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Notes: Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: Instant ambient bliss coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!

Cloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.

Cloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.

All of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: Based on technology from the award-winning LVX and MercuryX pedals, the Enzo X is a superbly powerful six-voice modular synth, with polyphonic pitch detection and no special pickup needed on your guitar.

Supplier's Notes:
Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals.

In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types.

To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX.

Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.

Notes: Suitable for guitar, synths, drum machines and more, the updated Godeater refines the boutique saturation/distortion pedal, offering more precise control over low frequencies. New filter-keyed sidechain, advanced routing and MIDI integration add major flexibility.

Supplier's Notes:
The new Godeater+ is the successor to the successful Godeater pedal from Indian manufacturer Animal Factory.

The Godeater was primarily designed for electric basses and saturates the sound in the lower frequencies. However, it is not limited to bass guitars. The pedal can also be used with synthesizers or guitars. The pedal can also be interesting in combination with drum computers. The main aim of the Godeater+ is to create a pedal that allows you to create a distorted sound without losing the low frequencies.

Notes: Proudly billed as the first fully programmable drum machine in a pedal format, the Step is designed to accompany other instruments. Four-track, 16-step sequencer with 300 Beat presets and 500 kits.

Supplier's Notes:
Step Modern Drum Machine

Step is the first fully programmable drum machine in pedal format. It's an instrument, a co-writer, an accompaniment at a live performance, or a bandmate in an empty studio. Designed with the flexibility to instantly start a unique song but with deep customization options to quickly create fresh beats. Step is for everyone - everyone that isn't afraid to experiment, take chances, try something new, and create original music.

4 Customizable Drum Tracks

Step is a 4 track drum machine with a complete interface. Easily control all parameters for each of the 16 steps on the face of the pedal, no computer editor needed.

Mix & Match

How about an electronic snare with a jazzy kick? With Step, with a twist of a knob, you can create your sound pack by combining sounds from different Kits.

Instant Drum Beat Generator

Tap in the tempo, turn the Beat and Kit knobs to find your groove and play! There are 300 rhythms and 500 kits - it gives tons of combinations.

Modern Sound

With over 2000 samples, from the sounds of classic analogue machines to acoustic drums, anyone can find the sound they want. And, if you're going to create your kits, you can easily do it, too.

Per-Step Control
Customize over 15 parameters for each track's drum sound on a per-step basis. Switch up hi-hat velocity, add reverb to a final crash or throw in a 10% chance for a drum roll.

A Thousand Songs

Create and play complete 16-part songs, easily put together by quick-copying patterns, selecting new beats or making your own. Then make a playlist and go live!

Stomp-In FX

Use the FX stomp-switch to punch in customized effects from delays, reverbs, loopers, rearrangers and more. Every pattern in your song can have a different stomp-in effect.

Expansive Connectivity

Step has all the connectivity you need, stereo input and output, MIDI in and out, expression pedal input, and micro SD card storage with USB-C connectivity.

Nerdy on Demand

Need polymetric or polyrhythmic beats? Or maybe some generative drums? Step offers per-track swing, speed and length, step probability, randomized note playback, and more. You don't have to get nerdy with Step, but you can!

Instant Inspiration

From musicians wanting to quickly play along with a drum kit to deep divers looking to create more than traditional drum beats, Step is for everyone. Either create songs instantly by selecting from 500 preset rhythms and 200 drum kits or use the interface to create completely customized beats anywhere. Loop 16 steps and jam or combine patterns into a 16 pattern song.
A Complete Instrument

Step is a fully customizable drum machine, with features designed to make original drum tracks you want to play along with. All Step's parameters can be controlled directly on the pedal with a straightforward, intuitive user interface. Create complex and evolving patterns using probability, a dynamic drummer by switching up the velocity on eat hit, a sloppy drummer with the humanize, chance and micro-move features, or a perfect robotic machine.

Performance Ready

As a live companion Step can't be beat. With the ability to stomp-in effects and change songs or patterns via the dedicated stomp-switches, Step is a one stomp solution for all your performance needs.

Smash the FX stomp-switch and create interesting transitions or emphasize a solo. Freely assign over 50 effects in 8 different categories to the FX stompswitch, from repeaters and rearrangers to delays and reverbs.

For even more live control, assign the expression pedal to parameters including tempo or volume.

In Sync

Step is the perfect bandmate, keeping everything in sync. Use Step's MIDI input and output to stay in time with your delay, start playback at the same time as a looper, and more.

Keep your devices in sync too. Step's sequences are also compatible with Play and Play+. Create and exchange patterns between grooveboxes and the pedal, in both directions.

Tech specs

Ins & Outs

Stereo/Mono In: jack 6.3 mm
L-Out/MONO: jack 6.3 mm
R-Out: jack 6.3 mm
Expression Pedal
MIDI In: mini-jack 3.5 mm
MIDI Out: mini-jack 3.5 mm
USB-C
Power: 9-18 V DC / min. 500 mA (power adapter not included)

Physical Dimensions

Height: 2.24 inches (5.7 cm) - with knobs
Width: 7.09 inches (18.0 cm)
Depth: 4.72 inches (12.0 cm)
Weight: 2.05 pounds (0.930 kg)

Notes: Morph across the spacetime spectrum.

Cosmosis 1 is a high-fidelity digital reverb that delivers premium ambient reverb sounds in a streamlined, single-footswitch enclosure. Cosmosis 1 contains three unique Pigtronix space algorithms with onboard controls for the size of the reverb, wet/dry blend, and filtering. Custom-made LED touch switches provide instant color-coded access to three unique reverb spaces as well as three user-defined presets. Theatre (blue) puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple (amber) occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos (purple) creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed.

Cosmosis 1 also features Pigtronix's signature 'Morph' function that allows musicians to alter their settings in real-time by pressing and holding the footswitch. This feature provides a simple way for players to trigger a gradual change to various reverb parameters simultaneously. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph to traverse the difference between these values as indicated by the color-changing Engage LED. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Stereo functionality is available via the TRS output jack. Cosmosis 1 runs on standard 9VDC power.

Knob-by-knob

Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.

Size: Sets the size of the reverb space

Blend: Sets the balance between wet (reverb) and dry (clean signal)

Space Select: Push to toggle through 3 available reverb spaces.

Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).

Three Evocative Spaces

The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.

Single-Footswitch Streamlining

Maintaining all of the functionality of the original dual-footswitch Cosmosis, the Cosmosis I prioritizes a streamlined interface that gets you to your favorite sounds even more quickly, plus its standard stompbox size doesn't disrupt your pedalboard.

Specifications

Function: Stereo Ambient Reverb with Morphing
Bypass: Buffered

Electronics

Voltage: 9VDC
Current Draw: 100mA
Input Impedance: High
Output Impedance: 1k

Body

Length (inches): 4.5
Width (inches): 2.5
Height (inches): 2
Weight (lbs): 1

Notes: Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.

Notes: The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before. Whether you're a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.

BlueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful. Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.

Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds. A new Mod switch allows you to select the modulation depth for each reverb type. A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer. A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.

All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard. Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP/MIDI jack or USB. And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.

Notes: Last year in 2023, MOOER released its Prime Stomp S1 multi-effects pedal, to great critical acclaim. The device expanded on MOOER's previous pedalboard creations, applying a more sleek, lightweight, and, most importantly, chargeable design. Now, the company is turning heads once again with the Prime Minimax M1, an upgraded device that improves functionality not only for electric guitarists, but for bassists too.

Packed inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.

As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.

Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.

Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.

In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.

Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.

Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.

Notes: Iridium

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialling in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it's a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

The Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. Strymon have taken three iconic tube amps with distinct characters and mathematically modelled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, Strymon have hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium's speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium's breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium's hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon's reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

Round Amp - Based on* a Fender Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. Strymon chose the Deluxe's Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp - Based on* the Brilliant channel of a Vox AC30

The amp that defined the guitar sound of the British Invasion. Our model of the AC30 Brilliant channel (Top Boost) is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob's range of travel, Strymon have added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp - Based on* a Marshall Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o'clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Strymon. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Strymon's sound design process. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corporation. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc.

A Carefully Curated Cab Collection.

Iridium comes pre-loaded with a carefully curated collection of premium cabinet impulse responses from OwnHammer, Celestion, cabIR and ValhallaIR.

Round A - Deluxe Reverb 1×12" by OwnHammer
Impulse captures a vintage Fender Deluxe Reverb open back 1×12" combo loaded with a 1978 Fender CTS ceramic 12" speaker.

Round B - Blues Junior 1×12" by CabIR
Impulse captures a 1×12" Blues Junior cabinet, loaded with a Jensen C12N speaker.

Round C - Vibrolux 2×10" by cabIR
Impulse captures a Fender Vibrolux from 1965 with 2×10" Jensen C10NS speakers from 1965.

Chime A - AC30 2×12" Alnico by OwnHammer
Impulse captures a Vox AC30/6 open back fawn 2×12" combo with 2001 Celestion T0530 Blue AlNiCo speakers.

Chime B - 1×12" Alnico by Celestion
Impulse captures Celestion Blue Alnico speaker in a closed back 1×12" cab.

Chime C - Mesa 4×12" by ValhallaIR
Impulse captures a 4×12" Mesa Boogie "Halfback", which is loaded (open back) with two Black Shadow MC-90 speakers from CelestionTM and two Black Shadow EVM12-L from ElectroVoice.

Punch A - GNR 4×12" by OwnHammer
Impulse captures a 1971 Marshall 1960B "basketweave" 4×12" cabinet.

Punch B - 2×12" Vintage 30 by Celestion
Impulse captures a Celestion Vintage 30 in an open back 2×12" cab.

Punch C - Marshall 8×12" Alnico by cabIR
Impulse captures a re-issue of the 1965 Marshall 8×12" full stack cabinet, loaded with Celestion T652 AlNiCo speakers.

Load Your Own Impulses.

It's easy to replace the pre-installed IRs with custom IRs from your own collection by using Strymon Impulse Manager software.

Stereo Output
Operates at instrument and Line Level input sources
Discrete transistor headphone amplifier
Expression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre/post volume control with logarithmic taper (Volume mode)
USB jack for connecting to Strymon Impulse Manager software
to add and edit your own speaker cabinet IRs
Compatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets
Full featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface)

Audio Quality

Ultra-low noise, high performance 24-bit 96kHz A/D and D/A
converters provide uncompromising audio quality
Super high performance SHARC and ARM co-processors
32-bit floating point processing

More

Transparent Analogue Buffered Bypass
Strong and lightweight anodized black aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: The legendary Strymon deliver quality goods once again with this analogue-inspired stereo delay. Single head sound gives a classic 60s vibe with modulation and subtle imperfections.

