Review: This is an essential drop for dub lovers this Record Store Day. 'Dubbing At King Tubby's Vol. 1 comes on nice red vinyl and has been fully remastered as well as being resequenced for this release. It is packed with 22 jams that made it one of the bestselling compilations of the 1990s. It showcases the already well-revered talents of King Tubby, Prince Jammy, Scientist, Phillip Smart, and Pat Kelly, all of whom work their magic at the mixing desk on a series of iconic dubs. Each one is rooted in the works of Bunny Lee and they all bring the drum and bass to the fore and show why the studio has such an impact on Jamaican music history.
Review: Midnight Rocker is regarded as one of the finest albums that noted reggae vocalist Horace Andy ever put out. It features plenty of his classic tracks all stylish rearranged with plenty of mature dub sounds all produced by the one and only Adrian Sherwood. Andy's voice has a deep, rich and vulnerable tone to it here across tunes like 1978 classic 'This Must Be Hell' while newer tunes like 'Try Love' find him in a more intimate mood than ever before. After more than five decades in the game, this proves that Horace Andy remains at the very top of his art.
Review: Horace Andy, the iconic Jamaican roots reggae vocalist, joins forces with former PiL bassist Jah Wobble for Timeless Roots, a fresh collection of studio recordings. Known for his collaborations with Massive Attack, Andy's unmistakable voice brings new life to classics like Stevie Wonder's 'Superstition', The Beatles' 'Come Together', and America's 'A Horse With No Name.' He also revisits his own hits, including 'Skylarking' and 'Natty Dread A Weh She Want', adding a new depth to these beloved tracks. Wobble's production seamlessly blends reggae with modern dub and world music, creating a rich, contemporary sound. Notable highlights include 'One Love', a revamped version of Andy's 1991 Massive Attack collaboration and a reinterpretation of 'Spying Glass.' The combination of Andy's timeless vocals and Wobble's masterful basslines results in an album full of vibrant, fresh takes on both classic and new material. Released on yellow vinyl through Cleopatra Records, this is shaping up to be one of the standout reggae albums of the year.
Review: Big Crown Records is proud to present Zero Grace, Liam Bailey's sophomore album on the label. Following the success of 2020's Ekundayo album, the tried and true chemistry of Bailey and producer Leon Michels (El Michels Affair) is on full display again as they take the sound they established and push it further. On Zero Grace they lean more into the bleeding heart singer-songwriter side of Liam. The album is full of freedom and love; working with Leon Michels and Big Crown Records has encouraged Liam to be himself. On opener 'Holding On', Bailey speaks to his observations & fears when looking out at the world in front of him and also to the dedication it has taken to get on the other side of his personal trials & tribulations. 'Dance With Me', meanwhile, is an instantly infectious two-stepper that nods to those incredible soul records that were coming out of Jamaica during the early reggae days. Bailey addresses the racial tensions that plague humanity and encourages everyone to step up and do their part to help foster equality. What starts out as a declaration of injustice turns into a call for action and an inspiration for hope.
Review: A long-standing figure on the London jazz scene, trumpeter Harry Beckett kept his music fresh over a long career, and none more so than on his debut On-U Sound release in 2008 produced by Adrian Sherwood, which invites reggae and dance music influences to happily live alongside his modal jazz flavours. Now reissued posthumously, The Modern Sound Of Harry Beckett tracks the legacy of this contemporary jazz eminent, who passed away in 2010. Beckett channels both his Caribbean roots and trumpeting abilities, offering a novel confounding of sparse, skittish beats verging on digidub, with spryly slick soundings of the horn. Made up of isolated recordings laid down by Beckett, and then celebratedly combined with dancehall and dub movements afterwards, our fave has to be the unabashedly dubstep godsend, 'Like You Didn't Know', which spreads Beckett's horns out to virtuosic effect, against a wickedly womping wash.
