Back catalogue: Funk

Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.

Review: Kelly Finnigan, based in San Francisco, continues his rich legacy of soul with a fresh collaboration alongside fellow genre legend Renaldo Domino. The pair's new 45, kicks off with 'Keep Me In Mind,' is a track originally laid down in 1967 by Buffalo's Samson & Delilah, but Finnigan brings a modern, soul-soaked touch to the tune, locking in with tight rhythms and vibrant horns, all while channeling the essence of classic male soul duos like Sam & Dave. On the flip side, 'Let Me Count The Reasons,' pulled from Finnigan's recent A Lover Was Born, dials down the tempo into a more tender, romantic groove. Written with long-time collaborator Max Ramey, it beautifully weaves influences from Detroit to Philadelphia soul. This 45 is yet another nod to Finnigan's knack for crafting timeless soul, making it a must-have for DJs and lovers of classic, heartfelt music. With every release, Finnigan proves why he remains at the forefront of modern soul.

Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.

Review: Hot on the heels of his acclaimed sophomore album A Lover Was Born, Kelly Finnigan makes a quick return with this soul-packed 7". The A-side, 'Get A Hold Of Yourself,' is a Northern soul-inspired stomper that channels the raw emotion of Memphis soul with heavy drums, syncopated guitars, bold horns and Finnigan's impassioned vocals. It tells the story of a rocky relationship where emotional strain disrupts physical connection then the B-side is a fresh bonus cut from the A Lover Was Born sessions inspired by Barbara & The Browns' Stax classic 'Hurts Me So Much'. It's a moody groove with gospel-infused vocals.

Review: The latest 45 from Durand Jones & The Indications, out on Colemine Records, brings together two tracks from their previous LP, Private Space. Now lovingly refitted for 7" play as only the best cinematic soul should, the A-side of this record contains the album's title track. It comes in the form of a laid back, string-strung, smoothened progression, on which guitarist Blake Rhein plays minimal but on-the-money strokes, and the ever falsetto'ing Durand Jones sings creatively of and in tribute to the many cordoned-off corners, hiding places and hind spaces of the world; the essential vectors of lovemaking. The flip shakes up the ambiance to a higher set of stakes, deploying an upper-tempo, flunkie disco-funk, to hearsaid but hopeful talk of seas of love.

Review: Yet another killer 7" from Durand Jones & The Indicators for Colemine; here we've a premiere condensing of two of the star cuts from their most recent, eponymous record, also called Private Space. First we've of course 'Private Space', a string-laden, refractive meditation on longing, separation and inaccessibility; there is a sense of this feeling having been engendered involuntarily, as a result of separation, between lovers, as is so implied in Jones' devastatingly high vocals. Then the B-side boasts 'Sea Of Love', at which point it seems as though the floodgates of separation have been opened, the sluice of passion lowered; here an unstoppable of torrent of pianified disco-soul opens into an amorous estuary of swing. But of course, there's no way an ocean can be privatised (we hope).

Review: Ohio-based instrumental organ trio Parlor Greens, known for their blend of soul, funk and blues, return with a new 7" that follows their acclaimed debut from 2024. Side-1 features 'Driptorch', which is driven by crunchy drums from Tim Carman, funky guitar riffs by Jimmy James and Adam Scone's expressive Hammond organ. The track delivers a high-energy, groove-filled adventure. On Side-2 ,'200 Dollar Blues', introduces a fresh, mid-tempo instrumental. This blues shuffle highlights James' searing Stratocaster solos, complemented perfectly by Scone's soulful organ work. Their interplay exudes a raw, electrifying energy, while Carman's steady, dynamic drumming grounds the track, making this one for fans of deep soul and blues.

Review: Chicago multi-genre music collective Patchwork Inc. offer a distinct, subtle blend of pianistic soul and cinematic warmth on their latest 7" for Colemine. Elusively cryptic and seemingly not entirely willing to divulge their membership, we do know that North Carolina native Taylor Williams and Chicago journeyman Wyatt Waddell are nonetheless involved: their conjoined hands craft heartfelt ambles through smoothly arranged backbeats and ride-tsking R&B phrases, evoking farewell-bidding moods and last-ditch begs for togetherness.

Review: The Winston Brothers return with two fresh cuts on their latest 7" single, marking their first release since 2022's Drift. On the A-side, 'Straight Shooter' lives up to its name, a raw funk jam that could kickstart a b-boy battle. Funky guitar riffs, punchy horns, and tight drum breaks propel the track forward, its energy intense and unfiltered, thanks to an all-analogue recording on a Fostex 8-track. On the flip, 'Island Travel' takes a more laid-back turn. It's a hypnotic Afrobeat number, with dreamy flute work from Kimo Eiserbeck, blending ethno-funk with spiritual jazz vibes. It's cinematic, atmospheric, and offers a perfect contrast to the edgier A-side.

Review: The Winston Brothers make a triumphant return with two new tracks, this time pressed on striking blue vinyl, following the success of their 2022 debut Drift. The A-side, 'Straight Shooter,' is a full-throttle funk workout, packed with gritty guitar licks, sharp horns, and head-nodding drum breaks. With a raw edge and plenty of analogue warmth from the Fostex 8-track recording, it's a b-boy anthem in waiting. On the B-side, 'Island Travel' shifts gears into a more laid-back groove. A smooth afrobeat-inspired journey, it blends spiritual jazz and ethno-funk, with Kimo Eiserbeck's serene flute solo gliding over the hypnotic rhythms. Perfectly balancing the A-side's intensity, this one's for the heads looking to kick back and vibe out.