your tracks, applying effects, or engaging in creative sound design, the cover provides an additional layer of protection against accidental spills, dust, and the daily challenges of the studio environment.

Join the community of professional producers worldwide who rely on Decksaver to protect their equipment. Elevate your music production workflow and extend the lifespan of your Panorama CS12 with the Decksaver cover. Rest assured that your controller is shielded from potential damage, allowing you to focus on crafting exceptional music with Logic Pro.

Invest in the ultimate protection for your Panorama CS12 with the Decksaver cover. Unleash your creativity, push the boundaries of your sound, and leave a lasting impression with the confidence that your controller is secure. Enhance your music production journey with the Decksaver cover, the essential companion for your Panorama CS12, ensuring its longevity and uninterrupted performance for years to come.

Dimensions

Weight: 0.29 kg
Length: 37.7 cm
Width: 18.6 cm
Height: 4 cm

Notes: ***B-STOCK: Box damaged with worn and faded packaging, but product is otherwise in excellent condition and in perfect working order***


Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the OB-6 module can sit ready for operation. Our OB-6 module cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesizers. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The usual solid MIDI Fighter build quality and LED feedback combine with rotary encoders and push-button options in the Twister. Configure it for your chosen software and get creative.

*** Midi Fighter Utility Update- 2.90 (July 2024) ***

A new version of the Midi Fighter Utility is now available! DJ Tech Tools focused this release on implementing some community feedback and fixing the connectivity issues that disabled online firmware updates in the past. Be aware that since 2.85 and previous releases can't go online you won't be notified via the app that an update is available. Future firmware and utility updates will work fine moving forward.

In order to use this software plug in your Midi Fighter directly to your computer via USB (DO NOT USE A USB HUB) and follow the onscreen instructions in the utility. You'll be prompted to update your firmware as new firmware updates are available. If no new firmware updates are available, it's time to use!

Release Notes (2.90)

Fixed server connectivity issues
Fixed factory firmware flashing (Windows)
Fixed invisible options in drop down menus
Replaced Checkboxes with toggle switches
Fixed naming inconsistencies between "Midifighter" and "Midi Fighter"
Fixed model and firmware text scaling (Windows)
Improved text scaling for better visibility on large screens
General design update for an improve experience in low light
Increased log window width for improved readability
Updated app icon
Updated flashing status icons
Updated Midi Fighter 3D and 64 layout graphics

Supplier's Notes:
The most playable knob controller around.

Each knob doubles as a super powerful button. Turn the encoders to control a parameter in any software and twist their built in buttons to quickly reset the knobs or turn effects on and off. This means each knob is like 3 knobs.

The heart of the Twister are the 16 "Endless Encoders". These are very powerful knobs that don't have a start or ending point. Instead the LED rings show you the position of the knob. This means that the controller and the software are always in sync, even when changing banks, racks or songs on the fly.

The Twister allows for deep customization of every knob across all 4 banks with 5 killer features not found on any other controller. Change LED color, transform an encoder into a DJ filter, enable fine midi control, toggle a parameter on/off, or setup a "shift" knob so pressing a push-encoder activates control of a secondary function

The Midi Fighter twister was designed with producers in mind. We need compact, reliable controllers that are easy to map to our DAW's. The endless encoders respond to the software so everything is always in sync, even when playing back recorded automation.

Combine The Twisters powerful knobs with a DAW template so that every time inspiration strikes, a powerful studio environment is there to support you. This is how the pro's do it - why wouldn't you?

The knobs not only control your typical volume, pan and FX send controls but they also enable a host of quick access to deeper control - only available on the twister. For example, push the encoder to send out a fine resolution range and dial in the exact EQ setting you want. Release and return to normal range control.

You need to be able to react to the dancefloor. Having a dedicated controller is just like being a practiced instrumentalist. Once you have a idea, you can just make it happen as soon the inspiration hits.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Chthonic Fuzz (pronounced: Thawnic) creates fat, corpulent, fudgy, sludgy, fuzz tones that pair perfectly with single-coil, P90, gold-foil, and De-Armond style pickups. It also works great with PAF-style humbuckers, but this fuzz was designed with brighter guitars and amps in mind.

Starting with a beloved a single-knob '70's fuzz circuit, DOD experimented with adding a subtle tone control (Lustre), and then a separate gain control (Fuzz). This yielded a simple yet powerful fuzz with an earthy, dark flavour. Straight-up transistor clipping using a pair of 2N2222 transistors allows guitar volume knob clean-up like other classic fuzzes, but the Chthonic comes from a different dimension. Think of it as a kind of Colorsound Overdriver from an alternate universe.

