MARCUS INTALEX Vinyl & CDs

Review: Does drum and bass get any better than this? Two of the finest names in the genre club together for "Run Away", met in the middle by the man like Fox who puts his vocal stylings into the mix. Rolling out smooth, it's that lulling bassline and softly-spoken chorus that takes the edge off punchy drums and signature Intalex-style strings from the pad section. Fans have been waiting for a release on this for some time now - finally, it's ownable. Showing that they can still deliver tastier goods for the dancefloor, "Something Heavy" is a funk-fuelled hips-mover with Fox sending out his raggamuffin sounds over down and dirty bass. You've heard it in the dance, now get it on repeat.

Review: Gone but absolutely not forgotten, Marcus Intalex still feels present in the drum & bass scene, such is his massive legacy. Given how much original copies still fetch, it feels right for his very first solo 12" on Soul:r to get a fresh airing and put paid to the sharks. 'Zumbar' leads the way on this two-tracker, carrying some of those ascendant Rhodes notes and dusty brass stabs that made for a new angle on soulful D&B. Sharper than liquid, and a touch fatter than the Full Cycle crew, Intalex struck on something special here. The same goes on the flip with 'Temperance', which leans in on the synths for an amen powered peak time rusher that hasn't aged a bit.

Review: It's about time... Fresh off the heat of his Trevino album, Marcus returns to the D&B source with a full-fat foursome on his label's spotless Four:Fit series. Each cut a 24 carat diamond, shining in its own special way: "Mixed Bag" is a DRS-polished soulful addition to the ever-growing halftime annals, both "Step Forward" and "Stingray" are brittle two-step heads-down headbutts while "Jupiter" is an amen-rattled jungle shake-up. Timeless, deep and spacious; Marcus never fails.

Review: Fresh drop on the Soul R imprint from label boss Marcus Intalex which fully demonstrates his recent endeavours under the Trevino alias haven't dampened his spirit for hard stepping drum and bass productions. It seems like the studio time concentrating on different rhythmic endeavours has benefitted Kaye, as "Sell Your Soul" is quite superb. Delicate strains of jazz-indebted instrumentation make for the perfect introduction, down trodden analogue touches signalling the onset of the drop. The moment those fragile vocals arrive and the rough hewn drums slip into line with the shuddering bass is inspired. To add some contrast, Kaye goes darkside on "Guillotine" with a bass line delivery that few people will be prepared for. Witness the sickness!