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Notes: The Royal Blue Overdrive: 20th Anniversary

To celebrate the 20-year journey of Mad Professor Amplification! Limited Edition - only a few available!

Royal Blue Overdrive offers a wide range of tones from light overdrive into distortion and at lowest Distortion knob setting works as an EQ. It can also be used to create tube amp-like crunchy 'strike hard for distortion' effect. There is not much filtering on the overdrive, to provide a transparent tone that you can tailor with both the Treble and Bass controls.

Like the best boutique amps, the Royal Blue OD lets you determine the amount of breakup by how hard you strike the strings with your pick, and/or by adjusting the volume knob on your guitar. The Royal Blue can add this level of expressiveness to any clean or slightly overdriven amplifier.

Controls

Volume: Sets the overall output level of the pedal.

Distortion: controls distortion, for most dynamic response set where the amount of distortion is controllable with picking force.

Treble: A boost/cut "shelving" type equalizer that controls the amount of high-end, operating where the Presence control is on most amplifiers. Treble can be used to add shimmer to even bright amplifiers without interfering with a typical treble boost of most amplifiers.

Bass: A boost/cut shelving type equalizer that controls the low end, just above resonance of a standard 4×12 cabinet. With both Bass and Treble turned up, you can get a scooped heavy tone; turn the knobs down for soft mid-boost tone.

Settings

For Midboost: set Treble and Bass fully CCW.
For Midcut: set Treble and Bass fully CW.

Electrical specifications

Current draw: 3.5mA at 9V DC
Input impedance: 140K
Output impedance: 25K
Voltage range: 7.5-12V's

Power requirements

6F22 9V battery or DC eliminator 2.1 mm plug center negative and positive sleeve.

Notes: CERES - 3 Channel High Gain Preamp

The CERES preamp, contains signature tones from three of KSR's full-size tube amplifiers - the Ares, the Artemis/Gemini, and the Colossus.

Ultimately, the CERES preamp distills the KSR sound into a small package, it features many of the same functions present on all KSR amps - such as the Mode, Feel, and Bright switches. Moreover, this pedal provides the ultimate mobile tone versatility from weekend gigs to fly rigs. It also delivers the KSR signature sound to any board or interface for live and studio applications.

Top mounted jacks allow for easy integration into your existing pedal board. Unique to this pedal operation, 3 bypass modes are included.

- True Bypass, Buffered Bypass, and Clean Bypass. In True and Buffered bypass the pedal operates as expected, no tonal coloration.

The Clean Bypass mode enables the top row of Tone and Volume knobs accessing the Clean channel. These various Bypass Modes allow for integration into any style of rig - from driving a power amp directly (Clean mode), hitting a clean amp down the chain on your pedal board (True Bypass mode), or at the start of your pedal board, driving your other pedals into a clean amp (Buffered mode).

Both of Cere's distortion channels have the same switches and controls, and work in the same manner. However, Rhythm is inherently tighter and more aggressive than the Lead channel. Lead is more compressed and smoother and fatter overall. The Clean channel is not designed to get the "pushed" sound with the Level increased, rather it is designed to stay clean.

The gain controls in all channels feature the same range from clean to saturated signals and operate as close as possible to the full size KSR amps. They function without any unwanted top-end artifacts typically associated with solid-state circuits. The CERES EQ options then make for a highly versatile Pre-Amp pedal giving you as much control.

The operating method the CERES was designed to work best with, is to run it into the input of the effects loop return of any amplifier head or directly into a power amp, but it will also work just as well when run into a clean channel with some EQ tweaking.

The CERES includes two integrated footswitch buttons to activate the 3 channels. The left button toggles between Bypass and Rhythm/Lead. The right button toggles between Rhythm and Lead. With the Bypass Mode switch set to Clean, bypassing the pedal actually activates the Clean channel.

This pedal has been manufactured in KSR's Cincinnati facility. CNC machining, powder coating, laser etching, circuit board assembly are all performed under the KSR roof - no outsourcing.

Product Height (cm): 5.700
Product Width (cm): 12.400
Product Depth (cm): 14.400
Product Weight (kg): 0.610

Box Height (cm): 8.300
Box Width (cm): 19.100
Box Depth (cm): 20.000
Boxed Weight (kg): 0.770

Notes: EROS - Boost / 3-Band EQ

EROS is not your typical boost. It will boost clean without overdrive, add a little grit, or add distortion.

It has a 3-band active EQ for precision sculpting.

Place it in front of your amp or pre-amp to add volume or grit to a clean or crunch channel. Or, sculpt your amp's distortion response, as you would with a typical boost. However, you're no longer limited to a narrow frequency range dictated by a single tone control found on a lot of classic boosts.
Similarly, use it before or after the CERES / VESTA or any other pre-amp for even more control over its tones, and in order to get the most out of it based on your power amp situation.

This is not "just another TS style boost," therefore it should not be setup in that way. e.g. don't crank the Level and cut the Gain. Start with both at noon and go from there. The Feel (tight/fat/thick) and Mode (clean/clip/dirt) switches will lose effectiveness the lower the Gain control is set.

Further, the higher Level is cranked the more internal distortion can be generated in the last gain stage, and therefore it will add distortion within the EROS coupled with a higher Gain setting. With a lower Gain setting the last stage will remain unclipped, but a huge signal will slam the front end of any amp. This can be too large a signal to achieve your desired sound. e.g. too much saturation due to lack of headroom in the amp's first stage.

Notes: HERA - Transparent Boost with active 3-band EQ

Like the KSR EROS, HERA is not your typical boost. Where the EROS was designed for playing drop-tuned extended range guitar into the muddiest of amps, the HERA is completely different. HERA is designed to push any amp with more typical standard tunings. This pedal is transparent and the low-end is full, yet clear. It will boost clean without overdrive, add a little grit, or add distortion. HERA has a 3-band active EQ for precision sculpting.

Use it in front to add volume or grit to a clean or crunch channel. Or, put it in the loop for some unique boosting and EQ response changes. Similarly, use HERA before or after the CERES / VESTA or other preamp for even more control over its tones, and in order to get the most out of it based on your power amp situation.

