Back in stock: All genres

Notes: Specially formulated record cleaning fluid to deeply clean between vinyl grooves and help prolong the life of the vinyl surface. Dries to eliminate static without smears. Microfibre lint free cloth supplied in lid. 250ml.

Notes: Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Beast's Chalkboard' is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO's but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.

Technical Specifications:

Supply: +/-12V (Reverse voltage & polyfuse protection)
Current Draw: ~30ma
Size: 6 HP
Depth: 22mm (including power header)
Offset Error: +/- 10mV

Notes: The mmMidi is a simple & compact MIDI interface for your Eurorack synthesiser. It translates two independent channels of MIDI note, velocity and gate information to corresponding control voltage signals via either a classic MIDI DIN type connection or as a driverless USB MIDI device.

The mmMidi also converts MIDI Clock to analogue x24 fixed clock and run outputs (i.e DIN Sync). The optional mmT expander provides a third MIDI channel of 8 key mapped gate outputs.

Requiring minimal configuration and a pain free set up, the mmMidi makes it easy to sync Pam's clock to your DAW, control multiple synth voices, and trigger drum or sample modules with the optional mmT expander. The new USB-C connection makes it easy to drive your modular not just from your computer but also via your tablet, phone or any USB MIDI Host.

(Note: New 2025 mkII version adds USB-C functionality.)

Technical Specifications

Power: +12V 50mA / -12V 0mA
Size: 4HP
Depth: 38mm
MIDI response latency: 200-400 uSec
Resolution: Factory calibrated 12 bit 0-8V CV outputs. +5V gates

Notes: ***B-STOCK: Box opened, product in perfect working order***


'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Broadcast-ready update of ARS's flagship audiophile rotary mixer. Small design changes mean even better sound quality and improved cueing. Still hand built in Japan to the highest standards.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black

Notes: *** Update April 2025 - Apple Music Support added ***

AlphaTheta Corporation has made another step toward offering DJs complete creative freedom by adding support for Apple Music to its rekordbox DJ software and selected hardware systems. This update enables you to play seamlessly using Apple Music's massive library of over 100 million tracks, and its expertly curated playlists, when you play with rekordbox and supported DJ gear.

With the XDJ-AZ, you can now connect directly to Apple Music via the internet and get instant access to the latest club tracks, chart hits, and nostalgic classics, plus your favorite playlists from your Apple Music account. This integration enables you explore new creative possibilities in your DJ sets.

To unlock these features, updates were released for rekordbox for Mac/Windows (ver. 7.1.0), rekordbox for iOS (ver. 4.4.0) and XDJ-AZ firmware (ver. 1.21) on March 25, 2025.

Through this collaboration with Apple Music, AlphaTheta will launch the AlphaTheta DJ Mix Curator page on the streaming platform. To provide new inspiration for DJ sets, the page will feature DJ mixes along with unmixed playlists of all the featured tracks so you can create your own version of each mix at home.

Key features:

Expand your sound with Apple Music's catalog of over 100 million tracks and 30,000 playlists.
Use the latest rekordbox features with Apple Music.
Enjoy DJing anywhere with your smartphone and Apple Music.
Directly access Apple Music from the XDJ-AZ.
Seamlessly manage your music library.

Club-standard DJ experience with the feeling of complete control

The XDJ-AZ inherits the layout and feel of the flagship CDJ-3000 and DJM-A9DJM-A9 to give you an intuitive experience. When you perform on the system, it feels as if you're at one with the decks, allowing for more creative performances. With full-size jog wheels that feel just like those on the CDJ-3000, pitch bending and scratching on the XDJ-AZ are incredibly smooth. The mixer section inherits the intuitive layout of the DJM-A9, with all controls positioned to maximize playability. And it features user-friendly buttons for assigning Beat FX to help you express yourself through the music. So, when you've mastered the XDJ-AZ, you'll be familiar with the way club-standard equipment works and feels, making it much easier to perform at your best in clubs.

Built-in Wi-Fir and support for various media types to suit your DJ style

rekordbox CloudDirectPlay compatibility

Access your cloud-based rekordbox library directly from the XDJ-AZ with CloudDirectPlay. You can use the latest version of your playlists and performance data, such as Hot Cue information, and even update it from the unit. This not only ensures a seamless DJ experience but also allows you to do all your preparation solely from your all-in-one system.

*You'll need a subscription to the rekordbox Creative or Professional plan, or Cloud Option to use rekordbox CloudDirectPlay.

