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Review: Lux Interior and Poison Ivy, of Cramps fame, team up to deliver Leather Jackets and Diesel Smoke, a whopping 50-track compilation that documents their utmost personal favourite rock recordings, in the micro-veins of acid folk, rockabilly and psychobilly. We'll doff and eat our hats if both said punk legends' rising signs aren't Scorpio. With madcap performances from Donnie James with the Mighty Joe Houston Orchestra, Tall Tonio And The Mello-Dees, Chris Christian And The Chordaires, Elisabeth Waldo, Fred Katz and John Reedy and His Stone Mountain Trio among many more, this is a cavalcade of no-hit wonders, every last one of them a gem. Amounting to a contemporaneous account of the music that The Cramps heard and loved during their rise to notoriety, not to mention the lesser-known music that would've graced the halls of New York's CBGB club, of which they were favourite performers.

Review: Alleviated's Larry Heard reissue series has previously brought us the rough and tough acid of Gherkin Jerks and, more recently, the intergalactic downtempo grooves of his largely overlooked Alien LP. Here, they revisit one of Heard's later aliases, Loosefingers, dusting down and reissuing tracks from 2003's Glancing at the Moon EP. All three tracks are deep, warm and melodious in typical Heard fashion, with the title track delivering a sultry blend of wide-eyed chords, darting electronics, Latin-influenced percussion and tactile keys. "Deep Inside" delivers a hazy, sun-kissed take on soulful house - all jazz bass, sensual chords and gentle vocals. Best of all, though, is the tougher, synth-heavy "Lamentation", which rolls along at a near techno-tempo and is blessed with thrilling bleep melodies.

Review: This is techno, but not as we know it from the Vigenere. Sparagamos (a fitting name given the word originally means to render, tear apart, or mangle) is behind these freaky beats but we nothing more about the artist. Suffice it to say they sure do have a fine grip of their studio and can manipulate sound in some thrilling ways. The opener is a warp-speed warehouse banger with distorted bass and manic energy, track two explores sludgy acid techno underworlds and track there is a twitchy cosmic workout with serene pads. 'Track 4' is a world of dystopian robotics while the flip side offers tripped-out, double-time dub techno, more acid intensity and experimental mind melters with exceptional sound design.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: BODEGA's debut album under Chrysalis Records, Our Brand Could Be YR Life, arrives as a culmination of their indie-rock musings on the encroachment of corporate influence into youth culture. Initially conceived eight years ago, guitarist and vocalist Ben Hozie has described it as a project they have long wanted to undertake. With 15 fantastic tracks, the album delves into various indie-rock subgenres, from dance-punk to shoegaze and psychedelic rock. Reflecting on themes of self-critique and cultural commentary, it offers a diverse sonic landscape, with hints of influences like R.E.M. This vital new collection shows BODEGA's musical evolution and retains their keen observations on contemporary societal shifts.

Review: We're big fans of this label here at Juno HQ as we have said before and how can you not be when it serves up soul as good as this? Mel Day delivers authentic deepness with 'Every Day I Try.' It is a heartfelt lament for lost love that is backed by the accomplished Tito Lopez Combo and some magnificent instrumentation. On the flip side, 'Baby Girl' sees Mel channelling the spirit of Joe Tex with confidence and flair. Produced under license from music maestro Harbans Srih, this vinyl-only release harks back to the golden era of soul music and is sure to prove a timeless modern classic.

Review: This Hawaii-based label consistently delivers soulful gems like this which is why we love it so much. Mel Day brings genuine depth with 'Every Day I Try,' a poignant reflection on lost love, complemented by the talented Tito Lopez Combo and superb instrumentation. On the other side, 'Baby Girl' showcases Mel's confident and stylish channelling of the spirit of Joe Tex. This vinyl-exclusive release, produced under license from the esteemed music maestro Harbans Srih, pays homage to the golden age of soul music and is destined to become a timeless modern classic.

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: The Beatles: The Red Album: 1962-1966 encapsulates the iconic band's early years with a dynamic selection of tracks that have now all been remastered at half speed so they sound extra good. This compilation showcases the evolution of their sound from the exuberant energy of 'Love Me Do' to the groundbreaking creativity of 'A Hard Day's Night' and beyond. There are also timeless hits like 'Twist and Shout' and 'Yesterday,' which means this collection serves as a definitive journey through the first part of the The Beatles' legendary catalogue. Each song is a direct portal back to the 60s and to the vibrant era of Beatlemania at the peak of its powers.

