Back catalogue: Funk

Review: The new sublabel, La Sirenetta will be celebrating the vibrant Italian Afro scene of the late 80s while aiming to elevate World Music for today's dance clubs. This initiative focuses on unearthing and reissuing hidden gems from their extensive analog collections, spanning regions from Martinique to the Ivory Coast and Nigeria to Haiti. The first release features two tracks that encapsulate this vision: 'La Danza Della Giungla' on Side-1 and 'Quella E Una Bambola' on Side-2. Both tracks are expertly edited to ensure they resonate on contemporary dance floors, presenting them in high-quality, collectible 12" formats. With this launch, La Sirenetta promises to enchant collectors and DJs alike, laying the groundwork for a series of releases designed to invigorate Afro and world music scenes.

Review: MURO Select presents yet another crucial 7" for Fourth Wave Record Factory for anyone whose ears prick up when it comes to Far Eastern soul, city pop and jazz cause this one has two of Hamada Kingo's urban mellow gems. He was a key figure in 80s city pop and AOR and his iconic track 'Dream Is Alive' from the Earthian image album makes its vinyl debut and is full of The flip side features 'Yokaze,' another standout urban mellow tune that captures the smooth, soulful vibe of his work and is perfect for those close listen bar sessions or the gentle moments early in the evening.

Review: Maledetta Discoteca closes out its year with this special blue vinyl featuring a mix of brilliant Italo disco artists. They all hail from Italy and Argentina and are editing originals that span disco, electro, proto-house and more. Hararis' 'Si No Pagan' is the first under the scalpel and is a funky cut with raw drums. Lance's 'Yo Quiero A Lucy' is a more slowed down and seductive sound with 80s synths, Marta Paradise's 'Calling' (edit) is a direct and sugar synth laced house stomper and Alan Strani's 'Tension Salsable' brings things to a closer with a nice stomping disco grove with mysterious synths and lush percussion.

Review: Over the years, France's Favorite Recordings has been very good at sniffing out lesser-known European gems from the disco and boogie era, mostly for superb and must-check compilations. Recently, they decided to make some of these licensed obscurities available on a series of 12" singles, where a louder, club-heavy cut is preferable to DJs. The latest sees them offer-up two lesser-known Belgian gems produced in the mid 1980s by future new beat don Tony Baron. Jonathan Jr's 'Hanging On To You' is warm, shuffling and synth heavy, with the artist's soulful and jazzy lead vocal sitting alongside squelchy synth-bass, Nile Rodgers style guitars and post-electro beats. Special Occasion's 'Flying To Santa Barbara', meanwhile, sits somewhere between 80s soul, AOR synth-pop and sax-sporting B-movie soundtrack goodness.

Review: Geordie one-man production line Smoove's Multitrack Reworks series consistently delivers the goods, with the popular funk, soul, breaks and disco DJ/producer dropping fine, Reflex style revisions of both classic cuts and lesser-celebrated gems. He begins volume ten by reworking Steely Dan's 'Peg', a cut beloved of hip-hop DJs thanks to its killer drum-break and use in De La Soul's 'Eye Know'. His version makes great use of the multi-track stems, teasing out the break and slowly building the instrumental elements before unleashing the vocals. It's a genuinely great rework, as you'd expect. Over on the flip, he gives 'Baby Be Mine', with its' crispy drums, glistening disco guitars and squelchy synth-bass, a similar treatment, before successfully chopping up a heavy, percussion-laden deep AOR soul number ('This Time').

Review: Ralph White's early ventures into disco are finally gathered in one place with the first official anthology of his 1978 recordings at Sydney's Albert Studios. Better known at the time as a session player and producer in the city's studio scene, White was tapped by M7 to craft four disco pieces aimed at an emerging dance market. Over just two days in the studio and a small group of local players - including a young Tommy Emmanuel - he recorded four standout cuts, together which remain some of the most refined Oceanian disco ever put to tape. Though the original 12"s saw limited success domestically, M7's distribution push into markets like Canada, India and Argentina helped cultivate a quiet cult following. Now remastered and housed in a deluxe spot-UV sleeve with inserts featuring new liner notes and White's biography, this reissue shines overdue light on a forgotten chapter in Australian dance music.

