Review: Australian collective Hiatus Kaiyote's trademark sound has long been rotted in jazz-funk, but as fourth album Love Heart Cheat Code proves, there's always been much more to it than that. Produced by Brazilian maestro Mario Caldato Jr - best known for his work with the Beastie Boys, Seu Jorge and Jack Johnson - the album delivers a forward-thinking and undeniably attractive take on future soul variously informed by jazz-funk, broken beat, modern r&b, neo-soul and sun-soaked downtempo grooves. The results are uniformly impressive, with our picks of a very strong bunch including the sparkling and up-lifting 'Everything's Beautiful', the spaced-out Fugees flex of 'Love Heart Cheat Code' and the squally guitars and blue-eyed soul insanity of 'Cinnamon Temple'.
Review: A warm welcome back to Jaga Jazzist, who finally return with a fresh album (this time on Flying Lotus's Brainfeeder imprint) after five long years away. As usual, the instrumental sounds offered-up by the long-serving Norwegian nine-piece are thrillingly hard to pigeonhole, blending the fuzziness of post-rock and the hallucinatory visions of psychedelic rock with elements of jazz and a myriad of influences from around the world. Check for example epic opener "Tomita", where warming spiritual jazz horns, Pat Metheny style vocalizations and glistening guitar motifs rise above a constantly changing space-rock groove, or the undulating, unfurling beauty of "Spiral Era", whose inherent dreaminess and musical intricacy is almost breath-taking.
Invisible/Visible (feat Bobby McFerrin & Cesar Camargo Mariano)
Pls Dnt Lstn
Review: Brooklyn's Taylor McFerrin has the makings of a future star. On this debut album for Flying Lotus' Brainfeeder imprint, he plays all of the instruments, handles productions, chops up samples and adds his own distinctive, effortlessly soulful vocals. Like a more leftfield version of Prince inspired by neo-soul, glitch-hop, jazz and electronica, McFerrin delivers a debut that steadfastly refuses to stick to one groove or time signature. In the process, he's created something of a surprise gem; an album that simultaneously soothes, inspires and surprises with every skittering jazz rhythm, spaced-out soundscape and head-nodding MPC beat. He's not the finished article yet, but Early Riser is an incredibly impressive debut.
Review: Los Angeles-based Ras G, a contemporary of Flying Lotus, has long sounded like a refugee from another planet; a kind of electronic devotee of Sun Ra with his head firmly in the cosmos. Despite being called Back on the Planet, this latest full-length excursion is every bit as out-there and intergalactic as previous releases. For the most part, it sounds like it was beamed down from the far reaches of the universe, offering an unusual blend of alien electronics, acid-fried jazz, other-wordly ambience, twisted African rhythms and hip-hop beats from another dimension. It's inventive, unusual and constantly entertaining. Ras G is a genuine one-off, and Back on the Planet proves that conclusively.
Review: LA beat scene veteran Mtendere Mandowa looks to a fresh set of talented collaborators (including Panda Bear, MNDSGN, Thomas Stankiewicz) on his new album for Brainfeeder. It is his first for five years and the results are superb. The 14 original tracks across the album constantly evolve and flourish. Opener "Atoms Song" is built around a loopy keyboard that's joined by drifting synths that wash over you like a warm shower, Shufflin' beast "Daughter Callin'" is something that Dilla would be happy to put his name to and album highlight, Sudan Archives hook-up "Black Dove" is an emotive, georgeously moving number, all at once proving Teebs' ability to integrate dynamic talents seamlessly into his own sonic realm. Warm and organic, "Anicca" is an essential piece of work.