Supplier's Notes:
Experience the dreamy sound of a classic '60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.

EC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.

Featuring meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.

Strymon's unique dTape technology was first developed for El Capistan, and they have expanded on it to reproduce all the inspiring nuances weencountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Our dTape system allows precise replication of every aspect of every tape echo we've studied, and in EC1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats.

Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1's three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1's response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration.

For EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control's range only slower motor-related wow and flutter are present, but at around one o'clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of our golden EP-2 unit.This setting can create uniquely reverberant and three-dimensionalechos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you've ever heard.

The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.

EC-1 is designed to allow high levels of repeats that are truly lush but that don't spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response.

Notes: Polyend's analogue processing debut is the versatile Press pedal, a stereo compressor with sidechain filtering, tilt EQ and wet/dry mix control for parallel compression effects. A very solid all-rounder.

Supplier's Notes:
Press is a fully analogue stereo compressor that combines features usually exclusive to professional studio equipment with modern VST controls. It offers the tight, natural response of classic analogue rack units while incorporating unique controls and features not found in other pedals.

Press is an advanced compressor that works anywhere in the signal chain, from finalizing and limiting to adding control after gain staging or taming wild modulation and time-based effects. Dial in the exact amount of desired compression with Ratio and Threshold controls. Dedicated attack and release knobs can create aggressive punch or subtly tame peaks. Roll off the mix knob for New York-style compression to blend the dry and compressed signal, and add some colour with the tilt control to shift the wet signal's EQ balance across the low/high-frequency range.

Press offers unique stereo sidechain control that cannot be found in another analogue compressor pedal. The high and low pass filters work on either the Stereo input or the external stereo sidechain thru. This allows for precise control of the sound triggering the sidechain by stopping problem frequencies from triggering the gain reduction circuit. Use the LPF to filter out the high end of a bass guitar or the HPF to remove the boom from a kick drum to sculpt your sound in ways that were not possible in analogue pedals before. Even with all these features the press is a knob-per-function compressor designed to be simple to set up and operate.

Notes: Excellent value from the updated Mooer delay/reverb/looper. The Ocean Machine II features improved sound quality all round, plus expanded loop memory up to a total of 120 seconds.

Supplier's Notes:
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be 'frozen,' creating static ambient drones, an effect that sounds particularly impressive considering the pedal's DSP upgrades.

While the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.

Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.

The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.

In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.

Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.

Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.

*Dimensions: 215 x 127 x 56 mm

*Weight: 1.1 kg

*Power Supply: 9V DC

*Sampling Rate: 44.1 kHz

*Sampling Accuracy: 24-bit

*Includes USB-C to USB-A cable, power adaptor, stickers, and artist signature card from Devin Townsend

Notes: Way Back Machine

Step on Zelzah, play one chord, and you're instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before-all instantly musical with great tone all the way across every dial.

Two Effects At Once.

Zelzah is actually two different phasers, side by side in one pedal. Zelzah's 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

Choose Your 4-Stage Phaser Sweep

Classic Sweep

The first Sweep mode is labelled "Classic" because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.

Barber Sweep

Similar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah, Strymon have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.

Envelope Phaser

Set the Sweep switch to Env and you've got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.

Six Stage Voice: Groundbreaking New Phaser Algorithm

The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.

Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, the groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.

Explore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.

Notes: Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Styrmon's meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.

The second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analogue JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: Volante

Sounds From The Expanse.

Create instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.

Overview

Delays For Days.

Three Magnetic Delay Types, Spring Reverb, Looper, and More.

Delivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.

Vintage Vibe.

To capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.

Multi-Head Maven.
Volante provides the full experience and sonic attributes of iconic multi-head echo machines. At the centre of Volante's control surface are four delay playback heads with individual feedback, panning, and level controls-delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.

Drum Delay With Unprecedented Control.

Magnetic drum echoes are famous for their warmth and for their harmonically rich and saturated sounds. This is due in large part to the many tube stages present in the most sought-after units. There were tubes in the input buffer, the signal mixer, the record and playback amplifiers, the tone shaping circuit, and the output mixing circuit.

Every sonic aspect of Strymon's favourite drum echoes has been meticulously reproduced within Volante. Dial in any possible sound from the full range of the best vintage drum echo units in conditions ranging from fresh-from-factory to road-worn classic.

Classic Tape Echo Experience.

Volante gives you superbly crafted multi-head tape echoes, including the smooth tape saturation and the characteristic imperfections and nonlinearities inherent to the sound of those vintage machines.

Mechanical alignment, head wear, and tape crinkles, splices, and contaminants are all accounted for in Volante, giving you all the richness and complexity of a classic tape echo, with modern control and stability. Volante also allows you to recreate the irregular head spacing of some of the classic tape echo machines.

True Studio Tape Sound.

The professional reel-to-reel machines of the 50s and 60s were high-fidelity units built to accurately reproduce full-range audio signals. In the hands of creative engineers, these machines also doubled as some of the earliest studio effects, producing some of the fattest sounds imaginable.

