Back catalogue: Funk

Review: Chicago has had a strong re-edit culture since the days when Ron Hardy and Frankie Knuckles were defining house music culture in the mid 1980s. Rahaan, who has been one of the more storied members of the global re-edit scene for the last two decades, is undisputedly the Windy City's current scalpel-edit king - as his ongoing series of reworks on Hot Biscuit Recordings emphatically proves. Here he adds two more fine revisions to his bulging discography. A-side 'For Dancing & Singing' sees the veteran DJ/producer apply his Midas touch to a vintage 60s funk jam, making most of the sampler-ready breaks and groove, while flip side 'The Galaxy' - our pick of the pair - is a soaring and spacey 70s disco workout piled high with percussion, jaunty piano motifs and suitably intergalactic synth sounds.

Review: Rahaan is one of Chicagos finest exports - he can do it all from edits to disco, dusty house to soul packed delights. He shows that again here by kicking off a new label, Gospel One, with a double 12" of cuts that all draw on gospel. The opener is a raucous and funky cut with belting vocals and noodling basslines, while elsewhere there is fleet footed groove and live sounding drums to 'Message In Our Muzik' that are topped with a superb female vocal. 'Don't You Worry' ramps up the tension with more fast and funky beats and 'He Can' gets down and dirty with some sleazy basslines and call and response vocals. A passionate package for sure.

Review: Rhythm Rhyme Revolution, alongside DJ Tabu, delivers a fantastic EP with Summertime / Sunshine Girl. 'Summertime (nuacidfunk)' gradually escalates into a disco crescendo, enriched by Dan Lipman's jazz flute/sax and Gareth Tasker's steaming sitar riff. On the flipside, 'Sunshine Girl' boasts a slinky Afro percussive groove, with DJ Tabu's vocals celebrating love in the sunshine, complemented by Barrie Sharpe's infectious hooks. The ensemble work, featuring Kenny Wellington's jazzy trumpet and vibrant guitar, creates a dynamic sonic landscape. The EP also includes the original version of 'Summertime,' reminiscent of Motown classics. Sharpe's masterful tease and impeccable mood-building make this record a touch of class, leaving listeners thoroughly enchanted.

Review: City Pop-era Japanese girl group Shohjo-Tai's 1984 EP with Red Bus Project (an alternative alias for their then synth-loving production outfit, Redbus), 'Escape', has long been a favourite amongst crate diggers - hence this handy reissue courtesy of Sound Metaphors offshoot Thank You. While the artwork has been refreshed, all three original tracks appear in freshly remastered form. On side A you'll find 'Forever', a body-popping slab of 1984 electro featuring Shohjo-Tai rapping in English over bubbly drum machine beats, squelchy bass, 'Rockit'-esque sounds and periodic horn breaks. Turn to the flip for Antal favourite 'Electric City', a driving City Pop-meets-Italo-disco club track blessed with a heavy and metronomic bassline, and the electro-goes-jazz-funk brilliance of 'Ku.Ro.O.Bi.Magic'.

Review: In celebration of 50 years in the performing arts, Idris Ackamoor presents Artistic Being for Record Store Day 2025-a powerful blend of jazz, spoken word and activism. Featuring the voices of acclaimed actor Danny Glover and stage legend Rhodessa Jones, this record captures highlights from the Underground Jazz Cabaret, which was performed during Black History Month 2024 at The Lab in San Francisco. Co-produced by Ackamoor's Cultural Odyssey, the release fuses poetic storytelling with evocative musical textures while reflecting on social justice, identity and resilience. Artistic Being is a profound statement from a visionary artist.

Review: Frederic Rabold's career, spanning over six decades, is celebrated in this deluxe double gatefold vinyl LP, which captures the essence of his significant contributions to modern jazz. Born in Paris in 1944, Rabold transitioned from violin to trumpet, influenced early on by his jazz musician father and the vibrant French jazz scene. His formative years included playing alongside his father and later establishing his own band, the Frederic Rabold Crew, in 1968. The Crew gained prominence within the German jazz landscape, leading to performances at major festivals and extensive tours through Eastern Europe. This collection features key tracks from Rabold's extensive discography, including rare recordings and previously unseen photographs. Notable highlights include 'Noon in Tunisia' and the 1970s album 'Flair.' Throughout his career, Rabold collaborated with jazz luminaries like Gunter Hampel and Lester Bowie, reflecting his versatility and deep-rooted passion for modern jazz.

