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Review: Morricone aficonadi will be champing at their costume jewellery for this one. Scored for the Sergio Martino film Ruba Al Prossimo Tuo (1976), Morricone provided a hauntingly atmospheric soundtrack, marking the flick out from the rest in the Italian Giallo wave, and its usually otherwise funk-backed, upbeat exploitation emotes. The film follows a chilling, traitorous femme-noir formula, as a young woman, Giulia, is put through a seedy ringer after witnessing a brutal murder. As Edda Dell'Orso sings above Morricone's samba arrangements, the record is notable for its renderings of classic Latin style in much broodier, more dubious tones.

Review: Ennio Morricone's score for Il Gatto is a standout in his work for Italian Giallo films. Though the story got mixed reviews, Argento's direction and Morricone's music elevate the film with its tension-building, subconscious fear-stoking and gorgeous cinematography. The score is marked by a jazz-influenced bass guitar and a five-note motif, expanded upon with diverse instruments like strings, high-pitched organs, eerie woodwinds and ghostly voices. While repetitive textural ideas form the score's heartbeat, subtle musical accents keep it intriguing. This score masterfully enhances the film's nightmarish atmosphere. The track 'Mariangela E La Seduzione)' offers a rare semi-sweet melody, while the track 'Quartetto Tiberini' adds depth to the overall experience. Morricone's terrifying, hallucinatory score for Il Gatto is among his finest work.

Review: Alzati Spia is one of countless soundtracks from Ennio Morricone that expose his masterful ability to elevate film through music. This one from 1982 blends suspenseful orchestrations, dramatic tension and avant-garde experimentation that mirror the titular espionage thriller's atmosphere with real precision. Morricone's signature use of unconventional instrumentation and haunting melodies keeps you gripped while the eerie intrigue comes from string arrangements and bold bass. These are emotionally charged compositions that evoke rich mental imagery to the point that even without the film playing they unfold like an immersive mind movie.

Review: Ennio Morricone's score for A Fistful of Dollars is a seminal moment in film music history, launching him, Sergio Leone, and Clint Eastwood towards fame. The music, a dark and cold yet stylistically colorful masterpiece, is as integral to the film as any other element. The opening title theme, with its whistling, grunting vocals, electric guitar, whip, and drums, is a three-minute stroke of genius. 'Almost Dead' introduces another indelible theme, blending low-end piano, harmonica, and gypsy-like violin solos. 'Square Dance' is a catchy piece of Western dance music, while 'The Chase' is a frenzied mix of trumpets, percussion, and choir, unheard-of in film scores at the time. The score's action-packed sequences, like 'The Result' and 'Without Pity,' showcase Morricone's innovative fusion of American and European folk music. The 15-minute 'Theme From A Fistful of Dollars' is a breathtaking trumpet theme, akin to 'Ecstasy of Gold.' This reissue, on matching "red canyon" vinyl, captures the brilliance of a classic score from a true genius of cinema music.

Review: Ennio Morricone's La Cosa Buffa is a brilliant 1972 soundtrack that beautifully captures the emotional breadth of Aldo Lado's sentimental drama. The score, celebrated for its lush orchestration and hypnotic themes, features an array of string and harpsichord variations, with Edda Dell'Orso's haunting, wordless vocals enhancing the romantic atmosphere. The album, reissued on vibrant yellow vinyl to mark its 50th anniversary, showcs Morricone's exceptional ability to blend dreamy and groovy elements, making it accessible yet deeply evocative. Remastered by Claudio Fuiano, this edition includes a faithful reproduction of the original film poster, adding to its collectible appeal. Notably, the score diverges from Morricone's more intense giallo work, presenting a more melodious and dramatic soundscape. The catchy 'Ballabile N.1' and 'N.2' tracks offer a playful nod to 60s beat music, further enriching the album's varied texture. La Cosa Buffa is a signature example to Morricone's movie magic helping him remain as influential and beloved as ever.

Review: The legendary film composer is back with a reissue of one of his most haunting and suspenseful i a perfect canvas for Morricone's groundbreaking score. Morricone's contribution to the thriller genre remains unparalleled, blending haunting lyricism with avant-garde experimentation. This score is no exception. From the eerie waltz of the main title, performed by the ethereal Edda Dell'Orso, to the unsettling dissonance that creeps beneath the surface, every note is designed to disturb and captivate. The music mirrors the film's dark narrative of a journalist trapped inside his own lifeless body, racing against time to solve a chilling conspiracy. Originally intended for a vinyl release in 1971, the full score was shelved until a limited CD surfaced in 1998, followed by an expanded 2009 edition that quickly sold out. This newly remastered release by Chris Malone is a great way to experience Morricone's work, offering a pristine listening experience for both avid collectors and newcomers. Accompanied by insightful liner notes from Miguel Angel OrdoNez, it stands as a great addition to any film score collection.

Review: The bounty hunter's journey continues, accompanied by a score that has left an indelible mark on cinematic history. This newly expanded edition showcases Ennio Morricone's remarkable work for Sergio Leone's 1965 classic, featuring the original eight-cue soundtrack program first issued by RCA Records, paired with the complete mono film score. The remastering, handled by Claudio Fuiano and Daniel Winkler, enhances every note of Morricone's haunting compositions. The packaging itself is a collector's dream, with front cover art by Renato Casaro and a portrait of Morricone by Fuiano. This vinyl release, presented on transparent white and orange wax, is housed in a gatefold sleeve. Added to this edition are two poster prints and a 24-page booklet written by Daniele de Gemini, adorned with Averardo Ciriello's artwork and a layout by de Gemini, offering deep insight into the music and its context. Morricone's score integrates pre-written themes, including a recurring melody tied to a musical pocket watch that becomes a pivotal element in the film. The music's enduring appeal is evident in covers by Hugo Montenegro and Billy Strange. Often overlooked, this film and its score deserve renewed attention through this meticulously crafted release.

Review: Dietro il Processo is a TV investigation series directed by Franco Biancacci that was broadcast by RAI in Italy from 1978 to 1980 as part of the Storie allo Specchio series. The legendary Ennio Morricone composed the main theme and scored three episodes: L'urlo, L'ultima notte di Pier Paolo Pasolini and Il caso Montesi. Although the tracks were not initially released in any format, the soundtrack became available on CD in 2009. For Record Store Day 2025, this first-ever LP edition has been assembled and comes on white vinyl so allows a chance to revisit to these most dramatic pieces.