Review: You can always count on Egon's Now-Again label to bring the finest curios from music's hidden history into the reach of the record buying public. On this occasion they're looking to the work of Jamaican legend Boris Gardiner, a singer, bassist and guitarist with a long and winding history through the beating heart of reggae culture. Ultra Super Dub is the rarest of rare dub treasures, pulled from Gardiner's prolific mid 70s era and originally issued by a Miami-based label in an incredibly short run. On it, you can expect to hear superlative, skeletal versions of classics from Otis Redding, Jimmy 'Bo' Horne and many more. Of course, the sonic treatment is top-notch on this reissue, and there's in-depth writing from Jeff Mao to take you into the world these versions came from. This is how a reissue should be done.
Dennis Bovell Dub Band - "Suffrah Dub (Sufferer Sound Disco 45)" (6:03)
Pebbels - "Positive Vibrations" (3:46)
Cosmic Idren - "Compelled" (3:38)
Dennis Curtis - "Come With Me" (3:21)
Matumbi - "Dub Planet" (4:14)
African Stone - "Run Rasta Run" (2:50)
Matumbi - "Fire Dub" (5:38)
Errol Campbell - "Jah Man" (3:53)
Young Lions - "Take Dub" (5:01)
Dennis Bovell/Janet Kay - "Game Of Dubs" (4:53)
African Stone - "Dub Choice" (3:34)
Angelique - "Cry" (4:07)
DB At The Controls - "Crying" (4:29)
Review: Dennis Bovell's Sufferer Sounds vinyl compilation showcases an essential chapter in his diverse career, focusing on his contributions from 1976 to 1980. With 15 tracks, including a rare dub mix of Janet Kay's celebrated Silly Games, all meticulously restored and remastered at Dubplates & Mastering in Berlin. The vinyl edition brings a fresh and clear sound to these tracks, allowing listeners to fully appreciate the warmth and depth of Bovell's arrangements. Renowned for blending genres, Bovell's exceptional production skills shine throughout this collection. Accompanying the music are insightful notes by Bovell that provide reflections on each track's creation. The sequencing of the album takes the listener on a compelling journey through his emotive and dynamic music, revealing the depth of his talent. One of the best compilations we have heard in some time.
Review: Dennis Brown's No Man Is An Island is a prime example of the reggae legend's emotive vocals and unmatched delivery. His voice, laden with warmth, effortlessly conveys the song's message of self-reliance, bolstered by Studio 1's signature rhythmic backdrop. The track's production features tight drum patterns and rolling bass, creating a captivating groove that allows Brown's soulful performance to shine. On the flip, 'Going To A Ball' brings a change of pace, with its lively horns and upbeat tempo, showcasing his versatility. Both tracks capture the essence of Brown's contribution to reggae, marking him as one of the genre's most enduring and influential figures.
Review: Brown Sugar, produced by Sly & Robbie, originally released in 1986 is a Dennis Brown classic. Backed by the pair's house band The Taxi Gang, including Robbie Lyn on synth and Lloyd 'Gitsy' Willis on guitar, this album features the iconic track 'Revolution' - a standout Dennis Brown hit - although each track on this album is a classic. Tracks like 'Have You Ever Been In Love?', 'Sitting And Watching', 'All Over The World', and 'Revolution (Parts 1 and 2)' highlight Brown's talent and impact on the dancehall reggae scene. This reissue is a reminder of Brown's enduring star power and musical legacy. Skip the greatest hits collections and dive into this album, truly showcasing Brown's artistry
Review: Dub producer Herman Chin Loy who was one of the pioneers of the style in the early 70s, and this reissue of two formerly unnammed and mislabeled, all but lost LPs - now combined to make up a compilation known as Musicism Dub - perfectly captures the earliest incarnation of the sound. 'Musicism' is a good term to describe the spectacular character of Loy's dub. Dub as a genre itself has been at times described as one of the first popular music styles to use the sound of the beat as a point of intrigue in itself, rather than relying solely on melodies or lyrics. The Chin Loy sound flaunted here is as indicative of this approach, though it is also staunchly rooted in the vintage style of analog production, with the likes of 'Armagideon War' and 'Don't Fight The Man' nailing that undeniably early chillout sound: nicely-glued lows and spitty tops.
Review: Much loved roots and dub outfit The Congos are often first come to via this seminal album, Heart of the Congos. It's one all collectors have on their racks and that's why it keeps on getting reissued. It's a brilliantly organic and authentic sound with the opening tune 'Fisherman' amongst the best - the falsetto vocals, the lush harmonies, the rolling rhythms - they are irresistible on a warm day. The rest of the record remains just as high on quality, with, of course, the brilliant drums and congas at the heart of each track, but the lyrical work not far behind.
