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Notes: Delay modes

Digital

Starting as a crisp digital delay, this mode, when paired with the tap footswitch, covers a lot of ground for your delay needs. The "Red" modulator lets you adjust the dampening of the delay, making the repeats either brighter (emulating towards a tape or HIFI sound) or darker

Reverse

Instead of reading the delay buffer in a forward direction like the "Digital" delay we read the buffer backwards creating unique sound possibilities. You can further modify this sound with the "Red" modulator to adjust the dampening of the repeats to grow brighter or darker.

Granular

Takes the delay buffer and chops it up into "Grains" and then plays those grains back. The size of the grains, direction (forward/reverse), the speed (pitch) and location in the buffer is all randomized so every time you experience this mode it will be a unique exploration into granular synthesis. The "Red" modulator allows you to adjust the max size of the randomized "size" of the grains and the amount of grains from 1-5.

Re-sample

What if you want a more complex soundscape like other instruments are playing with you? Re-sample accomplishes this by playing the delay buffer at different speeds which changes the pitch and timing of the delayed phrases creating a more complex musical expression of what you are playing. "Red" lets you adjust the mix of the octave down and the octave up.

Reverb modes

Hall

The least diffused of the reverb modes "Hall" allows you hear the reflective nature of the hallway your sound is in.

Plate

Emulating a classic plate reverb sound that is diffuse and reflective.

Chasm

An exploration into reverb design feedback networks that can allow for unnaturally large decay lengths.

Grim

Takes the "Chasm" mode and splits the output to a parallel octave down so you get the normal output + the octave down for a deep rich soundscape.

Looper modes

Gives you latching control over the rec/dub of your looper.

Momentary

Only rec/dub while holding the rec/dub switch.

Quantise

Works like the latching but will trim your loop to a division of the existing delay time.

MOD ONE and MOD TWO allow you adjust the following modulators

Modulators

Delay

Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.

Reverb

Vibrato - an asymmetrical modulation of the reverbs pre-delay to create sonically pleasing movement in your reverb.
Auto-Filter - takes control of the "Filter" DSP block and modulates it with an LFO. Adjust the "Resonance" of the "Filter" block to get a more dramatic effect.
Shimmer - Adds an octave feedback path in each reverb mode and can be octave down or octave up.
Dampening - adjust the LPF and HPF of the reverb feedback path drastically changing the tone and how the reverb reacts to input.

Looper

Clock: fine detail adjustment of the speed and direction of the clock.
Quantized Clock: Quantized adjustment of the speed and direction of the clock locked to octave intervals.
Loop Start: Adjust the starting point of the loop.
Loop End: Adjust where the loop will end.

MIDI: 3.5MM IN/OUT
USB: USB-C
Expression: TRS input

Controls

MIX (mod one)- The mix of the Reverb DSP block
DECAY (mod two)- The time it takes for your instruments reverberations to fade away, or die.
FEEDBACK (mod two)- How many repeats the delay will have
MIX (mod one)- The mix of the Delay DSP block
CLOCK (pre-delay)- Adjusts the "size" of the reverb DSP block
MIX (mod one)- The mix of the Looper DSP block
FREQUENCY (resonance)- Adjusts the Frequency of the Filter DSP block
TIME (dry mix)- Set the time of the Delay DSP block up to 2 sec

Modifiers

Reverb Mode (modulators)- Sets what Reverb Algorithm is active
Looper Mode (modulators)- Sets how you control the Looper DSP block
Tap Division (effect order)- Sets which tap division is active for the Delay DSP block. 1/2: Half note, 1/4: Quarter note, .1/8th: Dotted eighth note, 1/8th: Eighth note
Delay Mode (modulators)- Sets which Delay Algorithm is active

Input/Output: Stereo / mono - stereo / stereo - mono / parallel mono
Bypass: True Bypass / Tails
Power: 9v 400MA
Dimensions: 4.8 x 5.5
MIDI: Yes. 3.5mm Jack
USB: Yes
Jacks: Top Mounted Input And Output Jacks

Notes: LAPS: A Multitrack Sound Design Tool

LAPS is a compact multitrack machine designed for layering soundscapes, crafting tape-style overdubs, and creating intricate sonic collages. Ideal for everything from glitchy loops to expansive, multi-layered recordings, LAPS offers a trove of creative possibilities.

Features at a Glance:

3 tracks (Laps) with up to 20 seconds of stereo recording each at 24-bit/48kHz.

Two modes: Replica (mirrored layers for melodic shifts) and Multiply (endless layering without erasing).

Stepped pitch shifting, band-pass filters, granular effects, and a tape-style "Age" effect.

Stereo in/out with on-board panning, true bypass, and high-quality A/D/A converters.

Designed for Sound Explorers

LAPS draws inspiration from Puremagnetik's Small Winters - a plugin built in collaboration with sound artist and 12k label manager Taylor Deupree. LAPS takes the concept beyond the digital realm with enhanced features and physical functionality. Whether you're sketching loops or building spacious compositions, LAPS transforms into a powerful, hands-on sound design tool.

Notes: When Wampler decides to jump into the multiFX market, they do it in style. 11 custom designed effects blocks, from Flanger to Phaser, Chorus to U-Vibe, Harmonic Tremolo to Envelope Filter, you know everything about it is going to be perfect.

In one incredibly small package, you can control any of the 8 presets via midi, you can assign an expression pedal to control ANY of the main five controls, you can run it in full glorious stereo or keep it in mono - you can even split that mono signal to route some effects to go before your drive pedals, or amp gain, and have the rest follow behind or in your effects loop!

When you put the Terraform into your rig, you know that not only will you get that legendary Wampler tone, but you will get the most easy to use, hugely versatile and best sounding collection of modulations you could ever want.

Each of the 11 effect blocks have been designed and realized in-house by the tone chasing freaks at Wampler. Each one has been inspired by many individual stomps, both modern and vintage, to bring you the best version of them all.

There are 8 presets to store your favorite sounds - you can recall them via the fully mappable midi, via the button on the front and even from the stomps! The expression pedal can control ANY of the 5 controls and you can even set the heel and toe point!

If you want true Stereo, you got it - You want basic mono, you got it.. You can even split that mono signal so you can put some effects in front of your drive section and the others behind, or going into the front of your amp with the rest in the effects loop. However you like to route your signal, the Terraform has you covered.

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Terraform. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.