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Review: "III", by Skallander, is a collection of ten devastating pop-songs guaranteed to appeal to fans of Sufjan Stevens and Jose Gonzalez.
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Review: Project Perfect were the tricksters of Portland's music community during the days of their frequent and strange performances (2002-2004). Appearing live in costume or with exotic dancers on stage, the group's deadpan humour was at odds with their profoundly introspective, abstract music. Following from their membership in Fontanelle, the two long-time collaborators came into their own with a reputation for consistently dextrous live performances, a distinctively insular sonic vocabulary, and a fluid, telepathic improvisatory rapport. Project Perfect's mastery over sounds takes them jump-cutting from squiggles, squonks, and blurts of random (yet eerily on-target) radio broadcasts, to moments of austere, dry guitar and piano interplay. Hopping between tender and bombastic moods, introspection and extroversion, delicacy and jarringness, the band's sense of variety within a narrowly defined sonic palette is unmatched. Their approach comes from some oblique musical reference points (Runegrammofon label, Cabaret Voltaire, Conrad Schnitzler and Cluster come to mind), but this was a group that truly did not sound like any other. "PM+" adds additional tracks to the original recording "PM", a CD that was essentially privately released by conceptual arts group Red76, in 2002. Completely undistributed, and never exposed to local or outside press, "PM" came to us as a crucial piece of lost Portland music, along with additional recordings the band made in 2003. Andy Brown was a founding member of the celebrated early kranky band Jessamine, as well as of its less-understood successor, Fontanelle. He has also been part of the drone group Southerning, and is now of the audio/visual trio Paint & Copter. Charlie Smyth (also ex-Fontanelle) has worked in everything from skronking jazz-rock (with Seattle's Laundry in the 1990's) to free improvisation (in the early 2000's) and most recently, as a folk-rock songwriter in Chicago, Berlin, and Seattle. Please share our enjoyment of this singular, intimate, and cosmic recording.
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Review: Zelienople (named after a borough in Pennsylvania) is the moniker of Chicago based musician's Matt Christensen (guitar/vocals), Mike Weis (percussion) and Brian Harding (guitar/clarinet). Between them, in a desolate suburban basement, they have come up with "His/Hers", a record of pure psych-rock sludge. There is certainly no shortage of acts willing to throw down waves of experimental guitar noise and clattering percussion, but with the benefit of focus and experience, Zelienople sound like something totally out of time and almost impossible to place. Residing in a hazy drunken world in-between slowcore pioneers Low, psych-folk outsiders Charalambides, Japanese overlords Boris and Dead Man era Neil Young, "His/Hers" is a faded photograph of rock music past, yet still manages to keep a firm footing in the present. Guitars echo like disappearing ghosts and vocals moan and wail mercilessly while percussion bubbles up in glorious waterlogged waves.
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Played by: Juno Recommends Experimental
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Cat: WAP 144. Rel: 24 Nov 00
Experimental/Electronic
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Cat: CRONICA 031. Rel: 01 Jan 90
Experimental/Electronic
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Cat: LIGHT 002. Rel: 03 Feb 06
Experimental/Electronic
Review: Here we find Office-R focusing on improv and free jazz sounds, and make a wholly respectable racket doing so. The band is comprised of six members playing laptops and regular instruments, creating a marriage of the acoustic and electronic. The saxophone and oboe flourishes are held down by the struggling laptop squelches, squeals and samples before they break free in all their screaming glory only to become shot down by a stray string of binary. Comparable to the work of John Zorn and the Tzadik label, or the less noisy end of Mego, "Mundane Occurrences & Presentations" is best heard on a large soundsystem or a damn good pair of headphones, it's crystalline detail and thick buzzing sounds needing to be heard loud and clear. The musicianship and craft (of software use as well as classic instrumentation) on this record are what stands out most.
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Review: Though the name Gouseion may be unfamiliar to you, you may well have heard his work in the past. Cassidy Demarco, as he is known to his friends, keeps himself busy by recording under an astounding eleven aliases, including C++, Monodec and Minijack, as well as participating in three collaborative projects. "Puisne" is a record that blends and bastardises electronica with hip-hop, breakcore and more. Using lofi 8-bit sounds with seriously heavy production techniques, every sound cuts through the mix and forces you to fall head first into the body-moving rhythms and jarring synth lines on offer.
