Review: Formed in Fussa, Tokyo in 2011, Minyo Crusaders are a ten-strong collective reviving traditional Japanese folk music through a kaleidoscope of Latin and Afro-Caribbean rhythms. The group's second full-length release pushes their hybrid vision to new heights, weaving regional min'yo melodies-once sung by fishermen, sumo wrestlers and rice workers-into cumbia, descarga and Afrobeat frameworks. 'Hiroshima Kiyari Ondo' opens with bright horns and hand-drummed propulsion, while 'Kaigara Bushi' slips between swaying rhythms and trance-like chant. 'Sado Okesa' and 'Kiso Bushi' shimmer with electric keys and syncopated grooves, every detail punctuated by impeccable arrangements from saxophonist Koichiro Osawa. Vocalist Freddie Tsukamoto delivers each line with rich, resonant flair, embracing his roots after years in the jazz circuit. Recorded between Colombia and Tokyo, the album is polished but pulsing, never overcooked. Instead, the band treat heritage with reverence and curiosity, leaving space for each tradition to breathe. The result is a joyful, worldly record-warm, percussive, communal-that celebrates Japanese identity through outward-looking reinvention rather than nostalgic preservation. A forward-facing folk experiment, with guts and groove.
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