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Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: The Yamaha MG Series of mixers feature a design and construction that will handle the standard wear and tear of the active musician. Featuring the steel chassis that is impact resistant and powder coated, this mixer will take any bumps and scratches without it getting damaged or looking old. The sleek design does not compromise any part of the finished product.

A state of the art design allows for convection cooling, meaning your power unit will not overheat your unit after continuous use. Separating the power supply from the analog circuitry inside the mixer allows for near silent background noise, allowing for a serious and high quality output sound. As well as this, the knob placement has been put above the chassis of the console, thus not damaging circuitry underneath should the device ever be dropped or mishandled.

The MG06 includes a number of features that make it stand out above the rest of compact mixers on the market. It has phantom power on the first two channel's class A preamps for any condenser microphones as well as a mono/stereo select button for instant control and flexibility. These two channels also include a 2 band EQ and a high pass filter, allowing a lot of frequency control on such a small mixer.

As well as this, two stereo channels for jack devices make up channels 3 through to 6. Outputs are aplenty on the MG06, featuring stereo jack and XLR outputs, as well as a phones output for monitoring purposes.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on-the-go DJs / Producers. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It lets you safely store your digital controller (such as the Pioneer DDJ-REV7, XDJ-RX3, XDJ-XZ, XDJ-RX2, DDJ-RZ, DDJ-SZ2, Numark NS7III) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,90 kg / 6.38 lbs
Outer Dimensions (W x H x D): 92.2 x 49.2 x 13.5 cm | 36.3 x 19.4 x 5.3 inch
Inner Dimensions (W x H x D): 89.2 x 46.2 x 10.5 cm | 35.1 x 18.2 x 4.1 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits

Pioneer DDJ-REV7, XDJ-RX3, XDJ-XZ, XDJ-RX2, DDJ-SZ2, DDJ-RZ, DDJ-SZ, XDJ-RX
Numark NS7III/ NS7II/ NS7 FX
Denon DJ MCX8000
Or similar size controllers

Notes: The UDG Ultimate DIGI Backpack Black/Orange Inside is specially designed to cater for the laptop-based generation DJ affording them maximum functionality with performance orientated style.

Fits: Pioneer DJM-S5, DDJ-XP2, DDJ-200, Akai MPC Live II, NI Maschine MK3/ Jam, Numark Scratch, PT01 Scratch, or similar size controllers.

Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Specifications

Colour: Black, Orange inside
Weight: 1,80 kg / 3.96 lbs
Outer Dimensions (W x H x D): 43.0 x 31.0 x 28.0 cm | 16.9 x 12.2 x 11.0 inch
Inner Dimensions (W x H x D): 42.0 x 30.0 x 13.0 cm | 16.5 x 11.8 x 5.1 inch
Material: Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

Up to 15.4" laptop, LP's
Pioneer DJM-S5, DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid
NI Maschine MK3/ Jam/ MK2
Denon DJ MC2000, SC2000
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25
Ableton Push/ 2
Allen & Heath Xone 23/ C, Xone 43C
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch, Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S
Korg MicroKey 25
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct
Livid CNTRL:R
Stanton DJC.4
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2
Audio interface or MP3/MP4 player, books and magazines

Notes: A Digital DJ looking for a professional, durable case solution for your Denon DJ Prime 4+/ 4? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Denon DJ Prime 4+/ 4, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 3,50 kg / 7.7 lbs
Outer Dimensions (W x H x D): 78.0 x 52.0 x 13.5 cm | 30.7 x 20.5 x 5.3 inch
Inner Dimensions (W x H x D): 77.0 x 51.0 x 13.0 cm | 30.3 x 20.1 x 5.1 inch
Material: Durashock molded EVA foam
Protection:
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks
Extra's:
Easy grip zipper puller
Convenient carry handles
Convenient shoulder strap
Fits: Denon DJ Prime 4+ or 4 Controller

Notes: A producer looking for a professional, durable case solution for your 61 keyboard? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the 61 keyboard, this case is perfect for the travelling producer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 3,20 kg / 7.04 lbs
Outer Dimensions (W x H x D): 107.4 x 43.4 x 15.2 cm | 42.3 x 17.1 x 6.0 inch
Inner Dimensions (W x H x D): 106.0 x 42.0 x 13.8 cm | 41.7 x 16.5 x 5.4 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Removable top-bottom egg crate foam prevent damage from vibrations and shocks

Extras

Convenient carry handles
Shoulder strap
Easy grip zipper puller
Expandable zipper

Fits:

NI Komplete Kontrol S61 MK2, S61 MK1, A61
Alesis QX61, Q61,
Akai MPC Key 61, Advance 61, MPK261, MPK61
Korg Pa700, Pa1000, Kross2-61, Kronos 2 61 Key/ X 61 Key, Krome EX 61, i3, EK-50/L, Pa4X-61, Pa3X, Pa900, Pa600, Pa300,
M-Audio Code 61, Oxygen 61 MK IV, Axiom 49/ 61/ Air 61,
Novation Launchkey 61, 61SL MK2, Impulse 61,
Arturia Keylab Essential 61, Keylab 61 MKII,
Nord Wave 2, Electro 6D 61, Lead A1,
Roland A-800Pro,
Yamaha MODX6, Montage 6/WH, MX61BK/BU/WH, MOFX6,
Or similar size keyboard

Notes: Crystal turntable mat is lighter and harder than aluminum and coated with a special technique. It helps produce a crystal clear sound with excellent separation.

Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.

Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: Arcade-themed synth from Teenage Engineering's amazing Pocket Operator range. Tiny portable synth with quirky chiptune-style sounds, built-in sequencer effects. Super fun.

Supplier's notes:
Arcade synthesizer and sequencer, with parameter locks, chord control and punch-in effects.

All pocket operator models perfectly complement each other. From drum machine, bass and lead synthesisers to noise percussion, the six unique units allow you to start a pocket band. Use them separately or connect them together, the choice is yours.

Use the built-in speaker for instant sound, connect a pair of headphones for detailed personal listening, or hook up a speaker system and the club will go boom!

Pocket operators are designed on a single multiple-layer circuit board using high quality components. They all share a compact and durable form factor.

By placing all vital and sensitive components under the LCD display there's no need for an outer case. By saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. The space under the display also doubles as a speaker box.

Optional extras:
Add the silicone pro case to protect your pocket operator and get anti-slip feet, neck strap, battery protection and pro feel buttons. Use the SP-10 display protection to protect the LCD screen, and start a jam sync session with your friends using the MC-3 mini cables.

Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.

Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.

The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.

The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.

The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.

The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.

Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.

Notes: DR-07X bring high-quality recording to an easy-to-use portable powerhouse with a size and price that anyone can handle. A pair of condenser microphones handles small to loud sound up to 125dB SPL with the sensitivity to capture every detail.
The layout of the DR-07X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.
DR-07X is equipped with adjustable unidirectional microphones that can be used for recording in both the A-B position and X-Y position. Advanced microphone placing allows for a wide stereo sound recording or a clear stereo sound recording with less phase difference, making it possible to achieve professional quality recordings.

For example, even if you want to record acoustic guitar duo one day and large choir or band concert on the other day, you can change microphone configuration and set it for more suitable stereo capturing. A-B configuration is for more far image that capture wider horizon. On the other hand X-Y can prevent missing sweet center spot, so it is more suitable for tight image.

Menu display of dr-07x supports 10 languages:
English/ Spanish/ French/ Italian/ German/ Russian/ Chinese/ Korean/ Japanese/ Portuguese

DR-07x uses only two AA batteries and has ultra-long battery capability. When using built-in microphones, recording lasts 17.5 hours when recording with standard 2ch WAV, 44.1kHz/ 16bit format using alkaline batteries.
Also dr-07x can be powered by a USB mobile battery as well for super long extended use.
Connecting to a PC with USB Audio interface mode, DR-07X becomes a strong yet easy gear for voiceover work, live streaming and songwriting with studio-quality audio. Built-in microphones work as just as USB microphones without complicated settings.

Writing down what you hear easier said than done, but it is actually easy with DR-07X. In addition to its capability to capture crisp voice recording, DR-07X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.
In addition to its excellent recording capability, DR-07X is an excellent musical instrument practice tool. An internal Reverb effect works both on playback and recording, allowing you to rehearse your performance with spacious concert hall reverb. A chromatic tuner is also available.
Auto recording function can detect the sound input signal level and automatically start recording. Also, Pre-recording function with up to 2 seconds pre-record provides fail-safe protection even when you are a bit late to hit the record button.

Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.
If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the Overwrite mode is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.

Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.

Notes: The Octave Fuzz is SynthRotek's take on the classic 70's SuperFuzz circuit, made into a Eurorack module, which has improved on some aspects of the original as well, including an increased output.

Two distinct voices like the original: switchable between scooped midrange and massive midrange bump.

Aggressive: It will sound massive and in-your-face like no other circuit can. This is for sonic explorers and heavy music only. In short, it's not useful for EVERYTHING, but the things it DOES do it excels at. Sounds especially killer for keyboard and bass sounds.

Tuned to give a subtle distorted waveform one octave up via wavefolding (see the video to view this on an oscilloscope). (Completed modules come pre-tuned; there are calibration instructions at the end of the assembly instructions for the kits)

This circuit has been optimized for Eurorack. You can find a guitar pedal version here.

Current Draw:
32mA @ +12v
24mA @ -12v
0mA @ +5v

Notes: The Face The Fuzz is a modern take on a classic sound, modeled after the Dallas Arbiter Fuzz Face but with some important upgrades and modifications. Get the original Germanium PNP transistors for that classic tone just like the likes of Jimi Hendrix, Duane Allman, and George Harrison played!

What is the difference between Synthrotek's two fuzz pedals: Face the Fuzz and the Arbiter Fuzz Face Clone? The Arbiter Fuzz Face Clone uses the classic circuit that is known and loved by many, and everybody loves a classic. The Face the Fuzz pedal has been designed with a few key changes to make it more useful to the modern musician: a wider frequency response, the ability to daisy-chain the power with a 1 Spot, and the option to use temperature-stable Silicon transistors.

The Face The Fuzz comes with hand-tested and selected premium AC128 NOS PNP transistors. All of the AC128s for optimum gain and leakage current so that they are guaranteed to bias properly and sound great! Lower gain transistorshave been chosen for Q1 and higher for Q2 according to strict standards. Be assured that you will be playing a premium product that takes the guess work out of Germanium transistor testing.

Notes: The STAY Slim 2 tier keyboard stand is a lightweight (just 2.9kg) aluminium keyboard stand ideal for practice, studio and performance use. This model with curved arms on the top tier enables a peripheral such as smaller synth, laptop or mixer to be placed safely above the main keyboard. The stand is quick to put up and packs away quickly into the neat zip carry case that is included. Despite being so lightweight the keyboard can carry a 61 note keyboard of up to 10kg on each pair of arms. The tripod foot design raises the stand off the ground and provides a very stable plus gives room for sustain and other effects pedals to be placed exactly where you want them. In addition, the stands keyboard arms are height adjustable (top level max height is 1100mm) and the top deck arms are set at a 10 degree angle for ease of playing. Cables can be neatly run down the stand using the proved stretch clips.

- Maximum load capacity: 20 kg (10kg per tier)
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 2.8 kg
- Tote bag included

Notes: Not plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike.

Dynamic cardioid microphone for speech and vocals

Cuts through high on-stage levels

Clear reproduction with a high presence

Consistent sound quality (varying distances, moving off axis)

Handles high sound pressure levels

Optional silent on/off switch

Isolates handling noise, hum compensating coil

Excellent feedback rejection

Rugged metal housing

Specifications

Dimensions: O 48 x 180 mm
Connector: XLR-3
Frequency response (Microphone): 40 - 16000 Hz
Transducer principle (Microphone): dynamic
Weight: 330 g
Pick-up pattern: cardioid
Sensitivity in free field, no load (1kHz): 2,7 mV/Pa
Nominal impedance: 350 O
Min. terminating impedance: 1000 O
Weight w/o cable: 330 g

What's in the Box:
1 e 835
1 microphone clip
1 pouch

Notes: Entry-level DJ mixer from the ever-trustworthy Reloop. Very simple two-channel design with three-band EQ and a Bluetooth option for convenience.

Supplier notes:
RMX-10 BT - a compact 2-channel DJ mixer, which facilitates wireless music streaming directly to the mixer via the integrated Bluetooth interface.

