Tags: Japanese Experimental

Review: Ajate's third album, Dala Toni, is a vibrant fusion of Afro groove and Japanese traditional Ohayashi music, showcasing the band's innovative approach to blending diverse musical traditions. Founded by Japanese musician Junichiro "John" Imaeda after a revelatory experience in West Africa, Ajate brings together ten passionate musicians to create music that transcends cultural boundaries. Utilizing a mix of traditional instruments like drums, flutes, and bells, as well as handmade bamboo instruments crafted by Imaeda himself, such as the unique 'Jaate' and 'Piechiku,' Ajate's sound is both powerful and distinctive. Their incorporation of Afrobeat rhythms and Japanese vocals adds further depth and richness to their music, reflecting themes of human connection, unity, and the joy of life.Having gained acclaim for their explosive live performances in Japan and beyond, including appearances at prestigious festivals like Sukiyaki Meets The World and WOMAD UK, Ajate's music resonates with audiences worldwide. With Dala Toni, they continue to push the boundaries of global music, solidifying their position as pioneers of the genre "made in Japan."

Review: Marewrew, a female vocal group specialising in traditional Ainu songs, takes centre stage in Pingipung's exploration of the music of northern Japan's long-suppressed people. Produced by Oki Kano, who is known for his work with Ainu artists, Marewrew's a cappella renditions offer a fresh perspective on these age-old tunes. With voices familiar from their backing vocals for Umeko Ando, Marewrew's harmonious canons create captivating, trance-like experiences. Nature's whispers and birdcalls add depth, while tracks like 'Little Sea God' weave hypnotic tales. The album, Ukouk, curated by Andi Otto, showcases Marewrew's enchanting melodies, including unexpected cumbia and pop-inspired moments, accompanied by percussion and the Tonkori harp.