StreamingDirectPlay compatibility

With support for Beatport Streaming, the StreamingDirectPlay feature enables you to directly play tracks from Beatport's vast dance music library and the latest genre-specific playlists. You'll even get analysis data such as waveform, BPM, and grid information so you can easily mix new and diverse music into your sets.

*To use StreamingDirectPlay on the XDJ-AZ, you'll need to subscribe to the Beatport Streaming Professional or Advanced plan. For more information about Beatport Streaming,

Extensive device and DJ application compatibility

As well as playing tracks from USB drives, you can DJ by connecting to your PC/Mac or mobile device. And, if you want to showcase your individuality even further, you can play audio from external devices like turntables and samplers. The unit has a USB Type-C port for PC/Mac connection, so you can use rekordbox for Mac/Windows in Performance mode or Serato DJ Pro*1 and there's no need for a paid subscription plan for either. And, if you use the Wi-Fir connection for rekordbox Link Export, you can conveniently access tracks from your PC/Mac or mobile device without needing to plug in cables.*2

*1 Coming December 2024.
*2 You can use the Link Export of rekordbox for Mac/Windows or rekordbox for iOS/Android. Link Export in rekordbox for Android doesn't support wired connections.

Large touchscreen for seamless control, from selecting tracks to performing

The 10.1-inch capacitive touchscreen on the XDJ-AZ doesn't just give you more visual information - it makes it easier to control everything too. Up to 13 tracks can be displayed at once - a massive increase from the 8 on the XDJ-XZ - so you can see more of your music and find songs quicker. Other advanced features include Playlist Bank, to which you can register up to 4 playlists for rapid access, Touch Preview, which allows you to preview tracks in playlists without loading them, and Touch Cue, which you can use to preview the upcoming section of tracks currently playing on the deck. All this makes track selection quick and smooth. And, with the option to display the status of the selected Performance Pad and Beat FX settings simultaneously, you can instantly grasp the information you need in order to perform.

Standalone 4-deck playback: DJ your way
Whether you want to add more sounds to your mix, create live mashups, go back-to-back with another DJ, or get more tracks lined up so you're ready to drop them at the perfect time, 4-deck playback support on the XDJ-AZ gives you the flexibility to perform however you like. You can seamlessly integrate CDJs into your setup too, so there's no need to switch decks. With PRO DJ LINK™ compatibility, beat and on-air information are synced across the players, so you'll feel in full control.

Ultra-low-latency wireless monitoring with SonicLink-compatible DJ headphones

Thanks to the integrated SonicLink transmitter, you can enjoy ultra-low-latency wireless monitoring with the HDJ-F10 professional DJ headphones. Press a single button to pair the XDJ-AZ with the headphones and you can move around the DJ booth or stage freely, knowing you'll never tangle or pull on a cable. SonicLink is AlphaTheta's own proprietary ultra-low-latency wireless technology. It transmits audio 20 times faster than the commonly used Bluetoothr SBC codec, so you'll never notice a delay between pressing a button or scratching with the jog wheels and hearing the sound from the output.

*The XDJ-AZ doesn't support a wireless connection with the WAVE-EIGHT portable wireless DJ speaker.

Professional club-ready quality

Clear and dynamic audio

If you're familiar with the preceding XDJ-XZ, you'll notice various upgrades have been made in the design of the XDJ-AZ. By incorporating a 32-bit D/A converter from ESS Technology, the sound quality has been significantly enhanced to create clear and dynamic audio that can rock large venues and clubs.

3-Band Master EQ

You can also use the 3-Band Master EQ to tweak the output sound according to the acoustic characteristics of the venue.
Mixer Settings

And the unit features a dedicated button for the mixer settings, so you can quickly check and adjust the mixer's status on-screen.

Other features

Hardware Unlock
The XDJ-AZ is a Hardware Unlock device. Simply plug the XDJ-AZ into a PC / Mac running the rekordbox application and you can use the software.

Serato DJ Pro
Simply plug the XDJ-AZ into a PC / Mac running the Serato DJ Pro application and you can use the software. (Coming December 2024).

3 USB ports
Perform back-to-back with another DJ and hand over smoothly thanks to the 3 USB inputs (2 top-loading for USB devices and 1 laptop connection).

rekordbox Link Export
Play tracks directly from your PC/Mac or mobile device by connecting via a USB cable, LAN cable, or wireless connection.

Performance Pads
Hit the 8 back-lit rubber Performance Pads to trigger Hot Cues, Beat Loop, Slip Loop and the Beat Jump.

