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Back catalogue: All genres
Juno's full catalogue of All genres
Singles
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Played by: Juno Recommends Broken Beat Nu Jazz
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Review: Being a 'supergroup' - as Boygenius trio Julien Baker, Phoebe Bridgers and Lucy Dacus are commonly described - has its pitfalls, one of which is finding time to record and promote your music. It was for this reason that it took the threesome almost five years to record their debut album, The Record, which was released to critical acclaim (the NME called it an 'instant indie classic') earlier this year. The fact that 'The Rest', an EP of unheard songs (literally - no previews were available online prior to release), has followed so quickly suggests that it was recorded at the same time. Either way, it was produced by the band alongside a team of six producers) and delivers more memorable songs in their now familiar American indie-rock style. A treat for fans, all told.
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Review: Described by their label, Dais, as "a stirring new chapter" in their musical story, 'An object of Motion' has its roots in a coastal break main man Deb Demure made back in 2021. It was material recorded there, largely using a vintage, bowl-shaped 12-string guitar, that formed the basis of the four-track mini-album. These recordings were then expanded on with help from collaborators Rachel Goswell (Slowdive), Justin Meldal-Johnsen and Ben Greenberg. It's a decidedly psychedelic set all told, with Demure and company blurring the boundaries between neo-folk, psychedelia, the Cure, shoegaze and the sort of saucer-eyed, turn-of-the-90s bagginess associated with the Stone Roses. Most impressive of all, though, is 'Yield To Force', an undeniably cosmic, layered and effects-laden instrumental that ebbs and flows over 15 magical minutes.
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Review: Vince Clarke and Andy Bell won plenty of praise for their 19th album as Erasure, last year's Neon, with critics praising the analogue-rich, retro-futurist nature of its synth-pop sound. The tracks on this five-track EP, which was mostly recorded during the same period, mine the same pool of vintage synth sounds, some of which are reminiscent not of the pair's early joint works in the 1980s, but Clarke's earlier spell as one of the founder members of Depeche Mode. 'Time (Hearts Full of Love)' and 'Same Game' are both melancholic, stirring and addictive in equal measures, while the bleeping 'Leaving' is pleasingly dreamy. Those seeking more up-tempo, club-ready sounds should head for 'Secrets', a throbbing slab of turn-of-the-80s dance-pop which boasts numerous nods to Giorgio Moroder and Bobby Orlando.
… Read more in stock $10.08
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Review: Cocteau Twins' musical mastermind Robin Guthrie has produced some terrific solo records over the course of his career, frequently delivering material that joins the dots between ambient, ethereal soundscapes, shoegaze and the more immersive end of the soundtrack spectrum. 'Astoria' is the latest volume in the Scottish multi-instrumentalist and producer's ongoing EP series (its predecessor, 'Mountain', dropped in September). It's another typically gorgeous and enveloping affair in which effects-laden guitar motifs, gaseous ambient chords, gentle rhythms, ghostly aural textures and slowly shifting melodies combine to create instrumental sound worlds of rare beauty (if not sonic clarity - Guthrie's use of reverb and delay is liberal, which adds to its atmospheric nature but adds extra layers of attractively wide-eyed haziness).
… Read morePlayed by: Juno Recommends Ambient/Drone
in stock $10.66
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Review: Robin Guthrie's Atlas is a four-track EP showcasing new instrumentals that gently reintroduce listeners to his distinctive world. Known for shaping genres with his production and signature guitar sounds, Guthrie famously co-founded and produced for Cocteau Twins. With over four decades of musical influence, he's produced, remixed, and collaborated across various projects, from instrumental albums to movie soundtracks and Atlas serves as a tantalising preview of what's to follow later this year, namely more of Guthrie's evocative sounds that will no doubt continue his legacy of pushing boundaries.
… Read morePlayed by: Juno Recommends Ambient/Drone
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Silence In The Static Church
Eternal Exodus
Chthonic Hymn
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Review: George Michael's Careless Whisper 40th Anniversary Edition on CD is a nostalgic treasure for fans of one of pop's quintessential anthems. Released in 1984, the track's lush saxophone riff and Michael's emotive vocals made it an instant classic, topping charts worldwide and becoming a (slow) dancefloor staple. This commemorative CD presents four versions of the iconic song: the newly remastered original, an extended mix that amplifies its steamy appeal, a previously unreleased live performance from Madison Square Garden capturing its live charm and an instrumental version that highlights its exquisite musicality. While Michael himself was critical of the track's lyrical simplicity, viewing it as a minor achievement compared to his other work, the song's enduring appeal remains undeniable. This edition celebrates its lasting impact with a collection that offers fans both a trip down memory lane and a deeper appreciation of its musical legacy.