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Cat: SLM 005CD. Rel: 15 Jun 07
Experimental/Electronic
Review: Although "Halfway Between The World And Death" is Jean-Louis Huhta's first solo album, he has already become a hugely respected musician and composer in Sweden and beyond. Having been a member of the eighties post-punk band Cortex, as well as acting as percussionist for grindcore legends Anti Climex for three years, Huhta was already a familiar face in the Swedish underground scene, even before going on to work in a huge variety of projects including The Stonefunkers, Audio Laboratory, Skull Defekts and Lucky People Center. He even found time to create some deep and unorthodox techno as Brommage Dub with prolific techno producer Jesper Dahlback, as well as playing in Ocsid alongside Carl Michael Von Hausswolff and Graham Lewis, former bass-player for The Wire. So what does this album sound like? Does the fact that underground filmmaker Bruce LaBruce insisted on using it in his upcoming 'melancholic gay zombie flick' give us an idea of what it sounds like? Well, yes, it does. "Halfway Between The World And Death", as the title may suggest, is a morbid and dark album, taking influence from grainy horror film soundtracks and murky b-movie sleaze. Rhythms are submerged under layers of dirty guitars and eruptions of degraded noise. An exceptional Slottet release.
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Review: Strountes is the new band of Maria Eriksson (The Concretes), Mats Gustafsson (The Thing) and Argentinean mystic Anla Courtis (who studied under Robert Fripp). How to label Strountes music? Hard nut! Folk-noise? Ghost music? The great late Swedish poet, Gunnar Ekelöf, used the title Strountes when he wrote about nonsense (Strunt). The music Strountes plays is in a way non-sense-music, music out of mind, but it is strong and beautiful. Maria Eriksson from the Swedish rock/pop group The Concretes, Anla Courtis from the Argentinean cult band Reynols and master saxophonist Mats Gustafsson, has created an album full of brutal and dirty sounds, but the music is at the same time sweet and tender. Maria's voice sounds like an angel in a midst of a hurricane. The tunes she sings on has a kind of horror-soundtrack-style. One come to think about Rosemary's Baby or The Shining, but only the scenes before it starts to get chilly or violent. Maria sings and plays acoustic guitar & toy piano. Mats Gustafsson, who's amazing saxophone playing can be heard with free jazz champions like Peter Brötzmann and Ken Vandermark, but also with rock maestros like Sonic Youth, Jim O'Rourke and David Grubbs. In recent years Mats, together with his companions in the trio The Thing, has carved out his own form of love music, consisting of elements both from free jazz and garage rock. In Strountes music he is free to work with all his "styles" - and he does! Strountes sees Mats host the saxophones, flutephone & live electronics. Anla Courtis, from Buenos Aires, plays electric guitar, homemade violin, contact mic & pocket Theremin. Courtis has an enigmatic musical presence. A musical mystic, who once studied with Robert Fripp, and also played with minimalist queen Pauline Oliveros together with his band Reynols, completes the trio with his rawness and energy.
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Enter The Scred Triangle
Inside Our Mama
Fata Clara Morgana Bismuth
Earth & Egnamis
Super Pineal Bros
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Diasporas (remastered) (B-STOCK) (LP + MP3 download code)
Cat: DAIS 21LP (B-STOCK).
Experimental/Electronic
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Live I Elementstudion
Live I Elementstudion (RUM)
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The Suncrows Fall & Tree (orange vinyl LP limited to 75 copies)
Cat: IMP 014O.
Experimental/Electronic
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Orkney: Symphony Of The Magnetic North (limited hand-numbered gatefold blue vinyl LP + MP3 download code)
Cat: FTH 139LPA. Rel: 19 Mar 21
Experimental/Electronic
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Souq El Gharb (part 2)
Odour Of Semtex (part 1)
Odour Of Semtex (part 2)
Shroud Of Kohmeini (part 1)
Shroud Of Kohmeini (part 2)
Souq El Gharb (part 1)
For Abu Jihad (part 1)
For Abu Jihad (part 2)
La Palestina (part 1)
La Palestina (part 2)
Obeid (part 1)
Obeid (part 2)
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Benni Bascom - "Delay Bascom" (Side A - MMODEMM)
DMRA - "SPENT"
FM Aether - "Einmal Schutthaar"
Charlotte Simon - "Chloe"
Guy Lee - "Grow Room Fan"
Outermost - "Colours Fade"
Antonio - "Visions"
Robin - "IC2042" (Side B - PH17)
N9oc - "Select Screen"
Tinkah - "Humility"
Leibniz - "Fear"
Stanley Schmidt - "Supporting Voices"
DJ Durbin - "Displaced Polychromy"
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Skam
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Collected Writing & Poetry (cassette + 20-page zine limited to 50 copies)
Cat: CER 11.
Experimental/Electronic
out of stock $0.00
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Tasty
Tasty (Boys Noize remix)
Tasty (Boys Noize extended dub)
Tasty (LSDXOXO remix)
Siren
Siren (Basement Jaxx Cruise remix)
Siren (Basement Jaxx Joy Ride remix)
out of stock $0.00
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Cat: TRANS 467X.
Experimental/Electronic
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Cat: WAP 458.
Experimental/Electronic
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Acoustic Shadows (Anniversary Edition) (Record Store Day RSD 2021) (coloured vinyl LP in embossed sleeve limited to 300 copies) (1 per customer)
Cat: SA 035RSD21.
Experimental/Electronic
Brass (II)
Percussion (III)
out of stock $0.00
