Review: Juan Atkins released some of the funkiest, dreamiest techno of his imperious career as Infiniti. a collaboration with Orlando Voorn,. 'Game One' originally came out on Metroplex in 1994 and it's since become an essential part of the Detroit techno canon. On this release for Kontakt we're treated to some visionary remixes of the track from trusted experts, leading in with Steve Rachmad's pumped up, springy rendition on the A-side. It's a version which upholds the machine soul sensibility of the original, paying all due respect to the blueprint Atkins laid down as a Detroit techno pioneer. On the flip we get treated to two contrasting versions from Santiago Salazar, with his first take heading into interstellar electro territory before casting adrift on the deep house-tinted 'Sci-Fi Xicano Remix'.
Review: Margaux Gazur has made her mark as a DJ with sets at places like Panorama Bar and Waking Life. Her debut album on Smallville is a deeply personal exploration of identity and sound that confirms she is just as good in the studio. The French-Vietnamese artist is now based in Berlin but draws from her time living in Vietnam and childhood recollections to craft nearly 70 minutes of immersive, organic electronica across Blurred Memories. Field recordings, traditional instruments and woozy textures blend with street rhythms from Hanoi to create rich, intimate soundscapes of the sort that are well suited to this label. Each track reveals delicate details such as mysterious voices and fragile glitches in the hypnotic grooves. Known for captivating sets at Panorama Bar, La Station, and Waking Life, Margaux offers a magical, emotionally resonant debut that invites listeners into her blurred sonic past.
Review: The Model brings great form and function to this arresting new EP on long-running French label Partout. It kicks off with 'I Am Always On Your Mind' which has bright, glass melodies and snappy snares that very much get your attention while 'Crossover' is a more frazzled bit of synth-laden techno with sci-fi motifs and withering melodies. 'Six Days Of Heat' is a slower groove with another big focus on the melodies, this time they are rather eerie and unsettling. Last of all is 'Global' with its smeared pads and dusty drum work.
Review: Nina Kraviz has approached her latest single 'Tarde' with cogent flair, issuing several vinyl remix sets to divvy up and complement a full ten-track digital compilation, made up of a star cast of remixes by major artists. On another 12", Kraviz shortens the full ten tracks to a short selection. The tense, and hummingly fun, original track 'Tarde', released earlier this year, is heard in full effect on this record's B-side, coming complemented by Melchior Productions' phattened 'Late Mix' in the vein of flickering tech house. The A-side is taken up meanwhile by veteran endurance DJ Ricardo Villalobos, whose version of 'Tarde' doesn't care a hoot about tardiness less than it does bask in it, slowly unveiling a clockwork mechanism of spitting schematic beats and tastefully placed vocal shouts from Nina's original acapella.
Review: Obsessive sonic compulsions from OCD (Open Channel for Dreamers), who here host producer Reformed Society for a short fifteen minutes' worth of cosmic undertakings. The Barcelona frequenter drops 'Creature In The Shadow', a sordid beast whose shadowy movements leave little trace save for this audible residue. 'Soaring' and 'Sinking Lights' both up the pace by comparison, the latter track especially impressing with its deep, warm, texture-shorn plumbs of bass and bowled chord.
Review: The remix has long been a staple of underground dance music culture and for its next release German label The Other Side has pulled together a whole album's worth of them. They find various key talents all their own minimal spin to tracks by Pheek and Kike Mayor. Up first is Audio Werner with the first of two remixes of 'Caveat' that is all silky tones and waves of rippling synth. Elsewhere 'Red Square' (Flabbergast remix) is a curling and rubbery rhythm with dry hits, 'Mad River' (Lowris remix) is a curious and lumpy roller with tripped-out spoken words and 'Matcha Breaks' (Mihigh remix) is a late night wonder.
Review: Blackmarket is a New York party that has always led from the front and been a rare underground haven for threads. The label reflects that similar mindset and here label boss Taimur and long-time Costa Rican friend Artro link up for a four-track techno trip. 'Know Your Friends (Vox)' is a percussive workout with sinewy synths reaching into the cosmos. There is more low-end heft to 'Machina' which is weighty and dubby. A second version of 'Know Your Friends' is surging and metallic and last of all 'Elements' brings a touch of high-speed funk to a techno framework.