Review: Whodamanny's Biloba sublabel on Periodica Records takes us into dark, hypnotic sax-driven sounds here with a new single that comes with four unique versions. The Club mix of 'Volveran ' features chanting vocals and neon-hued pads over tinny electric disco beats with some big sax stylings. TehSax Only does what it says on the tin and the Radio mix condenses this energy into a spellbinding pop gem while the Dub version removes the sax, highlights delayed drums, cosmic chords and sunlit guitar riffs and tops it with hazy vocals. These are lively, retro-future disco delights that are sure-fire crowd-pleasers.

Review: Over the years, Andrew Meecham's albums as the Emperor Machine have variously explored his love of the Radiophonic Workshop, synth-heavy dub disco, mutant boogie and electronic punk-funk. On 'Island Boogie', a set inspired by the annual Rotation Garden Party micro-festival and its' infamous custom-built soundsystem, he offers up colourful, synth-heavy takes on nu-disco and Balearic boogie with a sun-soaked jauntiness and plenty of analogue electronics. The results are rarely less than stunning, from the atmospheric, acid-flecked excellence of 'La Cassette' and a riotous cover of La Fox's 'S-s-s-single Bed', to the Chicken Lips-esque 'Devoilez-Vous' (a dubbed-out treat with added hand percussion), bubbly electrofunk number 'Wanna Pop With You' and the heady, slow-motion electronic psychedelia of 'Cha Murreh Etem'.

Review: Mixed by Japanese producer and DJ Muro, who has a background in hip-hop, this connoisseur is never short on deep cuts and takes us on a journey through soulful, vintage AOR sonics from his home country. Whilst no two tracks are by the same artist, there's a cohesion to the tracklist thanks to Muro's ear in pulling out things that sit so well together. Asakawa Mak's 1988 cut 'American Night' is a smooth nod to sophisti pop greats Prefab Sprout; whilst Seri Ishikawa's elegant and lush number, 'Eternal 1/2', highlights how innovative she was in forging new sounds back in 1985. These two cuts are just the tip of the iceberg, yet this compilation is an ideal entry point to some of the finest Japanese music of the late 20th century. You can bank on Muro delivering the goods.

Review: Pellegrino & Zodyaco's skillfully intertwine Neapolitan disco, funk, jazz and world music while channelling a spirit of creative escape of this new album, which is inspired by Henri Laborit's 'Eloge de la fuite'. It explores conscious escapism as a return to authenticity and seeks a "common language" through sound by merging Mediterranean melodies with global rhythms, vintage instruments and ethnic percussion that all bridge past and present. Four years after his last outing, Morphe, Pellegrino is still in top form here with a soulful, genre-blurring portrait of modern Naples that reflects the fact that, in the city, musical traditions meet modern experimentation.

Review: Pink Rhythm was John Rocca's mid-80s solo project and it came after his pioneering work with the band Freeez. The group released three singles between 1984 and 1985 including cult favourites like 'Melodies of Love' and 'India.' Rocca's music has been widely sampled by artists such as Jamie xx, Burial and Todd Terry which has cemented his status as a BritFunk pioneer. His tracks have also featured in TV, film, and high fashion and this album includes six classic Pink Rhythm tracks, four of which haven't been on vinyl since 1985 and beautifully blend vintage 80s drum machines, synths, and saxophones.

Review: In full gatefold LP form comes the latest Brazilian boogie compilation by Horse Meat Disco, selected selectors of the best rarities in the disco genre. Curated mostly by founding member Luke Howard and with added consultations from crewmates James Hillard, Severino Panzetta and Jim Stanton, a lifetime of frolicking among samba troupes, carnival processions and yearly Rio visitations went into the choices you hear here, consummating one man's intuitive taste for a sound whose appeal stretches far wider than its nation of origin. Mr Bongo invited Howard to their Brighton HQ for an extended on-site selection, proving its off-the-cuff expertise: early electronica experiments from Ze Carlos blend voluminously with Jorge Ben pennings and mouth-watering Luiza Maura 7" cullings, proving a hand-picking that is at once eclectic and unifying.