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Review: This is Sophie at her most unruly and most exacting. Originally released 2019, three years before her untimely death, the Glasgow-born producer disassembles her debut and reanimates it as a 94-minute, two-part odyssey, veering from hydraulic club destroyers to delicate ambient unspoolings. Originally released in 2019, it's not just a remix collection but a wholesale reinvention: self-authored, nonlinear, and often sublime. 'Ponyboy (Megadog)' thrashes through chrome-plated rhythms with chaotic grace, while 'Infatuation (Midnight Zone)' pulls back into pure atmosphere, full of liquid clarity and hushed suspense. There's a tactile, metallic intensity to everything here i especially on 'Faceshopping (Euphoric Reduce Me To Nothingness Remix)', which warps the original's plasticity into something wilder and more abstract. The album's sequencing mimics the logic of a club set, but what lingers most is the emotional palette: euphoric, alien, intimate. Sophie's sound across the project fuses dancetechnoambienthouse into a sculptural, shape-shifting form that foregrounds identity and sensation. At a time when many remix albums serve as filler, this stands apart: fiercely curated, radically personal and technically peerless.