This is not "just another TS style boost," therefore it should not be setup in that way. e.g. don't crank the Level and cut the Gain. Start with both at noon and go from there. The Feel (tight/fat/thick) and Mode (clean/clip/dirt) switches will lose effectiveness the lower the Gain control is set.

Further, the higher Level is cranked the more internal distortion can be generated in the last gain stage, and therefore it will add distortion within the HERA coupled with a higher Gain setting. With a lower Gain setting the last stage will remain unclipped, but a huge signal will slam the front end of any amp. This can be too large a signal to achieve your desired sound. e.g. too much saturation due to lack of headroom in the amp's first stage.

In short, all the controls will interact, and there are countless ways you can run this pedal. Please experiment!

Product Height (cm): 5.700
Product Width (cm): 6.500
Product Depth (cm): 12.200
Product Weight (kg): 0.300

Box Height (cm): 8.300
Box Width (cm): 10.800
Box Depth (cm): 7.100
Boxed Weight (kg): 0.390

Notes: Cutting Room Fllor Pedal

(Echo, Pitch, Modulate, Glitch)

The most original and versatile release from Recovery Effects to date. Unlike any effect you've heard before, it offers mountains of wild modulation, delay, freeze, and stutter. Anything from light lo-fi chorus to broken-tape-deck sounds can be achieved with this unique pedal. Melt, then freeze tones in place, or use it as a gritty echo or faux reverb.

Designed and assembled in Seattle, Washington. Includes a limited lifetime warranty, if registered within 30 days of purchase.

New in V2:

*Intensity and Modulation parameters under one control called "Wow".

*New tape deterioration parameter introduced called "Stability". 2 knobs control "Shape" and "Flutter" in conjunction with Wow.

*CV control for Eurorack modular.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: Dirty Murals

(Reverb and Delay)

Dirty Murals delivers complex delay and reverb with powerful controls for each, in a small 125B enclosure. Two distinct delay and reverb styles create a variety of rich, lush, ambient, textured sounds.

The first mode offers a modulated "oil can" style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay.

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Electric Pedal V2

(Transparent Drive / Compression)

Gorgeous and transparent drive/compression. This pedal does it all from a slight boost/compression to a nice, warm, and light overdrive. Perfect for a first-stage overdrive or boost pedal. Switchable transistors allow you to move back and forth between modern and vintage tones, using a BC547 and oil-can style BC108. Although it includes a bypass switch, you will never use it!

The Electric is hand-wired in Seattle, Washington. True bypass, chrome plated LED, lead-free solder, and new-old-stock transistors. It operates on a standard Boss style 9vdc power supply (not included), but can also run at 18vdc for additional headroom. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Endless Summer Pedal

(Real Spring Reverb Booster)

The Endless Summer is an all-analogue, real spring reverb in pedal form. It features a boost allowing you to make things gritty, or go full-on over the top fuzzy and psychedelic. Simply put, it's the coolest sounding and most unique reverb available!

Start with the balance all the way to the left to get a splashy reverb with a slight "buffered" boost. 9 o'clock grits it up and boosts your amp. Things get crazy at 12 o'clock! Dial-in the color and depth with the brightness control.

The Endless Summer is hand-wired in Seattle, Washington. True bypass, lead-free solder, and yes, it has a real-spring-reverb tank inside! It operates on a standard Boss style 9vdc power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 5.625" x 4.625" x 1.563"

Notes: Gallows In The Morning

(Versatile Double Overdrive Plus Haunting Reverb)

Gallows in the Morning combines two of (Recovery)'s favourite things: gritty overdrive and haunting reverb. Switch between Bold and Brazen to go from shimmering, melancholic tones to monster distortion and foreboding reverberation. The simple controls allow you to easily dial in all the levels to suit your mood.

The clean, independent reverb control is one of the most distinctive features of this pedal. Even with distortion, the reverb is pristine in the mix, adding clarity to heavily distorted and reverberated signals. Using the reverb at 100% makes this pedal ideal for creative studio mixing.

Controls:

Clean: Unadulterated input signal

Dirty: Distorted guitar signal level

Reverb: Reverb level generated from the clean signal, with no dry signal

Volume: Overall volume

Bold: Overdrive

Brazen: Distortion

Gallows In The Morning is hand-wired in Seattle, Washington. It operates on a standard Boss style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Ghost Writer Pedal

(Audio to MIDI Device)

Ghost Writer is a pedal that transforms the notes you play into MIDI data. This means you can connect to a synth and literally play your synthesizer from your guitar. You can also trigger phrases or samples, add functionality to your MIDI-equipped pedals, and more.

Independent controls allow you to toggle audio and MIDI signals or use both. The monophonic MIDI data is automatically assigned to MIDI Channel 1, and transmitted through a *3.5mm TRS MIDI cable* on the back of the pedal. The audio is processed through a high-quality buffer stage to ensure no loss of signal.

Ghost Writer provides a simple way to interact with your synths and MIDI-equipped gear as you play. It's an essential tool for creative musicians who are on the search for innovation.

Hand-wired in Seattle, WA. Ghost Writer operates on a standard "Boss" style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

* Type A 3.5mm TRS to 5-pin MIDI Cable *

Notes: Pearl

(Heavy Low-End Vintage Fuzz)

The Pearl sinks its teeth into the low end and doesn't let go. Its modified vintage circuit delivers a heavy bass fuzz tone with versatile controls to work with your music. This pedal was created for bass, but you can also plug your guitar into it to make your low-end dreams come true!

At the heart of the pedal is an all-analogue silicon design that sounds great with any pickup type. (Recovery) use hand-picked, new-old-stock "oil can" BC109 transistors that add a classic, vintage tone to this modern fuzz. The user interface includes a range of controls including intensity, tonality, compression, output level, and a high/low switch that affects the amount of bottom end. The Pearl is a compact, simple to use, player-friendly pedal with a monster, low-end tone. In short, it is a force to be reckoned with.

