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Review: Wales-based American Jeb Loy Nichols is the latest singer-songwriter to join forces with Timmion Records' insatiable house band, Cold Diamond & Mink. He has already turned out some fine results earlier this month and now comes back with another sizzling 7". This one opens with the breezy, jazz tinged surf-pop funk of 'I Just Can't Stop' that is a real sing along. On the flip is the more slow soul of 'Help Me Along' with its roomy rhythms and sombre trumpets.
… Read morePlayed by: Juno Recommends Soul
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No Corredor, Ali
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Review: Reggae collectors may already be aware of 'When You Gonna Stop', a now exceedingly hard to find UK reggae release. It was recorded by Black Slate, one of the most active British reggae bands of the period, under the alternative Jeduthum alias, produced by Robert Fearon, and initially released in 1978 on the short-lived JBC label. It remains a superb slab of conscious, warming and weighty roots reggae, with great performances from the band and an impassioned lead vocal that tends towards the world-weary. Equally as impressive is the flipside 'Stop Ranking Dub', which - as you'd expect - provides a perfect dub-wise interpretation. A genuinely essential reissue.
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Review: New Orleans funk outfit The Wild Magnolias were active in the mid 70s, releasing two albums and then regrouping in the 90s. Their sound is in step with their more renowned Louisiana peers, but certainly running hotter than the likes of The Meters. "Handa Wanda" is a stirring, effervescent call and response epic that shows the band at their best, rocking a wall of sound approach that keeps the pressure up the whole way through. "(Somebody Got) Soul, Soul, Soul" is a more fluid track, but it's certainly no slouch in the energy department either. This is hi-octane funk to get people shaking and sweaty.
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Review: Continuing the label's special 7"s releases that capture the nascent 80s post punk, dub, funk and pop - as examined on releases by The Jellies, Woo, Phantom Band, 4AM and more - here a discovery of unheard demos from Dislocation Dance's Midnight Shift album.
As part of the eighties Manchester scene, the band's pop and jazz sensibilities have continued to garner attention, offering a rightful place in the city's rich music history.
With the closure of Richard Boon's New Hormones label in 1982, they came to the attention of Geoff Travis' Rough Trade. Creating a home studio in the basement of an old rambling farmhouse in Withington, Ian Runacres (guitar, vocals), with lyricist Paul Emmerson (bass), set to work creating demos to garner a deal.
Inspired by the funk-disco of Dr Buzzards Original Savannah Band debut album, Here Comes Love was written using Roland TR-606 drum machine, guitars, bass and (cheap) keyboard, its magical and lo-fi charmed quality melts hearts.
On Mr Zak, the fun Runacres had is evident. Written as an "indie" song, but with Aztec Camera and Burt Bacharrach on his mind, with Andy Diagram (trumpet) and Kathryn Way (vocals), hides a structure matching the album version, but which in its rudimentary instrumentation and production is unique and outshines the later version, to encase a specific period and innocence, of time.
… Read moreAs part of the eighties Manchester scene, the band's pop and jazz sensibilities have continued to garner attention, offering a rightful place in the city's rich music history.
With the closure of Richard Boon's New Hormones label in 1982, they came to the attention of Geoff Travis' Rough Trade. Creating a home studio in the basement of an old rambling farmhouse in Withington, Ian Runacres (guitar, vocals), with lyricist Paul Emmerson (bass), set to work creating demos to garner a deal.
Inspired by the funk-disco of Dr Buzzards Original Savannah Band debut album, Here Comes Love was written using Roland TR-606 drum machine, guitars, bass and (cheap) keyboard, its magical and lo-fi charmed quality melts hearts.
On Mr Zak, the fun Runacres had is evident. Written as an "indie" song, but with Aztec Camera and Burt Bacharrach on his mind, with Andy Diagram (trumpet) and Kathryn Way (vocals), hides a structure matching the album version, but which in its rudimentary instrumentation and production is unique and outshines the later version, to encase a specific period and innocence, of time.
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Review: Legend Danny Krivit takes on two different disco moods for his latest edit on 45. This one is of Tony Orlando's 'Don't Let Go', a rarity originally released in Japan in 2012 that immediately became a much sought-after, hard to find rarity, with Krivit's creative edit utilizing a DJ-friendly instrumental intro. Like previous editions in the series, these unique selections from The New York City legend's personal archives are cut on a loud 7-inch pressing.
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VARIOUS
We Jazz Records 7" Singles Box: Vol 3 (5x7" box set + insert)
Cat: WJ 07BOX3. Rel: 14 Oct 21
Jazz
Review: We Jazz Records' periodic seven-inch box sets are a good way to keep up with the Finnish label's unique but often in-demand releases. This third edition is packed to the rafters with (relatively) recent treats, with highlights including the head-nodding spy-jazz suspense of the Stance Brothers' 'On Top' (which is available in two equally as alluring variations), the jaunty Steve Reich-goes-jazz brilliance of 'Erzeben Koma' by Koma Saxo, the Hamond-sporting lounge vibes of Eric Malmberg's 'Till Minne Av Lilly Lindstrom' and the experimental nu-jazz suite that is Otis Sandsjo's 'Tremendoce'. Top-notch, inventive and hugely entertaining: a must-have!
