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Notes: 2023 sees the 50th anniversary of what is widely regarded as Thin Lizzy's breakthrough album 'Vagabonds Of The Western World' featuring their first UK top ten single 'Whiskey In The Jar' and 'The Rocker' which would go on to be one of the band's signature tunes, so much so that it was the last song they ever performed at their final show in 1983. To celebrate the album's golden anniversary, the Blu ray formats feature Atmos mixes for the first time.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Review: 31 years have now passed since Smart E's gate-crashed the charts with their contribution to the (short-lived) 'toytown rave' movement, 'Sesame's Treet' - a rather silly (but, in its own way, joyous) breakbeat hardcore tune featuring snippets of the theme tune to 'Sesame Street'. Here the track gets the 2023 remix treatment. Fast flowing 'chap hop' rapper Professor Elemental stars on 'Sesame's Treet 2023', a funkier but no less celebratory re-imagining that retains core elements from the original mix (the raw rave stabs, the boisterous breaks and, yes, bits of that oh-so-familiar theme tune), while the HSI remix is an energetic, extra-percussive, sample-heavy take built around a deliciously wobbly bassline and saucer-eyed chords. The EP also features remastered 1992 album track 'Magnificent', a slightly darker but even more potent hardcore workout.

Notes: Buchla's touch-sensitive keyboard updated for the 21st century. Third-generation version offers expressive control for Buchla, MIDI and Eurorack. Iconic.

Supplier's Notes:
Though our lives are dominated by touchscreens, when it comes to music, there's still a lot of magic in capacitive touch control. Don Buchla was one of the first to apply this technology to electronic music in the Buchla 112 module. The non-traditional sounds were controlled with a futuristic interface. This fantastic idea met many iterations in Buchla history: the Music Easel, 400, 700, Thunder, and 223 all employed touch technology.

Buchla USA is proud to present the third iteration of one of the most used touch interfaces, the 218, as the LEM218v3: The 218e version3 Lunar Excursion Module. The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been updated with a new foundation of stable, modern electronics and plenty of inputs and outputs to integrate with your Buchla, MIDI, and Eurorack gear.

Capacitive Magic

The incredible sensitivity and accuracy of the redesigned touch bed means the lightest touch will produce triggers and control voltage for your setup. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience.

As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the LEM218 a uniquely expressive controller for all your synthesizers. The configurable touchstrip adds a fantastic addition for pitch bend or as an additional modulator to patch into your system.

MIDI Polyphony, Velocity & More!

More than just MIDI compatible, the LEM 218 v3 gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel. Send the LEM some MIDI, and it gets converted to voltages and gates for eurorack and Buchla control.

Get More For Your Euro

Even if you don't have any Buchla products, the LEM 218 v3 is designed to work with your Eurorack-compatible gear. Four 3.5mm jacks output 1v/octave pitch, 0-8 volts pressure, touchstrip voltage, and gate outputs for use with Eurorack equipment. Or, combine your Euro with your Buchla instruments. If NATO can do it, so can you. The sound design possibilities will blow your mind.

Arpeggiate

A pulse input allows the arpeggiator to be driven by external inputs and are allowed to interact with the automated notes to make the pattern more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising.

Control

The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control

Set It Up Your Way

Such a unique device will spark many ideas. With easy front panel configuration, you can quickly customize the velocity and pressure sensitivity, MIDI channel, knob behavior, and more. No cumbersome software setups, just simple settings with the keys and knobs, and you're ready to play.

Notes: The uncensored oral history of the "Silver age" of the NYHC scene as told thru the flyers of the era, with over 200 exclusive interviews, never-before-seen photos, and ephemera. Told by the bands, fans, 'zinesters, promoters, photographers, graffiti artists, thugs, slugs, and troublemakers that made it happen.

Includes interviews with Evan Seinfeld (Biohazard), Roger Miret (Agnostic Front), Lou Koller (Sick Of It All), J.J. Janick (Discharge), Joey Z (Life Of Agony), and many, many more.

Hand-numbered out of 1,000 copies and signed by the author.

Review: Buckle up and hold on tight for the latest electro excursion from the French folks behind the Patrout label. Buraye is the man in the driver's seat and sets his sights on the stars with 'Zydereen De Neptuno' which has zippy synths and snappy snares all weaving in and out of the drums. 'Black Light' then has a more menacing and darker bassline and 'Lead-Acid Mentality' brings the cyborg funk with a punchy beat and snaking bassline keeping you guessing. Last of all is 'Nocturnal Passengers' - defined by its squelchy and plunging bassline.

Review: Kylie released Tension in September and shot straight to number one, reminding everyone who the reigning pop queen of all time really is. Capitalising on the snappy production that electrifies tracks like the breakout viral hit 'Padam Padam', this double-vinyl release provides extended versions of the album which lets the tracks ring out for the run time they truly deserve. It also means all 11 tracks are now in a form better suited to drawn-out blends, which will no doubt satisfy the DJs amongst Kylie's considerable fan base. '10 out of 10' indeed.