Show You The Way (feat Michael McDonald & Kenny Loggins)
Walk On By (feat Kendrick Lamar)
Blackkk
Tokyo
Jameel's Space Ride
Friend Zone
Them Changes
Where I'm Going
Drink Dat (feat Wiz Khalifa)
Inferno
I Am Crazy
3AM
Drunk
The Turn Down (feat Pharell)
DUI
Review: Flying Lotus collaborator Thundercat make a big impression with his last album, 2013's superb Apocalypse. Hopes are naturally high, then, for this belated follow-up. Presented as a seamless blend of standalone tracks and intermingling interludes, Drunk is a thrill-a-minute, mix tape style trip through the multi-instrumentalist and beat-maker's various inspirations (think skewed hip-hop, jazz, funk, soul, left of centre electronica, and so on), all of which have been fused and mutated to fit his unique musical perspective. His standing within the leftfield hip-hop community has resulted in an impressive roster of guest stars, with Kendrick Lamarr, blue-eyed soul legend Michael McDonald, Kenny Loggins, Fly-Lo (of course) and jazz man Kamasi Washington all lending a hand.
Black Qualls (feat Steve Lacy, Steve Arrington, & Childish Gambino)
Miguel's Happy Dance (explicit)
How Sway
Funny Thing
Overseas (feat Zack Fox)
Dragonball Durag
How I Feel
King Of The Hill
Unrequited Love
Fair Chance (feat Ty Dolla Sign & Lil B)
Existential Dread
It Is What It Is (feat Pedro Martins)
Review: Thundercat's last album, 2017's "Drunk", is undeniably one of the greatest full-lengths of the past few years - a dizzyingly varied and mind-altering affair that mixed and matched styles to create thrilling new fusions of past and present sounds. He's at it again on this delayed follow-up "It Is What It Is", which was co-produced by Flying Lotus and includes an impressive cast-list of guests and collaborators (think Kamasi Washington, Ty Dolla Sign, Steve Arrington, BADBADNOTGOOD, Lil B and Louis Cole for starters). Musically it's impossible to pigeonhole - think rubbery 80s funk meets spiritual jazz meets reggae meets hip-hop meets experimental beats meets... you get the idea - and that makes for inspiring listening. Whether it's quite as good as "Drunk" is debatable, but it's certainly superb.
Show You The Way (feat Michael McDonald & Kenny Loggins - Chopnotslop remix)
Where I'm Going (Chopnotslop remix)
Tokyo (Chopnotslop remix)
Uh Uh (Chopnotslop remix)
Inferno (Chopnotslop remix)
Them Changes (Chopnotslop remix)
I Am Crazy (Chopnotslop remix)
3AM (Chopnotslop remix)
Jethro (Chopnotslop remix)
The Turn Down (feat Pharrell - Chopnotslop remix)
Walk On By (feat Kendrick Lamar - Chopnotslop remix)
Day & Night (Chopnotslop remix)
A Fan's Mail (Tron Song Suite II) (Chopnotslop remix)
Jameel's Space Ride (Chopnotslop remix)
Captain Stupido (Chopnotslop remix)
Friend Zone (Chopnotslop remix)
Bus In These Streets (Chopnotslop remix)
DUI (Chopnotslop remix)
Blackkk (Chopnotslop remix)
Drunk (Chopnotslop remix)
Review: Under the Chopstars alias, DJ Candlestick and OG Ron C have become famous for delivering pitched-down, chopped-and-screwed versions of albums by Drake and Little Dragon, amongst others. Now the Houston duo has given Thundercat's brilliant 2017 set Drunk the same treatment, and it may well be their finest work to date. Their method was simple: radically slow down each of the album tracks, add their own production touches and re-cast the notoriously eclectic album as a blazed, loved-up journey through smooth soul and '70s style "quiet storm" R&B. It's a relatively radical departure - in the case of some tracks, at the very least - but works magnificently well. Remarkably, it's almost as good as Thundercat's original - and that's saying something.
Review: On the cover of his first album for a decade, saxophonist Kamasi Washington stares intently out, the universe stretching out to infinity behind him. You see, Washington is something of a Sun Ra acolyte, and there's something of the great man's spiritual, psychedelic and far-sighted feel about The Epic. Rooted in a loose, soulful and occasionally riotous blend of spiritual jazz, it more than lives up to its' name, stretching across three themed CDs. While Washington's tenor sax offers a focal point throughout, it's merely part of a greater ensemble effort - Sun Ra Arkestra style - that helps The Epic fly by in a flurry of loose-limbed drums, rubbery double bass, hammered-out pianos and intoxicating vocals.
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