Back in stock: Funk

Review: The good folk at Mr Bongo are reissuing Herman Kelly's seminal 1978 album that birthed the iconic breakbeat classic 'Dance To The Drummer's Beat.' This Miami-based disco-funk project headed up by the drummer and producer features Latin, funk and percussive grooves that have gone on to influence generations of hip-hop and dance music producers. It is thought to have been sampled over 125 times by legends like DJ Shadow, N.W.A. and Run-D.M.C. after initially gaining fame via Ultimate Breaks & Beats in 1986. This reissue presents the sought-after 4:12 Alston Records version and it is as infectious and irresistible as ever.

Review: You can always count on Z Records to bring a deep-digging, dedicated approach to anything they put out, and that goes double for their flawless Under The Influence series. The 10th volume in the series sees them inviting the incredible Chicago-born DJ Rahaan to select some seriously headsy cuts from his collection, carefully cleaned up, de-clicked and remastered for the best listening experience. Given the nature of the series, don't expect the usual suspects, and instead savour the discovery of some of Rahaan's most treasured cuts, presented here on a double LP comp brimming with discoid magic.

Review: Laurin Rinder and W. Michael Lewis were amongst the most prolific producers of the disco era - a pair of jazz-trained eccentrics who not only embraced the disco sound, but did more than most to help develop it (they were particularly big fans of synthesisers, showcasing in their work as much as Giorgio Moroder and Patrick Cowley did). They also loved a concept - hence recording and releasing The Seven Deadly Sins, an album-length celebration of disco's sinful side, in 1977. As this Be With Records reissue proves, the album remains a rare beast: a largely instrumental disco album that sparkles from start to finish. For proof, check the seductive, electric piano-and-synth smothered grooves of 'Lust', the heavily electronic proto-techno of 'Gluttony', the solo-laden disco-funk heaviness of 'Pride' and the undeniably epic heaviness of 'Anger'.

Review: Universal Cave set out on a brand new cosmic spelunk. Flipping a pair of raucous Latin disco pancakes on a searing summer lowrider bonnet (in lieu of a non-stick pan), these free-range disco ovules pack much underfoot promise for the discerning dancefloor. The Philly collective kicks things off with the spry 'So Soft So Sweet', with an elusively sourced sing-along hook, blazing synth-gasms, and impulsive drums. 'Mishugina Mambo', on the other hand, gleans its inspirations from the classic Sofrito Specials series: bold horns fly in the face of relentless percs, urging everyone and your mother to get moving.

Review: Ralph White's early ventures into disco are finally gathered in one place with the first official anthology of his 1978 recordings at Sydney's Albert Studios. Better known at the time as a session player and producer in the city's studio scene, White was tapped by M7 to craft four disco pieces aimed at an emerging dance market. Over just two days in the studio and a small group of local players - including a young Tommy Emmanuel - he recorded four standout cuts, together which remain some of the most refined Oceanian disco ever put to tape. Though the original 12"s saw limited success domestically, M7's distribution push into markets like Canada, India and Argentina helped cultivate a quiet cult following. Now remastered and housed in a deluxe spot-UV sleeve with inserts featuring new liner notes and White's biography, this reissue shines overdue light on a forgotten chapter in Australian dance music.