Hand-wired in Seattle, Washington. The Pearl operates on a standard "Boss" style 9vdc power supply, but can also run at 18vdc for additional headroom. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Phantom Operator

(Supernatural Random Flux Filter)

This supernatural filter has a mind of its own. With its rhythmic paranormal activity, you may think there's a ghost at the helm. The haunted randomization makes you feel like you've entered the Twilight Zone. Plug into this pedal for endless inspiration that challenges you to compete against an otherworldly spirit!

Achieve rhythmic patterns, complex tremolo, cadenced filters, and hard, glitched-out sounds with Sample and Hold mode. The Voltage Controlled Filter mode is an incredibly smooth, classic low-pass, conducted by the dynamics of the input. Controls allow manipulation of filter frequency, as well as resolution, attack, and decay.

The Phantom Operator includes mode-changing via footswitch, with status and speed indicators. It's 100 percent analog, true bypass, and hand-wired with quality, through-hole components in Seattle, Washington. Powered by a standard 9vdc negative-tip power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: Sound Destruction Drive V3

(Sonic Destruction, Filter, and Oscillation)

Total sonic destruction tool for guitar, or anything with a 1/4" jack you want to plug into it. It distorts, filters, oscillates, glitches, clips, and does things to your instrument that naturally should not happen. Super thick fuzz, starved splatter, and wild oscillation that can be controlled with an expression pedal. The Sound Destruction Device is unlike anything you've ever heard.

The Sound Destruction Device is hand-wired in Seattle, Washington. True bypass, chrome-plated LED, and lead-free solder. It operates on a standard Boss style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: White Gold

(Choral Synthesizer)

White Gold creates densely lush harmonized textures, synthesized pads, and shimmering ensembles. Use it on any instrument, drum machine, synth, or vocal. Effortless at any setting, it's designed to resonate, glisten, and always stay musical.

White Gold easily makes a single instrument track resonate and sparkle with beautiful complexity. It is the perfect tool for adding lush, intricate, synth-like layers to any arrangement.

White Gold is hand-wired in Seattle, Washington. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Controls:

Lush is the primary color, adding rich, modulated texture to the original source.
Glimmer blends a shimmering octave up.
Glow adds sparkling 5ths.
Level controls the overall blend.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: The ultimate studio preamp expander is here. EVO SP8 is designed to be the perfect partner for expanding your existing audio interface. Give your studio the performance and capability boost it needs, providing eight intelligent EVO Preamps that set their own levels with Smartgain, advanced AD/DA converter technology and a versatile range of I/O connectivity. Add to that two JFET instrument inputs, the all new, groundbreaking Motion UI control system and exceptional audio performance across the board. The EVO SP8 might just be the world's smartest Mic Preamp.

The perfect partner for your audio interface

Bigger sessions demand more channels and expanding your existing audio interface via ADAT might be the most cost effective solution to scale up your studio. EVO SP8 provides eight mic/line inputs, eight line outputs and 2 x ADAT connections, giving you enough I/O firepower to easily tackle multi-mic sessions like recording drums, or taking on a full band.

Get studio quality recordings
Say hello to the preamps your studio needs. Eight sonically stunning EVO preamps will effortlessly level up your recordings, delivering professional grade audio performance backed by 25 years of engineering experience. The analogue mic preamp has been designed to deliver the most accurate, clean and true to source version of your audio, no matter what you're recording.

An analogue mic pre but better

Fire your studio into the 21st century with powerful EVO Preamp technology. Combining all the sonic advantages of a studio-grade analogue mic preamp with digitally controlled tactile precision, the EVO Preamp gives you the ability to set your gain with pin-point accuracy, right down to the decibel.

Advanced Converter Technology

Better converters = better audio

In the studio, sound is everything and EVO SP8's high performance AD/DA converters use 32-bit technology to make sure you always hear your audio clearly, whether you're recording music or sending audio to your favourite outboard gear and back when mixing. Better converters mean better audio - helping you make creative decisions confidently, identify issues and improve your overall recording and mixing game.

Smartgain
A total gain-changer
Make recording drums and larger sessions easy with Smartgain. Automatically set the gain for all eight channels at once with a simple touch of a button. Powered by our lightning quick Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse, adjust and set your gain to the perfect levels - all in less than 20 seconds! Now it's up to you to figure out what to do with all that time you're saving...

Your own assistant engineer

Working Solo?

Record, adjust levels, repeat. Sound familiar? Save time and make recording on your own a breeze and gain the power to save time with Smartgain. Simply set up your mics, hit Smartgain, start performing and EVO SP8 will take care of the rest.

Compatible with EVO 16

EVO Expanded System

Become more efficient in the studio. Unleash Smartgain's capabilities by pairing two EVO SP8's with an EVO 16 audio interface and get 24 channels of Smartgain enabled mic preamps. Yes, with an EVO Expanded system that's 24 channels at once... light years ahead of the competition.

Introducing

Motion UI, A an audio interface UI created by EVO by Audient

Navigate SP8's hardware features with blazing speed courtesy of the all new Motion User Interface. For the first time, a stunning high resolution, full colour screen intelligently displays information as you need it, transforming EVO SP8 into a fully immersive, easy to use Smart Preamp - the first of its kind.

Specifications

Microphone Preamplifier

Mic Gain Range: 58dB
Line Gain Range: 58dB (-10dB pad)
Phantom Power: 48v +/-4v @ 10mA/Channel
Mic EIN: <-127.5dB
CMRR: >80dB @ 1kHz
Maximum Input Level: +16dBu
Input Impedance (Mic): >3kO Balanced
Input Impedance (Line): >10kO Balanced
Frequency Response: +/-0.5dB 10Hz to 40kHz
Crosstalk: <-105dBu @ 1kHz <-103 @ 10kHz
THD+N @ 0dBu (1kHz): <0.0015%
SNR: 100dB
XLR: Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)
1/4" Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

D.I Inputs
D.I Gain Range: 58 dB
Maximum Input Level: +10dBu
Input Impedance: 500k
Frequency Response: +/-0.5dB 10Hz to 20kHz
THD+N @ 0dBu (1kHz): <0.1%
SNR: 100dB
1/4" Jack: TIP (Hot) & SLEEVE (Shield)

ADC
Digital Reference Level: 0dBFS = +10.5dBu
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: -125dBu @ 1kHz & 10kHz
THD+N @ -1dBFS (1kHz): <0.001%