The Chthonic's Kraken/Cthulhu graphics are courtesy of the same artist that did the Carcosa Fuzz art. The Chthonic is a psychotic dizygotic dark companion to the Carcosa Fuzz.

Darker fuzz designed for brighter guitars and amps
Subtle tone control retains pick attack throughout entire range
Excellent clean-up with guitar volume knob
Lightweight all aluminium chassis
Crisp blue LED
True Bypass
11.88 cm (L) x 6.68 cm (W) x 5.71 cm (H)
0.453 kg.
Power Supply 9V Alkaline Dry Battery orPS200R Power Supply
Manufacturer Warranty: 1 Year

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: Reissued version of one of Dreadbox's back catalogue synths, the Erebus is a paraphonic design with two VCOs, a characterful low-pass filter, built-in delay and updated snappy envelopes.

Supplier's Notes:
Dreadbox's most unique sounding analogue synthesizer is finally back, warmer and snappier than ever!

All you synth lovers, the time has come to dive into the Erebus...

All Analogue Paraphonic Synthesizer
Faithful Reproduction of the Erebus V1
2 Oscillators with 2 Waveforms each
Separate Glide controls and Hard Sync function
2-pole Low Pass pre-fed Filter
1 ADSR envelope and a AR Amp Envelope
Snappier than the V1

OTA VCA
Lo-Fi Delay effect
Wide Range LFO
15 patch points for an astonishing and spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Ethereal & Dreamy

Warm sounding Oscillators
Classic Dreadbox Filter
Snappy Envelope Generators
Lo-Fi Delay effect to expand your sound
CV outputs: Envelope, LFO, Mod Wheel, Gate, CV1, CV2
CV inputs: Osc1, Osc2, Echo, Cutoff, CV, Gate, LFO Rate, PW, VCA

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 1 kg

Requirements:

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box:

Erebus Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter
1x Ribbon cable

Notes: Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP

Notes: Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Endlessly customisable digital 'modular system within a modular system'. Includes more than 80 modules, allowing you to create effects, synths, control devices, oscillators, filters and much more.

Supplier's Notes:
What's a Euroboro?

The ZOIA Euroburo is a digital modular system that can be placed in your modular system, a real Russian nesting doll situation. We added a headphone output and a super-slim optional case so the Euroburo can live happily on your desktop or be easily mounted in a Eurorack case. Hence the euro + buro, pronounced "bureau"...get it!?

Create unique signature effects, synthesizers, sequencers and more while using 4 freely assignable CV ins and 4 outs to interface with other CV enabled devices. The additional headphone output and powered 9v case makes the module even more desktop friendly. With over 90 modules from CV utilities to audio effects, oscillators and envelopes to MIDI, the Euroburo can do almost anything to fill the gaps in your setup.

There's no need to worry about getting bogged down with endless menus or a cluttered interface. Creating patches and performing with the ZOIA is a tactile experience. Patching, deleting or moving modules and editing values can all be done quickly using the push-button grid and a flick of the encoder. With the addition of dedicated push buttons for the CV and Audio I/O, patching on the ZOIA has never been faster.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Erica Synths Bass Drum is developed in collaboration with the French company e-licktronick and it's our take on analogue bass drum circuits adapted for modular systems. Massive, punchy sound, Accent & CV control over key parameters of the module make it distinctively expressive in live performances.

Features
Pitch
Tune
Tune Depth controls
CV control with attenuators over Pitch, Decay and Drive
Manual trigger
Accent for better expression

Dimensions
14 HP
30 mm deep

Current Draw
60 mA +12V
30 mA -12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Compression, expansion, noise gates and limiting are the cornerstones of the 50th anniversary Model 2830*Au Omnipressor, a true powerhouse of dynamic processing from one of the most iconic names in the business.

Supplier's Notes:
In 1973, Eventide Clockworks introduced the Omnipressor, the first studio product to encourage the use of dynamics for special effects. It joined the Instant Phaserr in studios worldwide, with the Instant Flanger following shortly after. All were used on countless recordings and are now considered truly classic products. Unlike the Phaser and Flanger, the Omnipressor, with its still-unique dynamic reversal, infinite compression, variable gating and separate "side chain," was discontinued a few years later. It had become difficult to obtain some exclusive parts and even more difficult to explain it to an industry that was much less sophisticated than it is today.

Omnipressor was the first dynamics effects processor of any kind, suddenly making possible a new, wide range of dynamics effects unlike anything that had come before it. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a host of dynamic effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing. One of Eventide's first customers was Brian May, the lead guitarist of Queen.