Of Volante's three magnetic echo types, the Studio Echo provides the cleanest sound, able to sustain the highest number of repeats with minimal degradation. Volante gives you a pristine studio delay with the full-bodied warmth and fidelity of reel-to-reel tape.

Completely Analogue Dry Path.

In a typical digital effect the dry signal gets converted to digital, causing conversion noise and latency. Signals are often attenuated before combining digital dry and wet, with makeup gain amplifying the conversion noise. To avoid this, Strymon have equipped Volante with a completely analogue dry path, featuring all-analogue, ultra low noise, discrete, class-A stereo JFET preamps. Volante is truly a studio-quality effect.

Insanely Powerful DSP.

Strymon have outfitted Volante with the incredibly powerful Analog Devices SHARC ADSP-21375 processor, which provides a 266 MHz core instruction rate, and an incredible 1.596 Gigaflops of peak performance. Thanks to this high-powered technology platform within Volante, Strymon had the freedom to craft this processor-intense echo algorithms without compromise.

Notes: For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed.

The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent 'Glow in the Dark' pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite.

For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal's bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels' unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles.

ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal's TRS connection.

The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards.

Notes: Clear Skies Ahead. Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you're elevated into a glow of lush, glorious, radiant reverbs.

To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. Strymon faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls. Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine.

With careful attention to detail, innovative analogue circuitry design, a powerful SHARC processor, and the utilization of top-shelf components, Strymon have developed a reverb pedal that fits on your pedal board yet has better audio quality than many rack reverb units. This fusion of science with art has just one goal. To provide you with the most musically inspirational reverb experiences possible.

Features

Hand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences

Twelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections

Seven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset)

Additional menu parameters allow for easy customization of reverb sounds

300 easily accessible and namable presets

Press-and-hold Infinite Sustain and Freeze functions, saveable per preset

Spillover and Reverb Persist modes, saveable per preset

Selectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications

Three rugged metal footswitches for preset selection and effect bypass

LED display for preset info, reverb decay time, and extended parameter control

Multi-color preset LEDs (green for active preset, amber for edited preset)

Full MIDI implementation allows extended control for those with more complex rigs

Sturdy and lightweight light blue anodized aluminum chassis, with laser-etched artwork

Durable black anodized aluminum knobs

Studio-grade audio input and output jacks

Stereo input and output

Expression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input)

MIDI input and output

Included 9V center-negative power supply (300mA minimum required)

Analog dry path for a zero latency dry signal that is never converted to digital

Premium analogue front end and output section

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters

115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix)

20Hz to 20kHz frequency response

+8dBu maximum input level easily handles instrument and line signals

Super high performance DSP in a compact form factor

32-bit floating point processing

366MHz SIMD SHARC processor core, capable of 2.4 Gigaflops peak performance

True Bypass (electromechanical relay switching)

High quality, tranparent Analog Buffered Bypass mode

+/- 3dB Boost/Cut, saveable per preset

Optional Kill Dry mode mutes dry signal, for use in parallel effects loops

Dimensions: 6.75" (171mm) wide, 5.1" (130mm) deep

Designed and Built in the USA

Notes: Strymon's Big Sky reverb moves to the next level with the MX evolution, featuring more versatile editing options, two simultaneous reverb machines, full MIDI control and brand new algorithms.

Supplier's Notes:
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.

BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics. Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine. Access full IR editing functionality, as well as custom long captures of classic studio gear. Unlock massive width and presence with full stereo I/O featuring Strymon's discrete Class A JFET input preamps. Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects. Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.

BigSky MX features a staggering amount of computing power - it uses a high performance tri-core 800 MHz ARM processor - all dedicated to producing truly breathtaking reverbs. Strymon's new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. This type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.

BigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time. You can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.

For a more interactive experience, you can dedicate a footswitch to control each reverb's on/off state if you desire.

BigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. Impulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.

BigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time. Set decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch. Any compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation.

BigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.

Notes: Harvezi Hazze is a versatile and unique distortion pedal with a wide tonal palette.

The heart of Harvezi Hazze is a waveshaper designed around a unijunction transistor, a relic from the early days of the semiconductor industry unearthed from the e-waste bins of flea markets in Tbilisi, Georgia.

The unique properties of the unijunction transistor allow one simple component to replace a number of very complex devices: depending on the operating mode, we can get a distortion, a limiter, a waveshaper and a generator - with a smooth transition between them. Experiments have shown that this transistor is an excellent basis for a distortion stompbox.

The name translates from Georgian as "a fault on the transmission line" or "signal jamming", and both the semantic and phonetic natures of it unequivocally imply what to expect - an impediment to the input signal, ranging from pleasant harmonic distortions to complete obliteration. The signal chain of the unit consists of an optical compressor with fixed parameters; a dual-mode distorting amplifier with either softer or harsher clipping; a waveshaper built around a unijunction transistor; and a tone stack section trying to tame all this mess.

Signal Chain:

Input -> Compressor -> Distorting amplifier -> Waveshaper -> Tone stack -> Output

Controls:

Gain - controls the output amplitude of the signal in the distorting amplifier section. Depending on the position of the switch, the distortion introduced by this section is soft (switch in the left position) or more aggressive with an abundance of high harmonics (middle position).

