Review: Rambadu's self-titled label is young but already onto a good thing with a distinctly deep brand of techno. This time out the boss is back once more but in cahoots with Italian techno legend Claudio PRC. They cook up a trio of mind melters starting with 'Sai.' Warped lines menacingly roam about the stereo field over sparse kicks and deep abs. 'Matika' is just as paired back and atmospheric in a deep, dark way with slowly churning drums taking you deeper down the rabbit hole. 'Aqua' is a meatless blend of distant groans and wispy pads that keeps you in suspense.
Nebelgelb (feat The Metropolitan Narrative) (6:57)
Tau (Vril Vintage Tool remix) (7:11)
Nebelgelb (feat The Metropolitan Narrative - Sleeparchive remix) (4:59)
Review: The smudged, dark and shadowy nature of the creepy artwork for this new 12" on TMN Trax is indicative of what to expect musically of this new label. It's a collab EP from Ones and Rasval with an appearance from The Metropolitan Narrative and remixes from Vril and Sleeparchive. 'Tau' is the deep and dubby roller that opens up with a grainy vibe and foggy atmosphere over muted drums, then 'Nebelgelb' gets more edgy with layers of subtle haunting pads and paranoid voices panning about the mix. Vril's contribution is a pacey, warm and lo-fi techno hypnotiser and Sleeparchive closes down with muted dub brilliance.
You Are In The Embrace Of The History (Iti remix) (8:00)
You Are In The Embrace Of The History (Kuniyuki Takahashi remix) (7:19)
Review: Rafet's You Are In The Embrace Of The History is a thought-provoking debut released on Research Records, where Daniel Rafet Grima delves into ambient and drone music with a sense of reverence for ancestral memory. Side-1 begins with the title track, a piece that carries an air of longing and introspection. The atmosphere is rich with layers of ambient sound and chamber music depths. The next song featuring DGrima, adds another dimension with its haunting, immersive quality. On Side-2, Iti's remix introduces a delicate piano melody and a subtle beat, infusing the original with a fresh, creative energy. In contrast, Kuniyuki Takahashi's remix takes a more abstract approach, deconstructing the track into an intriguing exploration of sound and texture. You Are In The Embrace Of The History is a meditative and deeply reflective work that resonates with both beauty and depth.
Review: If you've ever been luck enough to attend the Freerotation music festival than plenty about this remix package will make sense. Not least the interpretation by event co-founder and modular synth hero Steevio, here delivering a remix on vinyl for the first time. Bringing in elements of jazz, ambient, field recordings, dub, house music and - albeit barely audible - subtle shades of tech, it's a sophisticated package that fully buys into the theory of electronic sounds being a form of high art. Running the gamut from the stepping, poised but decidedly free spirited 'Lucid' and Deadbeat's tense, drone-y take on'Sam Gimignano', to the lush keys and white noise of Andrea Cicheki's redo of 'Siegfried 2.0' and Dr Nojoke's beautifully blissed out smoky house, it's as dense as it is accomplished.
Review: After four years of work fusing acoustic and electronic sound worlds, Rand finally unveiled the fruits of their labours with Peripherie. The duo of concert pianist Jan Gerdes and minimal techno producer Dr. Nojoke have cooked up urban and sensitive music for piano and electronics that was all recorded live with no overdubs back in 2019 at Berlin's Chez-Cherie Studios. It was made across three pianos with improvisation at the heart of the process. It's a great collision of worlds, from dark and intense pieces of pulsing techno to more light and hopeful and empty soundscapes that perfectly blur the edges between the different tools used. Fans of Nils Frahm, Alva Noto and Ryuichi Sakamoto will enjoy digging into this one.
Review: The celebrated 'Live from Studio S2' performance is now available on vinyl once more featuring all four tracks from the session, including the unreleased 'Hawaii Oslo' and 'Glass'. Premiered on the Gondwana Records YouTube channel back in 2021, this session has since picked up over three million views and captivated fans worldwide in the process. It was recorded this session at the Berlinale Film Festival's EFM sessions in Studio S2 in Warsaw, where Hania Rani had previously recorded for her debut album Esja. The set includes new arrangements of beloved tracks that are all sumptuous and beautiful.
Review: Verdant's tenth release is another meandering and mystic trip through ambient electronic sounds that leaves you a million miles away from wherever you started. All four artists here excel with electro producer Reedale Ris kicking off in languid, far-sighted fashion with their mournful synths and distant cosmic designs. Out.Lier's 'Track 2' is another one cast adrift on deepest space with smeared pads and floating aural details suspending you in mid air. Jo Johnson's cascading synth motifs are pure and innocent and cathartic and Romanticise The World's 'Track 4' is mellifluous and hopeful.
