Tags: Dark wave

Review: Back by popular demand comes this four track revisitation of the famous 80s synthpop classic, which emerged in December 2024 with the kind of slightly Euro twist in the vocal department you might expect from the Netherlands-based Random Vinyl stable. The Master Mix is perhaos the most poignant, given that its airy, lush pads were put together by the late producer Marc Hartman who very sadly passed away in August 2024 at the far too young age of 58. But all four show due reverence to this monolithic moment in electronic music history, without resisting the temptation to add a little new. Grey-t stuff.

Review: The music of London's Blitz nightclub is celebrated with a new box-set curated by Rusty Egan, the man who, with Steve Strange, helped usher in a transition from the late 70s musical gloom into a glamorous, sonorous new 1980s. After their prior band, Rich Kids, disbanded in 1978, Egan and Strange saw through their enterprising excesses with a new venture, launching the Blitz club as a wine bar in Covent Garden. Bottling the unique, generic essence of the nightclub - at a time where the styles and sounds of David Bowie, Sade, Spandau Ballet, Boy George, Billy Idol, Ultravox, Visage, Marilyn and Gary Numan reigned supreme, yet were often not heard all in one physical place - this new reminiscence compilation brings both well-known and lesser-heard gems of the Blitz era to a fantastically fresh set of ears, proving that even you, too, can be a hero, just for one day.

Review: Dark Entries looks to Portugal for this new and swinging collection of vintage Iberian synth, post-punk and wave. Rock Rendez Vous: Musica Moderna Portuguesa 1985-1986 is the sound of a legendary club which opened in 1980 and helped to usher in a new wave of sound for local emerging bands. They drew from national musical identity and fused it with contemporary international influences and came up with some of the prime indie tunes you hear here, from brooding post-punk 'Levante' from Jovem Guarda to more playful and Balearic-laced synth-pop stunners like D. W. Art's 'Mate'. This one is perfectly presented with a double-sided insert featuring lyrics and liner notes.

Review: A compelling selection of unreleased tracks from influential Italian artists and producers who continue to shape the underground electronic scene. The project features a mix of electro, synth-pop and new wave, each track pushing boundaries and exploring new sonic frontiers. Rimini Metafisica, led by Paolo Gozzetti (known for Sigma Tibet and Italoconnection), presents a fresh exploration of sound, while TenGramsione of the Piatto brothers' aliasesidelivers dark, minimal synth with an essential edge. Diego Montinaro, aka Sandiego, contributes a cybernetic ballad, while Mono Han, another Piatto project, shines with bright, authentic synth-pop, powered by a Linn Drum and Roland Jupiter 8.Other standout contributions include Deep Field, a synth-pop venture from Danilo Carnevale and Castelli's new-wave disco track. Fogli and Ventura's collaboration brings isolationist minimal synth, while Through Twelve offers a post-punk-synth-pop blend with contemporary flair. Body System, a collaboration between Enrico Colombo and Ventura, aims to revive the EBM sound and Italoconnection, with Francesca Gastaldi, presents a "lost" track reinterpreted by TenGrams in a Kraftwerkian style. Spittle Italy continues to bring out some excellent compilations for their followers.

Review: Rusty Egan Presents Blitzed! offers a vivid sonic journey back to London's Blitz Club circa 1980, capturing the essence of the New Romantic movement with meticulous detail. As the resident DJ at the epicenter of this cultural phenomenon, Rusty Egan curated a soundtrack that defined an era and shaped the future of British pop music. This compilation meticulously captures the eclectic mix of influences that fueled the Blitz Club's electric atmosphere. From Bowie and Roxy Music to Kraftwerk and European electronic pioneers, Egan's sets seamlessly blended diverse musical styles, creating a sonic tapestry that transcended genres. The tracks on Blitzed! reflect the club's diverse clientele, from fashion designers to art school kids, post boys to pop stars in the making. The compilation's contemporary photography by Sheila Rock, Peter Ashworth, and Terry Smith, along with insightful sleeve notes by Alexis Petridis and Rusty Egan himself, provide a comprehensive look into the era and its cultural impact. Blitzed! not only celebrates the music of the time but also serves as a historical document of a revolutionary moment in British pop culture. It's a must-have for anyone interested in the New Romantic movement and the influential role of clubs like The Blitz in shaping music history.

Review: The overdetermination of many sources of inspiration fed the making of this new EP by Asymmetrical (Giovanni Inglese), whose regular top-ups for the label have earned him his very own catalogue number reservation, this one coming as no exception. Said inspirations include: the digit 7, elevated to the status of Jim Carrey's number 23; a sticker glimpsed in a bathroom in a north-west Rome nightclub; and a long gestation of studio sessions, committed to between 2018 and 2020. The result was a slurrying EBM release of the coldest affect, consisting largely of all-consuming licky bass, mussitating monologues ('Estetica Della Notte' tells the tale of assuming nocturnal form while under the domed hoardings of Rome's famous Pantheon) and subtly vampiric overtones ('Porno Incubo').

Review: Berlin-based synthwave and dark disco band Dina Summer return with a sanguine new seven-track record, continuing their reputation for making 80s nostalgist music fans ever more ravenous for their distinct take on EBM and its adjacent styles. Following 2022's acclaimed Rimini LP, this freak zone of a record brings gravely detuned, yet DJ-ready instrumental backings and stiffly but passionately delivered vocal recitations to a modern production palate. This approach reaches its ultimate conclusion on the natural midpoint 'Alien', a track perhaps best describable as a hi-NRG number made in a cryoponic chamber and lent an extraterrestrial theme.

