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Acid Rain Technology Ripsaw Stereo Super Oscillator Module (oscillator synth module)
Cat: 1088790
A stereo super saw/square oscillator featuring 4 voices of 7 detunable saw/square waves - 6HP
Notes: Ripsaw is a 6hp stereo super saw/square oscillator just like chainsaw with a few extra additions:
- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
… Read more- 4x voices of 7 detunable saw/square waves to allow for more complex chords
- unique "display" built from 77 blue LEDs
- manual and CV control over wave shape and spread like chainsaw
- a new "shift" parameter that offsets the frequency of a second oscillator that hard syncs each waveform for a unique "supersync" sound
- waves panned across stereo outputs like chainsaw
- fine tune adjustment and optional onboard semitone quantization selectable on the encoder/display
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OXI Instruments Pipe MKII Interface Module for One MKII (interface synth module)
Cat: 1086721
Pre-orders at Juno
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Teia Ripwave Compact Analogue Timbre Oscillator Module (oscillator module)
Cat: 1091415
A compact analog VCO designed for rich sonic exploration and offering a wide range of timbral variation - from saturation, wavefolding, pulse width modification and more - 6HP.
Notes: RipWave is a compact 6HP analog VCO designed for rich sonic exploration in a small footprint. At the heart of its design is the Transform knob: a unique, voltage-controllable parameter that shapes the character of each waveform. It offers a wide range of timbral variation, from saturation to wavefolding, harmonic morphing, and pulse width modulation, all in a single control.
On the Sine output, the Transform knob applies a tanh() saturation circuit, gradually shaping the waveform from a pure tone into a warmer, slightly overdriven version. As you turn the knob, the wave is smoothly compressed and harmonics are introduced, adding character without harsh clipping.
For the Triangle wave, turning the Transform knob folds the waveform through a transistor wavefolder, shaping the timbre of the signal by adding harmonic complexity. An additional soft clipping diode saturation stage keeps the amplitude in check, taming peaks while introducing additional character.
In the case of the saw output, the waveform is generated by combining two complementary signals: one waveform containing only odd harmonics, the other only even harmonics. The Transform knob controls the balance between them. At the center position, both are equally summed to produce a Sawtooth wave. Turning the knob blends between the two, letting you isolate odd or even harmonics and shape the timbre across a wide range of harmonic textures.
The Transform knob performs a more traditional role with the Pulse wave, acting as a pulse width control. At the center position, it produces a classic Square wave with a 50% duty cycle. Turning the knob shifts the duty cycle toward narrower or wider pulses, delivering the familiar pulse width modulation sound.
An octave switch provides quick transposition and includes an LFO mode for low-frequency modulation duties, allowing RipWave's uniquely shaped waveforms to be used as modulation sources. RipWave also features both sync and linear FM inputs. The sync input allows the oscillator to be reset by an external signal, creating harmonically rich or rhythmically locked results depending on the source. A rear-panel jumper lets you select between hard and soft sync modes to suit different patching contexts.
The linear FM input offers a wide modulation range, from subtle pitch modulation and vibrato to deeper, more complex timbral shifts depending on modulation depth.
Though initially designed as a companion for VastWave, RipWave has developed a strong identity of its own. It performs equally well as a standalone oscillator in a compact system or alongside its larger sibling. Whether used for Lead voices, complex layering, or modulation, it delivers a wide range of shaping options. From warm tones to ripping textures, RipWave pushes all waveforms into harmonically rich territory, making every output well suited for East Coast - style subtractive synthesis as well as West Coast - style waveshaping systems.
… Read moreOn the Sine output, the Transform knob applies a tanh() saturation circuit, gradually shaping the waveform from a pure tone into a warmer, slightly overdriven version. As you turn the knob, the wave is smoothly compressed and harmonics are introduced, adding character without harsh clipping.
For the Triangle wave, turning the Transform knob folds the waveform through a transistor wavefolder, shaping the timbre of the signal by adding harmonic complexity. An additional soft clipping diode saturation stage keeps the amplitude in check, taming peaks while introducing additional character.
