Back catalogue: All genres

Review: .Lewis Taylor has always roamed fairly creatively freely with his music. He emerged at first releasing psychedelic music in the 80s under the name Sheriff Jack, then as Lewis Taylor in 1996 he offered a self-titled long player debut that explored the neo-soul sound of the day. He put out plenty of albums after that, an even played bass with Gnarls Barkley. Much of his work is being reissued right now including Lewis II which mixes up soul and breaks, funk and beats, with plenty of percussive grooves and expressive vocals that fans of James Lidell will love.

Review: Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I, is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don't know, get to know. Originally released in 1976 but wonderfully timeless, this one's at the top of every library funk collectors' list. It's easy to see why. Racing out of the gate, the gritty crime funk of 'The Detectives' makes for a thrilling ride. A dramatic action theme, it's packed with strident playing and bags of attitude; and thereafter, we get ten drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled tracks built for maximum funk fever. 'Helicop' is one such fast paced and energetic dramatic action background, while 'The Big One (Prelude)' brings with it an ace bassline and creeps along superbly, adding tension with an amazing rolling piano loop stopping us dead in our tracks. It's all building to 'The Big One', a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. Notably, the track was sampled by Jay-Z; and you can't really blame him, can you?

Review: British library musician and composer Alan Tew has one of his many magnum opuses, Drama Suite Part II, reissued by KPM. With the label keen to flaunt its first edition's going rate on Discogs, Tew's follow-up to the first part is a holy grail for library music collectors, owing to its performative subtlety, breadth of mood, and doubtless bottling of several modish styles of the time: noir, dark jazz, explotiation theme music. The track 'Stonechange' in particular hears many coded rerubs, with many versions and sub-versions, as was of the factual, rationalistic and methodical approach to the library music of the 1970s and early 80s. It's also got an indelibly clean sound: as with all KPM reissues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis.