Back catalogue: Blues

Review: Gospel/funk fusionists the Como Mamas debuted on Daptone back in 2013 with Get An Understanding, a fine full-length that perfectly showcased the female trio's talents. While that set was recorded live at Mt Merrion Church some years earlier, this fine follow-up is a studio set with Daptone chief Bosco Mann in the producer's chair. Unsurprisingly, it's deliciously authentic, sounding like a long lost 1970s, private press gospel-soul album. It's packed with highlights, from the bluesy shuffle of "He's Calling Me" and rhythm and blues bounce of "He's Mine", to the acapella brilliance of "Glory Glory Hallelujah", where the trio's brilliant vocals and a lone drumbeat combine to create an intoxicating mood.

Review: Malcolm John Rebennack, Jr., better known as Dr. John, left an indelible mark on the music world with his unique blend of New Orleans R&B, blues, jazz, funk and rock. As a teenage prodigy, he cut his teeth as a songwriter, arranger, and producer for Ace Records before becoming a sought-after studio musician in Los Angeles during the 1960s. His debut album Gris Gris in 1968 catapulted him into the spotlight as Dr. John The Night Tripper, captivating audiences with its mystical allure. Hits like 'Iko Iko' and 'Right Place Wrong Time' solidified his place in music history, earning him six Grammy awards and induction into the Rock and Roll Hall of Fame. Now, Gris Gris Gumbo Ya Ya: Singles 1968-1974 collects his early singles from his influential years with Atco/Atlantic, offering 26 tracks of pure musical medicine. The iconic 'Such A Night,' alone makes this compilation is essential for both seasoned fans and newcomers alike. With liner notes from Gene Sculatti, it serves as a perfect entry point into the timeless world of Dr. John's music and a nostalgic journey through his classic Atco/Atlantic albums.