Line Outputs

Maximum Output Level: 12dBu
Digital Reference Level: 0dBFS = +12dBu
Output Impedance: <50O
Frequency Response: +/-0.5dB 10Hz to Fs/2
Crosstalk: <-110dBu @ 1kHz
THD+N @ -1dBFS (1kHz): <0.006%
Dynamic Range: >117dB A-weighted
1/4" Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

Dimensions

Unit: 355mm (w) x 255mm (d) x 53mm (h)

Notes: The Can (3U 52hp)

The Can is Sinusoda's 3U 52 hp case that comes with Juice Powerboard, Straw power inlet and 60W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a starting point for a truly modular case for modular synths.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
368x148x105mm

Box weight:
1,8 kg

Case dimensions:
325x130x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
1,65 kg (power brick included)

Notes: The Can (3U 52hp)

The Can is Sinusoda's 3U 52 hp case that comes with Juice Powerboard, Straw power inlet and 60W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a starting point for a truly modular case for modular synths.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
368x148x105mm

Box weight:
1,8 kg

Case dimensions:
325x130x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
1,65 kg (power brick included)

Notes: The Four Pack is Sinusoda's 6U 104 hp case that comes with Juice Powerboard, Bubbles expander, Straw power inlet and 96W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a standard eurorack sized case which you can expand indefinitely.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Bubbles powerboard expander will add more headers to your Juice Powerboard with the same Ultra Low Noise filtering technology we've used in Juice.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
695x380x200mm


Box weight:
4,3 kg

Case dimensions:
600x272x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
3 kg (power brick included)

Notes: The Four Pack is Sinusoda's 6U 104 hp case that comes with Juice Powerboard, Bubbles expander, Straw power inlet and 96W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a standard eurorack sized case which you can expand indefinitely.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Bubbles powerboard expander will add more headers to your Juice Powerboard with the same Ultra Low Noise filtering technology we've used in Juice.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
695x380x200mm


Box weight:
4,3 kg

Case dimensions:
600x272x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
3 kg (power brick included)

Notes: DADA is a dual, full-featured vca and saturator. The top and bottom halves are identical. Features include:

· inverting and non-inverting inputs (summed).
· Exponential control input (unipolar).
· Linear control input (bipolar).
· SYMMETRY control (input offset).
· Initial gain setting.
· Dual bicolour led level indicator. Each indicates either the positive or negative going portion of the signal.

Saturation begins to occur once the output amplitude surpasses 5 volts, and increases between 5 and 6 volts. Beyond 6 volts signal amplitude, the output moves beyond saturation into full distortion.

The led scheme is as follows: green indicates a clean signal, yellow indicates saturation, and orange is distortion.

Input attenuators on the control inputs allow you to dial anything from clean to clipping.

Dimensions
12 HP
25 mm deep

Current Draw
35 mA +12V
35 mA -12V

Notes: Dual channel phantom power units providing +48V for use with condenser microphones.

Supplied with UK 5Vdc 1A power adapter
Power supply: 5Vdc, 1000mA (included)
Phantom power: +48Vdc

Connections: 2 XLRF in, 2 XLRM out
Dimensions: 86 x 78 x 46mm
Weight: 184g

Notes: Durable table stand with 3/8" and 5/8" mounting options.

Notes: Noise's 'simple' take on delay is anything but simple. Three-tap stereo design with wave folding, DJ-style filtering and extensive CV control. Versatile and characterful.

Supplier's Notes:
Delay. Fold. Pitch shift. Doom. Repeat repeat.

Yester Versio is the long-awaited answer to the request for a simple delay on the Versio platform. Yester Versio is a three-tap delay designed to be straightforward and easy to control. It's perfect to help glue together almost any patch, with just enough character to stand out if that's what you want.

Yester Versio comes with controls over panning, delay feedback, and delay time, but Noise Engineering didn't stop there. The Time control interacts with the Even/Triplet/Dotted switch, allowing for flexible delay syncing. These also work with the Tap button and jack input, making it easy to sync Yester to the rest of your patch and create interesting rhythms.

Use the DJ-style filter to shape your delays. Add flavor with Chorus, a bipolar control that adds a bit of clean pitch shifting or LFO-modulated effects. Turn up Fold for some gentle saturation, then gritty wavefolding, and at the top of the knob, to add in chaotic suboctaves for a bit of doom.

And of course, because it is a Versio, almost everything can be CV controlled.

Yester Versio is the delay you will keep coming back to...back to...back to...

YV is part of Noise Engineering's Versio stereo DSP platform. A simple USB connection will allow you to update to a variety of effects firmwares. Open-source support is available through libDaisy, which allows you to write your own firmware!

Notes: Delay. Fold. Pitch shift. Doom. Repeat repeat.

Yester Versio is the long-awaited answer to the request for a simple delay on the Versio platform. Yester Versio is a three-tap delay designed to be straightforward and easy to control. It's perfect to help glue together almost any patch, with just enough character to stand out if that's what you want.

Yester Versio comes with controls over panning, delay feedback, and delay time, but Noise Engineering didn't stop there. The Time control interacts with the Even/Triplet/Dotted switch, allowing for flexible delay syncing. These also work with the Tap button and jack input, making it easy to sync Yester to the rest of your patch and create interesting rhythms.

Use the DJ-style filter to shape your delays. Add flavor with Chorus, a bipolar control that adds a bit of clean pitch shifting or LFO-modulated effects. Turn up Fold for some gentle saturation, then gritty wavefolding, and at the top of the knob, to add in chaotic suboctaves for a bit of doom.
And of course, because it is a Versio, almost everything can be CV controlled.

Yester Versio is the delay you will keep coming back to...back to...back to...

YV is part of our Versio stereo DSP platform. A simple USB connection will allow you to update to a variety of effects firmwares. Open-source support is available through libDaisy, which allows you to write your own firmware!

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: A really clever take on looping, falling somewhere closer to granular synthesis depending on how you use it. Layer and repeat multiple sound sources to create textures, chords and unique timbres.