Gate Cue
Experiment with your pad play using Gate Cue, which plays the music from the cue point only when you press the pad. Take your finger off the pad and the music stops instantly, and silently returns to the cue point.

Easy to carry
Be ready to play at a moment's notice. The single-unit design with grab handles makes carrying and setup easy.

High-quality audio
The mic input circuit produces crystal-clear sound, even with a high input level.

Specifications
Maximum Dimensions (W × D × H) 895 × 504.1 × 133.4 mm / 35.24" × 19.85" × 5.25"
Main unit weight: 13.5 kg / 29.8 lbs.
Frequency response : 20 Hz - 20 kHz (USB)
S/N ratio: 115 dB (USB)
Total harmonic distortion: 0.0018 % (USB)
Accessories: Power cord , Quick Start Guide , Precautions for use, Warranty (for some regions)
Compatible software: rekordbox for Mac/Windows, rekordbox for iOS/Android, Serato DJ Pro (Coming December 2024)

Terminals

Inputs:
LINE / PHONO × 2 (RCA)
MIC × 2 (XLR & 1/4" TRS jack)

Outputs
MASTER × 2 (XLR × 1, RCA × 1)
BOOTH × 1 (1/4" TRS jack)
PHONES × 2 (1/4" stereo jack × 1, 3.5 mm stereo mini jack × 1)
USB: USB Type-A × 2
USB Type-C × 1
Others LAN port (100BASE-TX) × 1
Wireless LAN
Supported standards: IEEE 802.11 a / b / g / n / ac
Frequency band used: 2.4 GHz / 5 GHz

Bluetooth
Wireless system: Bluetooth ver. 5.3
Compatible codecs: SBC, AAC

SonicLink
Frequency band used: 2.4 GHz

Performance Control
Channels: 4
Deck Control 4 (USB Storage Device), 4 (DJ Software Control)
Jog Wheel: 206 mm
Jog Feeling: Yes
Sound Color FX: DUB ECHO, NOISE, SWEEP, FILTER, SPACE, CRUSH
Beat FX: DELAY, ECHO, PING PONG, SPIRAL, REVERB, TRANS, FILTER, TRIPLET FILTER, FLANGER, PHASER, ROLL, TRIPLET ROLL, HELIX

Notes: ***B-STOCK: Box opened, product in perfect working order***


Solid experimentalism at an excellent price, the vocoder-equipped version of Arturia's hybrid MicroFreak offers 14 digital oscillator options, analogue filters and 16 vocoder modes, plus a uniquely expressive polyphonic touch keyboard.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

The Vocoder engine

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Tim-bre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing.

Step up to the mic

A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings.

A new dress code

First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already.

The Freak within

Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Included Software: MIDI Control Center

Notes: A smaller, more affordable version of the excellent Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Explorer takes the now legendary Hydrasynth into new territories. The Hydrasynth Explorer offers the same 8-voice sound engine as the Hydrasynth Keyboard and Desktop, but in a compact and portable battery powered form factor. The 37-note mid-sized PolyTouchr keybed features polyphonic aftertouch, offering great playability and expression but in a reduced footprint. The extremely deep yet easy to use sound engine features the famous WaveScan oscillators, Mutator waveshaping, flexible dual Filter section, 32-slot modulation matrix, and dual Insert and dual Master effects allowing a lifetime of sonic explorations. The CV/GATE outputs provides for easy integration with equipment such as modular synthesizers and the USB MIDI and full-sized MIDI DIN connectors takes care of standard connectivity without the need for special cables. The ASM Hydrasynth Explorer can also be powered by 8xAA batteries for true on-the-go mobile operation. Simply put, this is one very powerful compact-sized synthesizer and controller all-in-one for the modern musician.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 37 mid-sized keys
Type of Keys:ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Pitch Bend, Mod Wheel
Polyphony: 8 voices
Number of Presets: 640
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs.
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 2 x 1/4" Balanced (L/Mono, R)
Headphones: 1 x 1/4"
USB: 1 x Type B
MIDI I/O: In/Out
Pedal Inputs: 1 x 1/4" (sustain)
Other Outputs: 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Height: 2.28" / 5.8cm
Width: 21.81" / 55.4cm
Depth: 9.72" / 24.7cm
Weight: 7.63lbs / 3.46kg
MPN: HSMK

Notes: The Audio Anatomy Vinyl-Gatefold Outer Sleeves are the indispensable accessory for any vinyl collector. They provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records and vinyl covers. To keep your vinyl records clean, we recommend keeping them in the antistatic Audio Anatomy Inner Sleeves and cleaning your records regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Made from transparent certified PVC (Polyvinyl Chloride)
- Perfect protection against dust, fingerprints and moisture
- Universal size for 12" Gatefold Double LPs
- Produced in the EU