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's Included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Review: Wots My Code has been back on our shelves recently with some of his most seminal EPs getting reissued. His self-titled effort from 1992 came back in October, as did his All Seasons EP also on Kiteforce, both of which sounded as good as they did back when first crafted. Now his The New Dubplates EP drops on Just Another Label with 'Dubplate' kicking off as a remix by Bay B Kane that takes no prisoners. A Sikka remix then tweaks the energy level and on the flip is 'Pass Me A Dubplate (92-3)' a short but sweet closer.

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90O Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits:

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Review: Italian label Roof Club aims to raise both ceilings and roofs, and continue to do so with their latest EP from Guile. Mixing a contemporary minimal approach with classic 90s sounds, this one's a neat fusion of progressive house and trance, with sprinklings of cheesy freestyle and acid thrown in for good measure. The jokingly titled '90's Generator' is the real highlight, with its orchestral hits and licky leads.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Review: Amidst the global pandemic, Dead Rebellion marked a milestone for Strung Out's 35-year journey. The album embodies a mid-tempo heaviness, prioritizing melody over speed, reflecting societal issues and personal struggles in our technology-driven world. 'Cages,' the lead single, balances melodic and heavy elements while delivering a poignant message. Dead Rebellion symbolizes the band's resilience and evolution amidst challenging times, showcasing their musical prowess and thematic depth.

Review: Natacha Fink's 'Pirarublue' delivers a sexy lounge vibe with hints of jazz rock, characterised by its catchy rhythms and melodies, while on the flip Nimalan Yoganathan presents 'Unseen Songlines,' an ambient piece rich in field recording atmosphere and experimental textures. With its unique sounding hord structures and ample use of echo, this track transports listeners on an introspective journey through soundscapes. Overall, the EP showcases the label's commitment to showcasing eclectic and boundary-pushing music from emerging artists.

Review: 1994's original pressing of Steely & Clevie's outstanding leftfield production with Johnny Clarke's vocals is well worth inspecting, but you might struggle to find one these days, and it'll be pricey if you do, because it's become something of a classic 45. Thankfully it gets reissued here with A-side original 'Leggo Violence' rolling lazy drums while the Clarke vocals soar high and sweet despite what they sing about. On the flip is a smooth rolling version that allows that super bassline to do its thing free from any distraction, and all with extra dub goodness.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. On the B-side you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Review: ***B-STOCK: Box slightly damaged, slight surface marks, otherwise in perfect working order***


The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.

Review: Contemporary jungle Renaissance crew Omni Music continue to look back over their vaults for more vinyl reissue gold. This time, two tracks from Pariah's 2017 'Selected Works' series. Two very different approaches to the jungle style; 'Meltdown' is a big dreamer of a track with its lush pads and subtle sense of drive and momentum while 'Metal Hero' is a much more punishing affair with uncompromising breaks and an aggy energy that will cut into any mix creatively. Both absolutely slap.

Review: Spasibo Records introduces a new 7" vinyl by St. Petersburg outfit the Vicious Seeds, this time on yellow and green wax. In an unconventional move, vibraphonist Pavel Chizhik takes the spotlight and the result is that he truly enhances the band's signature sound. 'Village Hassle' offers a unique blend of rare groove and instrumental reggae-soul - the A-side highlights Chizhik's vibraphone prowess, intertwining it with a dynamic instrumental backbeat. On the flip side, 'Monthly Rainfall' delves into a soulful journey, characterized by cross-sticked snares and offbeat chord plucks which create an atmosphere reminiscent of slow-jammed soul with a contemporary twist.

Review: Spasibo Records has been busy lining up plenty of great funk sounds that all seem to be dropping at once. One of them is this limited yellow and red marbled vinyl from The Great Revivers. The band hail from St Petersburg in Russia and these two instrumental tunes are perfect examples of their lush library funk sound. Both were recorded pre-pandemic back in 2019 at a vintage studio in an old church. The organs really shimmer and bring the heat to opening cut 'Adventures Begin' while 'Estrellas' dial down into a more late night and intimate atmosphere before the funky breaks and neat guitar riffs come on with full force.