B-STOCK: Creasing to corners of outer sleeve but otherwise in excellent working condition
Reedale Rise - "Track 1"
outlier - "Track 2"
Jo Johnson - "Track 3"
Romanticise The World - "Track 4"
Review: ***B-STOCK: Creasing to corners of outer sleeve but otherwise in excellent working condition***
Verdant's tenth release is another meandering and mystic trip through ambient electronic sounds that leaves you a million miles away from wherever you started. All four artists here excel with electro producer Reedale Ris kicking off in languid, far-sighted fashion with their mournful synths and distant cosmic designs. Out.Lier's 'Track 2' is another one cast adrift on deepest space with smeared pads and floating aural details suspending you in mid air. Jo Johnson's cascading synth motifs are pure and innocent and cathartic and Romanticise The World's 'Track 4' is mellifluous and hopeful.
Review: Details - for now, anyway - about Respite remain shrouded in mystery, but this is the second release on their own label. It's a quietly profound exploration of minimal to kick off with as 'Track 1' layers up subterranean kicks with wispy melodic curlicues that get you in a dream state. 'Track 2' flips the script with bulky kicks that are in your face and softened by more swirling ambient pads. 'Track 3' is pure late night sub submersion coated in vocals crackle, dust and static that feels somehow intense despite being such a sparse sound. 'Track 4' allows some more light-emitting and radiant synths to cut through the murky atmospheres and it has a moving, uplifting effect.
Review: Lukid and Tapes are on a proper roll with Rezzett at the moment, following up on a knockout 2023 on The Trilogy Tapes with this self-released clutch of weirdo techno-not-techno nuggets from the outer reaches. There's distortion in abundance, and a laissez faire approach to soundsystem impact in favour of textural, atmospheric sculpting. It's dripping with intention even as it stumbles inquisitively from one lo-fi tweak to the next, sounding utterly inspired and delightfully unhinged in equal measure. What's most important is the melodic warmth which peeks through the noise, edging this above the usual murk associated with noise-doused electronics.
Sleep: Tranquility Base (Alva Noto Remodel edit) (5:37)
Sleep: Tranquility Base (Kelly Lee Owens remix) (4:03)
Review: Max Richter's latest work Sleep: Tranquillity Base first arrived on Deutsche Grammophon for World Sleep Day. Ot is a thirty minute work split across two parts and are inspired by the moon landings. It is music that "functions as a vessel that disconnects and travels through the body of work, allowing art to provide something which resembles peace within ourselves." It also comes with a couple of belting remixes from much loved contemporary innovators Alva Noto and Kelly Lee Owens. There is a reason Max Richter is so well revered and his music has had over three billion streams and this EP is one of them.
Review: Vocalist and poet Roger Robinson has connected with Jabu producer Amos for this new single which finds them explore new grounds. After their fuzzy lovers rock outing last time out, here they head off into space with more cosmic and zoned out sounds full of intimate and slo mo grooves. 'Summer' goes first and is a blissed out cut with ambient pads and lonely piano keys encouraging you to get lost in deep thought. 'Feel Bad Smile' is even more of a cosy late night cuddle, with spoken word mutterings and lingering notes breaking your heart each and every time.
Review: Roy Of The Ravers takes a break from his mischievious outings on Acid Waxa et al to lay down some of his braindance tackle on Emotional Response. White Line Sunrise II.I (Le Roy Soleil) can rightly be considered a follow-up to White Line Sunrise II and indeed it represents a similar kind of spectrum of electronica. Roy's sound is edging further into the kind of 'artist' territory where slower, softer tracks, odd vocal diversions and some pop sensibilities merge with the acid, electro, breakbeat and other well-established tropes of his sound. It's the kind of record which could easily broach this quirky fringe operator of UK electronics to a broader fan base, and there's no doubt he's got the melodic, emotional heft on tracks like 'Versace 101624' to get everyone on board.
Review: The state51 Conspiracy label comes very much correct early on in the New Year with this two-track grey marbled vinyl 12" in a fancy spot-varnished sleeve. It takes the form of two fresh Santaka reworks of original compositions by Rytis Mazulis and avant-garde choir Melos Collective which were first released back in 2020. Santaka, which means "confluence" in Lithuanian, is the coming together of DJ and producer Manfredas and drummer and producer Marijus Aleksa and here they layer up disembodied vocals and dark jazz melodies on 'Ramybe' and then 'Autoportretas' is a textural ambient exploration packed with fascinating sound designs.
Review: It's fair to say Placelessness is the work of an Australian experimental supergroup. Oren Ambarchi has been a towering figure of hyper-minimalism since the mid-80s, most notably creating tense and elongated stretches of recordings and performance using guitar tone. Robbie Avenaim is an accomplished experimental drummer, and Chris Abrahams heads up The Necks. That's a very condensed biography for three incredibly accomplished musicians who finally make good on years of live collaborations and criss-crossed pathways to deliver a stunning album which brings their respective qualities into sharp relief, somehow fuller than their solo efforts without losing the vital subtlety and patience which has guided them to greatness.