Spoil and Spread - control the operation of the unijunction transistor (waveshaper section). Spoil sets the point on the amplitude axis at which the wave will fold, and Spread sets the amplitude of the folding. The sonic meaning of these knobs can be described as follows: the higher the Spread value, the more severe the distortion will be, and Spoil changes timbre and response threshold. By adjusting Spoil you can achieve various gating and cutoff effects. At low Spread values, distortion sounds are mixed into the clean sound.

Tone - adjusts the brightness of the sound; the higher the value, the more high harmonics are present in the signal.

The switch regulates either the distortion mode in the amplifier section (left and center positions), or it turns on the total feedback mode (right position), when the values of all knobs begin to influence each other and effects occur such as resonance at certain frequencies and self-oscillation.

Level - controls the output volume of the signal.

The footswitch routes the signal through the effect circuitry or from input to output directly (true bypass).

The array of switches on the side of the unit gives a few more tonal options:

TONE STACK - routes the signal through the tone stack section (Tone knob).

BASS BOOST - enhances bass frequencies.

TONE MODE - changes the behaviour of the Tone knob (tilt or lowpass).

NOTCH FREQ - changes the central frequency of the filter.

HIGH CUT - attenuates high frequencies.

COMPRESSOR - routes the signal through the compressor.

The lower position of the switch enables the function.

Examples:

Compression:

Switch in the central position, Spoil, Spread, Gain - min, Tone - 12 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Soft clipping:

Switch in the left position, Spoil, Spread - min, Tone - 12 o'clock, Gain - 2 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - on, HIGH CUT - off, COMPRESSOR - on.

Distortion:

Switch in the middle, Spoil, Spread - min, Tone - 1 o'clock, Gain - max.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Fuzz:

Switch in the left position, Spoil - 1 o'clock, Spread - max, Tone - 11 o'clock, Gain - 10 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - on, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Black:

Switch in the left position, Spoil - 12 o'clock, Spread - 1 o'clock, Tone - 3 o'clock, Gain - 3 o'clock.

TONE STACK - on. BASS BOOST - off, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Feedback:

Switch in the right position, Spoil - 11 o'clock, Spread - 4 o'clock, Tone - 2 o'clock, Gain - 9 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Technical specifications:

Input - 1/4-inch/6,35mm mono jack.

Input impedance - 750 kOhm.

Output - 1/4-inch/6,35mm mono jack.

Output impedance - 100 Ohm

True bypass.

Power - DC 9V, 50mA, DC jack 2.1mm, centre negative.

Notes: Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds. From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco's Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.
Our second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco's EXP/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Features

High impedance ultra low-noise discrete Class A JFET TRS stereo input.

Low impedance independent TS stereo outputs.

Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.

USB jack for controlling via MIDI from a computer or for performing firmware updates.

Dedicated tap tempo & On/Off footswitches

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

520MHz ARM Superscalar processor

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

Strong and lightweight anodized dark gray aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions: 4.5" deep x 4" wide x 1.75" tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)

Designed and built in the USA

Notes: A hard hitting distortion effect pedal, ideal for metal and hard rock styles. Dial in the desired amount of distortion with Gain and set the output Level to suit. Tone adjusts the amount of grit and bite to accentuate the guitar sound if needed. High gain on demand for high energy music.

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Gain, Tone and Level
Dimensions: 115 x 68 x 47mm
Weight: 275g

Notes: Add clean sustain to your guitar notes and chords with the CM-50 compressor pedal. Turning up the Sustain control squashes down the peaks in the signal and lifts the quieter parts, causing notes that are fading out to last longer with effortless sustain. Set the output with the Level control and adjust the amount of picking emphasis with the Attack control. Great for country licks and overlapping arpeggios.

Sustain, Level and Attack controls
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Sustain, Level and Attack
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the Box

CM-50 compressor pedal
PP3 battery

Notes: EQ for bass guitar in a convenient pedal format for tone shaping on the fly. 5 individual frequency sliders help you to accurately sculpt the tone from mid-range growl to deep scooped slap. Perfect for mid-set EQ changes or as an "always on" tone machine.

5 frequency bands tuned for bass guitar
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
EQ controls: 62.5Hz, 125Hz, 500Hz, 1kHz, 4kHz, Volume
Dimensions: 115 x 68 x 47mm
Weight: 279g

Notes: Pico-sized version of EHX's best-selling looper with 360 seconds of loop recording time, 11 storable loops, Overdub Control, Loop Fadeout and more!

Building on the simplicity of our Nano Looper 360, this Pico-sized 360+ Looper pedal is packed with musical features to keep you jamming without missing a beat! With 6 minutes of loop recording time with unlimited overdubs over 11 loop memory banks, the 360+ also features an OVERDUB control which sets the level of playback of previously recorded loops while overdub new loops, making it possible to create ever-changing loops and ambient soundscapes.

Undo-Redo allows for quickly taking out the last overdub to change texture on the fly or fix a pesky mistake. Programmable Overdub/Playback order lets you change which mode the looper enters after recording the initial loop. Adjustable fadeout time from 1-10 seconds applies a musical fade to your loop when you stop the loop. DRY and LOOP levels are independently adjustable for a precision blend of layers.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2024

Notes: Sometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. In this case, EQD are pretty sure all the above happened to the fuzz pedal that made its way to James Murphy and ended up finding a forever home with LCD Soundsystem.