This way it is possible to use a smartphone or tablet as playback source and route the signal through the mixer. The Bluetooth signal can be routed to both channels. Moreover, the 45-mm crossfader is user-replaceable and the smooth linefaders make mixing more comfortable.

The RMX-10 BT has a 6.3-mm microphone input with separate volume adjustment, as well as a 6.3-mm headphones output with volume adjustment and cue-mix function. Master output volume can be monitored via an integrated LED display. The space-saving and sturdy construction is made of metal.

Notes: Great for recording studios, mobile musicians, guitarists, podcasters, and live streaming, the bus-powered Studio 24c 2-in, 2-out audio interface features 2 front-panel combo mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps, 2 rear-panel line outputs, MIDI I/O, and onboard direct monitoring control. A complete, all-in-one home recording studio, the Studio 24c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 24c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 2-out Studio 24c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. Its built-in MIDI interface enables connection to a keyboard, sound module, or control surface. A Mixer knob blends analogue input and computer playback for low-latency monitoring.

Superior sound:

The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 24c and included Studio One Artist provide you with a complete, affordable, home and mobile recording solution.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Are you and your session players and bandmates tired of straining to hear underpowered headphones? That's why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.

These headphone amps are not just loud enough for session and stage use, they're loud enough to explode the oysters in a Po' Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to heariassuming they are capable of hearing. Be careful with that level control.

Simplicity is the HP4's hallmark. You get left and right line inputs, left and right line outputs with level control, and the 4 x headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up. Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

www.youtube.com/watch?v=GOt3LDMtsFM

Notes: Get up and running quickly at any gig.

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you're using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, 14" mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark's legendary industrial-grade durability.

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

INCLUDES:

M101USB Mixer
Power Supply
Quickstart Guide

Notes: Excellent value from this uniquely versatile pedal. Load or record acoustic guitar impulse responses and apply them to your electric guitar, transforming the tone and sound.

Supplier's Notes:

The Optima Air pedal is a programmable digital modelling acoustic guitar simulator for electric players. Plug in your electric guitar and morph it into any of 15 internal acoustic guitar models at will. An Impulse Response (IR) loader enables you to capture the tone profile of your favourite acoustic guitar and store it as a model that can be played from your electric guitar. To enhance the acoustic tone, the Optima Air is furnished with a foot-switchable studio quality preamp with 3-band EQ and a digital reverb section to generate ambience. The Optima Air also has an audio streaming USB interface providing, which can be used as a recording device and the USB can be used for remote editing via software which is downloadable for PC or Mac computer. Inputs and outputs include standard jack in and out, a D.I. XLR output, send/return effects loop, headphone output and aux line input for a myriad of connection possibilities. Optima Air is the acoustic guitar in a pedal for electric players either on stage or in the studio.

Power supply: 9Vdc, 500mA, negative centre (not supplied)
Sampling format: 24-bit, 48-kHz
Internal programmes: 15 models, 9 preset patches
DI output: XLR
USB computer interface: Micro USB port

The box for this item contains :

Optima Air pedal

Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.

Notes: NuX Mighty 8BT is a compact guitar amplifier with features that enable it to be more than just a bedroom combo. Powered from the included 12V mains adaptor or optionally from 8 x AA batteries for portable use. The guitar input has clean, overdrive and distortion modes with modulation/delay effects and digital reverb. Settings can be customised for tone and effects and these are stored for each of the 3 modes. Deeper effects editing is provided by the Bluetooth link using the Might app, which is available from Google Play or App Store. A mic input is also included with a dedicated reverb send for vocals. A built-in drum machine is controlled by a simple but intuitive tap tempo/style button and rotary volume control. Aux in and headphone out complete the control panel to provide a multi-purpose jamming and recording amp for guitar players of all genres.

Notes: JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.

Notes: KR is based off of the concept of a guitar tonestack: you get a gnarly drive on the top and a super clean two-band shelving EQ with switchable midpoint after that. There are separate ins and outs, too, so if you want to EQ a thing and distort the other thing at the same time you can!

