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Items 1 to 35 of 35 on page 1 of 1
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Doepfer A-155-2 Miniature Analogue Sequencer Module (sequencer module)
Cat: 1092095
Compact 8-step analog sequencer module - 12HP
Notes: Module A-155-2 is a small, very compact designed analog sequencer with a lot of features. The sequence length is 8 steps. Each step has available a control for the adjustment of the control voltage for this step and an illuminated momentary switch (button). The buttons are used in the standard running mode to turn on/off the gate of the step in question (button illuminated = gate on, not illuminated = gate off). In combination with other controls at the bottom of the front panel the buttons are used for additional functions: depending on the position of the Program toggle switch the button Function is used to program the length of the sequence (switch position Limit), the running direction (switch position Direct.) or to call up the preset management (switch position Preset)
When function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
… Read moreWhen function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $175.53
(No payment required now - pay when released)
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Doepfer A-155-2 Miniature Analogue Sequencer Module (vintage edition) (sequencer module)
Cat: 1092096
Compact 8-step analog sequencer module - 12HP
Notes: Module A-155-2 is a small, very compact designed analog sequencer with a lot of features. The sequence length is 8 steps. Each step has available a control for the adjustment of the control voltage for this step and an illuminated momentary switch (button). The buttons are used in the standard running mode to turn on/off the gate of the step in question (button illuminated = gate on, not illuminated = gate off). In combination with other controls at the bottom of the front panel the buttons are used for additional functions: depending on the position of the Program toggle switch the button Function is used to program the length of the sequence (switch position Limit), the running direction (switch position Direct.) or to call up the preset management (switch position Preset)
When function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
… Read moreWhen function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $198.17
(No payment required now - pay when released)
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Eowave 1U Oscy Mini Analogue Oscillator Module (oscillator module)
Cat: 1092316
A compact analog oscillator - 10HP
Notes: Oscy is here when you need a compact analog oscillator.
Mini but nice:
Choose your waveform: with its 2 outputs, you can route it to differents modules
Go for sub: the square output has a potentiometer to mix a square waveform with a one octave lower sub square waveform
Oscy is perfect to create a small analog voice or to modulate other oscillators.
… Read moreMini but nice:
Choose your waveform: with its 2 outputs, you can route it to differents modules
Go for sub: the square output has a potentiometer to mix a square waveform with a one octave lower sub square waveform
Oscy is perfect to create a small analog voice or to modulate other oscillators.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $89.46
(No payment required now - pay when released)
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Eowave 1U Mixy Mini Mixer Module (mixer module)
Cat: 1092320
A simple mixer to sum your signals in your 1U row - 10HP
Notes: Mixy is a simple mixer to sum your signals in your 1U row. Since it is DC coupled, you can mix audio or fixed signals.
Mini and useful:
Mix your signal: the 3 first inputs are attenuated, the 4th input is summed without attenuation.
Connect it: you can connect the mixy to the bye bye module with its back header
… Read moreMini and useful:
Mix your signal: the 3 first inputs are attenuated, the 4th input is summed without attenuation.
Connect it: you can connect the mixy to the bye bye module with its back header
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $73.61
(No payment required now - pay when released)
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Eowave 1U Sifter Mini Filter Module (filter module)
Cat: 1092323
A compact but fat analog filter module - 10HP
Notes: SIFTER is compact but fat. it has been created to get that warm analog filter sound without using to many HPs
Mini and filtery:
Split your signal: with its 2 poles highpass and lowpass outputs, you can split your signal and treat the low and high in parallel
Make it shine: the resonance control will add some whistle to your sound
Sifter is perfect for the ones who need to have fat filtering in compact cases
… Read moreMini and filtery:
Split your signal: with its 2 poles highpass and lowpass outputs, you can split your signal and treat the low and high in parallel
Make it shine: the resonance control will add some whistle to your sound
Sifter is perfect for the ones who need to have fat filtering in compact cases
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $96.25
(No payment required now - pay when released)
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Eowave 1U Germaniac Vintage Warmer/VCA Module (VCA module)
Cat: 1092114
VCA module inspired by vintage Russian germanium transistors.
Notes: Germaniac is a discrete VCA/warmer module build around with the sound characteristic of the vintage Russian germanium transistors.
Warm things up:
That fat Analog Character: It's not question here be in the area of the "most transparent VCA ». We specifically select our transistors to add harmonics and give a rich and thick saturation.
Variable Texture Control: Choose the amount of distortion with the "Warmth" knob, providing from a very soft and subtle one to a heavily pronounced distortion. you can also CV control this warmth variation to play with.