Review: Maimi troupe Imbue continue their free-spirited sonic spree, this time on Re:Face. As always, it's a very fluid affair; washing our souls with their delicate fusion of live instrumentation, analogue wizardry and hypnotic groovemanship. Over four tracks we explore their full palette. Electro feels inform the opening track 'Boy With Apple' while the title track 'Overlook' bumps with more of an essence of funky house. Meanwhile on the B it's all-out funk affair. 'Model 29' is a party waiting to happen while 'Dawn' shrouds us in a big old cosmic cloak. Bottoms up.
Review: Schuttle's latest invites you into a simulated realm of post-biological optimism. The voyage begins with 'Splan,' where a divine arp propels you through fractal landscapes and interlocking melodic polygons which splurge joyful machine funk. In 'Melonweed Musick,' there is a descent into swampy marshlands powered by a breakbeat groove while an angel cleanses with serene chords. 'Kitchen Sync' takes things to 120bpm where acid and glimmering keys create a fusion of the known and the otherworldly. Finally, in 'Inspo 2000' a playful percussive edge guides you to a soft landing and ends what is a brilliantly evocative EP.
Review: Two sides of mega-minimal, textural minimal and a dash of drone here, shared equally between friends Bastian Balders and Anton Kubikov. The producers bring a sophistication to the tech, reflecting the huge variation in the emotions they indulge. Something between ecstasy and horror is heard on Balders' 'Machinery', while Kubikov's 'Introland' is comparatively hopeful and tearjerking, with its delayed piano refractions and filtery-in-and-out strings.
Review: The classy work of Etui continues here with Insect O bringing a unique dub techno perspective to this latest marbled vinyl 12". 'Sandstones' is a classic of the genre - the fathom-deep bottom end, the rippling chords that gently make their way across the face of the tune before disappearing to an infinite horizon and the oversized hi-hats adding more scale. 'Volca Dub' is more textured and slower, with melodic motifs sinking in deep next to icy hi hats and 'Everlasting' ups the ante with some sleek, dynamic minimal techno that is again dubbed out to perfection.
Review: Surfaced Trax is back with a second superb EP, this time in the form of its Sub Sonics Volume 1 EP series featuring three vital artists. Parallax Deep kicks off with 'Submerged' with its lithe, rubbery and elastic techno, then Weirdvin's 'Morphing' is a sparse and moody cut that stays deep and mysterious. The flipside offers the more rickety tech loops of 'Kasvo' before Parallax Deep returns with a second cut in the form of the deep and dubby 'Sediment.'
Review: French producer Caim impresses us all with their newest EP for Autodidact, 'Nebula'. Whether or not he is self-taught, we could, regardless, believe it to be true, judging just by the sound of this EP alone. Evidently undeterred by the fear of loss of vim in loss of speed, this glassy, prismatic minimal/progressive techno EP gets progressively slower in tempo, beginning on the rousing ghost-scapes of 'Space Cadet' before moving into the waterier Atlantean wonk-chugs of 'Nebula' and 'Crystal Fox'. All three tracks demonstrate the best of Caim's ability to craft dispersive, refractive soundscapes - as if its raw constituent synth parts had been granularly "shone" through a brilliant, many-faced diamond - and still fit them between otherwise gnarly sets of beats.
Review: It's time for all minimal fans to jump aboard the Leitmovtif train once more here with this decent split EP from En and Orbit. The latter invites us into his world first with 'Hey Tobit' which is nice and lively tech brought to life with scurrying synths, well-designed effects and a nice sense of colour. 'Niagara' then pairs delightfully cosmic-sounding melodic motifs with a glossy tech house kick. En's 'Laboratorium' keeps things classy with another forward-thinking mix of barmy astral synth designs and effective, stylish drum programming. Last of all, 'Dream About' gets a little trippy with its chilly cowbells, smeared pads and heady atmosphere.
Review: Rawax call on some contemporary big dogs for this new EP which features two Wareika tracks, both of them made in collaboration with various other artists. First up it is Lost Souls of Saturn aka Seth Troxler and Phil Moffa who step up with 'United'. It's a dubbed out cut awash with glistening and cosmic electronics and a funky minimal rhythm that has a cool vibe. It is perennial underground minimal favourite Sonja Moonear who then appears on the flipside joint 'That Conga' which is busier and more indebted to decor with its shimming synths and crispy rhythms.
Review: New Interplanetary Melodies is a great name for a label and it also sums up the sounds of this new album from Sindaco. It's a beautiful mix of exploratory soundscapes, organic percussion and lush melody that unfolds in charming and captivating ways. Found sounds add more real world details to these tracks which range from lazy downbeat jaunts on a wide open savanna to more dynamic deep house trips through the cosmos. Worldly percussion, exotic melodies and unique instruments are all deployed to mark for multi-layered tracks that work equally on brain and body. It makes for a triumph of a record that is experimental yet aborsbing and packed with great detail.
