Back catalogue: All genres

Review: Hailing from sunny California, funk/soul/jazz crew The Charities bring heart and grit to a track that delves into the intoxicating pull of a love destined to implode. The song paints a vivid portrait of a desriable yet destructive partner whose charm conceals a narcissistic core. With sharp, emotive lyrics and a bittersweet melody, it yearns for the intensity of love's highs and the sting of its inevitable downfall. It's a classic tale of attraction turning to heartache, delivered with a raw authenticity that lingers. Their third single since forming, 'Fatal Attraction' might just be their best yet, while on the flip side, 'It's Not Our Time' shifts to a softer, more reflective tone. This bittersweet ballad explores the ache of love interrupted, as two lovers part ways with the hope that time and distance will lead to a brighter reunion. The warmth of the band's instrumentation, coupled with tender, heartfelt vocals, makes this track a touching counterbalance to the A-side's intensity. The Charities' ability to channel deep emotion through timeless grooves is soulful storytelling at its finest.

Review: Kelly Finnigan reunites with soul veteran Renaldo Domino for a new 7” single on Colemine, ‘Keep Me In Mind’, which hails from Kelly’s A Lover Was Born sessions, reviving a 1967 mid-tempo groove originally by Buffalo duo Samson & Delilah on ABC Records. Tracked entirely to tape across studios in the Bay Area, Ohio and Chicago, the record’s tight rhythm section and horn arrangements form a vibrant foundation for Kelly and Renaldo’s interwoven vocals. Their duet channels the spirit of classic male soul pairs like Sam & Dave and Eddie & Ernie, giving the track a fresh yet familiar energy. The single is primed to win over DJs and soul fans alike.

Review: For fans of classic soul like Lee Fields and Bobby Oroza, Kelly Finnigan's latest 45 is a pure delight. On the A-side, an upbeat Northern soul-inspired track from A Lover Was Born pulses with raw emotionisyncopated guitars and brass-powered intensity back Finnigan's story of a love in crisis. The B-side adds a bonus cut, evoking the 60s soul vibe of Stax Records with a deep, minor-key groove. Here, gospel-tinged harmonies and moody horns underscore Finnigan's heartache, capturing a timeless feel with modern passion.

Review: Hot on the heels of his acclaimed sophomore album A Lover Was Born, Kelly Finnigan makes a quick return with this soul-packed 7". The A-side, 'Get A Hold Of Yourself,' is a Northern soul-inspired stomper that channels the raw emotion of Memphis soul with heavy drums, syncopated guitars, bold horns and Finnigan's impassioned vocals. It tells the story of a rocky relationship where emotional strain disrupts physical connection then the B-side is a fresh bonus cut from the A Lover Was Born sessions inspired by Barbara & The Browns' Stax classic 'Hurts Me So Much'. It's a moody groove with gospel-infused vocals.

Review: Aaron Frazer's limited-edition 45 showcases two dynamic tracks from his debut album. Side-1 has 'Bad News,' with its' punchy, drum-heavy groove paired with a powerful commentary on critical issues like climate change and racial injustice. This track, recorded in Nashville with the iconic Memphis Boysiknown for their work with Dusty Springfield and Aretha Franklinimerges classic soul with a modern edge. Flipping to Side-2, 'Done Lyin'' offers a glimpse into Frazer's emotional landscape. Dan Auerbach's commanding production provides a fitting backdrop for Frazer's poignant vocals, which convey a deep sense of both resilience and vulnerability. This black vinyl version is sure to impress soul enthusiasts with its blend of heartfelt expression and classic flair.

Review: This limited-edition 45 from Aaron Frazer, featuring two standout tracks from his debut album. On side-1, 'Bad News,' delivers a punch with its funky, drum-driven rhythm and a pressing message on urgent issues like climate change and systemic racism. Recorded in Nashville with a stellar lineup, including The Memphis Boysifamed for backing Dusty Springfield and Aretha Franklinithis track blends old-school soul with contemporary relevance. On Side-2, 'Done Lyin'' reveals Frazer's emotional depth. With Dan Auerbach's robust production setting the stage, Frazer's heartfelt vocals shine through, creating a soulful resonance that captures both strength and vulnerability. Soul fans will be taking notice of this release!