Some Applications:
Classical VCA
CV controllable distortion
… Read moreWarm things up:
That fat Analog Character: It's not question here be in the area of the "most transparent VCA ». We specifically select our transistors to add harmonics and give a rich and thick saturation.
Variable Texture Control: Choose the amount of distortion with the "Warmth" knob, providing from a very soft and subtle one to a heavily pronounced distortion. you can also CV control this warmth variation to play with.
Some Applications:
Classical VCA
CV controllable distortion
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $130.22
(No payment required now - pay when released)
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Notes: Levers is a compact dual VCA for your 1U rack. It is simple and efficient for modulating signal levels.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $89.46
(No payment required now - pay when released)
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Eowave 1U Bye Bye Line/Phone Output Module (external module)
Cat: 1092319
A simple but efficient line and phone stereo output - 10HP
Notes: Bye bye is a simple but efficient analog line and phone stereo output with a header on the back to connect it to the Supamix and a led indicator showing clipping.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $78.14
(No payment required now - pay when released)
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Elta Music TSC12 Multifunctional Touch Sensitive Controller (white) (controller module)
Cat: 1092047
A touch sensitive control module, allowing unprecedented levels of control over your modular setup - 44HP
Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $435.98
(No payment required now - pay when released)
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Elta Music TSC12 Multifunctional Touch Sensitive Controller (black) (controller module)
Cat: 1092050
A touch sensitive control module, allowing unprecedented levels of control over your modular setup - 44HP
Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $435.98
(No payment required now - pay when released)
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Teia OpticShifter 20-Pole Phase Shifter Module (phase shifter module)
Cat: 1091899
A 20-stage optical phaser module - 12 HP
Notes: OpticShifter is a 20-Stage optical Phaser with flexible feedback and pole selection. Drawing inspiration from classic 70's era phase shifters, it combines vintage charm with modern versatility. Whether you're aiming for subtle movement or dramatic swooshing and whooshing, from phasing to vibing, OpticShifter creates an immersive Phase Shifting experience.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $355.57
(No payment required now - pay when released)
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Teia OpticTone MK2 Multimode Optical Gate Module (low pass gate module)
Cat: 1091908
An update of Teia's OpticTone module, combining a VCF and VCA.
Notes: The OpticTone MK2 is an improved revision of our original module, combining a 12dB multi-mode Vactrol VCF and a Vactrol VCA. This unique circuit is inspired by the distinct characteristics of Vactrols and Lowpass gates, celebrated for their fluid and natural character.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $246.86
(No payment required now - pay when released)
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Black Noise Eclipse Stereo Analogue Oscillator Module (oscillator module)
Cat: 1091787
VCO Module utilising a waveshaper to open up a wide range of sonic possibities and dynamic control - 14HP
Notes: The idea behind Eclipse is to combine the raw character of vintage analog oscillators with modern features for crafting rich, complex, and expressive sounds.
Eclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
… Read moreEclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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CatSynth Slimline Ring Modulator Module (ring modulator module)
Cat: 1093965
At just 2HP, this module delivers classic modulation effects with precise control
Notes: Add new tonal dimensions to your Eurorack setup with the ultra-compact Slimline Ring Modulator. At just 2HP, this module delivers classic modulation effects with precise control - ideal for experimental sound shaping, percussive textures, or metallic overtones.
Space-saving format
With a width of only 2HP, this ring modulator is perfect for compact systems without sacrificing sonic versatility.
Separate Signal and Carrier Input
The module offers two independent inputs for the modulation signal and carrier signal - the basis for the characteristic amplitude modulation effects of the ring modulator.
Level control for both inputs
Built-in level controls allow you to precisely control the signal strength of the input and carrier to make a targeted impact on the sound, from subtle modulations to harsh, complex sonic textures.
Whether for refining sound sources or for radical transformations, the Slimline Ring Modulator is a versatile tool for those who want to add characteristic, modulated timbres to their Eurorack system.
Content:
Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips
… Read moreSpace-saving format
With a width of only 2HP, this ring modulator is perfect for compact systems without sacrificing sonic versatility.
Separate Signal and Carrier Input
The module offers two independent inputs for the modulation signal and carrier signal - the basis for the characteristic amplitude modulation effects of the ring modulator.
Level control for both inputs
Built-in level controls allow you to precisely control the signal strength of the input and carrier to make a targeted impact on the sound, from subtle modulations to harsh, complex sonic textures.
Whether for refining sound sources or for radical transformations, the Slimline Ring Modulator is a versatile tool for those who want to add characteristic, modulated timbres to their Eurorack system.
