Back catalogue: Techno (All)

Review: Trauma Collective returns to shock your system on their fifth release, which comes courtesy of Spain's Rafael M. Espinosa aka Geistform. The Barcelona-based artist, also known for his exploits under the Univac alias, has crafted a singular style that exists at the interzone of IDM, digital noise and electro and having earned him releases on Pi Electronics, Femur and Hands Productions in recent years.

Espinosa executes four programs in sonic warfare on the Antena EP, all sounding akin to complex bitstream amplification. A multi-level barrage of frequencies play offense on opening cut "Proxima B", which sets the theme for more widescreen pulsations that gash the senses, as heard on the syntax error of "Note Repeat" and building up to a climax on the monochromatic soundstage of "Norc" - a jagged and angular exploration in bass artefacts and static redux.

Since unleashing the austere techno of Birmingham legend Mick Harris (as Monrella) and hometown hero Kwartz on unsuspecting ears, the Madrid-based collective has now ventured into more experimental spheres, as heard on the off-kilter mentalism of ASC's Loop Research and the brooding atmosphere of Makunaimadama's limited cassette release last year. Antena is the logical progression for the label's next chapter, where it continues to push the threshold of electronic music's outer limits.

Review: Club Night Club is a new Brooklyn label born out of an event series, and they're positioning themselves squarely in the leftfield of the contemporary techno scene with a wild EP from the lesser-spotted Herron. The Manchester-based artist has slipped out a few scattered releases over the past six years, from EPs on the meandyou label he helps run, and one big drop for Peder Mannerfelt's label. This fierce return to the fray shows the producer pushing a tough yet supple strain of mutant, stepped techno with soundsystem blood pumping in its veins. It's ludicrously high-end, swimming in needlepoint sound design and yet still rough as hell, and it comes very highly recommended.

Review: Trauma Collective go out all guns blazing with a fierce offering by ascendant Italian producer Sciahriar Tavakoli aka Sciahri (Sublunar Records/Unknot). The Trauma EP is at once an obviously loyal tribute to the imprint platforming him, while being a visceral soundtrack to the gradual setting in of early morning lights. Wasting no time in exercising his sonic assault, opening cut 'Hypnotism' will affect you much like its name suggests on this punishing, splintered- beat body basher, before pummelling you into submission on the strobed-out warehouse techno epic 'Plastic Rain'. He then ventures into the more abrasive shades of texture and gradient on the experimentally minded 'Ava' until getting off-the-grid once more with a descent even deeper into the void, on the knackered closer 'Dead Waves'.