Review: Narco Marco returns to Pace In Stereo for more adventures through yesterday's tomorrow. As ever, the production is incredible, offering two tracks that pack a timeless sound informed by Italo, early electro-pop, cold and synth wave, a twin delight that somehow serves as the ideal home or headphone listen, yet is also dance floor ready and primed for proper parties. Starting on the slowest, tempo wise, 'Bald Tag' doesn't exactly owe a debt to Kraftwerk but certainly offers a place for sounds could have evolved in the back catalogue of the German pioneers. It's a weird and warbling, stepping, highly musical ride. 'Ice Tea', meanwhile, opts to get more of a stomp on, glittering harmonies painting stars in the sky above, vocals swapped out for more melodic depth.

Review: In April 2023, Swiss label Subject To Restrictions Discs offered up a fine debut EP from Zurich electronic wave duo Dadalus & Bikarus. This follow-up EP presents the same tracks in freshly remixed form, with a variety of underground heroes and rising stars providing the revisions. Saeko Killy kicks things off with a minimalistic, subtly funky new wave rework of 'Voran', before Cage & Aviary man Jamie Paton drops versions of two tracks: a moody, slap bass-sporting dark-wave re-wire of 'Youri Gagarine', and a chugging, A Love From Out of Space style tweak of 'Gone'. Over on side B, Andrei Rusu re-imagines 'Tous Les Mesonges' as a dense, discordant slab of rolling acid-electro, while Anastasia Zems turns 'Voran' into a brain-melting acid jacker.

Review: Volksmusik's Underground is a captivating release on Unusual Systems, featuring five dance tracks that fuse various darker subgenres into a compelling electro house hybrid. The album explores dark wave, EBM, and electro techno, creating a unique sonic experience. Side-1 opens with 'Underground,' an uptempo track with a darker Italo house feel that captures an 80s futuristic vibe. Following is 'The Force,' a dynamic piece with engaging lyrics that blend a Nu-Romantic vibe reminiscent of Visage. Side-2 begins with 'Glowing In The Dark,' maintaining the album's dark and atmospheric tone. 'Snake Island' shifts towards a darker rock sound, verging on Goth rock, adding variety to the album's texture. Closing the release is 'We Danced,' which infuses an EBM edge, rounding out the collection with its energetic and intense rhythm. Underground stands out for its innovative blend of genres, making it a great release for fans of dark, electro-infused dance music.

Review: You might well have caught two thirds of Dina Summer lurking around modern minimal wave circles as Local Suicide, but now they're pressing on into further sinister synthscapes as Dina Summer. Following their standout debut LP Rimini in 2022, the trio are back with a seductive new EP that sees them strutting into 2024 with some of their best material to date. The synth hooks on 'Unter Strom' are towering triumphs of pop-minded sound design, with some discernible Italo throb happening in the low end. 'All Or Nothing' is a fierce and formidable peak time slammer, while 'Excess' is the kind of supersized electro-goth workout you'd equally expect from Miss Kittin & The Hacker.

Review: Karolina BNV is not to be messed with, putting it lightly. The Berlin-based producer has garnered a loyal following among fans of EBM, New Beat, industrial, electro-goth and robot sex droid fetish production scenes. The latter we just made up but hopefully you get what we're getting at. Descriptions aside, she follows her 'Lessons On Good Behaviour' release with four more tracks born from a terrifying future we're probably already living in, we just don't really know it yet. From the apocalyptic sludge and punch of 'Unforgivable Decisions', to the electro rave squelch and staccato percussion of 'Context Abuse', the two tracks roll out relentless grit and grime. Then you have '1988' and 'Germany Calling', with their retro futurism, acid house totems held high in the air for all to see that there is still some resistance to the robots.

Review: Berlin-based Dina Summer - a synth-loving trio fronted by the suitably sassy and no-holds barred singer Dina P - impressed with their Italo-disco and turn-of-the-millennium electroclash inspired debut album, Rimini. Three years in, they return with an arguably even stronger set - the notably darker, more stylish and more new wave-influenced Girl's Gang. Many of their trademark elements remain to the fore - Dina P's dead-eyed spoken word vocals, the use of vintage drum machine rhythms and sequenced basslines - but this time round come accompanied by black mascara-clad nods to post-punk, New Romantic, goth-rock and Depeche Mode style synth-pop sounds. As previously stated, it is genuinely stylish and impeccably observed stylistically, but what makes it stand out is the substance behind the sheen.

Review: New bursters onto the scene, Spain's Spirito Del Tempo present their inaugural release, Das Firmament's 'Voices Of The Past'. Their sound rodded in real-time creation, as opposed to obsessive editing in post, the Swiss duo nonetheless cut the cloth of a steely, ingenious exactitude, befitting of techno-into-dark-synth and its mechanistic mood of absolution. 'Herrscher Der Zeit' and 'Eine Frage an Disch Selbst' are bell-tower-chiming, synthpop machines, stripped of their humanity save for an irrevocable harmonic core. 'Condem Me' and 'Videodrome' move increasingly Cronenbergian, ending on an acid trance tonic traum: "television is reality, and reality is less than television".