Content:
Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips
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OXI Instruments Pipe MKII Interface Module for One MKII (interface synth module)
Cat: 1086721
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Acid Rain Technology Ripsaw Stereo Super Oscillator Module (oscillator synth module)
Cat: 1088790
A stereo super saw/square oscillator featuring 4 voices of 7 detunable saw/square waves - 6HP
Notes: Ripsaw is a 6hp stereo super saw/square oscillator just like chainsaw with a few extra additions:
- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
… Read more- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
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Ohm Force Bohm Stereo Dual-Voice Kick Synthesiser Module (drum synth module)
Cat: 1089447
Kick synthesiser module featuring nine models, vast scope for sculpting sounds and a randomizer - 18HP
Notes: The Ohm Force Bohm is a stereo dual-voice kick synthesis and percussion module with nine different synthesis modes for all sorts of sounds, plenty of CV-modulation options and hands-on knob control over all of the key parameters. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless. The Bohm has multiple CV ooptions for triggering the main kick voice, controlling the length and sustain.
There are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
… Read moreThere are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
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Ohm Force Bohm:Groove Rhythm Expander Module for Bohm (expander synth module)
Cat: 1089467
Optional expansion for the Bohm Stereo Kick Synthesiser module, offering a second kick for more complex grooves and patterns.
Notes: The Bohm:Groove adds a secondary kick voice, that can be triggered via clock divisions, allowing the user to build more complex grooves around the main kick. Craft dynamic percussive textures with ease. Sync a secondary kick to clock divisions and fine-tune every tap's level, pitch, and FX using intuitive controls.
… Read morePre-orders at Juno
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Jolin Krono Multi-Modal Programmable Clock Generator Module (clock generator synth module)
Cat: 1089432
Digital multi-mode clock generator module with a tap tempo among other features - 4HP
Notes: KRONO offers multiple clock modes (including Euclidean, Logic, Probabilistic, and more), tap-tempo or external clocking, real-time A/B output swapping, and full state memory.
All 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
… Read moreAll 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
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Teia Ripwave Compact Analogue Timbre Oscillator Module (oscillator module)
Cat: 1091415
A compact analog VCO designed for rich sonic exploration and offering a wide range of timbral variation - from saturation, wavefolding, pulse width modification and more - 6HP.
Notes: RipWave is a compact 6HP analog VCO designed for rich sonic exploration in a small footprint. At the heart of its design is the Transform knob: a unique, voltage-controllable parameter that shapes the character of each waveform. It offers a wide range of timbral variation, from saturation to wavefolding, harmonic morphing, and pulse width modulation, all in a single control.
On the Sine output, the Transform knob applies a tanh() saturation circuit, gradually shaping the waveform from a pure tone into a warmer, slightly overdriven version. As you turn the knob, the wave is smoothly compressed and harmonics are introduced, adding character without harsh clipping.
For the Triangle wave, turning the Transform knob folds the waveform through a transistor wavefolder, shaping the timbre of the signal by adding harmonic complexity. An additional soft clipping diode saturation stage keeps the amplitude in check, taming peaks while introducing additional character.
In the case of the saw output, the waveform is generated by combining two complementary signals: one waveform containing only odd harmonics, the other only even harmonics. The Transform knob controls the balance between them. At the center position, both are equally summed to produce a Sawtooth wave. Turning the knob blends between the two, letting you isolate odd or even harmonics and shape the timbre across a wide range of harmonic textures.
The Transform knob performs a more traditional role with the Pulse wave, acting as a pulse width control. At the center position, it produces a classic Square wave with a 50% duty cycle. Turning the knob shifts the duty cycle toward narrower or wider pulses, delivering the familiar pulse width modulation sound.
An octave switch provides quick transposition and includes an LFO mode for low-frequency modulation duties, allowing RipWave's uniquely shaped waveforms to be used as modulation sources. RipWave also features both sync and linear FM inputs. The sync input allows the oscillator to be reset by an external signal, creating harmonically rich or rhythmically locked results depending on the source. A rear-panel jumper lets you select between hard and soft sync modes to suit different patching contexts.
The linear FM input offers a wide modulation range, from subtle pitch modulation and vibrato to deeper, more complex timbral shifts depending on modulation depth.
Though initially designed as a companion for VastWave, RipWave has developed a strong identity of its own. It performs equally well as a standalone oscillator in a compact system or alongside its larger sibling. Whether used for Lead voices, complex layering, or modulation, it delivers a wide range of shaping options. From warm tones to ripping textures, RipWave pushes all waveforms into harmonically rich territory, making every output well suited for East Coast - style subtractive synthesis as well as West Coast - style waveshaping systems.