Review: 40 years on, the work of German electronic pioneers is ripe for reflection. Dieter Mobius in particular was in full flight following his breakthrough years in Cluster, working prolifically with Conny Plank for a fruitful collaborative mission as well as his own solo works, of which Tonspuren is one of the finest. As well as creating innovative sonic forms through his exploration of synthesis, Moebius was equally fascinating for the playful spirit of his music. It's as humorous and delightfully odd as it is compelling, whether dealing in abrasive, motorik sequences or revelling in dislocated cascades of textural ambient expression.

Review: Over the summer Skepta was teasing hints of a forthcoming track which looks set to take his superstar status even further. Amy Winehouse's influence is still felt massively across the music world - the tragedy of her story collides with her natural talent to carry a huge amount of power and that's what Skepta's drawn on sampling 'Tears Dry On Their Own' from Winehouse's classic 2006 LP Back To Black. Strapping a vocal lick from the track to an anthemic deep house production, it's a focused club workout for the UK rapper, pressed up on yellow vinyl and billed as 'A Tribute To Amy'.

Review: Hardened music nerds may roll their eyes at the thought of the Now That's What I Call Music series turning its attention to disco, but this quintuple LP compilation does provides a great starting point for those dipping their toes into the sound for the first time or looking to grow their disco collection. A few needless pop hits aside, the set contains a wealth of sing-along party favourites ('Car Wash' by Rose Royce, Diana Ross's 'Upside Down', Lipps Inc's throbbing 'Funky Town' etc.) and genuine disco anthems that still get regular airings on club dancefloors today (Thelma Houston's 'Don't Leave Me This Way', Candi Staton's 'Nights On Broadway', Cheryl Lynn's 'Got To Be Real' and Sylvester's 'You Make Me Feel (Mighty Real)' included).

Review: Dominican band Midnight Groovers was founded back in the early 1970s and went on to become known as one of the best around at what they did. They have a unique sense of sway and swing and cadence to their music and that is well exemplified by the A-side tune on this new 45 rpm. It makes for a double pronged attack on both body and soul. The flip side 'Ce bon comme ca' features an edit by Dominique Panolm, a singer-songwriter from Guadeloupe who keeps the energy but updates it with a more modern touch that is sure to ignite dan floors. Another superb offering from Atangana Records.

Review: The Danish electronic jazz duo Svaneborg Kardyb - consisting of pianist Nikolaj Svaneborg and percussionist Jonas Kardyb - performed a short session for NPR in May 2022, a few months before the release of their third studio album Over Tage. Four tracks of exquisite jazz melded with Scandinavian folk influences, with artwork from Gondwana Records' Daniel Halsall, are presented to us in beautiful silvery-clear vinyl format. With the highs lopped off and the intonations muted, this is a serene, expectation-buttressing album.

Review: A deliberate exercise in Y2K aesthetics and cyberpunk electrance comes in the creative output of DJ Natural Nate - his latest EP for Hoodwink Recordings, 'Notes To Jiggabot' - which consists of four tracks eulogizing his cybernetic partner-in-crime, Jiggabot (several releases from this pair have come out since mid 2018) and seemingly the object of his fantasmic affections. Whether the likes of new numbers 'Chasing The Rhythm', 'I Will Shine For You' or 'Far Away' originate from some angelic conceptual otherworld or this banal material one, it's hard not to love the signifiers poured into the EP: US freestyle jaunts, pure femme vocals doused in reverb-reverbs and melismatic hums; hyper-compressed, lightsabre-sculpted beats and visual cues reminiscent of childhoods spent lost in postmodern futuristic fantasies, such as those of Deus Ex or Blade Runner.

Review: Solos, Sessions & Encores is an impressive overview of Stevie Ray Vaughn's history of collaborations with the world's greatest blues and rock stars. The selection of songs goes further than most compilations by bringing many new long-lost and sought-after tracks to the table, be they be a lost cersion of a 1978 cut with Lou Ann Barton, or the unreleased 'Albert's Shuffle' with Albert Collins. The fresh new retrospective album flaunts Stevie Ray Vaughan's technique and deft, versatile playing style across a wide range of genres and contexts. With many of the cuts adapted from live sessions, the album is also an impressive remaster, unifying Vaughn's sound despite a multitude of recording contexts.

Review: Swiss hard rock and heavy metal band Krokus are one of the outfits with a cult following who worship their every move. As such this Best Of might not be for them but instead serves as a great overview for newly curious fans. Stayed Awake All Night / The Best Of Krokus compiles their greatest hits and most lively rock riffs from tunes they made between 1982 and 1986 and it originally came in 1989. It shows them to be a band who know how to write a hook and thrash out a rhythm and sits them up there alongside the likes of Judas Priest and Iron Maiden.