Notes: The Audio Anatomy Vinyl-Outer Sleeves are the indispensable accessory for any vinyl collector. They provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records and vinyl covers. To keep your vinyl records clean, we recommend keeping them in the antistatic Audio Anatomy Inner Sleeves and cleaning your records regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Made from transparent certified PE (Polyethylene)
- Perfect protection against dust, fingerprints and moisture
- Universal size for 12" vinyl records
- Produced in the EU

Notes: The Audio Anatomy Vinyl-Outer Sleeves are the indispensable accessory for any vinyl collector. They provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records and vinyl covers. To keep your vinyl records clean, we recommend keeping them in the antistatic Audio Anatomy Inner Sleeves and cleaning your records regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Made from transparent certified PP (Polypropylen)
- Perfect protection against dust, fingerprints and moisture
- Universal size for 12" vinyl records
- Produced in the EU

Notes: Removes dirt and static electricity. Ultra-fine carbon fibre brush with static discharger effects in the handle. Carefully cleans dust from vinyl records and ensures static-free playback.

Notes: The Audio Anatomy Vinyl-Slipmat consists of a 1,5 mm thick cork and nitrile rubber mix. With a diameter of 295 mm the slipmat fits all turntables. The insulating properties of the cork and nitrile rubber mix prevent harmful resonances. In contrast to felt mats, cork additionally avoids electrostatic charging and thus prevents cracking when playing the record.

Notes: The Audio Anatomy Vinyl-Inner Sleeves are an indispensable accessory for any vinyl collector. Made in Germany, the interior consists of an antistatic foil lining (low density polyethylene) and the exterior is of paper. The paper has a die-cut centre hole on both sides and corresponds to the universal size of the 12? record. The Audio Anatomy Vinyl-Inner Sleeves provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records. To keep your vinyl records clean, we recommend cleaning them regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Antistatic foil lining
- Die-cut centre hole on both sides
- Universal size for 12" vinyl records
- Produced in Germany

Notes: The Audio Anatomy Vinyl-Inner Sleeves are an indispensable accessory for any vinyl collector. Made in Germany, the interior consists of an antistatic foil lining (low density polyethylene) and the exterior is of paper. The paper has a die-cut centre hole on both sides and corresponds to the universal size of the 12? record. The Audio Anatomy Vinyl-Inner Sleeves provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records. To keep your vinyl records clean, we recommend cleaning them regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Antistatic foil lining
- Die-cut centre hole on both sides
- Universal size for 12" vinyl records
- Produced in Germany

Notes: The Audio Anatomy Vinyl-Inner Sleeves are an indispensable accessory for any vinyl collector. Made in Germany, the interior consists of an antistatic foil lining (low density polyethylene) and the exterior is of paper. The paper has a die-cut centre hole on both sides and corresponds to the universal size of the 12? record. The Audio Anatomy Vinyl-Inner Sleeves provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records. To keep your vinyl records clean, we recommend cleaning them regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Antistatic foil lining
- Die-cut centre hole on both sides
- Universal size for 12" vinyl records
- Produced in Germany

Notes: The Audio Anatomy Vinyl-Inner Sleeves are an indispensable accessory for any vinyl collector. Made in Germany, the interior consists of an antistatic foil lining (low density polyethylene) and the exterior is of paper. The paper has a die-cut centre hole on both sides and corresponds to the universal size of the 12? record. The Audio Anatomy Vinyl-Inner Sleeves provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records. To keep your vinyl records clean, we recommend cleaning them regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Antistatic foil lining
- Die-cut centre hole on both sides
- Universal size for 12" vinyl records
- Produced in Germany

Notes: The Audio Anatomy Vinyl-Inner Sleeves are an indispensable accessory for any vinyl collector. Made in Germany, the interior consists of an antistatic foil lining (low density polyethylene) and the exterior is of paper. The paper has a die-cut centre hole on both sides and corresponds to the universal size of the 12? record. The Audio Anatomy Vinyl-Inner Sleeves provide easy and efficient protection against dust, fingerprints and moisture, resulting in improved sound quality and increased longevity of your vinyl records. To keep your vinyl records clean, we recommend cleaning them regularly with Audio Anatomy Cleaning Brushes and Audio Anatomy Cleaning Cloths.