Review: The RAH Band's iconic album Mystery celebrates its 40th anniversary with a reissue that finally fulfils plenty of demand for it. This marks its first vinyl pressing since 1985 after originally being created by producer Richard Anthony Hewson. The ageless album blends jazz, funk and electronic pop while placing great spotlight on Hewson's unique production style. With eight impeccably crafted tracks including the jazz-funk anthem 'Are You Satisfied?' and the chart-topping 'Clouds Across The Moon,' which reached #6 in the UK, the dreamy synth-jazz epitomised by 'Float' and the smooth sax of 'Out On The Edge' (which featured in Funkineven's DJ Kicks) ensure Mystery remains a timeless classic.

Review: On the debut EP 'We Are The Ones/Fire/Forever', Chicago DJ and all-out living legend Rahaan collaborates with an equally talented group of musicians: Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass. Together, the outfit known as The Ones create an extended three-track EP of transcendent proportions, drawing on the avaricious world-passion for music and life heard in the joyous chasms between psychedelia, Afrobeat and disco. Bridging these precipices by way of a vast, suspensory dancefloor held together by firmly mixable kick drums serving as rivets, Rahaan produces and mixes a viscerally eye-popping set of devotionals here. From the impassioned beatitudes and thanksgivings of 'We Are The Ones', to the desirous chic-funk drum circle envisaged on 'Fire' and the eternal gospel-rock-tinged disco-soul ablution 'Forever' (a special favourite of ours), this is a holy chrism in record form.

Review: Farfalla Records' reissue of Wonderland of Sound to celebrate its 50th anniversary is a nostalgic nod to the classic 70s library sound. Originally released in 1974 and produced by Brillant-Musik's Werner Tautz, the album was recorded in Zurich and features the talents of the Big Band Rainbow-Orchestra, comprised of Europe's finest session players. Wonderland of Sound epitomises the era's jazzy bliss, with splendidly funky compositions and arrangements that feature a ultra-stylish horn section. The album exudes a timeless charm, transporting listeners back to the heyday of European library music. Throughout the record, the craftsmanship of the musicians shines through, creating an exciting album that is both evocative and infectious.

Review: Four Flies has unearthed a long-lost gem: Gianfranco Reverberi's daring soundtrack to Rivelazioni, a notorious 1973 film by director Renato Polselli. Reverberi, known for producing legends like Lucio Dalla and Gino Paoli, initially distanced himself from the film's controversial themes by releasing the music under a pseudonym. Yet, Rivelazioni's score, with its driving rhythms and experimental edge, shines as a bold, innovative creation. The soundtrack features an impressive use of electronic instruments, including drum machines and spacey synths, alongside psychedelic flutes, piano and jazzy improvision. 'Psicolimite', originally released under the name Sharon Chatam, has become a coveted rarity, sparking excitement around the full soundtrack's reissue. Recovered from original 1-inch, 16-track tapes, the score has been remastered for both vinyl and digital formats. With a raw, relentless rhythm section and dark, atmospheric vibes, this soundtrack is an essential find for fans of Italian genre cinema and daring experimental music. Available now as a double LP with stunning artwork, Rivelazioni finally gets its well-deserved moment in the spotlight.

Review: This 180g swimming pool blue vinyl is a Record Store Day exclusive of an early 80s gem. Rhyze to the Top came in 1981 and marked the debut album by American funk and r&b band Rhyze. Listening back now it's clear the record captured the vibrant energy of early 80s sounds with lush synth work and nice Casio keys. That means it is a must-have for funk and r&b heads of any era and is why original copies often sell for over L50 on second hand markets. The album has remained out of print on vinyl for 43 years up to now but for this occasion has been fully remastered. Whack it on and take yourself back to a golden age.

Review: Laurin Rinder and W. Michael Lewis were amongst the most prolific producers of the disco era - a pair of jazz-trained eccentrics who not only embraced the disco sound, but did more than most to help develop it (they were particularly big fans of synthesisers, showcasing in their work as much as Giorgio Moroder and Patrick Cowley did). They also loved a concept - hence recording and releasing The Seven Deadly Sins, an album-length celebration of disco's sinful side, in 1977. As this Be With Records reissue proves, the album remains a rare beast: a largely instrumental disco album that sparkles from start to finish. For proof, check the seductive, electric piano-and-synth smothered grooves of 'Lust', the heavily electronic proto-techno of 'Gluttony', the solo-laden disco-funk heaviness of 'Pride' and the undeniably epic heaviness of 'Anger'.