Eventide now announces the golden-anniversary Omnipressor Model 2830*Au. The original handdrawn schematics were in the Eventide archives, and the new model is a faithful replica designed with the same circuitry and the same sound as the original 2830.

The new *Au model features the ability to link multiple units and is fitted with input and output audio transformers, which were a costly option on the original. Other improvements include a universal power supply and a back-lit meter, as well as more convenient TRS/XLR connectors replace the original terminal strip.

Specifications

Analogue Audio I/O

XLR and 1/4" Line In
XLR and 1/4" Line Out
XLR and 1/4" Side Chain In
XLR and 1/4" Side Chain Out
1/4" Link In
1/4" Link Out

Physical

Size

Inches: 3.5h x 19w x 8.9d
Metric: 8.9h x 48.3w x 31.7d
Weight
14 pounds (6.4kg) net

What's in the box:

Omnipressor
US-type IEC power cord
Omnipressor poster
Omnipressor manual
Eventide sticker
Eventide guitar pick

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


MX12 as successor of the UC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine NEW MODULE devices to a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the mix controller also with your DAW like a classical 12-track-mixer.

The device has 24 standard pots, 12 Faders and 24 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flame Curves is an analog moving resonance filter bank.

The module includes a twelve channel analog filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.
In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smoothes the sweep by activating a second band next to the selected filter band. Thus the change from one band to another is not so abrupt.
It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.
Additionaly, the module features also a direct audio output and direct VCA input of each filter channel. Thus it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 210mA at +12 V and 160mA at -12 V

Depth: 45mm

31 HP

Notes: ***B-STOCK: Without original box, item shows small amount of damage but in perfect working order***


FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

Notes: ***B-STOCK: Box opened, product in perfect working order***


FC10S is designed for any mid-to-large room requiring bass extension, the Fluid Audio FC10S active subwoofer is the perfect solution for recording/mixing studios, gaming rigs, home theaters any application that would require solid and accurate bass reproduction.

Many types of music benefit from bass extension from Hip-Hop, to House, to Rock. Being able to hear your mix with bass extension is critical to accurately creating your music. The FC10S subwoofer allows you to hear every detail down to 20Hz, which gets below your hearing threshold, and down to where you actually feel it.

Mix Engineers want the confidence to know that their mixes translate well on all types of systems. That is why we included a standby footswitch. With a click of the included foot pedal, you can turn the bass on or off, and audition your mix with bass extension and without.

The FC10S also has two built-in EQ settings that allow for two different settings depending on your music: A more conventional Flat response, as well as a Punch setting that is perfect for Dance or other mid-bass heavy music.

For further flexibility, the FC10S has a variable phase adjustment to fine tune the phase for optimal matching to your L/R monitors (0-180-), a variable low pass crossover filter control (50-200Hz) and a 80Hz high pass filter (used with foot switch) for satellite connections. We have also included a ground lift switch as well, to minimize ground hum with some home wiring.

Highlights
Active subwoofer
200 Watts of class D power with switching power supply
10-inch composite paper cone with high temperature voice coil and damped rubber surround
Ground lift switch
Bass-reflex vent port on front baffle for ease of placement
Amplifier standby function to conserve energy
XLR balanced and 1/4 balanced/unbalanced inputs and RCA inputs
XLR balanced and 1/4 balanced/unbalanced outputs
Variable lowpass filter control: 50Hz-200Hz
Variable Phase control: 0 180-
Switch for both Flat and Punchy settings
80 Hz highpass filter(with foot switch) for satellite connections
Included footswitch allows you to turn FC10S on and off for auditioning with bass and without

Specifications
Frequency response: 20-200Hz
Total amplifier power: 200 watts
Signal-to noise: > 100dB (typical A-weighted)
Polarity: positive signal at + input produces outward LF cone displacement
Input impedance: 20k ohms balanced, 10k ohms unbalanced
Max SPL 107dB Flat / 108dB Punchy setting
Power: factory programmed for either 100-120V ~60Hz, 220-240V ~50Hz
Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external main fuse
cabinet: vinyl-laminated, high acoustic efficient MDF
Size: 15.25 x 12.5 x 15.5, 387 x 317 x 394mm
Weight: 28.2 lbs / 12.8 kg

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Falistri is a fully analogue multi-purpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided into two big parts: in the upper two-thirds of the panel take place two specular function generators, while the lower third is composed of a dual cascaded frequency divider, a linear slew limiter, and a four-quadrant multiplier.