Review: There are not many songs in the history of hip-hop that are more important than 'Hip-Hop Hooray'. The track single handedly helped catapult underground rap sounds into mainstream success. The song was a massive hit moving into the top ten on the Billboard and #1 on the hip-hop chart and with a memorable video directed by Spike Lee, it was in heavy rotation on every music and video platform. Naughty By Nature became household names and the single went on to sell platinum status. You could not escape this anthem of the streets. Now, the groundbreaking song is reissued on 7" for the first time in over 30 years.

Review: The Third Room concludes its so far excellent various artists series with a third and final instalment of yet more future-facing and heady cosmic techno. Justine Perry kicks things off with the deep space synths and paired back hypnosis of 'Diversion' while Hadone then bangs a little harder with 'Strain Relief' which has twitchy synth motifs and hard, hammering beats. HWRD's 'Mirage' is a buoyant techno bouncer with loopy synth ringlets all interacting with each other to mind-melting effect and Quelza's 'Domino' dips into deepest of dub techno territory to shut down a nice diverse EP.

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

Whats's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Review: Tyler Daley is a UK hip-hop mainstay and the vice of the brilliant Children of Zeus. Here he branches out with his own solo album, Son of Zeus - see what he did there? It comes on the band's home label of First World and bares plenty of their signature sonic hallmarks - dusty, undercooked production, lazy hip hop beats, and gorgeous vocals that sit somewhere between neo soul, golden era boom-bap from Tribe and something else a little unique. It's a warm world where yearning bars, lush harmonies and hooky melodies all float around the stripped back but bumping beats. Superb stuff.

Review: Lynn Davis, known for her illustrious career as a backing vocalist and member of George Duke's band, continues her solo journey with 'Beautiful You, her second single. Following the success of her debut release, 'Come Over,' Davis showcases her vocal prowess and sensuality once again in this sophisticated r&b ballad with a touch of jazzy swing. In 'Beautiful You,' Davis sings of recognising the inner and outer beauty in her partner, expressing gratitude for finding someone who surpasses expectations. The song beautifully captures the feeling of discovering that something seemingly too good to be true is, in fact, real. With its soulful melodies and heartfelt lyrics, 'Beautiful You' is another standout track from Davis, reaffirming her talent as a solo artist.

Review: Shewey Trax welcomes California-based Delicate Instruments aka Delinstr for a pair of cosmic new cuts that he serves up as two different mixes each. Opener '2 Another Planet' (Superspace Breakdown mix) has sugary video game melodies raining down like old school Mario or Tetris over thudding deep house kicks. The Delisntr Speed Down mix brings some twitchy acid details while 'Solamente' (Problems mix) is another beguiling mix of 8-bit melodies and supple drums that tap out hypnotic patterns while floating through space. The final Synth mix of the same cut is a more widescreen and far-sighted take to close out a perfectly astral EP.

Review: Sweat It Out Records kicks off their tasty Sweat Sampler series with their first volume, cutting niftily across four exceptionally sweaty bops, spanning tongue-in-cheek deep tech reworks and downtempo disco delights. First off is the dream team of Cid and Havoc & Lawn, whom together deliver a hilariously effective house version of America's 'A Horse With No Name'; this is shortly followed by Saturday Love, Kon and Furious's 'Come Out', a rejigged nu-disco samosa packed with some rare vocal spices; then there's 'Give It To Me' by Marco Lys and Ben Miller, a bass-driven bouncer unafraid of lasershot winddowns, injunctive vocals and risers; and finally, there's Set Mo's 'Could I Be', the anthem of the bunch, whose buildup and drop is alarming, affecting, cumulatively awe-striking.

Review: Thin Lizzy's double album 'Life,' recorded during their farewell tour in 1983, offers a boisterous yet intriguing glimpse into the band's final days. It boasts guest appearances by guitar legends Gary Moore, Eric Bell and Brian Robertson and boasts a tracklist that spans their discography, featuring selections from their last four albums. Highlights include fiery renditions of tracks like 'The Sun Goes Down,' 'Renegade,' and 'The Boys Are Back in Town.' Notable moments include a mind-blowing guitar solo by John Sykes on 'Got to Give It Up' and a chaotic jam session on 'The Rocker' featuring all five guitarists. While Life captures Thin Lizzy's energy and spirit os fully captured it remains a solid representation of the band's live performance abilities and serves as a fitting farewell to their legendary career. This reissue comes in limited gatefold translucent on blue vinyl which makes it extra special.