Kith Ruina's inspiration comes from the world of guitar amps. A drive into an EQ is an extremely common configuration for shaping guitar tone, and we find that it works extremely well for synths as well. A grungy drive into a pristine EQ gives excellent tone control, and with separate ins and outs for the two sections KR can be configured to fit into any patch you throw at it.

Notes: DJ mixing controller

Ultra-portable setup for TRAKTOR DJ 2 (desktop) and TRAKTOR PRO 3
Pro-quality knobs, faders, and backlit buttons
Mixing interface with 3-band EQ, built-in 24-bit soundcard

World's smallest pro DJ mixer

TRAKTOR KONTROL Z1 is the ultra-compact 2-channel mixer, controller, and soundcard for TRAKTOR DJ 2 and TRAKTOR PRO 3.

EQs and filters

Tweak your sound with robust 3-band EQ, gain, and filter knobs.

Cue section

Pre-listen to each channel. The Cue Mix knob adjusts the cue/master balance. The Cue Volume regulates headphone volume.

Channel faders

Mix effortlessly with pro-grade faders. The easy-to-read level meters provide instant visual feedback.

Club ready

Mix and pre-listen to your tracks with pro precision. Dedicated controls for two channels give you intuitive, tactile control over volume, EQ, filters, and effects. And the built-in 24-bit audio interface delivers powerful, high-quality sound.

Hook it up to your laptop and start playing - wherever you are.
Traktor Pro- on-the-go

TRAKTOR KONTROL Z1 also offers ready-to-go compact control of TRAKTOR PRO EQs, filters, and FX Units on two channels at a time, keeping you ready for the afterparty - always.

It doesn't end there: Expand your creative possibilities by adding TRAKTOR KONTROL X1 to the rig and control effects, loops, and transport functions like play and sync.

What's included

TRAKTOR KONTROL Z1 comes with the introductory TRAKTOR LE software to get you started. Two software decks, three effects, and all you need to get the party going.

And when you're ready for more, go pro. The Z1 includes a e-voucher - use it to purchase TRAKTOR PRO 3 or any other downloadable NI software.

Specifications

System requirements

macOS 11, 12, 13 (latest update), iTunes 12 (latest update), Intel Core i5 or Apple M1 / M2, 4 GB RAM

Windows 10, 11 (latest service pack), Intel Core i5 or equivalent CPU, 4 GB RAM
Supported audio formats: MP3, WAV, AIFF, Audio-CD, FLAC, Ogg Vorbis, non-DRM AAC

Supported drivers

ASIO
Core Audio
DirectSound
WASAPI

General

Monitor with 1280 x 800 screen resolution, USB 2.0, 1 GB free disc space. An internet connection and a graphics card which supports OpenGL 2.1 or higher are required to download and activate TRAKTOR software. Once installed and activated, all products can be used offline.

Dimensions: 120mm x 293mm x 51mm (WxLxH), 0.65 kg / 1.43 lbs

Hardware

Overall:
Sampling rate: 96kHz
Converter wordlength: 24-bit
Analogue output channels: 4
USB audio interface: USB 2.0 hi-speed, audio class compliant

Master RCA outputs:
Maximum output level (unbalanced): +12 dBu
Noise floor: -89,3 dB a weighted
Dynamic range: +102 dB a weighted
THD+NL: 0.005% (@0dB FS/10k)
Frequency response: 20 Hz-20 KHz, +/- 0.6 dB
Crosstalk: -118 dB (1 kHz)

Headphone output:
Maximum output level: +11 dBu into 300 Ohms @ 0 dB FS
Maximum output power: 2x 25mW
THD+N: 0.05% at 0 dB FS (300 Ohms load)
Noise floor: -94 dBu
Dynamic range: 101 dB
Frequency response: 20Hz - 20 kHz, i 0.6 dB
Crosstalk: -62dB (1 kHz)

Notes: The updated Komplete Audio 6 is one of our favourite interfaces, packing six-in, six-out audio connectivity and MIDI into a neatly designed, stylish box with handy level control.

Supplier's notes:
Connect, create, and collaborate with our six-in, six-out audio interface. Featuring high-definition recording, ultra-low latency, and flexible connectivity, AUDIO 6 brings your whole setup together. You can plug in mics, guitars, and synths, create send and return loops with effects, and control synths and drum machines. Plus, you get all the software you need to capture performances, build songs, and polish recordings - bring any idea to life.