Review: As part of a rather comprehensive looking back and reissuing of some of Creation Rebel's best and most enduring albums, On-U Sound pay due homage to their one and only in-house band. Close Encounters Of The Third World is one such album; it was first released in 1978, and draws a titular link between alienation and privation. The eight-track LP collates the instrumental talents of Lizard The Wizard, Dr. Pablo and Crucial Tony, and hears a fantastic mixing job by none other than Prince Jammy. With an initial charge to 'Know Yourself' before externalising the pilous inner monologue with 'Natty Conscience Free', Creation Rebel here demonstrate a stage of collective soul-searching and a subsequently serene set of songs.
The Peoples’ Sound (Tribute To Daddy Veigo)/Off The Spectrum (3:18)
Review: Creation Rebel were the original On-U Sound house band, laying down some of the definitive riddims in the early days of Adrian Sherwood's voyage into dub. 40 years on from their last record, the trio of Crucial Tony, Eskimo Fox and Magoo have reunited with Sherwood at the controls for another masterclass in heavyweight sounds from a crack team of players. Originally they formed as a backing band for the late Prince Far-I, and some of his unmistakable tones manifest on this new record from archive tapes, while Daddy Freddy brings his famous fast chat flow to proceedings and Italian synth player Gaudi crops up on occasion too. Rather than dub-by-numbers, this is an exploratory record which takes in different grooves and influences, all filtered through the expanse of space-time manipulation the dub wise approach inspires.
Review: Clash, first released in 1977, was one of a series of definitive reggae albums to highlight the eminence of the soundclash, in which two reggae or dancehall crews rig up opposing soundsystems in a face-to-face musical standoff. Fashioning this album after the competitive form, Dillinger's sparring partner in this case is 'Trinity' aka Wade Brammer, who was active during the 1970s and 80s. Trinity as Dillinger is best known for deejaying over reggae and dancehall numbers; Clash albums became very popular at the tail-end of the 1970s and into the next decade, with singers and deejays alike competing for status, track by track.
Review: Jamaican singer-songwriter Alton Nehemiah Ellis OD has been inducted into the International Reggae And World Music Awards Hall Of Fame since 2006 - just two years before his death - which shows how much he contributed to the genre in his heyday. And that was the early 70s, when most of the music on this new album Valley Of Decision: The Collection is taken from. His style was high-impact reggae, often delivered with extra power from superb horn arrangements. For many, he was an important pioneer in the development of what became known as the rocksteady style and as such was known as the Godfather of Rocksteady.
Review: Slave Call by The Ethiopians is a majestic exploration of the spiritual roots of reggae, led by deep Nyabinghi drumming and chanting. Leonard Dillon's Rastafarian beliefs are at the album's core, evident in every track, including a profound rendition of the Ethiopian national anthem. Max Edwards' Nyabingi drumming infuses the album with authenticity and is skillfully showcased by producer Niney Holness, who delivers a rhythm-heavy production while giving equal attention to vocals.The album blends traditional Nyabinghi elements with guitars, bass, keyboards, and horns, creating a rich reggae sound that maintains a dignified restraint. Holness' arrangements ingeniously reinforce the album's themes, exemplified by the title track's evocative depiction of slaving field hands. Other highlights include the driving urgency of 'Hurry On' and the soulful blend of blues in 'Culture.' Leonard Dillon's exceptional performance imbues each song with power and devotion, making 'Slave Call' one of his greatest achievements. With its cultural depth and musical excellence, the album stands as a testament to the enduring legacy of reggae's spiritual roots.
Review: Beres Hammond's venture into soul and r&b, backed by a lineup of reggae legends, offers a surprising break from his usual style. The album blends disco-inspired elements with Hammond's rich vocals, yet tracks like 'Keep My Wheel Turning' and 'I'm Lonely' stand out with a raw edge, adding grit to the smooth soul vibes. The title track showcases Hammond's emotional depth in a yearning romantic ballad, yet it's the overall feeling of experimentation that gives the release its unique charm. While this detour into soul isn't a permanent shift, it finds Hammond working at the peak of his expressive powers, offering an unexpected but satisfying listen.