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Review: Richard Norris loves a series. The former Grid man and noted psychedelic music afficionado has umpteen on the go at present, including ones dedicated to meditative ambient sounds ('Music For Healing') and modular experiments ('Abstractions'). Then there's his dub-wise and 'outernational' music series, Oracle Sound, which here reaches its fourth - and possibly strongest - instalment. Highlights are plentiful, from the languid and woozy head-nod of opener 'Connected Dub' and the intoxicating, flute-sporting musical mystery of 'Earthsea Dub', to the up-beat dancefloor dub of 'Maximum Dub', and the sub-heavy, near dub techno pulse of John Carter hook-up 'Ceefax'. That one also comes accompanied by alternative takes by both Norris and Carter.
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Last Stop On The Underground (CD single (indie exclusive))
Cat: LAB 51015CD. Rel: 09 Sep 24
Psych/Garage Rock
Review: Rain Parade’s Last Stop On The Underground EP marks a significant return for the band, following their long break from the music scene. Known for their role in shaping the Paisley Underground sound in the 1980s, the EP showcases original members Matt Piucci and Steven Roback continuing their signature neo-psychedelic style. The release comes alongside their first full-length album in nearly forty years, Last Rays of a Dying Sun. The EP’s features 'Surprise, surprise' and 'Didn’t know what not to say,' blending the band’s familiar jangly guitars with reflective lyrics. Also included is the title track 'Last stop on the underground' and 'Happy to leave,' which capture a mix of nostalgia and progression. Their 1983 release Emergency Third Rail Power Trip was hailed as one of the standout albums of the Paisley Underground, earning high praise from critics. With this new material, Rain Parade reinforces their place in the psychedelic rock landscape once more.
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Review: Second time around for Sneaker Pimps' Six Underground, the lesser-celebrated follow-up to the duo's renowned 'Spin Spin Sugar' single (famous, of course, because of Armand Van Helden's influential 'Dark Garage' remix). While the revisions included here - all initially released in 1996 - did not make as big an impression, all four have stood the test of time impressively. The headline attraction is a pair of Two Lone Swordsmen rubs, which are amongst the earliest reworks Weatherall and Tenniswood laid down under the alias. The vocal and instrumental takes are low slung trip-hop tracks overlaid with heady electronic elements. Elsewhere, Nellee Hooper channels the spirit (and sound) of his work with Massive Attack, and Hull boys Fila Brazillia lay down a typically deep, dubby and slowly evolving downtempo workout.
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DMC Mixpack EP 16: New & Classic DMC Mixes & Remixes For Professional DJs (Strictly DJ Only) (unmixed CD single)
Cat: DMCMP 16. Rel: 22 May 23
Funky/Club House
in stock $13.44
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Review: First released on streaming platforms last summer, Wilco's 'Hot Sun Cool Shroud' EP was uniformly praised by critics. Much more than a stop gap between albums (it arrived roughly 12 months after the outfit's lauded 13th studio full-length, Cousin), the six-track set bristles with inventiveness while flitting between styles and tempos. So, opener 'Hot Sun', a sticky slab of Americana-tinged jangly indie brilliance, is followed by the reverb and solo-laden alt-rock squall of 'Livid' and the gentle, string-laden swoon of 'Ice Cream'. And so it continues, with the fuzzy positivity and weary vocals of 'Annihilation' being joined by the pleasant, impossible-to-pigeonhole experimentalism of 'Inside The Bell Bones' and the twinkling, heartfelt melancholia of 'Say You Love Me'.
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Review: Former Porcupine Tree founder member Steven Wilson has packed a lot into his career since the early 1990s - not least being a leading light of the post-progressive movement - but until last year he had never written or recorded a Christmas song. He was challenged to do that by a friend and, with a little help from collaborator Randy McStine, conjured up 'December Skies' - a suitably nostalgic, dreamy, progressive rock-tinged affair that touches on some of the usual Christmas single tropes while steadfastly refusing to revert to cliches. It has a pleasingly timeless feel, sounding like a largely cheese-free echo of the mid 1970s. On this limited-edition 'deluxe' CD single, you get both vocal and instrumental versions and a trio of Christmas cards based on the song's animated video.
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Review: After Robert Grey's 1990 exit, Wire morphed into WIR, a project designed to wrap up their Mute Records contract with a stripped-down, sequencer-led approach. Graham Lewis took lead vocals while the band reworked their own back catalogue. A chance to reflect on what had been, as opposed to what was yet to be, WIR's lifespan was brief, with only a handful of shows and two conceptual events dubbed I Saw You In Clapham (April 1992) and Vienna (February 1993) rolled into the ensuing campaign. On the Vienna trip, they recorded a sprawling 25-minute session for Austria's ORF, curated by Peter Rehberg of MEGO fame, released by Touch in 1996. This 2025 remaster adds a fresh take on their darkest pop moment, 'So & Slow', reimagined in a live-inspired arrangement with a nod to Taylor Swift's re-recording style.
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Albums
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Cat: IACD 1QPFS3. Rel: 04 Oct 24
Psych/Garage Rock
in stock $13.10