Review: Get ready for the release of Curyman II, Roge's eagerly awaited album, arriving via Diamond West Records. This record has collaborations with esteemed musicians, blending the essence of Brazilian music with innovative elements. It promises to be both a homage and an evolution of Roge's distinctive sound. As a Latin Grammy-nominated and Brazilian Music Awards-winning artist, Roge has become a key player in the revitalization of Musica Popular Brasileira (MPB). Over his two-decade career, he has released seven solo albums, establishing his presence in the contemporary Brazilian music landscape. His U.S. debut, CURYMAN, released in 2023, was produced by Thomas Brenneck of the Budos Band, known for his work with icons like Lady Gaga and Beyonce. This album celebrated samba while conveying themes of resilience and redemption. With Curyman II, Roge aims to build on the momentum of his previous success, delivering even more dynamic samba rhythms and insightful lyrics.

Review: Ronnie April's Positive Energy's 'Snowflake' is a legendary release that has achieved mythical status within the jazzdance scene. Originally pressed on Ronnie's own Jude imprint and distributed locally with limited success, this impossibly rare gem has become a coveted holy grail for collectors. The track's infectious groove and captivating melody have solidified its place as a timeless classic, even spawning bootleg copies due to its scarcity. Beyond its rarity, the music itself is truly exceptional, showcasing Ronnie April's immense talent as a composer, arranger, and multi-instrumentalist. With a career that boasts collaborations with jazz luminaries such as Tito Puente, Louis Armstrong, and Lionel Hampton, 'Snowflake' stands as a testament to April's enduring musical legacy. The album continues from there, highlights including the excellent upbeat gem 'Dancer's Theme' and the beautiful haunting 'A Ballad For Sir James' that really exemplify that variety of great Soul music here.

Review: Alpha, a rare psychedelic-funk gem is set to return to vinyl for the first time in 50 years. Led by singer and keyboardist "Round" Robin Lloyd, The Round Robin Monopoly released the album and it is an eclectic fusion of funk, psychedelic pop, and R&B. Alpha initially flew under the radar but over time, however, the album gained a cult following among crate-diggers and DJs. With its standout track 'Life Is Funky' became a sought-after sample for artists like LL Cool J, Ice-T, Public Enemy, and The Chemical Brothers. The album's cinematic hooks, vibrant horns, and funky guitar riffs evoke the atmosphere of a 70s action film soundtrack, explaining its enduring appeal and influence in the music industry. The reissue of Alpha as part of Jazz Dispensary's Top Shelf series ensures that this underrated masterpiece gets the recognition it deserves. Remastered from the original analogue tapes by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl, the album comes in a tip-on jacket replicating the original art.

Review: Two Is One (1974, now 2025) recaptures saxophonist Charlie Rouse at the peak of his rabble-Rousing powers, commanding the popular will (through steering clear of sonic demagoguery) through effortless funk, soul jazz, and post-bop, all while orbiting that distinctive cosmic ring-edge that defined the Strata-East catalogue. Best known for his long tenure alongside Thelonious Monk, Rouse steps into a new light here, leading a stellar ensemble made up of guitarists George Davis and Paul Metzke, Cal Scott on electric cello and Stanley Clarke on bass. Together they stretch out across a set both grounded and exploratory, with a spiritual undercurrent running through the grooves. Newly issued on 180-gram vinyl, the record comes packed in a tip-on gatefold with fresh liner notes from Syd Schwartz and rare archival photos, bringing fresh focus to one of Rouse's most compelling records.

Review: Patrice Rushen's Prelusion marks her dazzling debut into the jazz world, originally released in 1974 on Prestige Records and now reissued on vinyl here in 2024. Before her r&b fame, Rushen showcased her talents as a jazz pianist on this album, backed by luminaries like Joe Henderson on saxophone. The record effortlessly blends post-bop with elements of jazz fusion, highlighting Rushen's versatility across acoustic and electric keyboard. Her performances on acoustic piano and electric keyboards reflect a strong influence from Herbie Hancock, evident in tracks such as 'Haw-Right Now' and 'Shortie's Portion.' Despite her shift to r&b in 1978, Prelusion stands as an early promise in jazz music.