Review: Leipzig based Riotvan, run by Peter Invasion and Panthera Krause, welcomes Kalexis and Paulor for this collaborative four track that mines techno's deepest depths. 'Going Through The Void' is a moody and slow motion opener that rides on an undulating bassline with plenty of ambient pads for company. 'Energy' is more edgy, a stomper with fractured vocals and wonky synths that builds a darker mood. On the flipside there is the brilliantly unhinged and unusual melodies of 'Lashes' which sounds like a marching band on acid and 'Magnetic' closes down with haunting low ends and spooky pads.
Review: Two distinctive tracks that balance industrial and techno grit and dancefloor energy. Side-1's 'Territorial Discrepancy' kicks things off with a driving beat layered over EBM influences and rave-inspired keyboard stabs. Its catchy rhythm and raw energy make it a surefire crowd-pleaser for peak-time sets. On Side-2, 'Notions Of Ceremony' takes a more experimental turn, blending techno grooves with a danceable, vocal-infused vibe. The track's unique character evokes comparisons to early Severed Heads and Underworld, combining fun, depth and innovation into a seamless whole. With its sharp production and bold creativity, this ia memorable addition to the techno landscape.
Review: Belgian label nacht and The Pilotwings (Louis & Guillaume) present a compilation of works created in the STELPLAATS venue in Leuven, early 2022. In November 2021, right before the second Covid lockdown. Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic. At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted. Leuven Works compiles five tracks that flowed out of the sessions in STELPLAATS and is a testament to the week that Louis and Guillaume had under the STELPLAATS roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.
Review: Hailing from Philadelphia - currently up there with the most artistically arresting cities in the US (having spawned the nickname 'New York's most exciting borough' among those wanting weary of the Big Apple's gentrified shell) - Plastic Ivy make music that's pure drama on disc. Or digital file, depending on your chosen format. Founded by singer, songwriter and guitarist Lira Marie Landes, when teamed up with bassist, producer and engineer Daniel James Shields, the duo are something real to contend with.
Here we're given four pieces of compelling evidence proving that point. Original versions ooze a kind of affected sexuality, a retro-tinged electro-punk ride through the experimental side door of a night in the club, nodding to influences from Kitten to The Human League. Remixed, though, 'Superior Corruption' is nothing short of a banging electro number filled with attitude and cheekiness. Essential.
Review: DFA Records prime mysterious new Brighton signees Proper Monday Number with a sure start, flicking the proverbial Rube Goldberg machine into gear with a banging remix of their otherwise unreleased debut track 'High Horse'. Here, of course, it's LCD Soundsystem / DFA's very own James Murphy at the remix controls, together with resident DFA DJ and "decent human" Matt Cash. Toolroom dance moods extend over a lusciously simple seven minutes, bringing home FM stabs and LinnDrum faceslaps aplenty. And the lyrics: "stop what you're doing now... you ain't got no crown! get off your high horse! turn this ship around!" In our day and age, we need more anti-stagnation, ego-teardown anthems like this, so we welcome the sentiment by the masked duo.
Matra Murena (feat Local Suicide - Rafael Cerato remix) (5:41)
Review: Plenty of dark disco's finest practitioners come together on this new 12" on Iptamenos Discos, with Psycho Weazel serving up the original tune. They are two producers from Switzerland who mix up indie-dance, cold wave, breakbeat and EBM. Here they offer 'Mains D'Argile' featuring Curses which has sweeping, widescreen synths bring a retro feel to a stiff, kinetic beat. The wonderful Marvin & Guy offer an extended mix for extra long club fun and then it is Local Suicide who guests on 'Matra Murena' which brings a perfect mix of light and dark to stark grooves, and Rafael Cerato remixes to close out the package.
Review: Influential Hamburg band Palais Schaumburg's self-titled 1981 album takes some beating. It is one of German alternative music's most accomplished and critically acclaimed works, with hardcore prasie from those who know. Fusing rock, new wave and experimental across 10 timeless track, it mixes tight post punk rhythms with dubbed out vibes and avant-garde ideas. This deluxe reissue of Holger Hiller, Thomas Fehlmann, Ralf Hertwig and Timo Blunck's best record includes all tracks from the original album on a nice red slab of wax with a new insert
Review: Parade Ground is the Belgian duo of brothers Jean-Marc and Pierre Pauly and they formed this project in 1981 as a way of blending post-punk, coldwave and electronic body music. The Golden Years compiles their influential singles and rare tracks from 1982-1988 and it's a great window into their world of sleek synths, skeletal guitars and expressive, evocative vocals. Collaborating with Front 242's Daniel B. and Patrick Codenys, Parade Ground released seminal works like Moan On The Sly and Man In A Trance and later they worked with Wire's Colin Newman on Dual Perspective. This remastered album includes a press kit with lyrics and photos which chronicle their lasting impact on Belgian electronic music.