Review: Back in 1991, PT House's debut album Big World introduced Soweto rapper Nelson Mohale (who was later known as Dr House) to South Africa's burgeoning house and kwaito scene. Collaborating with producer Danny Bridgens, known for his work with Yvonne Chaka Chaka and Margino, the newly formed pair fused US and UK hip-house influences with local flavours and always imbued their music with a positive outlook for the future. Now reissued for the first time on Afrosynth Records, the small but well-formed four-track record remains a bold testament to their vision and has more than stood the test of time with its vibrant energy and forward-looking spirit.

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included:

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits
"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Review: The classic 1977 album Aja by Steely Dan gets a deluxe reissue treatment from Analogue Productions, reminding us once more of its stellar jazz-inspired arrangements, complex harmonies, and impeccable composition. Known affectionately as a 'studio is an instrument' album, Donald Fagen and Walter Becker were meticulous and uncompromising at the time of its crafting. It's for these reasons alone that Aja remains a masterpiece, in which titles such as Peg, Deacon Blues and Josie resounding again with blues-pop-rocky flair.

Review: Dive into the haunting depths of Pratt & Moody's latest single, 'Creeping Around and you will find this enigmatic duo showcasing their expertise in merging dark soul with haunting melodies. Building on the success of their previous hits (including the wonderful 'Lost Lost Lost' and 'Wheels Turning') they explore themes of infidelity with raw emotion. Pratt's velvety vocals intertwine seamlessly with Moody's evocative guitar on 'Creeping Around' which has a late-night introspection to it where melancholy and passion converge in a David Lynch-esque world. Each note resonates with longing and desire that stays with you after the music finishes.

Review: Chicago outfit Wavelength tap into the funk traditions of bands like Parliament here with a seductive and rather sleazy new EP for Soulistic 360. The whole thing has been arranged by Windy City soul innovator Rahaan and comes on white marbled vinyl 12". Opener 'Can You Handle This Funk' is slow, steamy, sensuous with its languid kicks, live, raw drums and drawled vocals all luring you into the groove. The remix is a subtle teak of the original and on the flip is 'Kemetic Dance Party' which brings more Afro style drums and some bold sax lines to get things going in a more energetic way.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Isle Of Jura propel their Instrumental Dubs series further forward with a second release. Capturing the etheric essence of the 'version' and ready-making it for the present day, the nominal series welcomes contributions and reissues from new and old producers alike. This time around, we're met with a slow, George Kerr-produced cut from 1984, 'If You Want My Lovin', followed by a Brit-funk-esque instrumental from Harold Melvin & the Bluenotes, originally released on the Philly World label. The A-side closes with the 'Sweeter' instrumental mix of boogie bomb 'Loving Sweet Devotion' by Idiater Edwards; then comes the B-side with that indelible Mad Professor flavour, bucking the dub trend with a syncretic of dub, freestyle and disco; and finally, we end on a touch of next-gen psydub bubbling up from The Underwater World (of Jah Cousteau, that is).

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Review: Magic Number is Ross Hillard, a downtempo and orchestral composer whose engineering and bass playing can be heard on an array of releases, most notably for the likes of his own house favourites including Louie Vega, DJ Spen, Kerri Chandler, Lay-Far and Atjazz. Now debuting his first record on the latter artist's eponymous label, Badly Written Songs sounds like a slice of humble pie, but it's actually well-thought out title: in Hillard's own words, "(it's) a tongue-in-cheek reference to how transient electronic music can be." Thus, writing songs in this genre might not have been the most sensible and sustainable idea - but we all love house music, so we put everything into it, hoping that people don't discard it too soon. True to an engineer's tastes, the album is ultra-dynamic and bright throughout, serving up a consistent guest-vocal steeze reminiscent of Charles Webster or Herbert's gravitas.