Review: Colemine's latest transmigration of soul comes incarnated in rainbow-hued 45 form, culling two more slamming singles from Aaron Frazer's new and forthcoming LP, Into The Blue. Following the Brooklyn drummer and singer's earlier 2024 7"s 'Bad News/Done Lyin' and 'Bring You A Ring', we now consider ourselves further enriched by this contradictorily loose but tight soul-funk flabbergaster, which veers bassy and beatific, making stark and strident use of etheric vocals by singer Kiyamma Griffin.

Review: The latest 45 from Durand Jones & The Indications, out on Colemine Records, brings together two tracks from their previous LP, Private Space. Now lovingly refitted for 7" play as only the best cinematic soul should, the A-side of this record contains the album's title track. It comes in the form of a laid back, string-strung, smoothened progression, on which guitarist Blake Rhein plays minimal but on-the-money strokes, and the ever falsetto'ing Durand Jones sings creatively of and in tribute to the many cordoned-off corners, hiding places and hind spaces of the world; the essential vectors of lovemaking. The flip shakes up the ambiance to a higher set of stakes, deploying an upper-tempo, flunkie disco-funk, to hearsaid but hopeful talk of seas of love.

Review: Yet another killer 7" from Durand Jones & The Indicators for Colemine; here we've a premiere condensing of two of the star cuts from their most recent, eponymous record, also called Private Space. First we've of course 'Private Space', a string-laden, refractive meditation on longing, separation and inaccessibility; there is a sense of this feeling having been engendered involuntarily, as a result of separation, between lovers, as is so implied in Jones' devastatingly high vocals. Then the B-side boasts 'Sea Of Love', at which point it seems as though the floodgates of separation have been opened, the sluice of passion lowered; here an unstoppable of torrent of pianified disco-soul opens into an amorous estuary of swing. But of course, there's no way an ocean can be privatised (we hope).

Review: Ohio-based instrumental organ trio Parlor Greens, known for their blend of soul, funk and blues, return with a new 7" that follows their acclaimed debut from 2024. Side-1 features 'Driptorch', which is driven by crunchy drums from Tim Carman, funky guitar riffs by Jimmy James and Adam Scone's expressive Hammond organ. The track delivers a high-energy, groove-filled adventure. On Side-2 ,'200 Dollar Blues', introduces a fresh, mid-tempo instrumental. This blues shuffle highlights James' searing Stratocaster solos, complemented perfectly by Scone's soulful organ work. Their interplay exudes a raw, electrifying energy, while Carman's steady, dynamic drumming grounds the track, making this one for fans of deep soul and blues.

Review: Chicago multi-genre music collective Patchwork Inc. offer a distinct, subtle blend of pianistic soul and cinematic warmth on their latest 7" for Colemine. Elusively cryptic and seemingly not entirely willing to divulge their membership, we do know that North Carolina native Taylor Williams and Chicago journeyman Wyatt Waddell are nonetheless involved: their conjoined hands craft heartfelt ambles through smoothly arranged backbeats and ride-tsking R&B phrases, evoking farewell-bidding moods and last-ditch begs for togetherness.

Review: Say She She's latest festive offering becomes even more irresistible with this special opaque dark purple vinyl edition. The A-side reimagines Marvin Gaye's 'Purple Snowflakes,' wrapping cascading piano lines and delicate harmonies in a mood that's equal parts nostalgic and otherworldly. On the B-side, their first original holiday tune, 'This Wintertime,' evokes warmth and intimacy, celebrating the simple joy of togetherness. Pressed on this stunning coloured vinyl, the release pairs perfectly with its timeless sound, offering collectors and fans alike something truly special for the season.