In the case of the saw output, the waveform is generated by combining two complementary signals: one waveform containing only odd harmonics, the other only even harmonics. The Transform knob controls the balance between them. At the center position, both are equally summed to produce a Sawtooth wave. Turning the knob blends between the two, letting you isolate odd or even harmonics and shape the timbre across a wide range of harmonic textures.
The Transform knob performs a more traditional role with the Pulse wave, acting as a pulse width control. At the center position, it produces a classic Square wave with a 50% duty cycle. Turning the knob shifts the duty cycle toward narrower or wider pulses, delivering the familiar pulse width modulation sound.
An octave switch provides quick transposition and includes an LFO mode for low-frequency modulation duties, allowing RipWave's uniquely shaped waveforms to be used as modulation sources. RipWave also features both sync and linear FM inputs. The sync input allows the oscillator to be reset by an external signal, creating harmonically rich or rhythmically locked results depending on the source. A rear-panel jumper lets you select between hard and soft sync modes to suit different patching contexts.
The linear FM input offers a wide modulation range, from subtle pitch modulation and vibrato to deeper, more complex timbral shifts depending on modulation depth.
Though initially designed as a companion for VastWave, RipWave has developed a strong identity of its own. It performs equally well as a standalone oscillator in a compact system or alongside its larger sibling. Whether used for Lead voices, complex layering, or modulation, it delivers a wide range of shaping options. From warm tones to ripping textures, RipWave pushes all waveforms into harmonically rich territory, making every output well suited for East Coast - style subtractive synthesis as well as West Coast - style waveshaping systems.
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Jolin Krono Multi-Modal Programmable Clock Generator Module (clock generator synth module)
Cat: 1089432
Digital multi-mode clock generator module with a tap tempo among other features - 4HP
Notes: KRONO offers multiple clock modes (including Euclidean, Logic, Probabilistic, and more), tap-tempo or external clocking, real-time A/B output swapping, and full state memory.
All 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
… Read moreAll 12 outputs are customizable, and everything runs on an STM32F411 - with open code available via GitHub for advanced users and developers.
Modes - firmware v1.0
Ratios: Direct multiplications and divisions of the base tempo for proportional rhythmic ratios.
Euclidean: Generates Euclidean rhythms by distributing K pulses over N steps.
Musical: Applies common musical ratios (e.g., triplets, dotted notes, predefined swing divisions).
Probabilistic: Outputs trigger based on defined probability thresholds for each output.
Sequential: Generates clocks based on mathematical sequences (Fibonacci, prime numbers).
Swing: Applies individual swing/shuffle levels per output, delaying even beats.
Polyrhythm: Assigns independent X:Y ratios to outputs; output 6 can generate a logical sum.
Logic: Applies logic operations (AND, OR, XOR, NAND, XNOR) between internal clocks or external inputs (if configured).
Phasing: Generates pulses with configurable time offsets (phase shifts) relative to the main clock.
Chaos: Creates unpredictable rhythmic patterns based on chaotic algorithms
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Ohm Force Bohm Stereo Dual-Voice Kick Synthesiser Module (drum synth module)
Cat: 1089447
Kick synthesiser module featuring nine models, vast scope for sculpting sounds and a randomizer - 18HP
Notes: The Ohm Force Bohm is a stereo dual-voice kick synthesis and percussion module with nine different synthesis modes for all sorts of sounds, plenty of CV-modulation options and hands-on knob control over all of the key parameters. Precision sound-shaping knobs with wide sweet spots make flawless tweaks effortless. The Bohm has multiple CV ooptions for triggering the main kick voice, controlling the length and sustain.
There are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
… Read moreThere are two optional expanders for the Bohm, the Bohm Groove expander and the Bohm Performer expander. The Bohm Groove is a rhythm expander that adds a secondary kick voice triggered by clock divisions for rhythmic bass and percussion additions. The Bohm Performer expander adds a stereo FX input for processing, a volume fader, side-chain ducking and various DJ-style effects.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $359.61
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Ohm Force Bohm:Groove Rhythm Expander Module for Bohm (expander synth module)
Cat: 1089467
Optional expansion for the Bohm Stereo Kick Synthesiser module, offering a second kick for more complex grooves and patterns.