Key features:

Two Function Generators: Envelopes, LFOs, Oscillators
Adjust the Shape Without Changing the Time
Exclusive Shapes per Stage
Trig Buttons: Play Those Envelopes!
Three Play Modes (Voltage-Selectable)
Interacting Functions: Quadrature Mode
All the Outputs, Everywhere
Cascaded Frequency Dividers
Four-Quadrant Multiplier
Linear Slew Limiter

Size 18 HP
Depth 38 mm

Current draw
170 mA @ +12 V
170 mA @ -12 V

Notes: ***B-STOCK: Box opened, product in perfect working order***


8000 series Genelec stand plates are designed for use together with the Iso-Pod that comes with all 8000 series monitors. The Iso-Pod allows you to tilt the monitor for optimal alignment. Simply mount the stand plate onto the 3/8" thread on the tube and ensure tight screw connection. Place the Iso-Pod over the four pins of the stand plate. Available in black.

Width: 114 mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


Dark grey version of the 8030C, part of Genelec's iconic range of compact monitors. Max SPL of 104 dB and frequency response of 47 Hz - 25 kHz mean that the 8030Cs pack a bigger punch than their 30 x 19 cm dimensions would suggest.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Weight: 5 kg (11.0 lb)

Dimensions

Height: 285 mm (11 1/4 in)
Height with Iso-Pod: 299 mm (11 3/4 in)
Width: 189 mm (7 1/2 in)
Depth: 178 mm (7 in)

Enclosure

Enclosure material: Die cast aluminium
Enclosure type: Reflex port

Drivers

Bass

Driver type: Cone
Diameter: 130 mm (5 1/8 in)

Treble

Driver type: Metal dome
Diameter: 19 mm (3/4 in)
Harmonic distortion

50-100 Hz <2 %
> 100 Hz <0.5 %

Amplifiers

8030C bass amplifier: 50 W Class D
8030C treble amplifier: 50 W Class D

Mains voltage: 100-240 VAC 50/60Hz

Power consumption

ISS Active: <0.5 W
Idle@ <3 W
Full output: 60 W

Signal processing section

Connectors

Input: Analogue signal input connector XLR female, balanced 10 kOhm.

Crossover

Bass/Treble: 3000 Hz

Notes: ***B-STOCK: Box opened, missing a nut on left output, otherwise in perfect working condition***


Blue version of the Bree6, GS Music's fully analogue six-voice synth module. Huge sonic power from the classic single-oscillator design, brought up to date with modern touches like balanced stereo outputs and USB control.

Supplier's Notes:
The Bree6 is a polyphonic analog synthesizer that features a fully analog sound generation. It offers six voices of polyphony, each equipped with a single voltagecontrolled oscillator (VCO), and a sub oscillator. The signal path includes a mixer, a 4-pole low-pass voltage-controlled ladder filter (VCF), and a voltage-controlled amplifier (VCA). The control signals are digitally generated, incorporating one low-frequency oscillator (LFO) and two ADSR-type envelope generators. Additionally, the Bree6 integrates an effects processor with chorus and delay.


The Bree6 interface is engineered for straightforward and intuitive use, featuring one knob per function and ensuring ease of access to its robust features, including MIDI connections, USB, balanced stereo audio outputs, headphone output, and CV inputs.

The signal path in the Bree6 is entirely analog, including a single VCO per voice, a sub oscillator, a mixer, a 4-pole low-pass ladder VCF, and a VCA. The control voltages are digitally generated, comprising one LFO and two ADSR-type envelope generators. It also features a stereo digital effects processor with Delay and Chorus.

The Bree6 features a single VCO plus a sub oscillator per voice. The oscillator includes sawtooth and pulse waveforms, with pulse width modulation control that can be modulated by the LFO. The oscillator tuning can be adjusted, and modulation can be applied from the LFO. The sub oscillator generates a square wave one octave below the main oscillator.

The Bree6's filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated by EG1, with velocity affecting the modulation depth, and can also be modulated by the LFO. It can also be controlled by the modulation wheel and aftertouch.

The synthesizer offers a stereo ensemble type chorus effect. It simulates a string or vocal ensemble using multiple delay lines modulated by their dedicated LFOs. The stereo delay can reach a maximum delay time of up to 1 second.

The Bree6 contains one LFO with selectable waveforms (triangle, ramp up, ramp down, square, and random with sample and hold). The LFO's frequency can be set from 0.1Hz to 100Hz, and modulation can be applied to the VCO, VCF, and VCA.

There are two ADSR-type envelope generators in the Bree6, designed for precise control over the dynamics of both the filter and the amplifier.