- Antistatic foil lining
- Die-cut centre hole on both sides
- Universal size for 12" vinyl records
- Produced in Germany

Notes: The Audio Anatomy Vinyl-Cleaning Glove made of high-quality microfibre is the perfect accessory for the gentle handling of your records. It leaves no fingerprints and cleans the surface when coming into contact with the record. In order to remove dirt that will accumulate in the high-quality microfibre cloth when handling your records, it can be machine washed up to 60-.

To keep your records clean at all times, store them in the antistatic Audio Anatomy Inner Sleeves.

Notes: A revised version of the classic velvet brush, carefully cleans dust off vinyl records and ensures static-free playback. Its original contour shape makes it easy to handle. Suitable for dry or wet cleaning.

Notes: The Audio Anatomy Vinyl Record Stabilizer is an indispensable accessory for any vinyl lover, who is looking for the best possible sound reproduction. The 416 grams of aluminium make sure, that the vinyl record maintains an ideal position when turning and that disturbances from vibrations are avoided. The universal size fits all turntables and the stylish colour combinations make all of the stabilizers an eye-catcher.

diameter: 80mm - height: 40mm - weight: 416g, Black

Notes: LP Record Cardboard Jacket

White - High Gloss

12-1/4 x 12-1/4"

No Hole

Notes: 12" White Paper Record Sleeves

Regular Weight

Fits directly over 12" record. Die-cut center hole both sides. Made from acid-free 16 lb. paper.

Notes: 12" White Paper Record Sleeves

Regular Weight

Fits directly over 12" record. Die-cut center hole both sides. Made from acid-free 16 lb. paper.

Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)

Notes: Enjoy high-speed MIDI data transmission without latency thanks to the ultra-thin, high-performance plug design. The right angled plugs fit seamlessly into tight spaces and is easy to connect with convenient protrusions.

Seamlessly connect your MIDI devices - keyboards, synthesizers, controllers, guitar pedals - using TRS 3.5mm (1/8") Type A and 5-pin DIN MIDI In, Out & Thru ports, following the MIDI Association standard.

Nickel-plated connectors and oxygen-free copper core endure frequent plugging and unplugging. Integrated shielding prevents interference, ensuring error-free MIDI data transfer of all your MIDI messages.

Notes: 4-pack of low-profile 5-pin DIN MIDI cables, male-male, 3 ft/90cm

Notes: Aphelion packs a stereo distortion and low/high pass filter into a compact 8HP design, making it ideal for live performance setups. It features three unique stereo distortions in parallel with a continuous crossfade between them, controlled with the character knob or a cv input.

The first circuit is an overdrive that adds a lot of warmth and fattens up the sound without becoming too harsh.
The second one is a saturating wavefolder, that can add interesting extra harmonics depending on the waveform of the material.
The last distortion is inspired by the classic RAT guitar pedal. It adds an aggressive feel and grit to the sound.

A mix knob lets you blend the dry input signal with the distorted signal, before it hits the filter. Setting it fully dry bypasses the distortion effect.

If you need even more dirt, there's a handy +12dB gain switch, to really drive the inputs into overdrive. If you want to keep your low-end undistorted, you can switch on the Low-cut filter.

The non-resonant. This filter is also overdriven, adding some warm distortion and extra harmonics to the stereo filter combines a low pass and high pass stage, and uses an IC based on the classic SSM2040original signal, and limiting the output level. The cutoff knob has no effect in the centre, turning CCW creates a low pass and CW a high pass effect. It's possible to control the low and high pass filter cores independently using CV.

The filter bypass switch can be used for instant reintroduction of all frequencies into the mix upon release-a great tool for live performers.

Lastly the level knob can be used to attenuate the output.

Power: +12v - 100mA, -12v 80mA

Notes: Aphelion packs a stereo distortion and low/high pass filter into a compact 8HP design, making it ideal for live performance setups. It features three unique stereo distortions in parallel with a continuous crossfade between them, controlled with the character knob or a cv input.

The first circuit is an overdrive that adds a lot of warmth and fattens up the sound without becoming too harsh.
The second one is a saturating wavefolder, that can add interesting extra harmonics depending on the waveform of the material.
The last distortion is inspired by the classic RAT guitar pedal. It adds an aggressive feel and grit to the sound.

A mix knob lets you blend the dry input signal with the distorted signal, before it hits the filter. Setting it fully dry bypasses the distortion effect.

If you need even more dirt, there's a handy +12dB gain switch, to really drive the inputs into overdrive. If you want to keep your low-end undistorted, you can switch on the Low-cut filter.