Notes: The Bohm:Groove adds a secondary kick voice, that can be triggered via clock divisions, allowing the user to build more complex grooves around the main kick. Craft dynamic percussive textures with ease. Sync a secondary kick to clock divisions and fine-tune every tap's level, pitch, and FX using intuitive controls.
… Read morePre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $140.91
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Noise Engineering Basimilus Iteritas Alia Digital Drum Voice Module (black on black limited edition) (drum module)
Cat: 1090348
Notes: Noise Engineering is excited to announce a limited-edition BIA. Same great Basimilus Iteritas Alia (with all the perks of an Alia!), spiffy new outfit.
The panel features black ink overprinted on a black powder-coated aluminum panel. These panels will not be sold separately.
… Read moreThe panel features black ink overprinted on a black powder-coated aluminum panel. These panels will not be sold separately.
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $393.43
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Eowave 1U Oscy Mini Analogue Oscillator Module (oscillator module)
Cat: 1092316 Rel: 06 Jun 25
A compact analog oscillator - 10HP
Notes: Oscy is here when you need a compact analog oscillator.
Mini but nice:
Choose your waveform: with its 2 outputs, you can route it to differents modules
Go for sub: the square output has a potentiometer to mix a square waveform with a one octave lower sub square waveform
Oscy is perfect to create a small analog voice or to modulate other oscillators.
… Read moreMini but nice:
Choose your waveform: with its 2 outputs, you can route it to differents modules
Go for sub: the square output has a potentiometer to mix a square waveform with a one octave lower sub square waveform
Oscy is perfect to create a small analog voice or to modulate other oscillators.
Pre-orders at Juno
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $89.05
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Eowave 1U Mixy Mini Mixer Module (mixer module)
Cat: 1092320 Rel: 06 Jun 25
A simple mixer to sum your signals in your 1U row - 10HP
Notes: Mixy is a simple mixer to sum your signals in your 1U row. Since it is DC coupled, you can mix audio or fixed signals.
Mini and useful:
Mix your signal: the 3 first inputs are attenuated, the 4th input is summed without attenuation.
Connect it: you can connect the mixy to the bye bye module with its back header
… Read moreMini and useful:
Mix your signal: the 3 first inputs are attenuated, the 4th input is summed without attenuation.
Connect it: you can connect the mixy to the bye bye module with its back header
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $73.28
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Eowave 1U Sifter Mini Filter Module (filter module)
Cat: 1092323 Rel: 06 Jun 25
A compact but fat analog filter module - 10HP
Notes: SIFTER is compact but fat. it has been created to get that warm analog filter sound without using to many HPs
Mini and filtery:
Split your signal: with its 2 poles highpass and lowpass outputs, you can split your signal and treat the low and high in parallel
Make it shine: the resonance control will add some whistle to your sound
Sifter is perfect for the ones who need to have fat filtering in compact cases
… Read moreMini and filtery:
Split your signal: with its 2 poles highpass and lowpass outputs, you can split your signal and treat the low and high in parallel
Make it shine: the resonance control will add some whistle to your sound
Sifter is perfect for the ones who need to have fat filtering in compact cases
Pre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $95.82
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Rossum Control Forge Programmable Universal CV Generator Module (black) (function generator module)
Cat: 1092743 Rel: 06 Jun 25
Function generator module with 8 segments, each offering variable time constants, target voltage levels & curves - 12HP
Notes: Control Forge's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.
At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment. Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt, additionally, each segment's level may have a user defined range of randomness of either linear or gaussian distribution.
'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM. The time scale may be modulated under CV control or manually via the encoder during runtime.
There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments. Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.
Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. e.g. a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.
Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall. Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.
500 presets can be saved and recalled. a preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity. All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.
… Read moreAt its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment. Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt, additionally, each segment's level may have a user defined range of randomness of either linear or gaussian distribution.
'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM. The time scale may be modulated under CV control or manually via the encoder during runtime.