Whether recording your next album or gigging your latest release, your focus should be on creating at your best. With pro-grade sound, gig-ready portability, and plug-and-play simplicity, AUDIO 6 lets you do just that.

AUDIO 6 works with all your mics, instruments, and headphones. You've got a choice of connections and features: 48V phantom power, MIDI in/out, and four analogue outputs with additional CV/gate control for your analogue gear. Plus, easy-to-see top panel LED VU-meters for all four analogue inputs and the main stereo output.

Whether you're a solo performer, duo, or a full band, the AUDIO 6's pristine audio quality lets you sound as good on stage as in the studio. Turn your laptop into a live rig or vocal processor, with flexible connections to fit any performance. USB bus-power means fewer cables and power supplies, plus a big volume knob on top lets you make easy level adjustments while on stage.

Two high-power headphone outputs, with individual level controls, make it easy to collaborate. Hear exactly what you're recording, in real-time, with latency-free direct monitoring that lets you blend playback and monitored audio to your liking. We've also doubled their output power - great for stage use or high-impedance headphones.

Whether at a small band session or a freewheeling modular synth jam, having a flexible set of connections lets you bring your ideas together and capture music in the moment. XLR, TRS, S/PDIF, and MIDI aren't just letters, they're ways to make music happen - and we've put these connections right where you need them.

Notes: Nagaoka MP-110 the successor to the highly acclaimed and classic Nagaoka MP11 phono cartridge, the new Nagaoka MP-110 phono cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detailed refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.

Features:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing

Stylus replacement: Nagaoka JN-P110

The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.

Notes: "Old school tube mellow" is the phrase most often used to describe the sound of the V67G. Designed mainly for vocals, the V67G combines Class A FET circuitry and a transformer-coupled output resulting in a pure and warm sound. Its classic green body and gold plated grill provide stunning good looks. The V67G adds body to vocals for all styles of music. This top-seller has been used on countless recordings and is a welcome addition to your microphone collection.

Classic FET design with warmth and midrange makes this mic perfect on both drums and vocals
Perfect addition to any mic locker adding "classic" character to ordinary sources
Transformer balanced output ensures more of your source and less noise

Technical specifications:

Mic type: Condenser microphone
Capsule: 32mm capsule with Gold-sputtered, 6 micron diaphragm
Frequency response: 20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 200 ohms
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
S/N Ratio: 74 dB (Ref. 1 PA A-weighted)
Max SPL for .5% THD: 130 dB
Power requirements: 48V Phantom power

Size and weight:

47 mm x 184 mm / 1.85 in. x 7.24 in.
590g / 1.3 lbs

Metal finish: Green with gold grill

Included accessories: MT-001 hardmount

In the box:

MXL V67G Mic
Hard Mount Mic Stand Adapter
Carrying Pouch

Notes: Everyone loves bass, so Minirig decided to take the Subwoofer to the next step - rather than the old 30 watts of power, it now has 40 watts of power! This ultimately gives you a cleaner low that matches the new Minirig 3.

Don't just hear the bass - feel the bass:

The Subwoofer works in harmony with your Minirig or Minirig Mini to enhance the low end.

Optimised Airflow Technology:

With Minirig's custom folded horn design you get bone shaking bass, in a small package.

Take the party on the road:

Chuck this little bass bin in your rucksack and complete your Minirig soundsystem set-up.

Notes: The DIGI DJ-Stashpack XL Plus is a versatile and lightweight gig bag that and was designed to be flexible in order to accommodate a variety of equipment. It features a practical, height-adjustable Rolltop opening to easily stash a battle-mixer, records, production gear or a DJ-controller. With its durable material, solid processing and a unique design, the new DIGI DJ-Stashpack XL Plus is perhaps the most versatile gear bag in the market.

