Back catalogue: All genres

Review: This double pack brings together the original, pre-reformation Pixies' last two albums from the early 90s with Bossanova from 1990 marking a distinct shift in the band's sound, Black Francis pursuing a more 'space age heavy metal' direction, a vision he had long desired. The album is imbued with haunting melodies like in 'Ana' and 'Velouria' and contains some of Francis' best lyrical work, dealing in unsettling concepts and a dreamlike atmosphere that's unlike anything they'd done before. Following closely in 1991, Trompe le Monde continues this exploration, both musically and thematically, with its most famous moment 'Planet of Sound' seemingly joining the dots between punk and metal. The title track, which translates to 'Fool the World', sets the tone for an album that adds more avant-garde touches to their alternative rock. While maintaining the Pixies' signature style on 'Alec Eiffel' and the impossibly funky but still lead heavy 'U Mass' - the only track containing the c-word that even sneaked onto a Desert Island Discs playlist thanks to one Jimmy Carr - it still pushes the boundaries even further with more experimental elements. A comprehensive experience of this fascinating and often underrated period in the Pixies' career.

Review: Nowadays regarded as the stuff of punk legend, the chaotic and ill-fated jaunt undertaken by the Sex Pistols across the US in January of 1978 was hindered by so many differing factors, it was almost as if they were set to fail. Plagued by poor management while trapped on a label with no real idea how to market such a tumultuous roster outlier, the band found themselves performing for those there out of mere curiosity more than their targeted audience or genuine fans, culminating in severe burn-out in real time, captured on these recordings. Finally, for the first time, several of these shows have been retooled to their correct sequencing with this collection reflecting the debaucherous live sets in all their feral glory that took place on January 5th at the South East Music Hall in Atlanta, Georgia, January 10th at the Longhorns Ballroom in Dallas, Texas, and January 14th at the Winterland Ballroom in San Francisco, California. Boasting all of the essential anthems from 'God Save The Queen' to 'Pretty Vacant' and 'Anarchy In The UK', behind the energy is the sound of a band imploding, while today not all wounds have healed with the surviving members currently enjoying a celebration of their iconic Never Mind The Bollocks LP with former Gallows frontman Frank Carter stepping in for MAGA man Jon Lydon, who continues to lob barbs at his former bandmates whenever given half the chance.

Review: Before Marc Bolan's untimely passing in 1977, T. Rex was a cultural whirlwind, an electric force that blurred the lines between glam rock and larger-than-life mythology. The band's influence during the early 70s reached levels that not only defined a generation but also cultivated the feverish phenomenon known as "Trextasy," rivaling even the mania of Beatlemania. Amid the hits that catapulted them into superstardom, hidden on the flipsides of their most famous singles, were some of Bolan's most vivid and unpredictable musical momentsitracks that now stand as an alternative narrative to the T. Rex story. This collection brings together 27 of these gems, charting a journey from the swaggering energy of 'Telegram Sam' to the reflective tones of 'Celebrate Summer.' These B-sides, often overlooked in favour of their A-side counterparts, show a different side to Bolan's genius. Many of these tracks, such as 'Cadillac,' 'Thunderwing,' and 'Lady,' could have easily stood on their own as hit singles, their impact only diminished by their position as B-sides. 'Born To Boogie' gets a newly discovered single mix, while 'Sunken Rags' offers an introspective side of Bolan that feels like a hidden treasure. The inclusion of Gloria Jones adds a fresh layer of soul to the proceedings, her voice a perfect foil to Bolan's otherworldly swagger. These tracks, strung together in one place, feel like an alternative history of T. Rex, highlighting the artistry that was often buried beneath the mainstream success. They not only reaffirm Bolan's stature as a visionary, but they also open up new pathways for the listener, offering an alternative lens through which to understand the full depth of his music.

Review: British producer Joe Thornalley aka Vegyn brings forward-facing, abrupt and clippy stylishness to Air's 1998 debut album Moon Safari, in a daring reimagining crossing both audio and English Channels. Vegyn's desultory dynamics prove a toothy match for Air's comparatively amniotic French downtempo pop sound, though we *can* hear the ways in which Vegyn might've always somewhat taken after Air's production, his dream-rap sound lent well John Glacier's album released not long ago. Of course, 'Sexy Boy', 'All I Need', and 'La Femme d'Argent' are synonymous with the vibe of an era, and Vegyn's LP-remix (an increasingly popular format in 2015) honours Air's e-steamed essence, reconditioning their turn-of-the-digital vibe in jerkier retrospective tones.