Supplier's Notes:
Endless Processor is a dual-channel infinite sound sustainer machine.

Put your favourite instruments, unique timbres, or field recordings - virtually any sound - and make it last forever.

It is not a looper in the usual sense - Endless Processor resynthesizes your sounds to create a perfect clickless stream while preserving the timbral and tonal character of the original.

Endless Processor always listens to audio input and keeps a most recent history. Experiment with sustaining little bits of a sample or make a massive wall of sound with the ability to select how much memorized audio to process.

Stack your sounds to create harmonies, textures, or drones with 5 layers per channel. Each layer can be re-processed or cleared while keeping other ones in place. Set fade-in and fade-out time to quickly or gradually introduce a new layer or remove the existing one.

Additional controls will help you to adjust or shape a channel volume (think built-in VCA).

Dimensions
16 HP
25 mm deep

Current Draw
125 mA +12V
10 mA -12V

Notes: Rock solid build quality, simple design and the endearingly tactile feel of arcade buttons. The MIDI Fighter Spectra is your straightforward, effective controller for DJing and live performance.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!


Supplier's Notes:
The best buttons in a professional MIDI controller
High performance MIDI controller
Designed to stand up to rigors of touring artists
Full colour configurable arcade buttons
Limited editions available with rare button colours/types
Built on the familiar format of DJ TechTools' legendary Midi Fighter line, the Spectra is back! It has full-colour ring lighting, six side-mounted, configurable function buttons, and support for all software that supports MIDI including Traktor, Ableton, Serato and more. These are the best buttons in the world.

What Makes The Spectra Great?

Every night around the world professional DJs, VJs and musicians rely on the Midi Fighter because:

Engineered to Last

The buttons alone are rated at 5 million presses - which essentially mean they will never break. You can be confident this controller will survive any tour.

Musical Feel

Arcade buttons bounce back with spring loading for ultra fast playback and easy triplets & drum rolls. It's popular for a reason.

Easy To Carry

Small footprint that won't bloat your gig bag and fits easily in the DJ booth.

The Best Buttons In The World

Most MIDI controllers feel like a plastic toy with the same buttons as your TV remote. The Midi Fighter Spectra is a professional grade instrument with the best buttons in the world, genuine Sanwa arcade buttons. These are built to take a beating and are a joy to play.

MIDI Fighter Spectra Buttons:
Cost $2.50 each
Rated to last 5 million presses
Full 2mm of travel
Bounces back like a real drum
Made in Japan in small quantities
Ball bearing contacts work every time
Clear audible feedback
Only on the Midi Fighter
Industry leading ultra low latency

Why is the Arcade button so popular?

The arcade button is a one of a kind with unique mechanics and feel that is built to be played hard!

Rapid Fire Play - The button is spring loaded and bounces back like a real drum for ultra fast triggers.

Clear Musical Action - With 10mm of musical travel and a clear audible feedback when pressed, this button plays like an instrument should.

Start playing music instantly

SoundPacks are a new plug and play standard. They keep the drums and instruments in the same place on a 16 button grid, so you can load up any pack and instantly start getting creative. The Midi Fighter Spectra is the instrument of choice for anyone playing SoundPacks and finger drumming.

Start Playing Today - Thousands of SoundPacks are available for free

Musical Talent Required - FingerDrumming is a real musical skill that is a lot of fun and the Midi Fighter Spectra is the better choice of controller for serious finger drummers.

16 buttons = One song - Each pack intuitively places a full song on 16 simple buttons making it possible to get incredibly creative, quickly.

Technical Details

Key Features:
Built proper, you can pass it onto your grandkids and it will keep ticking
Map its buttons to any midi-compatible effect or software
Official mappings for popular DJ and production software
Customizable, animated LED colour rings

Requirements:
The Midi Fighter Spectra is a class compliant, plug and play controller
Works with any computer that has a USB port and supports MIDI
Connector: USB 2.0 Type B (cable included)

Size + Weight:
Height: 6" / 15.24cm
Width: 6" / 15.24cm
Depth: 1.5" / 3.81cm
Weight: 1.3lb / 0.6kg

Notes: The best buttons in a professional MIDI controller
High performance MIDI controller
Designed to stand up to rigors of touring artists
Full colour configurable arcade buttons
Limited editions available with rare button colours/types
Built on the familiar format of DJ TechTools' legendary Midi Fighter line, the Spectra is back! It has full-colour ring lighting, six side-mounted, configurable function buttons, and support for all software that supports MIDI including Traktor, Ableton, Serato and more. These are the best buttons in the world.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!

What Makes The Spectra Great?

Every night around the world professional DJs, VJs and musicians rely on the Midi Fighter because:

Engineered to Last

The buttons alone are rated at 5 million presses - which essentially mean they will never break. You can be confident this controller will survive any tour.

Musical Feel

Arcade buttons bounce back with spring loading for ultra fast playback and easy triplets & drum rolls. It's popular for a reason.

Easy To Carry

Small footprint that won't bloat your gig bag and fits easily in the DJ booth.

The Best Buttons In The World

Most MIDI controllers feel like a plastic toy with the same buttons as your TV remote. The Midi Fighter Spectra is a professional grade instrument with the best buttons in the world, genuine Sanwa arcade buttons. These are built to take a beating and are a joy to play.

MIDI Fighter Spectra Buttons:
Cost $2.50 each
Rated to last 5 million presses
Full 2mm of travel
Bounces back like a real drum
Made in Japan in small quantities
Ball bearing contacts work every time
Clear audible feedback
Only on the Midi Fighter
Industry leading ultra low latency

Why is the Arcade button so popular?

The arcade button is a one of a kind with unique mechanics and feel that is built to be played hard!

Rapid Fire Play - The button is spring loaded and bounces back like a real drum for ultra fast triggers.

Clear Musical Action - With 10mm of musical travel and a clear audible feedback when pressed, this button plays like an instrument should.

Start playing music instantly

SoundPacks are a new plug and play standard. They keep the drums and instruments in the same place on a 16 button grid, so you can load up any pack and instantly start getting creative. The Midi Fighter Spectra is the instrument of choice for anyone playing SoundPacks and finger drumming.