Chelsea really does have something special. It's heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments, has clarity when you need it and can blur all discernable lines when you don't. It still retains the familiar foundation of the classic fuzz it was intended to be, but something special happened to it over the years and it has very much grown into its own thing

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package. Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - Wampler have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

But it doesn't end there - the pedal also comes with a complete software version as a plugin for your DAW in AAX, AU, and VST3 format for both Mac and PC. The Catacombs plugin is FREE to all customers that register their Warranty online (plugin suite is $49.99 if purchased separately).

Legendary Delays

With six delay programs, you can feel the warmth and depth of analogue delays (ANLG), the harmonic nuances of a Bucket Brigade Device delay (BBD), or the nostalgic modulated vibe of classic artisanal tape and mechanical delays (TAPE). Feeling adventurous? The other-worldly Echo-Space Delay (SPC) awaits. The favourite Wampler Faux Tape Echo (FTE) and an accurate recreation of the classic 2290 digital delay (DIGI) also feature.

Iconic Reverbs

The Catacombs houses five finely tuned reverb programs. With just a twist of a knob, you'll discover expansive halls (HALL), a warm vintage plate (PLT), and that classic spring reverb (SPR) with plenty of "drip." The shimmer reverb (SHMR) allows a whole new layer of sonic texture, especially when paired with an expression pedal, and the intimate ambiance of the ROOM setting creates that perfect studio reverb.

Stompbox-like Control

Like the Terraform and Metaverse before it, the Catacombs is designed to be as quick to dial in as possible. Wampler replaced confusing menus and fiddly touch screens with clearly marked knobs you can adjust on the fly. Controls for Time, Feedback, Modulation, and Level (with Alt functions for each effect type) put all the essential tools right at your fingertips. Each setting offers tap-tempo control and can be easily saved into one of the pedal's eight front panel preset locations for instant recall. It's like having a studio's worth of delay effects right at your feet.

Digital Power with an Analogue Soul

The Catacombs uses a high-performance DSP engine to bring each effect to life with authentic character and gives you eight front panel preset locations where you can save and instantly recall your favourite settings. If you're looking to expand even further, you can access up to 128 presets with full MIDI control, it has configurable mono and stereo routing, a parallel or series switch, and an assignable expression pedal input to control any parameter (or multiple parameters).

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties.

In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up.

Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for.

One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new.

New features like stereo input and output, on-board presets, trails, expression control over all parameters and MIDI control, of both parameters and presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the pitchshifting, bit-crushing, delayed goodness of the original.

Access your favourite sounds as well as new combinations, with new shapers like filter, multiply, volume and stereo-Spread

Notes: Best known for Eurorack synth modules, Noise Engineering's Batverb builds on the brand's extensive experience, offering a performance-focused take on echoes, dynamics and tone.

Supplier's Notes:
Batverb is the stereo reverb that dreams are made of. Taking inspiration from Noise Engineering's famed tail-generating synth modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.

Start by setting a predelay time and adjusting Regen to taste: this will set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. Add in some chaotic suboctaves with Doom, or some haunting overtones with Shimmer - or both at the same time. If you need to carve the range for your reverb, Batverb has low and high damping settings for the reverb tank. Batverb even has settings for saturation that can be applied to only the reverberant signal, or to the whole output.

Batverb is easy to balance with the rest of the effects in your chain, thanks to its onboard dry/wet Blend control, as well as input and output gain parameters. It also features a unique Duck switch that allows the reverb to duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb.

Batverb was designed to integrate perfectly into your performances. The left switch mutes the input to the reverb and sets the feedback to maximum, creating a wall of sound as long as it's held down. The expression input can also be routed to any parameter on the pedal. Plus, if you're a fan of MIDI, Batverb can store and recall 16 different presets and recall them in response to program change messages.

Batverb is an advanced pedal with state-of-the-art features, but it's incredibly easy to use and immediately fun to play.

Notes: A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience. Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition. This feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over.

UltraViolet's simple and responsive controls provide a wider range of sounds than traditional vibe pedals. In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects. A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation. At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory.

For UltraViolet's new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response. From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.

TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image.

Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig. In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates. For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favorite recall.

Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feeliall in a rugged and elegantly compact form factor.

Notes: Limited black edition of the excellent stereo Dark Star pedal, offering premium reverb with beautifully creative pitch shifting, filtering and bit crushing options. Superb value for money.

Supplier's Notes:
Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.

Notes: TARS DLX is a dual fuzz with 2 analogue filters inspired by the MS-20.

Probably the only pedal with 4 poles - resonant - Low Pass and High Pass Filters.

It is a stage & studio tool to shape your sound with high precision or an experimental device for loud noise makers.

It is an evolved version of TARS, a robot looking for life in space too. (and a pedal we released a year ago).

Notes from the designers :

Collision Devices took TARS and we pushed it forward.

The Fuzz circuit has been reworked to be opened in high end - so that it can now sound amazing as a low gain fuzz/distortion. The creamy one we all like in those post-hardcore riffs. It is also more aggressive when Gain is maxed out.

+ Collision Devices worked another fuzz (BLAST) which feedbacks a part of the circuit to give this "burning" feeling for HUGE and abrasive sounds.

The frequency response from both filters has been improved to better work on very low end sources with subby bass sounds.

TARS DLX can be used as clean blend on bass or in insert of a track mix.

