Back catalogue: Library/Archive

Review: The Natural Yogurt Band, purveyors of enigmatic library music, return with their eighth release, a cosmic odyssey that pushes the boundaries of their signature sound. Joined by keyboardist Huw Rees aka The Oracle, the band ventures into a richer galaxy of sonic exploration. 'Projections' sets the stage with its warped organs and gritty drum breaks, while 'Altered States' and 'Bio Morphic Patterns' delve deeper into the cosmic unknown, their swirling melodies and hypnotic rhythms evoking the vastness of space. 'Messages' and 'Nebulous' offer moments of introspection, their ethereal textures and ambient soundscapes creating a sense of otherworldly wonder. On the flipside, 'Perception' and 'Poly Morph' continue the exploration, their pulsating rhythms and experimental soundscapes challenging the listener's perception of reality. 'Existence' and 'Dimensions' close out the journey, their expansive sounds and philosophical undertones leaving a lasting impression. This is a must-listen for those seeking a unique and thought-provoking musical experience.

Review: Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I, is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don't know, get to know. Originally released in 1976 but wonderfully timeless, this one's at the top of every library funk collectors' list. It's easy to see why. Racing out of the gate, the gritty crime funk of 'The Detectives' makes for a thrilling ride. A dramatic action theme, it's packed with strident playing and bags of attitude; and thereafter, we get ten drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled tracks built for maximum funk fever. 'Helicop' is one such fast paced and energetic dramatic action background, while 'The Big One (Prelude)' brings with it an ace bassline and creeps along superbly, adding tension with an amazing rolling piano loop stopping us dead in our tracks. It's all building to 'The Big One', a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. Notably, the track was sampled by Jay-Z; and you can't really blame him, can you?

Review: British library musician and composer Alan Tew has one of his many magnum opuses, Drama Suite Part II, reissued by KPM. With the label keen to flaunt its first edition's going rate on Discogs, Tew's follow-up to the first part is a holy grail for library music collectors, owing to its performative subtlety, breadth of mood, and doubtless bottling of several modish styles of the time: noir, dark jazz, explotiation theme music. The track 'Stonechange' in particular hears many coded rerubs, with many versions and sub-versions, as was of the factual, rationalistic and methodical approach to the library music of the 1970s and early 80s. It's also got an indelibly clean sound: as with all KPM reissues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis.

Review: The Kentucky Derby Is Decadent And Depraved is one of the most seminal bits of writing from the cult legend that is Hunter S. Thompson. In 2012, it was made into an audio document by an all-star cast of musicians and actors led by Tim Robbins, Dr. John, Bill Frisell, Ralph Steadman, Annie Ross, John Joyce III and Will Forte who read out various chapters. The original gonzo story of the Derby is brought to life in brilliant fashion with Bill Frisell as composer, arranger and conductor. Like much of Hunter's work, this album comes with unique artwork from the legendary Ralph Steadman.

Review: 'Available Forms' is the latest masterwork of the musical project Tobor Experiment, led by Giorgio Sancristoforo, an Italian sound artist and music software designer based in Milan. Active since 2007, Sancristoforo's work has largely centred on highly technical odysseys in avant-disco, exploring surreal takes on the ambivalent promises made by the tide of technological advancement, channelled into a that has been described, perhaps quite cleverly, as 'moogsploration'. Coming after a 12-year hiatus on gatefold LP, Sancristoforo returns to his go-to label Bear Funk for yet another foray into this retro-modernist vision, mixing genre-bent jazz, electronica, nu-disco, and psychedelic influences.