The synthesizer supports MIDI Polyphonic Expression (MPE), facilitating detailed performance dynamics when used with compatible MPE controllers. The Bree6 has been carefully tested with Osmose, Linnstrument and Geoshred.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current

Notes: ***B-STOCK: Box opened, product in perfect working order***


Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions
8 HP

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


The low-cost, high-quality Hosa MIDI cable is designed to interconnect MIDI devices. Unlike other cables, the Hosa MIDI cable is wired 5-pin discrete and compatible with all MIDI standards, including SysEx. These durable MIDI cables come in several lengths, from 1 foot to 25 feet, so you can get the right length for your needs.

Features include:

Nickel-plated plugs for rugged durability and efficient signal transfer
Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
OFC spiral shield for effective EMI and RFI rejection and flexibility

Connectors: 5-pin DIN to Same
Color: Black

Notes: ***B-STOCK: Box opened, product in perfect working order***


Second generation version of IK's iLoud MTM monitor, based on compact technology which delivers surprisingly big sound. More efficient drivers and double the processing power this time around, making the MTMs even better.

Supplier's Notes:
Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A/B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations
In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac/PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A/B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!


Specs

iLoud MTM MKII Specifications

Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz +/- 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within +/- 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1/4" TRS balanced input; 1/8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions
Size: 264 mm/10.39" x 160 mm/6.3" x 130 mm/5.12"
Weight (per speaker): 2, 5 kg/5.5 lbs (speaker + foot)

Package includes
1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sound your best anywhere

A great interface is the one that's always there for you. iRig HD X is the new flagship of the iRig guitar interface family, bringing breathtaking sound quality and even more advanced features to guitarists everywhere. Compact enough to store in your gig bag, iRig HD X lets you connect anytime with inspiring new ways to play and sound amazing.

Practice with popular learning apps or favorite songs. Browse and discover thousands of new tones on ToneNET. Record ideas wherever inspiration strikes. Stream videos of you jamming to backing tracks. Warm up before gigs with all your favorite tones. No matter where you are on your musical journey, with iRig HD X the possibilities are endless.

Your new mobile dream rig

iRig HD X + TONEX and AmpliTube for iPhone and iPad gives you an incredibly versatile mobile rig with 2 powerful ways to find your sound: TONEX using IK's AI Machine Modeling technology, and AmpliTube offering the ultimate tone processing and recording studio. Play, practice and record on your mobile device with the most authentic and hyper-realistic gear models ever made.

Ultra-compact, high-quality audio

iRig HD X features a whisper quiet and transparent instrument preamp with wide frequency response and dynamic range that ensures every nuance of your playing is accurately translated while preserving the true tone of your instrument. The Headphone Out and Amp Out are equally high end offering exceptional sound quality in a device this portable.

One knob to do it all

iRig HD X sports an all-new enclosure featuring a LED ring input level indicator that also doubles as an ultra-fast and precise tuner for the connected instrument. Its ergonomic, multi-function knob lets users quickly adjust headphone level, loopback functions, direct monitoring and the tuner.

Reach your guitar goals faster

Practicing should be fun. With iRig HD X you'll be inspired by professional guitar tone while you learn. From anywhere, easily connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's that easy!

Discover the best tones online

iRig HD X comes with AmpliTube 5 SE with 80 models covering all the "must have" gear. You also get TONEX SE for Mac/PC and iOS, which includes 200 Premium Tone Models plus unlimited user Tone Model downloads from ToneNET. You can browse, demo and download new guitar and bass tones within TONEX or build the ultimate guitar rig with AmpliTube 5.

Have fun playing along

Imagine finding perfect guitar tones from ToneNET for songs you love. Got a few minutes to play? Just plug-in and open up AmpliTube or TONEX and start jamming with incredible tone. No need to plug in a pedalboard or out-board gear. Play along with backing tracks on YouTube or from your music library or streaming service. Staying inspired has never been this easy.

Jamming and performing with friends

With iRig HD X it's easy. No more lugging a pedalboard to rehearsal spaces. All you need is right in your gig bag. Just show up and connect the Amp Out jack to an external amplifier or powered monitor. Everyone will be amazed by your tone as you load favorite AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Recording audio tracks

iRig HD X is recognized by all desktop and iOS recording apps. TONEX and AmpliTube for Mac/PC work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. You can use the Loopback+ feature of iRig HD X (which acts like a virtual FX loop) to route your guitar signal first to TONEX or AmpliTube and then into your recording app.