The "ADD FUZZ" configuration which is found nowhere else is better than ever with the addition of the high pass after the low pass. It adds a filtered fuzz to the fuzz signal so that the filters can be used as EQ shape / phasing effects. This is amazing.

Of course, Fuzz and filters can be used separately in parallel or in serial. This truly is a beast of a dirt and filtering pedal.

Notes: The Larva is a 6-stage analog phaser with a built-in preamp and morphing capabilities. It offers two phaser settings, letting you easily switch between different sounds or morph between them for unique transitions. Whether used as a classic phaser, a vibe pedal, or just a preamp, the Larva delivers versatility and creative possibilities, always with the Beetronics unique signature.

The interface is intuitive and simple, yet the pedal can produce a huge amount of sounds and movements unique to this phaser. A bar of LEDs tracks the ramp movement, showing if you're in phase one or two, while the bypass LED doubles as a meter to monitor preamp distortion.

As our first phaser, the Larva brings together a large swathe of creative options with a streamlined, user-friendly design-modulation sweetness with a touch of gain.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs
The Polychrome comes in a flat black enclosure with purple, yellow, coral, green and white ink, featuring original artwork by David Huttner.
Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: Black Fountain Stereo Characterful Delay Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded 'oil-can delay' pedal right into a multi-tool.

With a wider control set that's complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package.

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that's perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

The Rate and Depth controls sets the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Product Height (cm): 6.9
Product Width (cm): 10.8
Product Depth (cm): 12.6
Product Weight (kg): 0.454

Box Height (cm): 7.06
Box Width (cm): 11.43
Box Depth: 12.7cm
Boxed Weight (kg): 0.596kg

Notes: A fresh, original take on pitch shifting, the HammerOn generates hammer-on pitch shifts which alternate between two different intervals. Seven modes provide a range of effects, from simple hammer-ons to automatic techno guitar sequencing with trills.

Supplier's Notes:
Hands-free Hammer-Ons

Hammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.

7 pedals in 1

Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.

Play the Impossible

Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.

The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.

The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.

With all these options it's like having 7 pedals in one:

1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer

Specifications

Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit

Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass

Physical

Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)

Power

Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA

Notes: EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles!

Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee's board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but it was worth and exploring his dark side a little more, Gary after dark, Saturday night Gary. So, he was sat down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between.

Gary's right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it. As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary's big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter.

This effect can also be controlled with an expression pedal for manual operation or for finding just the right pulse width to cut through the mix for a set-and-forget operation. When using an expression pedal, Yes! operates in conjunction with the expression pedal to set the peak of the sweep. Set Yes! to the desired stopping point and express yourself as you please without worry of taking Gary over the edge!

Oosh acts as the master volume for Gary's nasty side. There is an insane amount of volume on tap so use this control wisely!

Gary's left brain displays his softer side. This is a simple and natural sounding overdrive that keeps your tone lively and drives your amp crazy. This side is based on the green channel of the Gray Channel, which is Earthquaker's take on the classic little yellow overdrive that started it all. Lee used this pedal with the clipping switch permanently set to the middle position, which removes all the diodes from the circuit, producing a full-bodied, cutting opamp distortion with plenty of volume on tap. Earthquaker have reproduced that tone here with exacting precision. Go sets the opamp drive and can range from a simple full-range clean boost all the way up to a smooth and natural distortion. In conjunction with That's It, which is the master volume for the drive side, you can use Gary's softer side as a clean boost to push your amp into overdrive or turn up Go and use all of Gary's internal magic to create the finely tuned dirt you desire.

Gary's signal path is fuzz into overdrive for total tonal integrity and cannot be changed. This is where Gary put his foot down.

Each and every Gary was softly brought to life by the delicate hands of EarthQuaker Devices in the elegantly unrefined canal-front city of Akron, Ohio USA.

Notes: Jackson Audio presents the TWIN TREM, a pedal that features two distinct tremolo effects: a Harmonic Tremolo on the right side and an Optical Tremolo on the left side. Each tremolo is equipped with independent Speed, Depth and Volume controls and can be used separately as stand-alone effects (or combined) to create rich, unique and percussive sounds.

Each tremolo side has different LED indicators (red for Harmonic, blue for Optical and magenta for Combined). These LEDs also visually display each section's speed, making it easy to sync the two tremolos together.

The TWIN TREM boasts four top-mounted jacks, allowing versatile signal routing. You can run it like a standard pedal, routing the signal in through the first jack and out through the last. Alternatively, you can route the signal through the Harmonic side first, pass it through a reverb or another effect, and then into the Optical side, preserving the classic placement of optical tremolo after reverb, just like in many amplifiers.

These routing options opens up endless possibilities for integrating the TWIN TREM with other effects in your signal chain. If you have a stereo setup, the right side can run through the Harmonic tremolo, while the left side passes through the Optical.

In addition, offering comprehensive control over pre- and post-effects tremolo placement all helps to make the TWIN TREM an essential tool for building a complete rig.

Notes: Mobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.

Utilizing an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre/Post Mode and you're on your way to modulation ecstasy.

Notes: The D1 MKII is a feature-packed, high-fidelity all-in-one delay pedal with six algorithms for players to choose from: Digital, Mod, Vintage, Dual, Reverse, and Grain. The D1 can create inspirational delay trails ranging from dreamlike and bizarre, to rhythmic and clear, to warm and analogue sounding.