Review: Say She She bring soulful magic to the holidays with two tracks that effortlessly combine tradition and originality. Their cover of Marvin Gaye's 'Purple Snowflakes' brims with soft, tumbling melodies and an understated psychedelic charm, while 'This Wintertime' radiates with the heartfelt warmth of their first original Christmas tune. Lush harmonies and thoughtful arrangements define both tracks, reminding us of music's power to connect and uplift. This festive 7" single captures the spirit of the season in Say She She's signature style.

Review: The Sinseers' 'For You' is the quintessential soundtrack to Southern California vibes. From the opening notes that evoke images of beautiful beach strands under the sun to the heartfelt chorus, the song transports listeners to another world. Led by Joey Quinones, a true son of East Los Angeles, Thee Sinseers defy categorisation as mere oldies players. Over the past five years, they've honed their craft, infusing r&b and soul with a modern twist. With 'For You,' they deliver a timeless blend of music that captures the essence of a bygone era while remaining fresh and relevant in today's scene.

Review: Thee Sinseers excel at expressing the complexities of love through their engaging melodies. The band, rooted in East Los Angeles, has made a name for themselves in the Chicano soul scene, led by QuiNones. The lineup also features talented musicians such as Eric Johnson on tenor sax and Jose Luis Jimenez on trombone, all contributing to a rich tapestry of influences, from 1960s rocksteady to the vibrant spirit of Ritchie Valens and Ray Charles. 'Can't Call My Baby' leads the way as one of the strongest tracks taken from their debut full length album highlighted on this 7". On Side-2 introduces 'Take A Chance', a brand new and previously unreleased track. Here, Joey Quinones shines with his distinctive crooning, urging listeners to seize the moment and embrace love before it's too late. The inclusion of a soulful harmonica adds a lively flair, beautifully blending elements of classic Motown with Latin soul influences. Together, these songs highlight Thee Sinseers' distinctive sound and artistic versatility, merging nostalgic elements with a modern twist.

Review: Side-1's 'Can't Call My Baby', highlights the powerful lead vocals of Adriana Flores, taken from the full length debut of Thee Sinseers, which has already amassed nearly seven million streams on Spotify within just three months. Flores delivers a stunning performance, effortlessly conveying the song's emotional depth. On Side-2, the band unveils 'Take A Chance', a fresh and unreleased track. This song showcases Joey Quinones' signature crooning, as he encourages listeners to embrace love while they still can. The track's soulful harmonica adds a vibrant touch, seamlessly merging classic Motown influences with Latin soul rhythms. Together, these tracks exemplify Thee Sinseers' unique sound and artistic range, blending nostalgia with contemporary flair. Thee Sinseers continue to impress with their ability to capture the complexities of love through their melodic storytelling.

Review: The Winston Brothers return with two fresh cuts on their latest 7" single, marking their first release since 2022's Drift. On the A-side, 'Straight Shooter' lives up to its name, a raw funk jam that could kickstart a b-boy battle. Funky guitar riffs, punchy horns, and tight drum breaks propel the track forward, its energy intense and unfiltered, thanks to an all-analogue recording on a Fostex 8-track. On the flip, 'Island Travel' takes a more laid-back turn. It's a hypnotic Afrobeat number, with dreamy flute work from Kimo Eiserbeck, blending ethno-funk with spiritual jazz vibes. It's cinematic, atmospheric, and offers a perfect contrast to the edgier A-side.

Review: The Winston Brothers make a triumphant return with two new tracks, this time pressed on striking blue vinyl, following the success of their 2022 debut Drift. The A-side, 'Straight Shooter,' is a full-throttle funk workout, packed with gritty guitar licks, sharp horns, and head-nodding drum breaks. With a raw edge and plenty of analogue warmth from the Fostex 8-track recording, it's a b-boy anthem in waiting. On the B-side, 'Island Travel' shifts gears into a more laid-back groove. A smooth afrobeat-inspired journey, it blends spiritual jazz and ethno-funk, with Kimo Eiserbeck's serene flute solo gliding over the hypnotic rhythms. Perfectly balancing the A-side's intensity, this one's for the heads looking to kick back and vibe out.