Recording and streaming Video

The same feature that lets you record processed audio on your mobile device also lets you record or stream video with your amazing guitar tones sounding crystal clear. Use the Loopback+ feature of iRig HD X to route your guitar signal first to TONEX or AmpliTube and then into the video recording App on your iPhone or your streaming App of choice. You fans will love how great you sound.

With more ways to connect on more devices and with all your favourite apps, iRig HD X is your all-access pass to limitless musical experiences.

Ideal for all players

Whatever your level and style of music, iRig HD X will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and sharing the music you make with others. Sound better, play more and improve faster throughout a lifetime of guitar with iRig HD X.

Specifications

Common
AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
Host connection: USB Type-C socket

Instrument Input
Input impedance:1 MOhms
Maximum input level: +9 dBu
Frequency response: From 20 Hz to 20 kHz within 3 dB (96 kHz sample rate)
Dynamic range: 115 dB(A)

Amp Output
Configuration: Unbalanced
Output impedance: 3.3 kOhms
Output level: 0 dBFS corresponds to -2 dBu
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output
Output impedance: 22 Ohms
Maximum output level: approx.. 8 mW into 32 Ohms load
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 95 dB(A)

Package includes
iRig HD X interface
USB-C to USB-C cable (60 cm/23.62")
USB-C to Lightning cable (60 cm/23.62")

Dimensions
Size: 99 mm/5.35" x 42 mm/2.27" x 25 mm/1.35"
Weight: 54 g/1.9 oz.

Compatibility

iOS Devices
Made for: iPhone 14 Pro Max, iPhone 14 Pro, iPhone 14 Plus, iPhone 14, iPhone SE (2nd and 3rd generation), iPhone 13 Pro Max, iPhone 13 Pro, iPhone 13, iPhone 13 mini, iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Air (3rd, 4th and 5th generation), iPad (9th generation), iPad mini (5th and 6th generation), iPad Pro 12.9-inch (1st, 2nd, 3rd, 4th and 5th generation), iPad Pro 11-inch (2nd and 3rd generation), iPad (8th generation), iPad Pro 11-inch, iPad Pro 10.5-inch, iPad Pro 9.7-inch, iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad (5th, 6th and 7th generation), iPod touch (6th and 7th generation).
Also compatible with all newer iPhone, iPad and iPod touch models.

Computers
Macr: macOS 10.6 or later. One free USB port.
Windowsr: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


From news-worthy broadcasts to ensemble performances and everything in between, your videos will take centre stage with iRig Mic Video. Capture crystal clear audio for video with this noise-rejecting digital shotgun microphone and stand out from the crowd with serious production quality.

Compatible with the widest range of devices - smartphones, tablets and DSLR cameras - iRig Mic Video has you covered no matter where or how you create videos. And with multiple mounting options, iRig Mic Video can take you from one scene to another at a moment's notice.

Equipped with professional features for high quality audio capture, adjustable monitoring options, and features for flexible outdoor use, iRig Mic Video will take the worry out of recording great audio every time.

Say goodbye to unwanted noise:

iRig Mic Video makes it effortless to capture clear, high-quality audio. It features a gold-sputtered condenser capsule with a tight, directional pickup that focuses directly on the subject in front of you and rejects distracting background noise and surrounding sounds. Enjoy a quiet, clean signal thanks to 24-bit, 96 kHz converters. iRig Mic Video is also the first shotgun-style mic for smartphones to offer adjustable gain. And for outdoor use, simply pop on the included windscreen.

Any device, anywhere:

Whether your go-to video device is a smartphone, tablet, professional DSRL camera or a combination, you'll never miss that perfect shot. iRig Mic Video features a magnetic mount that quickly snaps onto your mobile device, even with a case, and includes a hot shoe adaptor to easily mount to many DSRLs. With the included Lightning, Micro-USB, USB-C and DSRL cables, you'll be ready wherever your day leads, so you can switch from a serious studio setup to ultra-mobile outdoor rig without missing a beat.

Sound your best:

To ensure you're always recording great audio, a multi-colour LED lets you conveniently and discretely check signal level at a glance, and the headphone out lets you monitor directly in real-time, or listen back to processed audio, so it fits into your workflow flawlessly.

Unlimited options:

iRig Mic Video works with any app that records audio, from the built-in camera app to the most high-end video capture solutions. To get you started right out of the box, iRig Mic Video includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video app. Record, trim, edit and share, right from your device.

With the iRig Mic Video and its innovative features at your fingertips, you'll always lead the charge with great-sounding audio.

