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Notes: Existing for a few short years (1984 - 1988), El records was perhaps the most 'cult' of the UK so-called 'indie' labels. El records was created in 1984 by Mike Alway. Alway was A&R man for Cherry Red, signing artists such as Everything But the Girl, The Monochrome Set and Felt. Alway left Cherry Red to help run Blanco Y Negro (an offshoot of WEA) but soon felt constrained by the conservativism of the commercial music sector and left to set up his own label. El was once described as 'the most innately English record label there has ever been' and yet had a global appeal. Alway must be the only record label boss to have had four songs written about him.

Alway's mercurial approach was to take complete control of the repertoire, the philosophy of the label's releases and even the titles of songs in the manner of pop impresarios of the past. Alway became a curator, selecting, shaping and overseeing the records issued on El. He employed songwriters proficient in classical pop techniques such as Nicholas Currie (AKA Momus) and Philippe Auclair (AKA Louis Philippe) who in addition to issuing their own records wrote, arranged and performed for other el artistes and used creative talentssuch as photographer Nick Wesolowski and designer Jim Phelan to create the El "look".

El had a unique flavour eschewing the traditions of rock and indie music of the mid 1980s, exhibiting instead a taste for 1960s bubblegum and chamber pop, the European chanson tradition, Latin rhythms and film scores (one of El's key players was child prodigy Simon Turner who wrote music for the films of Derek Jarman).

The ethos of the label was decidedly un-macho and many of El's key artists were female. El's first single "I, Bloodbrother Be" by Shock Headed Peters was an uncompromising gay anthem. Alway saw El as a celebration of elegance and beauty, in his own words, "a pop world beyond leather jackets and jeans". While record sales were disappointing, this unique blend was critically acclaimed in the UK and popular in America and mainland Europe while in Japan El had a profound effect, directly influencing the Shibuya-kei phenomenon that included Pizzicato Five, Cornelius and Kahimi Karie.

Bright Young Things is the first book to tell the fascinating story of El, one of the most influential indie labels of all time.

Notes: As the seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their '76-'77 predecessors, not to mention more aggressive and political, the likes of Discharge, The Exploited and G.B.H. were to prove not only more relevant but arguably just as influential. Several years in the making and featuring hundreds of new interviews and photographs, "Burning Britain" is the true story of the U.K. punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects and the U.K. Subs as well as the more obscure groups like Xtract, The Skroteez and Soldier Dolls. The grim reality of being a teenage punk rocker in Thatcher's Britain resulted in some of the most primal and potent music ever committed to plastic. "Burning Britain" is the definitive overview of that previously overlooked era.