… Read moreOn the Sine output, the Transform knob applies a tanh() saturation circuit, gradually shaping the waveform from a pure tone into a warmer, slightly overdriven version. As you turn the knob, the wave is smoothly compressed and harmonics are introduced, adding character without harsh clipping.
For the Triangle wave, turning the Transform knob folds the waveform through a transistor wavefolder, shaping the timbre of the signal by adding harmonic complexity. An additional soft clipping diode saturation stage keeps the amplitude in check, taming peaks while introducing additional character.
In the case of the saw output, the waveform is generated by combining two complementary signals: one waveform containing only odd harmonics, the other only even harmonics. The Transform knob controls the balance between them. At the center position, both are equally summed to produce a Sawtooth wave. Turning the knob blends between the two, letting you isolate odd or even harmonics and shape the timbre across a wide range of harmonic textures.
The Transform knob performs a more traditional role with the Pulse wave, acting as a pulse width control. At the center position, it produces a classic Square wave with a 50% duty cycle. Turning the knob shifts the duty cycle toward narrower or wider pulses, delivering the familiar pulse width modulation sound.
An octave switch provides quick transposition and includes an LFO mode for low-frequency modulation duties, allowing RipWave's uniquely shaped waveforms to be used as modulation sources. RipWave also features both sync and linear FM inputs. The sync input allows the oscillator to be reset by an external signal, creating harmonically rich or rhythmically locked results depending on the source. A rear-panel jumper lets you select between hard and soft sync modes to suit different patching contexts.
The linear FM input offers a wide modulation range, from subtle pitch modulation and vibrato to deeper, more complex timbral shifts depending on modulation depth.
Though initially designed as a companion for VastWave, RipWave has developed a strong identity of its own. It performs equally well as a standalone oscillator in a compact system or alongside its larger sibling. Whether used for Lead voices, complex layering, or modulation, it delivers a wide range of shaping options. From warm tones to ripping textures, RipWave pushes all waveforms into harmonically rich territory, making every output well suited for East Coast - style subtractive synthesis as well as West Coast - style waveshaping systems.
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Doepfer A-149-3 Fluctuating Random Voltages Module (random synth module)
Cat: 1081649
Based on the homonymous "Fluctuating Random Voltages" by Buchla, with more functions added
Notes: A-149-3 is the third module of the A-149-x range. In this group, this module present several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules.
Module A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
… Read moreModule A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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Xaoc Devices Oradea 1950 Quadruple Voltage Controlled Resonator Module (resonator synth module)
Cat: 1088989
Oradea is a quadruple voltage controlled analogue resonator which can be ued to enhance external audio, generate tones or mimic the resonant characteristics of physical objects or spaces
Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.
Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
… Read moreIndividual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $507.32
(No payment required now - pay when released)
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Xaoc Devices Arad 1950 Resonator Commander Module For Oradea (expander synth module)
Cat: 1088991
Wxpander for the Oradea quadruple resonato
Notes: Arad is an expander for the Oradea quadruple resonator. It adds three additional features. Arad features direct audio inputs for individual channels, so you can use each channel for a different audio source (the individual channel outputs are already incorporated into the main module). There are buttons and gate inputs for manual and/or remote clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the EXCITE inputs of Oradea, allowing for manual triggering.
Technical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
… Read moreTechnical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $110.97
(No payment required now - pay when released)
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Qu-Bit Bloom v2 Fractal Sequencer Module (sequencer synth module)
Cat: 1086697
Updated version of Qu-Bit's Bloom sequencer module, boasting 3 channels with 64 steps per channel.
Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.
In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
… Read moreIn its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $503.92
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ADDAC System ADDAC320 Servo Control Module (controller synth module)
Cat: 1088350
Motorised module allowing control of any knob that doesn't have a CV input - 4HP
Notes: The new ADDAC320 Servo Control is a nod to Neil Young's Whizzer, a device that was ahead of its time. This tool enabled control over amplifier pots through the use of pedals, resulting in far-reaching tonal variation. Inspired by this methodology, ADDAC's Servo Control incorporates a Servo motor into a 4 HP Eurorack module, enabling it to control any knob that doesn't have a CV input, or other gear such as guitar pedals - within certain distance constraints.
A servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
… Read moreA servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $141.56
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ADDAC System ADDAC220 Dual Envelope Follower+ Module (envelope follower synth module)
Cat: 1088356
An analog/digital hybrid for better dynamic range analysis,
Notes: The new ADDAC220 Dual Envelope Follower + is ADDAC's latest stereo envelope follower, which can generate CV from two simultaneous envelopes, enabling the user to control any range of other instrument/module parameters. The module is an analog/digital hybrid, allowing greater precision and analysis of an incoming signal.
The level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
… Read moreThe level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $372.57
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ADDAC System ADDAC220 Crossover Module (filter synth module)
Cat: 1088365
Companion module to the ADDAC220 Dual Envelope Follower+, allowing the splitting of frequencies into 3 bands.
Notes: Crossover: enabling new processing possibilities: Commonly, audio crossovers are designed to split an audio signal into several frequency ranges so that each resulting signal is adequate for the speaker drivers they are connected to. Typically, low range is sent to the big woofers, mid range to smaller woofers and high range to the tweeters.
Introducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
… Read moreIntroducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $118.90
(No payment required now - pay when released)
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WMDevices Skorpion Waveform Reanimator Module (waveshaper synth module)
Cat: 1089360
8-stage analogue wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface
Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.
Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
… Read moreSkorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $972.74
(No payment required now - pay when released)
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Tesseract Smith 8x8 Programmable Matrix Module (multiple synth module)
Cat: 1087289
input/output module that can be used to store presets in your modular setup or to create more layers of modulation in your setup - 12HP
Notes: Smith: it's an 8 inputs & 8 outputs precision buffered matrix with presets. Each of the 8 outputs can take the signal from any of the 8 inputs, allowing over 16 million possible combinations.
This is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
… Read moreThis is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $175.53
(No payment required now - pay when released)
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Kaona Voltator 4-Channel Analogue Voltage Controller Module (controller module)
Cat: 1092818 Rel: 13 Jun 25
A 4-channel analog controller designed for precise CV voltage management.
Notes: Voltator is a 4-channel analog controller designed for precise and versatile CV voltage management. Equipped with an integrated voltmeter, it displays the exact output voltage of each channel in real-time. It is the ideal tool for simultaneously tuning multiple VCOs from one location, generating chords, easily transposing notes and chords, or precisely adjusting your signals.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $288.75
(No payment required now - pay when released)
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Ohm Force Bohm:Performer Sidechain/FX/Stereo Processing Module for Bohm (expander synth module)
Cat: 1089463 Rel: 22 Aug 25
Optional expansion for the Bohm Stereo Kick Synthesiser module, allowing further customisation of kick sounds.
Notes: Bohm:Performer is a mixer for both the main Bohm Stereo kick module and the Bohm: groove expander, blending dual kick engines with external stereo input, offering precise side-chain ducking, intuitive one-touch DJ effects (filters, beat/slip rolls), and full CV assignabilityiempowering live performers with seamless, dynamic mix control.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 22 Aug 25 $96.25
(No payment required now - pay when released)
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BlaknBlu Oscar Tria Triple Mode Stereo VCO Module (oscillator synth module)
Cat: 1081156
VCO module that functions as a stereo oscillator, a super saw/square/triangle/sub and a chord engine,
Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
… Read moreGreen Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $328.39
(No payment required now - pay when released)
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Euterpe Itinera Analogue Filterbank Module (filter module)
Cat: 1093379 Rel: 20 Jun 25
Multimode analogue filter based off the Vertice filter bank, featuring an integrated preamp and transistor-based distortion.
Notes: Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.
The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.
These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.
With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!
… Read moreThe Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.
These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.
With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 20 Jun 25 $673.78
(No payment required now - pay when released)
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Clatters Sonora Spectral Mixing Output Module (panning module)
Cat: 1093390 Rel: 20 Jun 25
Output module featuring 12 inputs, an LED meter to monitor levels and a soft clipping limiter, perfect as the end point of your modular setup.
Notes: Sonora is a spectral mixing output module that aims to be the ultimate sound stage of a modular setup. A place where all your mixes meet and find a stereophonic solution for your final track thanks to its twelve fixed panning inputs that allow you to give each track its own space and importance in the stereo field.
While being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.
… Read moreWhile being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 20 Jun 25 $281.97
(No payment required now - pay when released)
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Cycle Tetrachords 4-Track Polyphonic CV & MIDI Note Sequencer Module (sequencer module)
Cat: 1093342 Rel: 13 Jun 25
A 4 track polyphonic CV & MIDI note sequencer for modular systems.
Notes: Featuring extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.
The unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.
The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.
… Read moreThe unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.
The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $711.15
(No payment required now - pay when released)
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