The non-resonant. This filter is also overdriven, adding some warm distortion and extra harmonics to the stereo filter combines a low pass and high pass stage, and uses an IC based on the classic SSM2040original signal, and limiting the output level. The cutoff knob has no effect in the centre, turning CCW creates a low pass and CW a high pass effect. It's possible to control the low and high pass filter cores independently using CV.

The filter bypass switch can be used for instant reintroduction of all frequencies into the mix upon release-a great tool for live performers.

Lastly the level knob can be used to attenuate the output.

Power: +12v - 100mA, -12v 80mA

Notes: Messor is a stereo compressor with lots of tricks up its sleeves. From gluing a mix together to squashing drums, sidechaining kicks and sculpting transients.

It's a VCA based feed-forward compressor with a high quality low noise signal path. The magic happens in the internal sidechain that shapes the gain reduction envelope.

There are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass / low-pass sidechain filter.

The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.

Being modular, of course there are CV inputs for Attack, Release and the Filter cutoff.

The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob off.

The gain reduction envelope is also available, for turning filters or other VCA's into compressors for example.

There's a bypass switch, and another Warm/Pure switch, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.

Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.

Dimensions
8 HP
25 mm deep

Current Draw
45 mA +12V
26 mA -12V

Notes: Capt'n Big-O is for people who like big massive analogue sounds-. 100% analog components, no oscillator on a chip here.

Width = 14hp

Depth = 26mm

100% analog, original design (not an oscillator on a chip)

Waveforms - sine, triangle, saw, and square

Wave folder/waveshaper - routed by default to sine but patchable to any waveform or external source

Drive circuit - essentially a 75x overdriven VCA (5V output)

Linear and exponential frequency modulation (FM)

Hard sync

Pulsewidth modulation

120mA power draw when running +12V rail

108mA power draw when running -12V rail

Frequency range of oscillator: full range - LFO through audible spectrum

Input voltage range of oscillator = -10V to +10V

Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: NANOPATCH M is a tiny and incredibly versatile patch bay, with mini jacks sockets on both the rear and the top panel. It is ideal for connecting to instruments and a mixer when used in conjunction with NANOPATCH X.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

Mini jack sockets on the back panel makes it easy to connect to eurorack systems and small instruments such as Korg Volcas.

3.5 mm to 6.35 mm cables can be used when connecting to equipment with 1/4" sockets.

Using standard eurorack cables, easily patch signals from a NANOPATCH M through effects connected to a NANOPATCH X (and back again).

How It Works

Rear sockets labelled 1/2, 3/4, 5/6 and 7/8 can be used for either mono or stereo signals. For example, if a TRS cable is plugged into rear socket 1/2, the left and right channels will break out to sockets 1 and 2 on the top panel. If another cable is plugged into rear socket 2, rear sockets 1 and 2 will correspond to sockets 1 and 2 on the top panel, both in mono.

Normalling

Channels 1-4 can be full-normalled to channels 5-8 using DIP switches located on the side of the NANOPATCH M.

This allows a signal to pass through from instrument to mixer without the need for any patching. When a patch cable is inserted into either socket of a normalled pair, the connection is broken, allowing for custom routing of the signal.

Typical Setup

A typical setup would be to have four instruments connected to channels 1-4 and four mixer channels connected to channels 5-8.

Connections to the mixer could either be made with four separate mono cables (utilizing the sockets on the side) or with two insert cables (as in the diagram).

Notes: NANOPATCH X is a tiny patch bay with the primary function of connecting to guitar pedals and other effects processors. It can be used in conjunction with NANOPATCH M or standalone, for a variety of purposes.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

How It Works

Each 1/4" TRS socket on the back corresponds to two mono TS mini jacks on the top panel.

By using insert cables (TRS to dual TS), connect up to four pedals to a single NANOPATCH X.

The inputs and outputs of the pedals are then easily accessible via the top panel, using standard eurorack or TRS cables.

Patching can be done directly from instrument to mixer or via a NANOPATCH M.

Notes: The FS3X provides increased functionality and convenient Hands-free™ control over UP/DOWN selection of Models, Mode changes, Loop selection, auto START/STOPS and arms auto record where applicable. Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A 10' stereo TRS cable is included with each unit. Get the most out of your DigiTech products while performing or practicing.