Review: Noreen is a cult name for those who know - a producer who had his own unique take on minimal and dropped some real low-key classics. Nearly two decades after its initial release, his album Our Memories of Winter now gets reissued so you can relive its blend f early 2000s electronica with Norken's unique mix of minimal techno, house and British IDM. Featuring all 12 original tracks, plus the inclusion of 'Df23' and 'Flirt', this is the first complete vinyl version of the album. Lee Norris's sound evokes nostalgia and warmth with atmospheric emotional techno. Influenced by luminaries like John Beltran and Autechre, this one remains a real gem.
System Check (Melchior Productions LTD remix) (10:18)
Destino Caminante (Flabbergast remix) (6:42)
System Check (Flabbergast remix) (5:51)
Review: Minimal house legend Thomas Melchior and Montreal's Flabbergast duo bring their skills to remix Calcio Club's cool System Check EP. Melchior is one of our favs when it comes to silky, deep, minimal house and here delivers a remix that retains the original's groove while smoothly transitioning into lush synth vibes. Flabbergast's Guillaume Coutu Dumont and Vincent Lemieux have a sound just as distinctive and offer two remixes that push micro-house's limits. Their tracks feature mind-bending effects, Moog-style synth hooks and a burst of percussion that all lead the remixes to a new level of dance floor ecstasy.
Review: Sakro has long been turning out his expertly designed and highlight impactful minimal house and tech cuts, so it's about time we finally heard a full length from him. Psychophonies is the name of his debut and it arrives on his own label Bon Vivant with a signature palette of dark grooves and ghostly synth atmospheres. 'Unicos' soon draws you in with just that sort of vibe before the hurried drum funk of 'Loneliness' and freaky minimal-jazz-house stylings of 'Psychophony'. This is pure dancefloor music that is both perfectly functional but also full of delightful forms.
Review: 'Amnesia EP' by Subb An is an impressive showcase from this strong veteran producer, marking a strong entry into the minimal and tech house scene. On Side-1, 'Overdrive' starts with a peak-time groove that's both infectious and compelling, perfect for energising dance floors. Its catchy rhythms set a vibrant tone for the release. Following this, the title track, 'Amnesia', offers a melodic and flighty tech house vibe, weaving addictive hooks that invite listeners to lose themselves in its enchanting soundscape. Transitioning to Side-2, 'Hypnotise Me' dives deeper with an airy feel, characterised by a smooth, deep bassline that envelops the listener in a lush atmosphere. This track's polished production and groove set itself apart. Concluding the EP, Lux draws inspiration from Kraftwerk, presenting catchy rhythms infused with a modern twist that bridges classic influences with contemporary sounds. Overall, Amnesia EP highlights Subb An's potential as a noteworthy talent in the genre, delivering an engaging and cohesive collection.
Review: The DKTPS 03 EP by Trajano on Distrikt Paris serves up a blend of techno and house along with some nostalgic acid influences across five standout tracks. Opening with 'Don't Give Up', a collaboration with Villaca, the EP offers a catchy acid-driven groove with sparkling melodies and minimal techno undertones. 'X@k410' follows with a 90s Goa-inspired sound, reminiscent of the progressive house era, delivering a deep and trippy vibe. On Side-2, 'Scorpio House' takes a mystical turn, invoking early 90s trance with its mysterious atmosphere and enchanting rhythms. 'Crisalia' then kicks in with a wicked, techy beat that seamlessly bridges techno elements into the mix. Finally, 'I'm High', featuring Lourene, rounds off the EP with a nostalgic journey into early electronic sounds, offering a dreamy and reflective trip. This EP is a well-crafted exploration of techno and house's roots, with Trajano skillfully weaving retro influences into fresh, minimal, and progressive sounds.
Review: Zombie technology sounds to ooze and overflow with battery acid, as US producer John Spring reissues four future-facing, yet technically millennial-made tracks for Pitched Peach. Produced in the early 2000s by the minimal master-don, real name Johannes Mai, 'FMMF' and its three follow-up tracks prove the durability of an 80s industrial and EBM sound, and that it cannot go extinct: especially when mixed impressively with the tempo and sensibility of tricky minimal techno. 'Traum.a' adds to this with globs of kick, power-up riser and bass stab, exegeting a forward marches reminiscent of platform gaming. Falcko Brockseiper's remix is the only melodic cut, highlighting Spring's advantage taken over an intriguing homophonic happenstance: "traum, oder trauma?"
