Back catalogue: Coldwave/Synth

Review: For Left Ear's 35th release, the label revisits the archives of Spanish musician Jesus M' Catalan and his project, Respuesta Alternativa. Unlike his previous release, these tracks, which were created between 1987 and 1990, were recently discovered in a forgotten shoebox. While working as a sound technician, Jesus crafted atmospheric tracks in his bedroom, later refining them with collaborator Julian C. Perez. Their music evolved from simple themes with guitars to incorporating vocal samples. Influenced by his Asturian roots, Jesus blended serene and stormy elements, reflecting the contrasting seas of the Balearic and Asturias Islands, creating unique, enduring soundscapes.

Review: R.N.A. Organism's 1980 release, R.N.A.O Meets P.O.P.O, reissued and remastered by Stephan Mathieu, is a captivating delve into Kansai's experimental scene. Comprised of enigmatic figures 0123, Zero, and Chance (aka Tatsuo Kohki), the album presents a sonic collage blending metallic beatbox loops, robotic vocals, and glockenspiel motifs. Producer Kaoru Sato (of EP-4 fame) helped sculpt their dub-infused, distorted rhythms and bizarre effects. While initially deemed too avant-garde, the album offers a more direct insight into their visionary sound. The opener, 'Weimar 22,' sets the tone with blown-out drum machines and ethereal vocals, hinting at influences ranging from electro-pop to spannered dub and tape manipulations. Tracks like 'After' and 'Nativity' showcase their experimental abilities, layering environmental sounds and off-kilter melodies over chuggy beats. R.N.A.O Meets P.O.P.O is a fusion of low-budget experimentation and tempered instrumentalism, offering a glimpse into the enigmatic world of Kansai's late 70s scene. Its timeless appeal resonates with listeners, echoing throughout the decades with its prophetic Japanese twist.

Review: Twenty nine years ago (can you believe it) Alexander Robotnick released his first album, Ce N'Est Q'Un Debut, featuring what's arguably his most defining track "Problemes D'amour" with the Harajuku-cute vocals of Martine Michellod. It's this album that has influenced countless French synth pop acts and a horde of old school electro lovers, and all this time later it's been repressed (again) by the label that first released it, Medical. Keeping the sacredness of this LP firmly intact by sticking with the keyboard-head artwork, Ce N'Est Q'Un Debut - along with Man Parish's 1982 self-titled debut - should be in all of our record collections.