There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments. Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.
Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. e.g. a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.
Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall. Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.
500 presets can be saved and recalled. a preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity. All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.
Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $607.64
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Kaona Voltator 4-Channel Analogue Voltage Controller Module (controller module)
Cat: 1092818 Rel: 13 Jun 25
A 4-channel analog controller designed for precise CV voltage management.
Notes: Voltator is a 4-channel analog controller designed for precise and versatile CV voltage management. Equipped with an integrated voltmeter, it displays the exact output voltage of each channel in real-time. It is the ideal tool for simultaneously tuning multiple VCOs from one location, generating chords, easily transposing notes and chords, or precisely adjusting your signals.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $287.46
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Elta Music TSC12 Multifunctional Touch Sensitive Controller (white) (controller module)
Cat: 1092047 Rel: 06 Jun 25
A touch sensitive control module, allowing unprecedented levels of control over your modular setup - 44HP
Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.
… Read morePre-orders at Juno
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $434.02
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Elta Music TSC12 Multifunctional Touch Sensitive Controller (black) (controller module)
Cat: 1092050 Rel: 06 Jun 25
A touch sensitive control module, allowing unprecedented levels of control over your modular setup - 44HP
Notes: The TSC-12 module, based on Solar-42 Ambient Machine keyboard is a performance oriented touch controller featuring 12 capacitively sensitive plates, equipped with highly accurate Volt/octave outputs, ready to connect to your modular setup also. It's touch sensitive controls offer an unprecedented level of control over your modular setup, allows for various playing styles, and boasts a sequencer, arpeggiator, vibrato, portamento, pressure control, quantizer and clock.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $434.02
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Doepfer A-155-2 Miniature Analogue Sequencer Module (sequencer module)
Cat: 1092095 Rel: 06 Jun 25
Compact 8-step analog sequencer module - 12HP
Notes: Module A-155-2 is a small, very compact designed analog sequencer with a lot of features. The sequence length is 8 steps. Each step has available a control for the adjustment of the control voltage for this step and an illuminated momentary switch (button). The buttons are used in the standard running mode to turn on/off the gate of the step in question (button illuminated = gate on, not illuminated = gate off). In combination with other controls at the bottom of the front panel the buttons are used for additional functions: depending on the position of the Program toggle switch the button Function is used to program the length of the sequence (switch position Limit), the running direction (switch position Direct.) or to call up the preset management (switch position Preset)
When function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
… Read moreWhen function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $174.74
(No payment required now - pay when released)
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Doepfer A-155-2 Miniature Analogue Sequencer Module (vintage edition) (sequencer module)
Cat: 1092096 Rel: 06 Jun 25
Compact 8-step analog sequencer module - 12HP
Notes: Module A-155-2 is a small, very compact designed analog sequencer with a lot of features. The sequence length is 8 steps. Each step has available a control for the adjustment of the control voltage for this step and an illuminated momentary switch (button). The buttons are used in the standard running mode to turn on/off the gate of the step in question (button illuminated = gate on, not illuminated = gate off). In combination with other controls at the bottom of the front panel the buttons are used for additional functions: depending on the position of the Program toggle switch the button Function is used to program the length of the sequence (switch position Limit), the running direction (switch position Direct.) or to call up the preset management (switch position Preset)
When function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
… Read moreWhen function Direct (Direction) is selected these running modes are available:
Up
Down
2 x Up (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
2 x Down (each step is played twice with the normal tempo, not to be confused with Ratcheting x2, see below)
Pendulum type 1 (start and end step are played twice)
2 x Pendulum type 1 (each step is played twice with the normal tempo, start and end step are played 4x)
Pendulum type 2 (start and end step are played once)
Random (Rnd)
When function Preset is selected the illuminated buttons are used to call up one of the 8 presets. In each preset these parameters are stored: active steps, running direction, length of the sequence, ratcheting. To call up one of the 8 stored presets one has to push and hold the button Function and then operate short-time one of the buttons 1 - 8 while the toggle switch Program is in position Preset. To store the present paramaters in one of the 8 presets the procedure is similar but one has to operate one of the buttons 1 - 8 for a longer time (approx 3 seconds).