Review: Formed in the early 60s and initally recorded at the now world-famous Studio One studios in Jamaica, Heptones are most famous for bridging the genres ska and rocksteady.. In 1971 they left to work with Lee 'Scratch' Perry and found international success with re-recording and or updating many of their tracks again. Cool Rasta was their first new recording for the legendary Trojan Records in 1976, an album that has all the hallmarks of early ska - see 'Do Good To Everyone'. Elsewhere, 'Dreadlock' is a great example of their rootsier side, and the the album is not short on political, conscious messages either with tracks like 'Black On Black' and 'Suffering So'. Cool Rasta is an album that always hits the mark - and this version comes with limited hand-numbered copies on 180-gram orange vinyl.
Review: Habibi Funk does a great job of introducing or reacquainting the world with niche but rich musical scenes from all across the Arab world. This latest album takes us to the reggae sounds of Libya and specifically the work of Ibrahim Hesnawi, who is known amongst those who know as "The Father of Libyan Reggae." He draws on roots, dub and dancehall with a distinctive Arabic twist that plots a line from Tripoli to Kingston. This artist is so revered for the way he fused the those two musical worlds so effortlessly while colouring it with elements of jazz, soul and disco. An enchanting album that was first recorded more than 40 years ago.
Review: Keith Hudson's Playing It Cool & Playing It Right is one of his most widely admired and loved for its soulful take on his dub template. Similar to Bullwackies who he collaborates with here, he was a unique innovator with a deeply rooted classical background. His early studio work involved esteemed musicians like the former Skatalites, and his initial releases produced hits for various reggae artists. However, Hudson's departure from this tradition is distinctive and entirely his own. His mature music ventures beyond Jamaica, and has found resonance in London and New York studio. His experimental style thrives in the LP format which has more time for him to really explore new ground.
Review: Room In The Sky's latest limited edition release showcases The Inn House Crew and delivers some heavyweight roots rockers dubs featuring an impressive lineup of musicians from Jamaica and the UK. The collection includes performances by legends like Sly Dunbar, Flabba Holt, Vin Gordon, and Robbie Lyn, alongside talents such as Ben Bell, Horseman, and Jerry Lionz. Recorded at renowned studios like Tuff Gong in Jamaica and Ariwa, this is a record that is steeped in authentic roots vibes. The DIY-inspired artwork, featuring eco-friendly, inside-out sleeves, complements the music's raw and organic feel and makes it a must-cop for roots dub enthusiasts, especially as this pressing comes in a lovely scree-printed jacket so beautifully celebrates some deft craftsmanship and real heritage.
Review: Israel Vibrations' Strength of My Life marks a triumphant return for the trio, following a hiatus that saw them regroup and rediscover their musical strengths. Produced in collaboration with Doctor Dread and backed by the formidable Roots Radics, the album showcases a newfound voice and power. From the uplifting 'Cool and Calm' to the introspective 'Live and Give,' each track is imbued with its own distinct style, complemented by the Radics' masterful instrumentation. The Vibes' vocal performances are stellar, conveying heartfelt religious devotion, social commentary, and personal reflections with conviction. With contributions from reggae luminaries like Augustus Pablo and Dwight Pinkney, Strength of My Life exudes quality. Against all odds, Strength of My Life turned out to be a triumph, the beginning of the group's partnership with the Roots Radics.
Review: A roots reggae vocal trio, Israel Vibration was modeled after the tradition of Culture, whom they recall in both their harmonies and their politically-charged Rasta concerns. On Praises, the group is backed by the crack reggae rhythm unit the Roots Radics as well as the RAS Brass, while lead vocals and songwriting duties are spread out among the core unit. The subject matter is a laundry list of Rasta issues, including social injustice, Jah, the threat of war and positive vibrations. Sage, nourishing itals of sound spring from our speakers like delectable dub treats, as the trio talents of Apple, Skelly and Wiss (Lascelle Bulgin, Cecil Spence and Albert Craig) effuse from this fervent ninth reggae album by the band, first released on Real Authentic Sound.
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