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Notes: The DD600 is the ultimate digital delay effects pedal for subtle to substantial echo delays. Compare it to delay boxes costing three times as much and you'll find yourself returning to this remarkable pedal every time. The pedal has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra Pan Out output, a bright blue LED to indicate the power status and battery condition, as well as an electronic bypass footswitch which preserves signal integrity. The DD600 can be powered by either the Behringer PSU-SB DC power supply or a typical 9V battery.

Notes: From elastic delay to vintage slap-back echo, the Vintage Delay VD400 harnesses the authentic sounds of classic 1960s studio wizardry.

Though digital sound technology constantly evolves, nothing sounds quite like the old-school analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated Repeat Rate, Intensity and Echo dials, this amazing little stomp box evokes the spirits of some of rock and roll's most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry, is at your command.

The bright blue LED tells you when the Vintage Delay is activated and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9V battery or the PSU-SB DC power supply (not included).

Notes: Authentic and classic three dimensional phase shifting, from rapid rotary speaker to impressive jet plane effects! There is a dedicated Rate control and separate Tone switch for the fine-tuning of effect speed and tone. A status LED for the effect is included, plus a true hard-wire bypass for ultimate signal integrity. No matter what phasing effect sound you're after, VP1 is bound to make getting there easier! The VP1 runs on a 9V battery or a DC power supply (not included).

Notes: Whether it's a million-dollar hook or a soul-wrenching solo, some licks are just begging for the compression power of the Behringer CL9.

By pumping up quieter notes and bringing down the louder ones, this stomp box packages your sound into one smooth, consistent volume.

Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well - mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.

Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.

Twist the Level to determine this pedal's overall output, adjust Attack to give the front end of every strum and pluck added definition, then dial in the amount of sustain desired. The blue LED tells you when it's on, and the high-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this sound compactor with either a 9 V battery or a DC power supply (not included).

Push the good stuff to center stage with the Compressor/Sustainer CL9.

Notes: Get rich, tube-like distortion, smooth sustain and super-fat tone! Here's an overdrive pedal that supports the entire frequency range of bass guitars, even 5 & 6-stringers. The best part of all, the Bass Overdrive BOD400 was designed specifically for bass, so the bottom-end won't drop out when you pull the trigger.

Notes: You wouldn't think of using anything less than best reverb you could get in the studio. So why skimp on the 'verb at your live gig? Now you can add studio-grade reverb to any amp with the mind-blowing Digital Reverb DR600.

This 24-bit, high-resolution collection packs six of the most desired reverb types (Spring, Plate, Hall, Room, Gate and Modulate) into the ultimate to-go package. With its dual output jacks, you will dazzle your audience with true stereo reverb.

Just select the reverb type with the Mode control, and then dial in the Level, Tone and Time. It just doesn't get any easier than this. The blue LED tells you when the DR600 is activated, and the top-quality on/off switch maintains incredible signal integrity when in bypass mode. You can power the DR600 with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: So you love the bite, twang and snap of single-coil pickups but can't stand the nasty hum that comes along for the ride: plug into the Behringer Noise Reducer NR300 and kiss unwanted noise goodbye for good!

The NR300 actually functions as two pedals in one. In Reduction mode, you can adjust the dedicated Threshold and Decay dials to keep all your tone and dynamics intact, but effectively eliminate hum from the picture. In Mute mode, the NR300 becomes a super-quiet on/off switch for your instrument.

Operation couldn't be easier. The NR300 features two LEDs, one to indicate when it's activated, another to indicate when it's suppressing noise. You can power this pedal with either a 9 V battery or the PSU-SB DC power supply (not included). And the top-quality on/off switch maintains absolutely noise-free operation.

Notes: Setting up amps, dialing in tones and positioning mics takes a lot of time and patience. Why not step on a Tube Amp Modeler TM300 and skip straight to the good part? With 3 classic tube amps, 3 gain modes and 3 mic placements to choose from, the TM300 puts 27 combinations of some of the most sought-after tube amp tones right at your feet!