Program Controls:
Each program can be fully customized to your taste and playing style with the left encoder knob, which controls six parameters on all programs of the D1: Depth, Rate, Shape, Age, Tone, and Spread.

The Right encoder knob adjusts BPM, Swell, and Tap Division. BPM can also be set via the tap tempo switch or MIDI. Some programs will have additional options. See the manual for details.

Programs:
Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay program has unique modulation LFOs applied to random repeats and run at multiple rates to create unpredictable pitch modulation. This results in unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analogue tape delay-inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off the low end.

Dual - The Dual program employs two delays, one in each channel and both with different repeat subdivisions. The user has complete control over these subdivisions for both the L and the R channel, and can also choose to run their channel feedback in parallel, ping pong, or series. This effect can leave some jaw dropping trails, especially in stereo.

Reverse - The Reverse program reads the delay memory backward creating a unique delay repeat character known as a reverse delay. Select whether your repeats stay always reversed, or follow an analogue reverse feedback system where the repeats flip flop.

Grain - The Grain program can be as smooth, choppy, glitchy, or flowy as you want it to be, and for users who may want to try their hand at experimenting a little, this will be the perfect program for them to explore. The grain trails can be adjusted to short staccato sounding glitches, or opened up for full immersion. It's a whole new world, but the player is still firmly in control.

Presets:
The D1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: The R1 MKII is an extremely powerful and versatile multi-function reverb that can go from intimate, small-room type subtle reverbs to huge, experimental euphoria. With six distinct programs based on fan-favourite reverb sounds that have been built from the ground up, players of all styles and genres will be able to find eternal inspiration with the R1.

Program Controls

Each program can be fully customized to your taste and playing style with the left encoder knob for features like modulation rate, ducking, and more. Refer to the manual for program specific features.

The R1 MKII includes a unique Ducking/Swelling control that modifies the reverb's behavior. Higher settings increase the swelling effect, making it more prominent, while lower settings enhance the ducking effect, helping to maintain a clear and focused mix.

The Right encoder knob adjusts parameters like reverb EQ and room size. See the manual for details.

Programs:
Spring: The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.
Hall: The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays result in a massive wash of ambiance.
Plate: The Plate program emulates a smooth analogue plate reverb with nice even diffusion for the classic plate sound that you know and love.
BFR: BFR is a no holds barred, big, f____, reverb. This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.
Refract: The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a controllable amount of diffusion. The Rate controls on RFRCT set how often new grains trigger, while Depth controls the amount of modulation applied to the grains. The Time control sets the delay time of the grains, and the size control sets the size of the grains being pulled from the buffer. The diffuse control allows you to take the grains from super dry and stuttery to washed out in a reverb mix.
Air: The Air program offers a larger diffused reverb with a shimmer, as well as a distinct clarity to its decay. Adjust the shimmer control to really lean into that high-octave sound that ambient style artists have come to love over the decades. Explore slow-building complimentary sounds that don't get in the way of your playing.

Presets
The R1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.

Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.

Notes: For those about to rock... Crazy Tube Circuits have created the Heatseeker!

The sound of a classic wireless system meets three iconic amps that helped shape the history of rock. From its inception/invention, in the mid-70s, this wireless system has been the secret recipe to major rock guitar rigs. The magic ingredient lies to its analogue preamp/ tone enhancer circuit that expands the dynamic response and harmonics of any signal that goes through it. By producing a modern recreation of this hidden gem, there is enough percussive attack to spice up your tone.

Utilizing an all-analogue JFET circuit, running on 27 volts via an internal voltage boost, Crazy Tube have captured the tone and feel of three British tube amplifiers synonymous with the sound of rock and roll with excellent clean-to-mean dynamic response. The "WoS" (Wall of Sound) circuit opens up the soundstage by increasing output and adding thundering lows and dense high mids. The effect is similar to "adding" a wall of amp heads and full stacks to your rig!

A passive effects loop gives you the option to connect your beloved pedals between the two sections, building your ideal rig.

Follows the successful concept of Crazy Tube's "Unobtanium", "Hi Power", and "Crossfire": All-analogue dual pedal designed to recreate a legendary pedal and amp combination.

Inspired by the tones of the gear setup used by Angus Young.

Right side: re-creation of the preamp/tone enhancer circuit of the Schaffer Vega Diversity System.

Left side: 3 distinct Marshall amps-in-a-box: JTM45, 1959 Super Lead, JMP 2203.

Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.

Notes: The EarthQuaker Devices Passive ABY box is the perfect solution if you can't decide when and where you would like your signal to go. In its most basic form, this passive little box is commonly used to run a single input out to two destinations and lets you choose between using either individually or both at the same time.

The most common problem an ABY is used to solve, is one input being sent to out to two amplifiers, but it doesn't have to stop there! Because of its completely passive circuitry, Passive ABY can also be used in reverse to choose between two inputs to a single output. Use it to simultaneously run two different instruments to one source input. An oboe and a bass, a keyboard and a harmonica, a lute and a modular synth... you know, whatever!

This compact little device has a small footprint, won't take up much real estate on your board and is built using high quality parts that will withstand years of use and keep going.

Notes: ***B-STOCK: Box opened, product in perfect working order***


MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.