An all-in-one, run-and-gun solution:

Looking for a small but comprehensive video rig? Check out the iRig Mic Video Bundle, combining iRig Mic Video and iKlip Grip Pro, IK's multi-function smartphone and camera stand. With an elegant, ergonomic design that transforms from handgrip to monopod to tripod in seconds, iKlip Grip Pro is the ideal way to securely position your smartphone - and a standard UNC 1/4" thread lets you mount iRig Mic Video, lights or other accessories on top. It's everything you need to capture pro-level video in any situation, in a lightweight and portable rig.

Includes:

- iRig Mic Video microphone
- Lightning to micro-USB connection cable (16cm/6.3")
- USB C-Type to micro-USB connection cable (30cm/11.81")
- Micro-USB OTG-Type to micro-USB connection cable (16cm/6.3")
- TRS 1/8" jack connection cable for digital cameras
- Hot shoe mount for digital cameras
- Windshield
- 2x ferromagnetic plates

Notes: ***B-STOCK: Box damaged, product in perfect working order***


iRig Stream Mic Pro

Compact multi-pattern microphone and stereo audio interface

iRig Stream Mic Pro it makes easier than ever to share your voice and music. It combines a professional multi-pattern condenser microphone and 24-bit, 96 kHz audio interface for iPhone, iPad, Android, Mac and PC into a single ultra-portable solution for music and content creation.

iRig Stream Mic Pro overview

Condenser microphone/audio interface for iPhone, iPad, Android, Mac/PC

Gold-sputtered 1/2" electret condenser capsule for pristine sound

Switchable cardioid, omnidirectional, figure-eight and stereo polar patterns
Adjustable high-pass filter to eliminate rumble and noise
3.5 mm stereo input for keyboards, mixers, drum machines and more
Stereo/multichannel modes: mix mic and line signals or keep separate
Loopback+ to add background music or process your voice all on a single device
Direct monitoring to check your sound before going live
Elegant all-in-one control knob for easy adjustments mid-stream ? Works with all your favourite apps

Pristine multi-pattern condenser microphone

First, make your voice heard with selectable cardioid, figure 8, omnidirectional or stereo pickup patterns. These patterns range from noise-rejecting to immersive audio, so whether you're recording a podcast, interview, instrument or ensemble, you'll enjoy crisp, clear and detailed signal with easily adjustable gain.

Integrated audio interface
Next, connect media players, keyboards, mixers, turntables, soundboards and more with the convenient 3.5mm audio input right on the mic. With its monitoring mix control you can blend the direct or recorded audio via the headphone output. Now you can keep your entire setup in one elegant, compact design you can easily take anywhere, and that connects to any device right out of the box.

Pro results with Loopback+ iRig Stream Mic Pro offers IK's ground-breaking Loopback+, letting you not only add music from your phone or tablet to your recording or stream, but even lets you route the mic signal into a separate app to add reverb, EQ or noise reduction (like the included MixBox CS for iPad) before sending to a second app like Instagram or Tiktok. It's an easy way to get massive sound on apps that don't normally let you process audio or add background music.

Connections/controls

Multi-function knob allows you to: - select the polar pattern - set on or off the high-pass-filter - mute the microphone signal - control the microphone gain - control the headphones level - control the streaming level - set on or off the direct monitor or the loopback.

1/8" headphones output
1/8" stereo line input: DC barrel to charge connected iOS device
Mini-DIN connector

Serious sound quality
iRig Stream Mic Pro delivers serious sound throughout, too. A headphone output with direct monitoring lets you check levels with any app, before you even hit record. And 24-bit, 96 kHz converters ensure pristine, detailed sound for both the mic and aux input.

Simple, live-optimized controls
All the features are controlled via a single, intuitive and live-optimized control knob, so it's easy to tweak on the fly without taking your eyes off the camera. Click through each setting quickly to make adjustments, and even hold down to mute if you need to cough or sneeze.
And easy-to-see LED level indicators mean you're not tied down by headphones if you want to record at a distance.

Specs

Common

Interface type: 2 in/2 out or 4 in/2 out
Conversion: 24-bit A/D, 24-bit D/A
Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Mic Pro charges the connected iOS lightning device.
Device connection: mini-DIN
Dimensions: 55 mm/2.16" x 136 mm/5.35" x 38 mm/1.5"
Weight: 430 g/15.17 oz

Microphone
Microphone type: condenser, electret
Capsules: dual 0.55" gold-sputtered
Polar patterns: cardioid, omni, figure-8, stereo
Frequency response: from 20 Hz to 20 kHz
Maximum sound pressure: 115 dB SPL
High-pass filter: selectable between 60, 100 and 200 Hz