In this one simple pedal, you can call up the sound of a coveted tweed relic, a clean Californian classic or a roaring British powerhouse. You then apply your choice of the three different gain modes, and even control virtual mic placement. And with its dedicated Level, Low, High and Drive dials, the TM300 allows you to take any of these historic tones and shape them into something uniquely all your own.

The bright, blue LED tells you when the TM300 is activated, and the top-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this little jack-of-all-trades with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The Hellbabe HB01 is unlike any wah you've ever stepped on, offering a tremendous array of tone sculpting options. You get everything from old school wah to the most up to date sounds, all in one mesmerizing effects pedal. The Hellbabe will add new dimension and depth to your artistic expression.

First of all, the Behringer Hellbabe's heel down range control provides low frequency adjustment that can be swept from 440Hz down to 250Hz, making the HB01 the ideal companion for either guitar or bass. For custom tailoring the toe down frequency range, the Hellbabe features a fine control, allowing you to adjust the frequency sweep as high as 2.2KHz.

It is also possible to dial in a powerful volume boost (up to +15dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal like effects.

Unlike anything else on the market, the HB01 uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring back pedal mechanism with resistance adjustment. And thanks to our ultra bright LED indicators you'll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

Notes: If the raw, Neanderthal power of history's nastiest stomp boxes inspires you to plug in, turn on and rock out, it's time to expand your mind with the Super Fuzz SF300.

With the SF300's three unique sound modes you can: channel the grittiest tones of underground punk legends; update your sound into a crunchy industrial cacophony; or opt for a pure gain boost that will make your amp spew white hot lava.

Dedicated level, gain, treble and bass dials provide tons of tone shaping options. A blue LED tells you when this wild thing is activated, and a top quality on/off switch maintains optimum signal integrity in bypass mode.

You can power it with a Behringer PSU-SB DC power supply (not included) or a 9V battery.

Notes: The classic sound of blazing, overdriven vacuum tubes never goes out of style. This sound is at your command when you put the Vintage Tube Overdrive TO800 in your effects chain.

In order to recreate the sound of real tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock's most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.

Dedicated drive, tone and level controls let you shape exactly the sound you want. The status LED tells you when this pedal is activated, and its top quality on/off switch gives you the highest signal integrity in bypass mode.

You can power the TO800 via a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: In the churning, smoldering world of heavy metal, it's the middle frequencies that make all the difference between mush and muscle. With the UM300 Ultra Metal, you not only get control over the mids - you can micromanage them!

The UM300 effects pedal gives you the most extreme, sought after hard rock and heavy metal sounds with super thick, tube like distortion - plus virtually endless sustain.

Like most distortion stomp boxes, the UM300 comes with distortion and level controls. And the high and low controls let you dial in the amount of top end and bottom you desire. But the similarity to other stomps ends right there. Much like our world class mixing consoles, we've given the UM300 a mid freq control, allowing you to select a midrange frequency (from 200Hz-5KHz) and boost/cut it by up to 15dB (that's a lot!). What this means in terms of tone, is thick, tube like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone crunching mayhem.

A bright blue LED tells you when the UM300 is active, while a top quality on/off switch maintains highest signal integrity in bypass mode.

You can power the UM300 with Behringer's PSU-SB DC power supply (not included), or pop in a 9V battery.

Notes: Studio effects processors sound really good, but they can bulky, complicated and expensive. Now you can have all the power and great sound of studio grade, stereo effects processing, thanks to the ultra affordable, and easy to use Digital Multi FX FX600.

This studio in a box features flanger, chorus, phaser, delay, tremolo and pitch shifter, all in mind blowing 24bit/40KHz resolution that turns everyday riffs into 3D epics from the outer limits.

Just select one of the 6 effects with the dedicated FX knob, and then use the two PAR(ameter) dials to fine tune the effect. The LEVEL control determines how much of the effect is mixed with the original signal.

The LED tells you when the FX600 is activated, and the top quality on/off switch maintains incredible signal integrity in bypass mode.

You can power this pedal with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The Ultra Chorus UC200 pedal enhances your guitar's tone by making it sound super thick, plus adds an unbelievably rich stereo effect.

The UC200 features dedicated level, tone, rate and depth controls for awesome sound shaping.