Start Playing Today - Thousands of SoundPacks are available for free

Musical Talent Required - FingerDrumming is a real musical skill that is a lot of fun and the Midi Fighter Spectra is the better choice of controller for serious finger drummers.

16 buttons = One song - Each pack intuitively places a full song on 16 simple buttons making it possible to get incredibly creative, quickly.

Technical Details

Key Features:
Built proper, you can pass it onto your grandkids and it will keep ticking
Map its buttons to any midi-compatible effect or software
Official mappings for popular DJ and production software
Customizable, animated LED colour rings

Requirements:
The Midi Fighter Spectra is a class compliant, plug and play controller
Works with any computer that has a USB port and supports MIDI
Connector: USB 2.0 Type B (cable included)

Size + Weight:
Height: 6" / 15.24cm
Width: 6" / 15.24cm
Depth: 1.5" / 3.81cm
Weight: 1.3lb / 0.6kg

Notes: Protective hard case for Midi Fighters

Molded case with rugged ripstop shell designed to prevent impact and scratching damage to controllers

Designed by DJ Techtools team to fit Midi Fighter Twisters, Spectras, 3Ds, and Classics.

Includes additional organization pockets and loops for cables, adapters, and more

The Chroma Case for the Midi Fighter Spectra, Midi Fighter Twister, 3D, and Classic is designed to be a high-quality protective enclosure for your controller. The lightweight design is made to be a snug fit for the Midi Fighter while also providing a few extra spots for accessories or cables.

The Chroma Case works perfectly in tandem with our Chroma Cover - an impact resistant lid that doubles as a stand for the same Mdii Fighter units.

Notes: Protective dustcover lids for Midi Fighters.

Custom-designed dust cover made to rest on top of your gear and protect it from liquid spills, impacts, and dust.

The Chroma Cover can be inverted to act as a stand, bringing it up closer to mixer height.

4 rubber feet keep the cover in place in "stand mode" even during more intense button-mashing performances.

Designed by the DJ Techtools team to fit Midi Fighter Twisters, Spectras, 3Ds, and Classics.

Chroma have made their very own covers for the Midi Fighter lineup - made to protect your expensive controllers from disaster both on-stage and in the home or studio. We've heard from hundreds of Midi Fighter owners who want a better way to keep their units safe. Think of a Chroma Cover as a way to invest in the future perfection of your gear - repelling any issues from liquid or impact.

The Chroma Cover works perfectly in tandem with our Chroma Case - a hardshell travel case for the same Midi Fighter models.

Notes: Updated version of Black Corp's analogue monster. Dual-oscillator design with eight-voice polyphony, full MPE support, stereo analogue chorus and a glorious multi-mode filter.

Supplier's Notes:
XERXES delivers an unmatchable level of warmth through its two digitally controlled analogue oscillators. A multimode analogue filter, white and pink noise generator, 2 ADSR envelopes, 2 sync-able LFOs, unique analogue BBD chorus with 3 modes, full MPE-based polyphonic aftertouch, and complete MIDI control including polyphonic aftertouch and MPE work together to bring a classic analogue sound ready to integrate into modern times. MK2 features an updated VCA section, balanced outputs and high quality audio via USB conversion.

Xerxes produces triangle, saw, square, and PWM waveforms with variable drift controls from each oscillator, sync with variable phase shifting, and ring modulation allowing for complex cross-modulation effects. Each oscillator features an octave switch, bipolar transpose potentiometer +/-7 semitones, a master tuning pot affecting both oscillators, and a detune knob for subtly detuning Oscillator 2 to Oscillator 1. Portamento/Glissando or Glide can be programmed to affect Oscillator 1, 2, or both.

The analogue multimode filter on XERXES offers 24db/oct low pass, 12db/oct high pass modes and a band pass filter mode switchable between 6db/oct & 12db/oct for all kinds of filter characteristics. The filter can also be modulated by the dedicated ADSR envelope, LFO, velocity, and aftertouch (MPE and Polyphonic Aftertouch) allowing for incredibly expressive performance and programming.

XERXES features 6 LFO waveforms: Sine, triangle, saw, ramp, square, and random, plus a dedicated delay control to fade the LFO to the full amount set by the depth knob. Two LFOs are selectable with an A/B switch, each of which can be used to control multiple parameters set by the button switches to control oscillator tuning (A/B/Both) filter cutoff, and amplifier levels (VCF/VCA/Both.) Each of these LFOs also includes a Sync on/off switch.

XERXES features a beautiful, fully-analogue BBD-based chorus with 3 selectable modes, similar to the chorus effect found on the vintage Elka Synthex synthesizer. XERXES MK2 is equipped with stereo 1/4" balanced outputs to take full advantage of the stereo chorusing effect.

Finally, XERXES features full MIDI control and ability to store 128 user presets per bank across 11 banks (Factory, Vintage and 9 user banks) integrating this classic synth concept seamlessly into any studio setup.

Main features:

8-voice polyphonic analogue synthesizer
2 discrete logic DCOs per voice
analogue HP/BP/LP filter
2 LFOs
2 ADSRs
polyphonic velocity and aftertouch
full MPE (MIDI polyphonic expression) support
analogue BBD stereo chorus
4U rack size with detachable rack ears and wood side panels
10 preset banks (x128)

New in Version 2: Updated VCA section, balanced outputs and high quality audio via USB conversion using high resolution DACs.

Notes: Out is a 1U stereo output module designed to convert audio signals from your modular to line-levels. The module is designed to be used on cases with onboard Jack connectors or Intellijel 7U and Palette series, as it uses the same pinout. The module also includes a high-quality Headphone amplifier with an auxiliar monitoring CUE input.

Features:

High-quality Headphones amplifier
Monitoring CUE Input with source selector
Fully compatible with Intellijel 7U and Palette cases rear Jack connectors.
1U Intellijel format.

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 16 HP
Depth: 30mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: ST Amp is a 1U stereo amplifier designed to boost your external signals into modular levels. The module is designed under the Intellijel 1U format and uses the same pinout, making it fully compatible with the Intelljel case's rear connectors.