Headphone Output

Connector: 1/8" (3.5mm) TRS jack
Frequency response: from 20 Hz to 20 kHz
Output level: 7 mW/channel (32 Ohm load)
Dynamic range: 87 dB(A)

Aux Input

Connector: 1/8" (3.5 mm) TRS jack
Nominal input level: -10 dBV
Frequency response: from 10 Hz to 20 kHz

Package includes

iRig Stream Mic Pro
Table stand
mini-DIN to iOS Lightning cable - 60 cm/23.62"
mini-DIN to USB-C cable - 150 cm/62.99"
5/8" to 1/4" thread adapter

Box content

TONEX Pedal
Power supply
USB Cable

Notes: ***B-STOCK: Box opened, product in perfect working order***


Start connecting with the world

The original iRig Stream offered ground-breaking features for today's top apps that made it an overnight must-have for millions of creators. Now iRig Stream Solo brings comparable features and connectivity to a new level of affordability.

iRig Stream Solo is an easy-to-use audio interface for iPhone*, iPad and Android that lets you connect up to 3 distinct sources and mix them into your stream. Connect mixers or keyboards, your earbuds or iRig mics, and even audio played right on your device, and mix them together into a signal that's optimized for streaming and sent straight to your favourite apps.

It's all you need to start streaming in a compact and battery-powered format.

Mix and stream up to 3 audio sources

iRig Stream Solo makes it easy to connect all your audio sources and route them to a streaming or recording app. Send the audio output of your smartphone or tablet into iRig Stream Solo, mix it with external audio sources like mixers, DJ decks, keyboards and more. Add your voice from earbuds (or an iRig Mic) and send all 3 signals back to your device to popular apps like Instagram, or just your built-in camera app.

Plug in all your gear

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth and drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favorite song, or even host a podcast, iRig Stream Solo lets you connect a massive range of gear.

Use a headset or a mic

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the other audio inputs simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.
The overall input signal level (line + mic) is controlled with a single thumbwheel and optimized for streaming before being sent to your device and favourite apps.

Mix audio from your device

A special Loopback switch lets you route the audio output of your digital device (iPhone, iPad or Android) back into iRig Stream Solo to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks and stream to another app, all on a single device.

Get connected, stay connected

iRig Stream Solo is easy to use with a captive TRRS cable to connect to your iPhone (Requires use of Apple's Lightning to 3.5 mm Headphone Jack Adapter (TRRS), iPad and Android. Its 1/8" mono Thru line output lets you send your audio to additional devices such as cameras, mixers and more. And with two AA batteries, you can enjoy hours of reliable performance anywhere.

Comprehensive compatibility

iRig Stream Solo works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high-quality audio and video recording app. Record, trim, edit and share, right from your device.

Specifications:

Power: 2x AA batteries
Metering: Battery status LED
Device Connection: captive 1/8" / 3.5 mm TRRS jack - CTIA/AHJ wiring standard
Dimensions: 45 x 105 x 34 mm
Weight (without batteries): 74 g

Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 9 dB
Input Impedance: 15k Ohms
Frequency Response: from 20 Hz to 20 kHz (-3 dB)

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: >= 2,5 V
Microphone gain: Fixed at 27 dB
Headphone frequency response: from 20 Hz to 20 kHz (-3 dB)
Microphone frequency response: from 50 Hz to 20 kHz (-3 dB)
Headphone Level control: numbered thumbwheel

Thru out
Connector: 1/8" TRS jack
Frequency Response: from 20 Hz to 20 kHz (-3 dB)

Battery Life
50 hours (Alkaline batteries)

Package includes:
iRig Stream Solo interface
2x 1.5V AA battery

Compatibility
iOS and Android Devices
Compatible with iPhone, iPad, iPod touch and Android devices with 1/8" / 3.5mm jack standard headset input (onboard or via adaptor) compliant with the CTIA/AHJ wiring standardformat.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Multiples' are the classic solution to a common problem in modular synthesisers: how to distribute one output signal to multiple inputs. Simple passive multiples consist of several sockets, wired together.

Link 2 is a buffered multiples module. Each output is independently buffered using active electronics. This avoids many of the problems with passive multiples: signal cuts when patching cables, loading effects when driving many inputs etc. The high-end components provide exceptionally low noise and distortion, making Link 2 suitable for audio, CVs and gates/triggers. And unlike most buffered multiples modules currently available, it retains the accuracy of pitch control voltages to the last cent.

With only the top input socket in use, the signal is sent to all 6 outputs. Plugging a cable into the bottom input socket separates Link 2 into dual 3-way multiples, adding flexibility to your patching.