Back catalogue: Funk

Review: Written by James Ernard, 'How Close' is a poppy funk track with as much history as killer synths. Written after his previous Ohio-based group Perfect Element declined opening for Prince on tour, Ernard left to set up his own label (which met a similar end as he and co-founder Kennith also had a falling out over creative differences). 'How Close' is a sensational piece of 80s American pop history, with a killer synth line and earworm vocals that'll have you shaking your hips before even realising. Side B has a nippy little remix by an undisclosed producer (which is sometimes the case with such niche pieces of history), that nonetheless breathes even more life into such a colourful track. It's often the 7" records that tell us the full history of the music industry behind the scenes at that time, and this release is no different - a perfect addition to that niche 7" collection you've been building up...

Review: You can always rely on Athens of the North to sure up pure gold each and every time. This is another case in point: Chris Rael's 'November 18, 1983' is a joyful, funky gem, somewhat reminiscent of a lost Cure record, and this is its first ever appearance on vinyl. Rael's dedication to creating something distinct by working progressive jazz and new wave into a new sound shines through. Despite initial doubts about his musical abilities, Rael's imagination and determination drove him to produce this layered work, which has long been out of print. Whether or not you have heard it before, you don't want to snooze on this one.A

Review: Originally released by Ohio on 7" in 1978, this lesser known moment in late 70s funk and soul gets a beautifully crafted reissue as it resurfaces after 47 years. Side-1's 'Get Together' is a joyous, horn-driven soul anthem. Its infectious energy, party-ready vibe and well-balanced backing vocals create a timeless feel. The lead vocals shine brightly, supported by a tight groove that keeps the track irresistibly uplifting. On Side-2, 'Once I Leave' shifts gears into a downtempo, sublime expression of soul, the slower tempo allowing the song's emotion to take centre stage, complemented by delicate instrumentation that evokes a sense of longing and introspection. A forgotten treasure brought back to life.