Features

Stereo amplifier and signal booster.
Three selectable gain modes: x1, x5 and x10
Level meter LEDs
Fully compatible with Intellijel's 7U and Palette cases.
1U Intellijel format.

Specs

Current needs: +12V: 30mA, -12V: 30mA
Width: 10 HP
Depth: 37mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: STMix is a four-channel stereo mixer in 28hp and 1U format. It can work independently or as an expansion of Befaco's Hexmix module via the six-pin connector located in the back. The module is designed under the Intellijel 1U format.

Features

Four channels stereo inputs with volume control.
AC Coupled inputs to improve audio performance.
Output clipping LED indicators.
Connector at the back to interface with the Hexmix module.
1U Intellijel format

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 28 HP
Depth: 20mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: This Handy USB 3.0 OTG ( On The Go) Type C to A-Female Adapter that allows interconnection of high speed USB 3 devices and cables

Can be used as a Coupler
Plug and Play Design
Durable Slim Aluminum Body
Transfer data up to 5Gbps
Compatible with USB-C port devices: laptop, tablet, smartphone, PC, camera etc
Compatible with USB-A port devices: USB Flash Disk, USB Cable, Card Reader, KeyBoard, Mouse, Printer, Hard Disk, USB Hub etc

Notes: USB to DC 5.5x2.1mm power cable supplied with 8 connectors and a 1m cable. The connectors included are 6.4 *4.4mm / 6.3 * 3.0mm / 5.5 *2.5mm / 5.5 * 2.1mm / 5.5 * 1.7 mm / 4.8 * 1.7 mm / 4.0 *1.7 mm / 3.5 * 1.35 mm.DC 5V maximum 3A, compatible with 3A, 2A and 1A but not devices over 3A. Universal compatibility, capable of charging the majority of devices in your home thanks to the inter changeable connectors supplied. Can be used to charge USB-HUB, Mini fans, LED PixelLights, Cameras, Mobile phones, Tablets, Power Banks, VoIPPhone Routers, MP3 players, Webcam Routers, Toys, BluetoothSpeakers, Webcam Routers, Recorders, Scanners, DVRs, HardDisk Boxes and more.

USB to DC 5.5x2.1mm Power Cable
Supplied with a 1m cable
Supplied with 8 connectors - 6.4 *4.4mm / 6.3 * 3.0mm / 5.5 *2.5mm / 5.5 * 2.1mm / 5.5 * 1.7 mm / 4.8 * 1.7 mm / 4.0 *1.7 mm / 3.5 * 1.35 mm
In black

Notes: The core idea for KALI is that complex and musical sonic patterns/beats can be created naturally by combining a modulated audio source with a time-domain (i.e. a delay) effect, especially if the modulation is synchronized to the effect.

Kali has two major sections to facilitate this.
* 32-bit (Float) 48000khz Stereo Time Domain FX Processor
* 6 x Bipolar 12-bit CV Outs (Approx -7v to 7v*) + 2 x Clocks

The L and R delay times are the main timebase to which everything else is synchronized; the rates of everything else can be adjusted in multiples of this time, both independently and (with the lfo rate knob) all at once.

** Not factory calibrated, digital fine tuning available.

Specs

Kali is built around an Electrosmith Daisy Patch Submodule, an embedded development platform (STM32 H7 @ 480mhz) with a high fidelity PCM3060 codec.

Audio input/output is 48000khz @ 24-bit, internally 32-bit (floating point). Input gain (on PCM3060 itself) can be adjusted from -100db to +20db.

Because of the generous SDRAM on the Daisy Patch Submodule, these delay lines have a maximum time of roughly 150 seconds per channel (we cap it at 10 seconds in most modes as that has proven to be a good generally useful range, but this maximum can be changed).

CV outputs are all 12-bit, and lowpassed to mitigate aliasing. Output range is -7v to 7v, most LFO modes can be toggled between bipolar and unipolar output. Currently their sample rate is once per block of audio, or 500hz.

Synchronization
Sync in by pulse/trigger or TRS MIDI In (A or B, thx to lpzwmodules).
Pulse sync out x2

FX Modes
* Synchronized basic/ping-pong delay.
* Chorus.
* Numerous granular delays / dumb harmonizers.
* Distortion (Waveshaping, Diode, Wavefolding, Saturation, Modulo) -> Delay.
* Basic delay w/ external feedback loop (Mono: L in -> L out -> Ext Loop -> R in -> R out).
* "Freeze" button - loops slices of the delay buffer.
* Master reverb (ReverbSc from daisysp)

LFO Modes
Modulators synchronized to multiples of main delay time.
* Basic LFO: Sine, Tri, Saw, Ramp, Pulse & Polyblep Tri, Saw, Pulse.
* Sample & Hold
* Track & Hold
* Random Reset (Basic LFO Shapes)
* Random Shape
* Glacier (Basic LFO Shapes, speed / 100).
* Jitter (Basic LFO Shapes w/ random phase distortion)
* Clocks (More pulse clock out)
* Constant (Sends constant voltage out)

Panel design by nkurence: https://nkurence.com/

Notes: Esquivel is Bocuma's homage to space-age pop. This is a voltage controlled filter in a 14HP Eurorack, around a diode ladder topology. It is capable of switching between the 3 classic states: low-pass (LPF), high-pass (HPF) and band-pass (Band Pass).

Control cut-off, resonance and two inputs for CV. Likewise, a mixer for 3 signals was added at the input, giving it the possibility of mixing 3 different waveforms to obtain more harmonic-enriched signals and to maximize the sonic possibilities of its resonance.

Specs:

14HP
+12V > 12mA -12V > 12mA

Notes: Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: This is a very handy and snappy 2hp ADSR designed by Kraakenstuff, based on the "Fastest Envelope in the West" by René Schmitz.

Notes: Dsp.coffee have produced a limited quantity of these very handy little panning mixers by bpcmusic, which are a remix of Nearness by Jesper Sarnesjo. It pairs very well with the KALI's stereo fx, and some upcoming projects.

From bpcmusic.com:

The TELEXn (TXn) is a 2HP Remix of Jesper Sarnesjo's open source module "nearness". Nearness is an ingenious module that you absolutely need in your rig. This remix compresses the original 3HP module into 2HP.