Review: Alva Noto and Ryuichi Sakamoto's VIRUS series collects the pair's five minimalist electronica EPs 'Vrioon', 'Insen', 'Revep', 'UTP_' and 'Summvs (Remaster)'. Now compiled in a single compendium, which now takes shape as a limited edition slipcased nine album box set, the VIRUS name acronymises all five titles in an eco-friendly, cream-coloured case. With each EP appearing in order, commencing with the digital Y2K dusts of 'Vrioon' (2002) and ending on the more recent textural terminus 'Summvs' (2021), we've a whole two decades' worth of musical stylistic progression and transgression here. Each EP counterposes the other convincingly, not creating a through-lined opus more than complementing each other through sheer happenstance.
Review: Alva Noto and Ryuichi Sakamoto dropped this one first back in 2006. It was the third collaborative album between the ambient maestros and the third installment of V.I.R.U.S.'s five albums series. It was remastered last year and now gets served up as a reissue alongside three all-new pieces, namely 'City Radieuse', 'Veru 1', and 'Veru 2'. The first of those was written for a short cinematic essay in 2012. The album centres around the pano with padded bass and electronic frequencies adding extra depth and texture. It is another classic in their oeuvre.
Review: Vrioon was the first ever collaboration album between Alva Noto and legendary synth man and composer Ryuichi Sakamoto. 20 years after it became the first instalments of V.I.R.U.S.'s five records together it gets the full reissue treatment. The original tracks from the album are joined by an all new composition 'Landscape Skizze' which was laid down in 2005. The record is defined by alternate piano chords, lush electronic tones and quivering timbres that are delicate yet impactful.
Review: Hardanger is a collaboration between Mariska Baars, Niki Jansen and Rutger Zuydervelt. Named after Jansen's Hardanger fiddle, the album expands on Baars and Zuydervelt's established chemistry after beginning as Jansen's improvisations with Baars adding vocals and guitar, all later shaped by Zuydervelt into two long-form tracks-one an electro-acoustic collage, the other more meditative. Baars blends ambient and folk and is known for collaborating with artists like Peter Broderick, while Jansen is a folk violinist and Zuydervel's prolific output as Machinefabriek is well worth checking as are his film scores and collabs as Piiptsjilling and Fean with Baars.
Review: Truly living up to its name, Venusia - a word that has three meanings; a genus of moth, town in Italy, and the Roman goddess of love (who, as it happens, was named after the planet, Venus) - is essentially an homage to the fragile beauty of life, and the sense that our being present in this existence is something of a marvel. A one in a billion gamble that paid off without us even having to decide if the odds looked good enough to bet.
A collaborative work from four friends, with Henrik Meierkord on cello, Pawel Kobak playing flute, Marco Lucchi in charge of electronics, and Rocco Saviano on guitar duties, this atmospheric and cinematic ambient soundscape is grand and small, expansive and intimate, but overwhelmingly emotionally captivating in each of those modes. Complimented by gorgeous butterfly artwork by Valerii Bogorod, it's impossible not to fall for this intoxicating experience.
Review: Ambient legends Abul Mogard and Rafael Anton Irisarri team up for new album Impossibly Distant, Impossibly Close. Unfolding naturally after being booked to play at the same show in Madrid in 2023, the two ambient artists' dazzlingly warm, slow-progressing approaches to ambience fuse neatly together here. Just two long pieces, 'Piece Of Forever' and 'Waking Up Dizzy On A Bastion', titularly grasp at the theme of eternity, determinism, historical peaks and troughs: the supporting atmosphere is equally as impressively arresting, seeming to urge the listener to 'give over' and move with the flow of time, less than the flow of will. Such a paradigm shift can indeed serve to make distance and closeness seem irrelevant.
The Fantastic Life Of Mr Adonis The Peacock (3:04)
The Wheels Are Spinning (5:36)
Review: In a first-time collaboration, psychedelic trance godhead Simon Posford (best known as Hallucinogen and a founding member of Shpongle) teams up with fellow hippie and flutist Raja Ram (Ronald Rothfield) on a welling improvisatory record, Improvisations For Piano And Flute. Though both are highly esteemed artists in their respective micro-corners of the electronic music scene, Posford and Rothfield both depart significantly from their usually danceable ends for a living-room recorded set of ambiences. With a synth placed atop an antique Bluthner piano, Raj and Simon would join in after the other first begun playing, delivering a 44-minute effluence for the spontaneous soul.
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