Cesar Merveille aka CSR - "So Bring It Here" (7:41)
Matheiu, Max Jacobson - "Five In One (Aint No Mountain)" (6:54)
Wareika - "VX" (8:38)
Review: Aterral Limited has taken things slowly to start with but that's fine because the quality of the label's first few releases has remained high. Carlo is behind this one and opens up the EP with 'Hungover', a tune that features Black Loops, who has previously released his own EP on the label. It's lithe, funky deep house with silky synth work and classic drums. 'Lelazo' (feat Emanuele Barilli) carries on down the same path but this time has a darker bassline and more garage tinged skip in the grooves. On the flip side things slow down to a sunset sound on 'Maison' (feat Hauke Freer) and 'Poops' Feat O is a tight, well swung bumper with jazzy keys. Robust and emotive house music from front to back, then.
Review: ViGis opening salvo for 2025 brings together four artists from four continents who all blend their own diverse cultural roots and influences into a superb collection of cuts for the club. This is a 12" that offers a refreshing take on familiar sounds and delivers subtle yet punchy variations in style and rhythm. Adema keeps it nice and clean and slick on the deep, bubbly tech of 'Jm Glavio' while Red Pig Flower's 'Stardust' is a zoned-out roller. Artur Nikolaev's 'New Edition' is a deft minimal soundscape with warped lines and bubbles dub undercurrents. Cladu shuts down with 'No Name' which is a more propulsive cut.
Review: Newcomer Liam Sinigoi shares a debut release for Nonsono, impressing us seasoned types with an evidently sparse but efficacious sonic palate. While Sinigoi's dancefloor acumen is second to none, you'd be surprised to learn that most of these tunes were made while he was living on the site of a former hospital in London's Shadwell, not in some action-stations studio. Packed with piquant acid leads and haunting over-synths, the likes of 'Steel's HC' and 'Can't Dance!' make up a sonic tetragram, each corner of which reveals a different side to the initiate producer.
Review: Supersanity is a new alias from Ada Kaleh who says he will use it to make music that offers "a safe space to explore your senses through the trance-dance experience." He brings together both body and mind with this first EP on his own new self-titled label which kicks off with 'Rebirth In Dissolution.' It's a min epic with both deft synths and more weight bass offsetting one another as the astral pads and distant cosmic waves all add detail to this most out there of cuts. There is a more prominent drive to 'Reasonings' with its loopy tech house drums and ever-rising synth arps. A great start to a promising new label.
Review: Known for his hypnotic dance music, Southern Italy's Lomonte delivers three tracks rich in deep disco soul and tinged with a psychedelic shimmerisounds that have already caught the attention of dancefloor icons like Ricardo Villalobos. Attitude Records is his new label and the 'Attitudes' EP, a record that sidesteps passing trends in favour of crafting music with true staying power is it's first release. Opening the Side-A, the title track 'Attitudes' highlights Lomonte's remarkable touch for layering dynamic, textured rhythms into a groove that unfolds naturally, pulling the listener deeper with every bar. Over on the Side-B, 'Can't Get Enough' and 'Summer Vibes' reflect his talent for channeling uplifting moods without ever losing the music's subtle complexity. Rather than chasing ephemeral sounds, Lomonte commits to an honest emotional resonanceihis work feels timeless, not tied to any particular moment or movement. With nearly 20 EPs already under his belt, he demonstrates here why he's become such a respected name: each track glows with warmth, soul and an understated finesse.
Space Dimension Controller - "Cold Tunings" (6:55)
Orlando Voorn - "Samurai" (6:12)
Marco Faraone & The Florentian Cabaret - "Uni-Verse" (5:49)
Fango - "Betta" (7:28)
Review: The Cocoon alphabet compilation is an always timely snapshot of the year in techno that was. It's well-curated by label head Sven Vath and always digs into several different sub-genres with a knowing skill. Now up to letter U, it is still going strong as we dive into everything from the soft and dreamy acid-laced deep techno delights of New Jackson's 'Acid Jackson' to the more bright and intense sounds of Jakob Reiter's 'Il Rotori'. Drumcomplex & Frank Sonic provide more epic peak time moments with 'Lacalute' and Space Dimension Controller's deft synth flourishes on 'Cold Tunings' make for a gorgeous high-speed techno trip.