The module mixes and pans seven inputs to two outputs. There is an output at the top and bottom of the panel. Between these outputs are the seven inputs. These patch points correspond to panning positions between the two outputs. The closer you are to an output, the louder your signal will be there (and the quieter it will be in the corresponding output).

This module pairs quite well with a TXo (or two) running in oscillator mode as it provides you with a powerful way to sum the voices into a dimensional stereo field without eating tons of channels (or HP) with more complex mixing solutions.

Notes: YYS is a super useful spin on the 4x2 matrix mixer. Instead of comparatively boring unipolar attenuators to send to the destination channels, attenuverters were used. This allows combinations of DC signals that can cancel each other out to make interesting new waveforms, and with audio signals can cause strange stereo cancellations. dsp.coffee also included inverted outputs and bipolar LEDs as a bonus.

Features:
- 4 inputs with 2 attenuverters to send to output A or B
- Inverted outputs that follow A / B
- Bipolar LEDs for monitoring

Notes: Professional 5 Pin din plug to 5 pin din plug Midi lead with screened cable.

Notes: Black 2 m Heavy Duty 4 Core Screened 5 Pin Midi Plug to 5 Pin Midi Socket, supplied in bag and header packaging.

Notes: Contour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.

CV over attack and decay

Looping mode

Linear and exponential shapes

Unique chaining capabilities

Wide range from 5ms to 20 minutes

Tech Specs

Width: 20hp
Depth: 23mm
Power: 72 mA +12V, 29 mA -12V, 0 mA 5V

Notes: Chance is a unique modulation source that uses chance operations to create musical voltages. Inspired by John Cage's use of the Chinese divination text, I Ching, Chance generates random voltages in response to a digitally generated coin toss.

Four distinct algorithms provide signals like smooth and discrete, while the wavetable and blend outputs take full advantage of its microcontroller core, utilizing lookup tables, and digital interpolation to create a one-of-a-kind voltage source. Upon each successive clock pulse, coin toss seeds all outputs with new randomly chosen values.

Freeze stops everything in its tracks and holds each output at its current state. After countless hours, Chance will continue to surprise with new, unbelievable improvisations.

Chance operations in Eurorack

Four random voltage outputs with attenuverters

Unique voltage generation algorithms

Erratic gate burst and autonomous rhythm trigger outputs

Freeze control stops everything in its tracks

Coin toss random voltage reseed

Digital noise and analogue white noise outputs

Steady master clock output with rate CV

Tech Specs

Width: 14HP

Depth: 34mm

Power: 45 mA +12V, 17 mA -12V, 0 mA 5V

Notes: Introducing the n-1 case, a sleek, thoughtfully designed Eurorack modular case for sound and music makers. This flat-packable case interlocks and slides together, requiring no tools to assemble. Later in the year, Null Modular will be launching a range of accessories that will provide further versatility to the n-1 case. These add-ons will allow you to customize your case to suit your unique preferences, ensuring it remains an adaptable companion on your evolving musical journey.

What's in the box?

12mm plywood frame
3mm plywood back
4 dowel pins
1 pair of aluminum rails
M5 hex socket screws
M3 rail slide nuts
mystery stickers!
*case is unpowered, giving users the freedom to choose a panel-mounted power supply or adapt an internal power option.

Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Aether is a modulating delay pedal.

The initial vision for the design of The Aether came shortly after the release of the Wardenclyffe Deluxe. The intention was to take design the philosophies and incorporate tonal characteristics that made the Wardenclyffe so special, but this time as a delay pedal.

At the heart of The Aether is a PT2399, tap tempo delay. It has the standard Echo, Feedback, and Time controls you would expect on any delay, but what makes it special is the Color, Saturation, and Degrade Controls. The Color toggle completely changes the character of the Aether and has two voices: Warm Analog and Bright Tape. The Saturation knob is a gain adjustment that overdrives the delay chip. The Degrade toggle adds lofi textures and artifacts to the delay line. The Degrade toggle removes a very vital section of the delay circuitry that keeps the delay stable with longer delay times. As you increase the delay time, the artifacts become more present and lofi.

The Aether uses a simple, but versatile modulation LFO core inspired by the Wardenclyffe, but with more features. The LFO cores sets it apart from other modulated delays out there. The speed of the modulation core can be set 3 different ways: Rate knob, tap tempo tact switch, and Sync toggle. When the Sync toggle is set to its middle position, the LFO can run at whatever speed you want. When the Sync toggle is in the up position it is synced to the delay time. When the Sync toggle is in the down position, it is synced to delay time, but in half-time for slower evolving moduation. The Shift knob determines the depth of the modulation; this has plenty of range in case you want to get really obscene. The Stray toggle changes the LFO from a typical Sine wave to a Slewed Random waveform. Creative exploration of the modulation section of The Aether is strongly encouraged. The way the delay rate and LFO rate interact with each other can yield very creative results.

Notes: Deluxe version of Hungry Robot's excellent lo-fi Wardenclyffe pedal, introducing elements like Snake (white noise) and Campfire (vinyl crackle) to your signal.

Supplier's Notes:
This pedal is a Deluxe expansion of the Wardenclyffe pedal, with the same great Wardenclyffe vibes, and base circuit and coding. Here's what's new (spoiler: it's a lot).

The Deluxe now has tap tempo control, as well as a wider range of modulation rates, and an LED rate indicator. Also new is an independent control over the level of the ambient PAD. The CLOCK knob controls the operating frequency of the DSP.

Lower frequencies turn the signal into an ultra-muddled, borderline unusable, muddled lo-fi mess. The DETUNE toggle splits the signal into two and tastefully detunes one of them for a lush chorus effect. The CRUSH toggle adds a gnarly bit crusher to the signal.

The three small knobs on top are a Vinyl Noise simulator, to mimic an old record player. The Snake knob adds a filtered white noise/hiss to the mix. The Campfire knob adds a crackle effect. The Pop knob (adds a random popping effect. The Wardenclyffe was already a very solid pedal, but it's now got a claim to be the most feature packed lo-fi pedal out there.