Fits: Pioneer DDJ-SR2, Pioneer DDJ-RR, Pioneer DJS-1000, Numark NS6II, Numark NV2, Numark Mixtrack Pro 3, NI Kontrol S5, NI Kontrol S4, NI Kontrol S2, Reloop Terminal Mix 4, Roland DJ-202, Pioneer DDJ-SB2, Pioneer DDJ-RB, Numark Mixtrack Pro 2, Denon MC-4000, Vestax VCI-400, Vestax VCI-380, Akai MPK-25, Akai MPC Renaissance, Rane Seventy-Two, Rane Sixty-Two, Rane Sixty-Eigth, Pioneer DJM-S9, Pioneer DJM-900 SRT/NXT, NI Kontrol Z2, Laptop up to 17", 12" Vinyl, Accessories

Notes: One size fits all! The new MULTI-FORMAT TURNTABLE CASE is a heavy-duty road case that was especially designed to fit the popular Technics SL-1200/1210 Turntable.

It includes several foam pads to accommodate various new models such as a Pioneer PLX-1000 and other models from Stanton, Vestax, Reloop, American Audio, Numark etc.

Notes: The new CTRL Case XDJ-XZ is a super lightweight and compact hard shell case, offering a safe and comfortable way to carry (incl. shoulder-strap) your Pioneer XDJ-XZ controller. Made of lightweight and rigid Durashock molded EVA shell, the inside lid is lined with high density egg-crate foam to protect the displays, jog wheels, and controls.

FITS:

Pioneer XDJ-XZ
Pioneer DDJ-SZ2

Notes: The new CARRY LITE DJ-CASE XXL PLUS is a very lightweight and compact carrying solution for your DJ-equipment and comes in a nice full-black matt finishing. Constructed from laminated MDF panels and anodized aluminum profiles the CARRY LITE design features a fully padded interior with a variable pick & pluck foam that allows to create individual adapted compartments for various-sized DJ-controllers such as Pioneer DDJ-SX2, DDJ-SX3, Denon MCX-8000, Denon MC-7000, Roland DJ-808 or similar-sized DJ-controllers. The pick & pluck foam consists of two separate layers providing the additional option to create another slot underneath the controller for laptop or cable storage.

Fits:

Denon DJ MC-7000
Denon DJ MCX-8000
Denon DJ SC Live 2
Denon DJ SC Live 4
Native Instruments Kontrol S8
Numark NS6
Numark 4Track
Numark Mixdeck Quad
Numark IDJPro
Pioneer DJ DDJ-FLX6
Pioneer DJ DDJ-FLX10
Pioneer DJ DDJ-SX
Pioneer DJ DDJ-SX2
Pioneer DJ DDJ-SX3
Pioneer DJ DDJ-RX
Pioneer DJ DDJ-RX2
Pioneer DJ DDJ-1000
Pioneer DJ XDJ-R1
Pioneer DJ XDJ-Aero
Pioneer DJ DDJ-S1/T1
Rane One
Reloop Mixon4
Roland DJ-808

Basics:

Constructed from laminated MDF and anodized aluminum profiles and butterfly latches (can be secured with a padlock)
Fully lined interior of 5 mm EVA foam and a 3 cm thick egg-crate foam on lid
Including 2-layer (2,5 and 3,5 cm) pick & pluck foam to create individual compartment and slots for dj-controllers, battle-mixers, laptops or smaller accessories.
Including detachable lid
Convenient carrying-handle and option to attach a separate shoulder-strap.

Specifications:

Outer measures: 50 x 80 x 16cm
Inner measures: 46,5 x 77 x 11cm
Weight: 6,3 kg

Notes: Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

Notes: With sleek design and studio-quality sound, these advanced monitors are the latest development of the classic series from Mackie; and have never been better. Whether studio-recording, referential listening or gaming, the easy setup with studio-standard sound of the CR4-X are an essential competent to the optimised listening experience. Rear panel inputs include balanced 14" TRS, 1/8" Stereo, and RCA. The box includes high-quality cables to enable a quick, easy, and reliable setup. The new and improved CR4-X carries its upgraded signature sound, a fresh new look with brushed metal front panel, plug-in and play setup, and professional audio components to ensure the absolute optimised sonic performance. 50 watts of clean sound, 4" polypropylene-coated woofer, and specially designed waveguides provide unparalleled clarity at all listening levels.

Notes: A studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer-dependably and unquestionably-exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.

Introducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.

Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!

A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.

With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.

Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.

No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.

Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.

M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.

Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.

Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

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