A cool blue status LED for effect on/off and battery check plus a first class electronic on/off switch for highest signal integrity come standard.

The UC200 runs on a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: When you've got to have the classic tremolo made famous by vintage '50s amps, get the Behringer Ultra Tremolo UT300.

The classic surf music of the '50s and '60s might not have even happened if tremolo hadn't come along. Vintage amps produced this intriguing effect by pulsing the volume of the instrument signal at a user-adjustable rate. The UT300 pays homage to this legendary sound, bringing it up to date for modern surf freaks.

With its dedicated Rate, Wave and Depth dials, you can shape a pulsating tremolo that nails every sound from rowdy rockabilly and surging surf, to modern space rock.

A red LED tells you when the effect is activated, and you can power this groovy stomp box with either a Behringer PSU-SB DC power supply (not included) or a 9 V battery.

A top quality on/off switch maintains excellent signal integrity in bypass mode.

Notes: Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic?

The problem's not your guitar - you need an equalizer! The Graphic Equalizer EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the Behringer EQ700.

With 15dB of available boost or cut per band (that's a lot!), the EQ700's seven frequency bands have been carefully optimised to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700's capabilities, it helps to first understand some basics about the frequency range of your axe.

The EQ700 covers the audio spectrum from below 100Hz to over 6.4KHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone.

Notes: For an unplugged sound that's rich, loud and electrifying, step on the V Tone Acoustic Driver DI ADI21. This amazing little box is essential for piezo equipped guitars and will make your acoustic guitar sound come to life!

By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. If you don't want to use the emulation feature, the ADI21 also functions as a superb active DI box. The blend control allows you to mix the amount of modeled tone with your instrument's normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being miked.

Armed with an onboard 3 band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1/4" TS or balanced gold plated XLR connectors, which can be used to send a low impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: There are DI boxes - and then there's the V Tone Bass BDI21 - the feature packed analog DI box built especially for bass.

The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box.

With its dedicated Drive, Treble, Bass, Level, and Presence dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems.

You can power this bad boy with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: Do you find it hard to get the perfect sound from your bass? Maybe your bass seems to virtually disappear in some rooms; then again, it feels like a runaway locomotive in others? The problem's not your bass - you need an equalizer! The Behringer BEQ700 can resurrect your bass, providing total control over your tone, no matter what the performance situation. You can instantly improve the sound of your band from the bottom up, with the Behringer BEQ700.

With 15dB available boost or cut per band (that's a lot!), the BEQ700's seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even 5 & 6 string instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.

The BEQ700 covers the audio spectrum from below 50Hz to over 10KHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.

Most performers don't have a clue about what good equalization can do for their sound. Maybe you've heard the old maxim, "Make a sine wave to get really good sound," or "Make a smiley face, that always works." Sadly, this qualifies as advice from the uninformed. Just as every room is different, every musical instrument is unique. Even guitars and basses made by the same manufacturer, using the same materials, on the same day can vary a great deal.

People provide a good example of this principal - although we are all similar, we don't all wear the same size shoes, or even have the same colour eyes. There is no one "perfect" equalization curve that fits every scenario; equalization is dynamic.

When frequencies from 20Hz - 200Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low frequency response.

The fundamental notes of most basses fall within the 100Hz - 1000Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500Hz to 1000Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are offending and by turning up the overall volume, rather than boosting one specific band.

Notes: Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high quality limiting and enhancement makes bass tracks pop in the mix. The Bass Limiter Enhancer BLE400 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE400 will make your tone as solid as your performance.

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger style playing to slapping and popping. The BLE400 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

By its very nature, extreme compression tends to suck the high end out of any signal, so we added a tone compensation circuit to the BLE400. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE400 one of your favorite secret weapons!

The dedicated Level, Enhance, Ratio and Threshold controls provide easy and intuitive sound shaping. Just set the Ratio control for the amount of compression you want and adjust the Thresh(old) control to where you want the compressor to kick in. Then, turn the Level knob to match the volume of your bass when the effect is switched off. It's just that easy!

A first class electronic on/off switch is provided for absolutely noise free operation. The BLE400's top mounted LED lets you know when it's on and also serves as a battery tester.