Review: Infinity Plus One channels the murky heat of 90s Detroit into four cuts that throb with machine soul and analogue bite. Based in the UK, the producer debuts with a raw but focused blend of electro, house and technoihis nod to the Motor City filtered through a distinctively UK lens. 'Innocent Beginnings' pairs chunky kicks with haunted synth washes, laying the groundwork with a bass-heavy strut that feels both grounded and widescreen. 'Dusk And Darkness' leans darker, stitching 808s and breaks into a rolling, rave-adjacent groove, all tension and propulsion. On the flip, 'Stand For Love' dips into classic deep house mode, slowing the pace for a moment of emotional clarityigentle pads circling a tender vocal loop. Closer 'Ubiquity' rides a twisting bassline into atmospheric club gear, its big stabs and lurking low-end pulling dancers into a heady zone. A full-spectrum debut that honours the roots but refuses to settle in them, this is warehouse music made with reverenceiand a sense of forward motion.
Review: Andrea Ferlin is the Italian DJ and producer who heads up the Sleep Is Commercial label. His latest release however comes courtesy of Germany's Pleasure Zone, featuring two advanced and breakbeat-driven minimal cuts. On the first side of Crepuscular Beats Part 2 is the lean and subtle groove business of 'Thai' featuring enough atonal blips and clipped rhythms to soundtrack Sunday morning mischief, while the equally reduxed B-side cut 'Varia' is another hypnotic affair benefiting from a sparse and experimental arrangement.
Review: After two long years, Dailysession has decided to reboot its popular DSR House EP series. As with its' three predecessors, volume four is a split affair. Montreal-based Jonattan Levingstone, co-founder of Parages Music, handles side A, first delivering a deep, immersive, dubby and space-heavy epic (the soft-touch, sunrise-ready hypnotism of 'Licorella') before doffing a cap to Japanese great Sprinkes and Italian ambient house of old on the gorgeous and enveloping 'Nufsaid'. Label head honcho DJ Monchan takes over on the flip. 'Eyes', a decidedly Balearic collaboration with Alfonsso Bottone, sits somewhere between musically detailed Kyoto Jazz Massive style nu-jazz and blissful deep house, while 'Tears From Stars (DJ Monchan Remix)' sees him turn a lesser-known version of a familiar song (Sting's 1987 number 'Fragile') into a Balearic house shuffler.
Review: Carriego reemploys early Detroit techno and 00s minimalism, crafting a piezo powered four-track journey consisting in deeper, supersawed atmosses, and spanning electro to new wave. 'Hazard' sets a tense mood, while 'The Bridge' swells and quells pads and hip breaks voxes. 'Curtain Call' weirdens things, with popcorn string plucks piling on pylons of tension, while 'Seems Like' concludes on a snappier, momentous hush-hush. It's the fourth EP so far from the Frenchman, and an impressive one at that.
Review: A masterful four-track offering that seamlessly blends jazz, house and minimalism, with captivating resukls. Opening with 'Kaksi,' the track drifts with a low-slung, slow-burning groove, accentuated by atmospheric tones that evoke a soothing, almost out-of-body experience. 'Mad Mood' follows, a rhythmically fluid roller with a hypnotic sequence and shimmering vocals that capture a subtle, entrancing energy. 'Pretty Inspiration' dives deep with a sub-sonic wiggle, delivering a sophisticated and immersive ride. Closing with 'Viisi,' the track rounds off the release with a graceful afterhours groove. Croft's unique ability to blend these genres makes this EP a standout, and a perfect addition to Modeight's catalog.
Review: Since delivering his vinyl debut on Tdsr in 2021, Lewis Williamson AKA LWS has established himself as one of UK techno's genuine rising stars. His dark and twisted trademark style comes to the fore on this Can You Feel The Sun label debut, starting with the dystopian brilliance of title track 'Palloon' - a polyrhythmic techno epic marked out by doom-laden, end-of-days motifs, twisted stabs, weighty sub-bass, trippy electronics and shards of fleeting sonic bliss. 'Steady On' is a more robust and forthright slab of distorted techno insanity - all stomping kick-drums, bouncy beats, rumbling low-end pressure, creepy melodic motifs and leaping one-note stabs. Elsewhere, 'Faster, Dryer' sounds like Autechre and Peverlist stuck in a lift, while 'Unstuck' is a bittersweet, end-of-days delight with added peak-time weight.
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