Review: Dark Entries welcomes back the Brussels brothers Jean-Marc and Pierre Pauly for this superb collection of B-sides and unreleased tracks. Formed in 1981, Parade Ground pioneered a more emotional take on their homeland's signature electronic body music sound by blending drum machines icy synths and guitars with Jean-Marc's powerful vocals. The Hidden Side spans 1982 to 1989 and explores their cold, dark aesthetic from menacing coldwave tracks to danceable cuts like 'Hollywood (The Sexiest Fish') to magically melancholic freakouts like 'Looking Through Keyholes'.
Review: The release of any new Peaking Lights record is cause for celebration, but there's something extra-exciting about The Fifth State of Consciousness, the husband-and-wife duo's sixth studio set. It's colourful, psychedelic, vibrant and unashamedly sunny, offering a thrill-a-minute ride through kaleidoscopic synth-pop, wide-eyed Balearica, humid reggae-pop and hazy, sunrise-friendly goodness. There are few surprises, of course, but a wealth of thoroughly brilliant, emotion-rich, head-in-the-clouds moments. Highlights include the chiming Balearic rush of "Wild Paradise", the early Pet Shop Boys in dub drowsiness of "A Phoenix & A Fish", and the dreamy, wall-of-sound shimmer of "Love Can Move Mountains". In other words, it's the aural equivalent of coming up at dawn on a secluded Californian beach.
Review: Recorded early 1984, by this point Carlos Peron was already something of a household name within the electronic music world thanks to efforts with seminal outfit Yello. If you're familiar, you'll know the group make a lot of energetic, danceable yet experimental stuff, which at times borders on club but is really synth music in the truest sense. Nothing Is True Everything Is Permitted takes us to a very different place indeed. Frequently described as a dark soundtrack without a film, this record has gone down in cult electronica history for its refusal to be anything specific, other than something resolutely itself. The tunes here are dramatic, sometimes even intimidating and certainly frequently unnerving. At other moments, they are at the vanguard of field and found sound recordings, or lost in the ether haze of lush ambient.
Hard Wired (feat Memory Ghosts Isabella Goloversic) (5:26)
She Is Young, She Is Beautiful, She Is Next (4:59)
Humans Are Such Easy Prey (4:17)
Minuit (feat Dead Astronauts) (6:16)
Satanic Rites (5:02)
Complete Domination (feat Carpenter Brut) (3:58)
Last Kiss (4:45)
Dangerous Days (11:59)
Review: Perturbator's synth-laden journey offers a bold reimagining of retro futurism, weaving dystopian soundscapes with high-energy precision. The opening track builds with brooding intensity, layering dark arpeggios over pulsating basslines that recall the cinematic drama of 1980s sci-fi. Midway, driving rhythms give way to moments of atmospheric tension, with lush pads and haunting melodies creating a sense of unease. Vocal features are sparingly used but impactful, their ethereal quality adding human fragility to an otherwise mechanical landscape. The closing piece is a triumphant crescendo, pulling together the album's key themes in a moment of electrifying clarity. This is electronic music with a visionivivid, uncompromising and undeniably powerful.
Review: James 'Perturbator' Kent is back with a new album which tells the tale of someone who has nothing left to lose. "Wandering in the hostile neon-soaked dirty streets of a city from the future, armed and dangerous. This is your story," says the man himself. The tracks feature some fine guests such as Great Link, Noir Deco and Memory Ghost who add to the allure of these retro-future synth and disco charms. Think Blade Runner but in a world of optimism and celebration rather than post-apocalyptic despair.
Review: Perhaps slightly better known for his dancefloor-enlivening electro productions, this is actually the third full length ambient album from UK producer Emile Facey under the Plant43 moniker. He's been writing and storing up atmospheric synthesiser experiments alongside his dancefloor oriented output since his last ambient LP The Countless Stones released in 2020, and the eight tracks here are meditative, ethereal affairs, Facey carving out a beautiful set of vivid emotions out of crystal clear pure sounds and arpeggios rolling like gentle waves lapping at a shore. Imagine classic Tangerine Dream combined with the balance and poise of Global Communication and you're getting close.
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