General Specifications
INPUT

1 x 1/4"
CONSTRUCTION

3-button metal chassis

Notes: The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)

Notes: The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the Band footswitch to teach the TRIO+ your chords and rhythm, then press the Band footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the TRIO+'s Bass and Drums knobs. The TRIO+ also features a Simple Bass button lets you select between 3 bass line modes for busy or simple bass lines. Pushing the Band Creator™ paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks. The TRIO+ provides 12 music genres to choose from including Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-colored LEDs around the TRIO+'s Style encoder indicate which styles best match your song. The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from. Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windowsr and Macr. The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs; Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.

General Specifications
ControlsTempo, Genre, Style, Loop, Bass, Drums, Headphone Volume
Backlit ButtonsGuitar FX, Seq, Part 1-5, Alt Time, Song, Simple Bass
FootswitchesLooper, Band
LEDsGenre types, Style 1-12, Audiolastic, Looper, Band
JacksPower, Control In, Guitar In, FX Return, FX Send, Amp Out, Mixer Out, Headphone
OtherMini USB port, microSD card slot
Bit Depth24-bit
Sample Rate44.1 kHz
Signal-To-Noise Ratio110dB, A-weighted
Maximum Recording Time230 seconds per song part i based on a minimum 50 BPM and 48 bars per part
USB TypeMini-B
SD Card TypemicroSDHC, Class 10
SD Min/Max Storage Size8 GB/32 GB
Power Requirements9 VDC external power adapter
Power Consumption7.2 W
Current Draw800 mA
Dimensions
Length5.4"
Width4.25"
Height2.5"
Weight1.46 lbs.
Audio Output
Amp Output TypeUnbalanced, 1/4" TS
Amp Output Impedance1 kO
Mixer Output TypeUnbalanced, 1/4" TS
Mixer Output Impedance1 kO
FX Send Output TypeUnbalanced, 1/4" TS
FX Send Impedance1 kO
Headphone Output Type1/8" (3.5 mm) Stereo Mini Jack
Headphone Output Impedance120 O
Audio Input
Guitar Input TypeUnbalanced, 1/4" TS
Guitar Input Impedance1 MO
FX Return Input TypeUnbalanced, 1/4" TS
FX Return Impedance1 MO
Control Input Type1/4" TRS (compatible with DigiTech FS3X)

Notes: Turntable slipmats with the Diskunion logo, manufactured in Japan using "small grain cork," specifically chosen for it's durabilty and ability to reduce vibrations, improving sound quality. Cork as a material is also excellent for offsetting static electricity.

*NOT recommended for DJing.

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: The Chroma USB Drive is a 256GB dual USB-A and USB-C drive designed specifically for DJs. This drive is has specially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours). Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear. It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Notes: Versatile Sinevibes software power in Eurorack form, the Radiant offers six powerful algorithms: dub delay, pole phaser, chord wrapper, feedback shifter, distortion and re-trigger. Filter, morph between presets and add optional reverb to all algorithms.

Supplier's Notes:
The Radiant, developed in collaboration with Sinevibes, is a powerful and highly creative multi-effect processor designed to bring unique and dynamic sound-shaping capabilities to modular synthesis setups.

Multi-Effect Processor with Six Selectable Core Algorithms

Radiant offers a versatile collection of six distinct core algorithms, designed to be both familiar and experimental:

Dub Delay

Pole Phaser

Chord Wrapper

Feedback Shifter

Distortion

Re-Trigger

These algorithms contribute to a wide range of sonic possibilitiesifrom ambient soundscapes and subtle modulations to complex, evolving textures and otherworldly effects.

Morphing Between Presets

One of Radiant's standout features is its ability to morph between presets. This allows for seamless transitions between different effect states, creating evolving and dynamic sounds. The morphing feature makes it ideal for live performances, as users can shift smoothly between various sonic textures.

Three-Band Filter

Radiant includes an onboard three-band filter that lets users shape their sound by adjusting the low, mid, and high frequencies. This is particularly useful for fine-tuning the effects or isolating specific frequency ranges for more controlled sound sculpting.

Reverb and Sound Reverse

In addition to the core algorithms, Radiant provides a built-in reverb, adding space and depth to the sound. The sound reverse function allows for experimental sound manipulation by reversing the audio signal, creating eerie, backward effects that can be synced to the external clock.

Preset System and Save Function

Radiant features a straightforward preset system that allows users to save and recall different effect configurations across 3 available slots. These presets can be morphed in real-time, offering expanded creative possibilities.

User-Friendly Interface

Despite its complex capabilities, Radiant is designed with a simple and intuitive user interface. The module offers easy-to-use controls, allowing for quick adjustments and real-time tweaking of effects. This makes it accessible for both experienced modular users and those new to modular synthesis, providing a powerful yet approachable tool for creative sound design.