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Review: DJ Yoda is a pioneering turntables, scratch DJ and hip-hop master who has defined all those scenes for more than 20 years. For this one though he leaves behind his high energy sounds for a much more mature and grown up beat with Edo.G and Nubya Garcia. 'Roxbury' is a smooth bit of deep cut boombap with gently tumbling toms and smooth flows from Edo.G. The icing on the cake is the dreamy sax work from new school star Nubya Garci. As well as the original, an instrumental is included on the flip. Both sides of this one hit different. Must cop.
… Read morePlayed by: The Allergies, Marc Hype
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Review: In recent years we've become accustomed to Jimi Tenor flitting between off-kilter jazz, Afro-soul and - most recently via a Freestyleman collaboration - oddball house. 'Mysteria', his latest single, recalls the easy-going vocal numbers that marked out his years on Warp Records in the late 1990s and early 2000s. Not quite lounge, synth-pop, deep boogie or jazz-funk but rather something in between, the song features a typical lead vocal from Finland's greatest export bar Teemu Pukki, some seriously squelchy bass, and plenty of retro-futurist charm. Arguably even better is 'Vocalize My Love', a kind of jumpy Afro-dancehall number featuring analogue bass, hot-stepping drums and superb vocals courtesy of Florence Addoni and Lizzy Amaliyenga.
… Read morePlayed by: I Love Disco!
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Cat: 7PR 65005. Rel: 24 Apr 19
Disco/Nu-Disco
Review: ** REPRESS ALERT ** Here's an official remastered reissue of "Rough Out Here" by East Coast sweet soul vocal group The Modulations for Record Store Day 2019. The sound is large with a sweet Philly mix of moods on this 7" which features arrangements by the legendary Vince Montana. Philly instruments: sitar, keyboards, drums, strings and horns courtesy of Don Renaldo and MFSB come to the fore, resulting in A side "Rough Out Here", a hard hitting funky soul stepper and B side "I Can't Fight Your Love" which oozes the Philly sound.
… Read more in stock $11.99
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Cat: OSV 187. Rel: 17 Apr 19
Soul
Review: Candy & The Kisses burst onto the Northern Soul scene with their first single and all-time classic "The 81" co-written and produced by the late Jerry Ross. "Are You Trying To Get Rid Of Me Baby" is a storming soul number that went under the radar for the most part, but is good as any of other hits of theirs like "Chains Of Love" and many others. Flipside "Mr Creator" co-written by Valerie Simpson of Ashford & Simpson was taken up by The Apollas in 1967 on Warner Bros. and went on to become an all-time classic.
… Read morePlayed by: Soul Music, Dynamite Cuts
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Review: Another jewel for all the deep diggers out there produced by Calvin Arnold aka Billy Byrd - soul and funk singer, guitarist, songwriter and producer from Georgia, USA. "Lost In The Crowd" is a solid funk workout, featuring an intense rhythm and a powerful vocal. On the flip, there is a more chilled-out soul jam titled "Silly Kind Of Love" for the connoisseurs out there. Reissued due to public demand here on a nice great-sounding 45" by Vienna's always reliable Record Shack.
… Read morePlayed by: Soul Music
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Cat: RS 45 061. Rel: 26 Sep 19
Funk
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Cat: OBS 1001. Rel: 24 Jun 06
Reggae Classics/Ska
Review: Reissue of classic mid-70s Niney production with Big Youths 'Ride On' & a cut to 'Westbound Train' on the flip.
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Tribute To Obabi (Ogun) (hand-numbered red marbled vinyl 7" limited to 150 copies)
Cat: DYNAM 7114RM. Rel: 06 Jan 23
Jazz
Played by: Dynamite Cuts
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It's A Trip (reissue) (hand-numbered lilac vinyl 7" limited to 150 copies)
Cat: DYNAM 7113LILAC. Rel: 06 Jan 23
Jazz
Review: Dynamite Cuts is one of the most aptly named labels in the game. Its latest releases have focused on The Last Poets with 'Tribute To Obabi' droopy on the same day as this one to kick off 2023 in style. As per that 45rpm, this one features a special 7" edit of a longer tune in 'Blessed Are Those Who Struggle'. It's laced with musings on oppression and slavery with funky drumming and speak-sung vocals making for a compelling mood. On the A-side is the Afro-jazz of ''It's A Trip' complete with unique vocal styles and funky basslines.
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Cat: SR 234. Rel: 17 Jan 23
50s/60s
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