Review: It's been seven years since the tragic passing of Chester Bennington and the abrupt end of nu-metal legends Linkin Park, while their legacy remains praised and intact by avid fans. Papercuts offers up a career-spanning greatest hits collection, yet rather than sequencing each bundle of tracks chronologically in terms of specific album release, the cuts are mixed with the design of flowing as naturally as possible, with the anthemic 'Faint' from 2003's Meteora rubbing shoulders with their iconic Jay-Z Collision Course collab 'Numb/Encore'. Elsewhere, 'One Step Closer'; the breakout single from 2000's genre-defining debut LP Hybrid Theory is followed directly by 'New Divide', which served as the lead single from the Transformers: Revenge Of The Fallen soundtrack. From their rap-metal beginnings to their signature style of nu/alt-metal to the their calmer accessible later era, this compilation delivers a succinct yet sprawling distillation of Linkin Park's most vital contributions to the several dynamic scenes they helped to elevate.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


On its digital release earlier in the year, Celeste's debut album rocketed to the top of the album charts, thus making her the first British female artist to see her first set get to number one for over five years. Finally available on vinyl in a "deluxe edition" that boasts a couple of bonus tracks and an accompanying booklet, Not Your Muse remains a classy and inspired debut, with Celeste's smoky, timeless vocals fitting producer Jamie Hartman's accompanying backing tracks - a mixture of pared-back folk sounds, lavishly orchestrated easy listening, synth-laden power-pop and fuzzy, retro soul-influenced numbers - like a particularly comfortable glove.

Review: Arriving just a year after their seminal 1987 genre-defining debut LP Scream Bloody Gore, Floridian death metal pioneers Death and their creative mastermind Chuck Schuldiner would perfect, not only their own sound, but the blueprint for an entire movement with 1988's sophomore effort Leprosy. The first of their projects to be recorded at Morrisound Recording in Tampa, highly regarded today as the definitive studio home of the death metal genre thanks to the work of legendary producer and engineer Scott Burns (who would go on to cut records at the same space for Sepultura, Deicide, Obituary, Cannibal Corpse), the material marked the first stylistic and tonal shift towards the far more macabre, gory, compositionally and lyrically depraved bedlam that the genre would fully morph into throughout the next decade. In short, this is a death metal classic that requires little to no introduction, complete with virtuosic guitar leads, Morse-code blast beats and inhuman guttural bellows. The initiated should hang their heads in shame if unfamiliar, while those who've never gone looking into the deep abyss of Death, might be better off continuing to live in peaceful tranquillity.

Review: On December 30th and 31st 1978, early demo versions were laid down in Spaceward Studios of what would eventually become the debut EP from future British metal giants Iron Maiden. The three tracks in question ('Iron Maiden', 'Invasion', 'Prowler') were all recorded within the same session, making for a far more primitive and raw offering than the finalised studio versions that would ultimately find their home on the band's self-titled 1980 debut LP. This compilation restores the original three-track The Soundhouse Tapes EP, while including a bevvy of additional demos, alternative takes and live cuts from the formative, (pre-Bruce Dickinson) Paul Di'Anno era.

Review: The limited 7" edition of Marine Eyes' latest full-length ambient record 'To Belong' hears a distilling of the original fourteen-track record down to just four selections. Though every track on the digital version of the album works in its own right, the choice on offer here - 'Hushed', 'Of The West', 'Bluest' and 'Call & Answer' - are particularly deserving of the study on wax. Something static, nigh time-crystalline is achieved on the B2, with its held root note evincing something of the quality of an infinite dream; the A1 recalls some mix of DJ Healer, Malibu or David Motion with its three note tenor-pad lilt; the A2 gets at the best of both worlds, sounding like a paradisiacal bathhouse vision set in slow motion; the B1 is the tensest, opting for a moodier key, but its reversed guitar taps and sustained choir-synth working in a no less lachrymose aesthetic.

Review: Scottish party starter Sally C is behind the bolshy brilliance of the Big Saldo's Chunkers label. So far the releases have come at a steady rate but have always been of utmost quality. Bella takes care of the label's fourth outing and it's another peak time outing full of big fun. 'Note To Self' is a mix of potent breaks, trance chords and rave energy where 'Orchestra Spring' is more direct and bouncy with a rugged bassline pumping the breaks and 'Odd Symphony' then slips into a deeper vibe still but one that is no less dynamic. An Olsvanger remix of the same tune takes it into mind-melting late night afterparty territory.

Review: Kaiserdisco bring some big room techno energy to the one label in the world that is most synonymous with that sound - Adam Beyer's Drumcode. Opener 'In The Music' is a dark and driving cut with an acid tinged bassline over hard, hammering, flat footed drums. Add in a dark vocal hook and you have a real monster. 'Error In The System' on the flip is another moody techno pumper for the main room with hefty drums, eerie siren sounds and of plenty squelchy designs. It's a real headwrecker to close out a big 12".