Notes: Module A-103 is a voltage controlled low pass filter with 18dB/octave slope. The circuit is based on a modified transistor ladder (Moog ladder) and is a reproduction of the legendary TB303 filter.

As for the rest the A-103 is identical to the A-120 Moog low pass filter (same controls, inputs/outputs) only the filter sound is different.

Notes: Module A-124-2 is the slim version of the Wasp filter module A-124.

The main difference compared to the A-124 are the small controls for Mix and Input Level because for lack of space. And the lowpass or highpass signal is available at a separate socket. A jumper is used to determine if lowpass or highpass appears at the socket.

All other features are the same as the A-124.

Dimensions:
4 HP
20 mm deep

Notes: Module A-156 is a Dual Control Voltage Quantizer. A quantizer converts a continuous control voltage in the range 0...+10V into a stepped output voltage in the same voltage range (i.e. only certain voltages occur). Normally 1/12 V steps are used to obtain semitone steps. Quantizer 2 of the A-156 allows has more sophisticated quantizing modes like major scale (i.e. only voltages corresponding to the major scale), minor scale, major chord, minor chord, fundamental + fifth and addition of seventh or sixth when chords are selected. Only those voltages appear at the CV output which comply with the selection rule (e.g. minor chord with seventh). The mode setting of quantizer 2 is done with 3 switches (1-0-1 type with middle position). From the factory quantizer 1 is working in the semitone mode. But there is a jumper on the pc board that can be changed so that even quantizer 1 uses the same scale as quantizer 2.

For each quantizer the following in/outputs are available:

- Control voltage input (CV In): The input for the continuous voltage to be quantized
- Control voltage output (CV Out): The output of the quantized voltage
- Trigger input (Trig.In): If this jack is left open the quantizer is working permanently. If a rectangle voltage is applied quantisation happens only at the rising edge of the signal (e.g. from an LFO or MIDI-to-Sync interface). Thus the quantizing can be synchronized with other events
- Trigger output (Trig.Out): Whenever a quantisation happens (i.e. a new voltage is generated at the CV Out) a positive pulse occurs at this output. It may be used to trigger an envelope generator (ADSR) or for triggering other modules (sequential switch A-151, trigger divider/sequencer A-160/161, trigger delay A-162, ...). If none of these functions are used the jack is left open

On top of that the A-156 is provided with a common transpose CV input having an additive effect on both quantizers. This input is quantized in semitone steps. A typical application is the transposition of a sequence generated by the A-155 by a second control voltage (e.g. coming from the MIDI-CV interface A-190).

Typical applications:

- Quantizing the CV sequence generated by an A-155 (semitone, only major scale, only minor scale and so on)
- Quantizing the voltage coming from the Trautonium Manual / Ribbon Controller A-198, Theremin A-178 or Light-to-CV module A-179 to get accurate semitones or major/minor scale tones
- Arpeggio-like effects with LFO, random, noise, envelope generators as CV sources (for negative or symmetrical voltages an offset must be added, e.g. with the offset/attenuator module A-129-3, to obtain positive voltages for the A-156 input)

Width: 8 HP / 40.3 mm
Depth: 55 mm (measured from the rear side of the front panel)
Current: +50mA (+12V) / -10mA (-12V)

Notes: Stokyo are pleased to present their latest collaboration, a highly anticipated and long awaited for partnership with the industry standard of turntables: TECHNICS.

Introducing the TECHNICS + Dr. Suzuki Collection!

Dr. Suzuki has been the pioneer of the Slipmat at the forefront for quality, performance and innovation for over 40 years. Through meticulously chosen materials and rigorous hours of testing, Suzuki-san's turntable mats continue to make sure DJs are safe and sound on the 1's and 2's.

MADE IN JAPAN, these Mats will assure you only the best comes from Dr. Suzuki + Technics.

Notes: Stokyo are pleased to present their latest collaboration, a highly anticipated and long awaited for partnership with the industry standard of turntables: Technics.

Introducing the TECHNICS + Dr. Suzuki Collection!

Dr. Suzuki has been the pioneer of the Slipmat at the forefront for quality, performance and innovation for over 40 years. Through meticulously chosen materials and rigorous hours of testing, Suzuki-san's turntable mats continue to make sure DJs are safe and sound on the 1's and 2's.

Made in Japan, these Mats will assure you only the best comes from Dr. Suzuki + Technics.

Version 2 of the scratch edition features larger double Technics Logo. Supplied as a pair with included slipsheets.