And if you don't enjoy replacing 9V batteries, you can always use Behringer's PSU-SB DC power supply (not included) to power this pedal.

Notes: The FSB102 Heavy-Duty 2-Button Footswitch is identical to the one that ships with our BUGERA 1990 amplifiers. It is designed to perform as a remote activator/deactivator for the reverb and to switch between channels.

Featuring a rugged metal case, the finest switching components and a generous 15' (4.5 m) cable, the FSB102 connects to the rear panel of the amplifier for convenient, hands-free operation.

Notes: The FSB102A Heavy-Duty 2-Button Footswitch is identical to the one that ships with our BUGERA Vintage Series amplifiers. It is designed to perform as a remote activator/deactivator for the reverb and to switch between channels. LED indicators display the status of the amp.

Featuring a rugged metal case, the finest switching components and a generous 15' (4.5 m) cable, the FSB102A connects to the rear panel of the amplifier for convenient, hands-free operation.

Notes: The The FSB102B Heavy-Duty 2-Button Footswitch is the ideal companion for our BXD and VEYRON Series amplifiers. It is designed to perform as a remote activator/deactivator for the onboard FX Loop and Mute functions.

Featuring a rugged metal case, the finest switching components and a generous 15' (4.5 m) cable, the FSB102B connects to the rear panel of the amplifier for convenient, handsfree operation.

Notes: A versatile overdrive pedal for guitar with separate Gain, Tone and Level controls. A wide range of tones are available from natural and open sounding mild drive tones to heavier saturated distortion with all points in between to cover different music styles.

Gain, Tone and Level adjustment
9V battery or optional DC adaptor operation
Power supply9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
Controls: Gain, Tone and Level
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the box

The box for this item contains:

OD-50 guitar effect pedal
PP3 battery

Notes: A 5-band graphic equalizer pedal for powerful and accurate tone shaping of clean or distorted guitar tones. This unit shines when used for pre-gain mid boosting to give a more focussed overdrive or post-gain scooping to sit heavy riffs back in the mix. Clean signals can benefit from cutting harsh frequencies or as a tone-dependent lead boost.

5 frequency + 1 master volume sliders
9V battery or optional DC adapter operation
Power supply: 9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
EQ controls: 100Hz, 300Hz, 1kHz, 3kHz, 5kHz, Volume
Dimensions: 115 x 68 x 47mm
Weight: 279g

In the box

The box for this item contains :

EQ-50 guitar EQ pedal
PP3 battery

Notes: A chorus effect pedal to give a lush, ringing effect to any guitar line. This process especially lends itself to clean arpeggios and jangly chord sequences, giving the impression of width and spread. The CH-50 provides this across many settings to suit various guitar styles.

Adjustable Depth, Speed and Volume settings
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adapter
Construction: Aluminium housing with rubber base
Controls: Depth, Speed and Volume
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the box

The box for this item contains :

CH-50 chorus effect pedal
PP3 battery

Notes: A delay effect pedal for guitar or bass (or other instrument) with Time, Feedback and Level controls. A wide range of possible settings provide anything from quick doubling and slap-back effects to longer delay times for spacey echo overlays.

Adjustable Time, Feedback and Level control
9V battery or optional DC adaptor operation
Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Time, Feedback and Effect Level
Dimensions: 115 x 68 x 47mm
Weight: 271g

In the box

The box for this item contains :

DL50 delay effect pedal
PP3 battery

Notes: Liquid to edgy!

Subtle to raucous distortion or long sustaining fuzz using the input sensitivity control.

Excellent articulation and rich organic tone!

*For audsio demo, visit - http://coolcattone.com/audio/fuzz-2.mp3

Notes: - Distortion from hard rock to metal
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain
- Connections via 6.3 mm audio jacks
- AC adaptor not included

Notes: - Normal mode and filter mode
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Rate, Color, Range, Mode
- Connections via 6.3 mm audio jacks
- AC adaptor not included

Notes: - Top boost mode
- Compact size for more space on the pedal board
- Rugged metal housing
- Robust footswitch
- True bypass
- Controls: Level, Tone, Gain, Mode
- Connections via 6.3 mm audio jacks
- AC adaptor not included