Depending on the position of the Program toggle switch the Ratcheting button is used to program the ratcheting feature (x2, x3, x4) individually for each step of the sequence (toggle switch Program in position Rx2, Rx3 or Rx4). In case that at the step in question another ratcheting is already programmed (eg x2 or x3 when x4 is chosen) the other ratcheting is overwritten (kind of radio button function between the ratchetings x2, x3 and x4). Details about the ratcheting function are explained at the module A-160-5.
The button Start/Stop is used to start or stop the sequence manually. Button Reset sets the sequence to the first step. For this also the external input Reset can be used.
The module does not feature built in clock generator. Rather an external Clock signal is used. The positive edge of the incoming clock signal triggers the advance of the sequence to the next step.
The voltage range of the control voltage generated by the module can be switched to 3 different ranges by the toggle switch Range: 0 - +1V / 0 - +2V / 0 - +4V. The control voltage is available at socket CV. The voltage is not quantized. But there is an internal pin header available that outputs the data via Midi (note on/off from Midi note 36. Midi channel 1). It can be used to control a MIDI-to-CV interface if quantized control voltages are required, eg the planned Micro-CV-Interface A-190-9)
The Gate signal appears at socket Gate. The pulsewidth of the gate signal is defined by the pulsewidth of the clock signal provided that ratcheting is not active at the step in question.
Controls and displays:
1 - 8 (rotary controls): manual adjustment of the control voltage for each step
1 - 8 (illuminated momentary switches/buttons): manual gate setting for each step, also used for special functions in combination with other controls (setting of first/last step, running direction, ratcheting)
Range: toggle switch for selection of the control voltage range
Program: toggle switch for selection of a function in combination with the buttons Ratcheting and Function
Ratcheting: button for the programming of ratcheting in combination with the toggle switch Program
Function: button for the programming of sequence length (Limit) and running direction (Direct) as well as for the Preset management (Preset)
Sta/Stp: button for the manual control of Start and Stop, in running state the LED of this button displays the state of the Gate output (ie it flashes in the rhythm of the Gate output)
Reset : manual reset button
CV : control voltage output
Gate : gate output
Clock: clock input, the pulsewidth of the clocjk signal defines the pulsewidth gate signal
Reset: reset control input, reset type selectable via internal jumpers (eg positive edge triggers the jump to first step/positive leveltriggers the jump to first step and remains at first step as long as the reset input is high/waiting for the next positive edge of the clock signals before reset is carried out)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $197.28
(No payment required now - pay when released)
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Black Noise Eclipse Stereo Analogue Oscillator Module (oscillator module)
Cat: 1091787 Rel: 06 Jun 25
VCO Module utilising a waveshaper to open up a wide range of sonic possibities and dynamic control - 14HP
Notes: The idea behind Eclipse is to combine the raw character of vintage analog oscillators with modern features for crafting rich, complex, and expressive sounds.
Eclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
… Read moreEclipse's development started with a high-precision analog triangle oscillator that tracks accurately over 10 octaves, with all the I/O expected from a premium analog oscillator.
While looking for ways to generate complex harmonics without relying on a classic wavefolder, we came across the VCS3's waveshaper. This unique feature of the EMS synth sparked the idea to design our own waveshaper from scratch, opening up a wide range of sonic possibilities and dynamic control to bring sound to life.
During the design process, we discovered the waveshaper's unique potential for stereo processing, which led to a dedicated stereo section to spread and move waveforms across the stereo field while maintaining perfect balance at any setting.
Eclipse offers full CV control across all parameters, with smart normalization enabling global modulation from a single source. With many special features like XFM, ULFO, Stereo Pulse Array Modulation, Stereo Pulsed Saw Modulation, RM/AM capabilities, Eclipse is much more than just a VCO.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $404.72
(No payment required now - pay when released)
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Tesseract Smith 8x8 Programmable Matrix Module (multiple synth module)
Cat: 1087289
input/output module that can be used to store presets in your modular setup or to create more layers of modulation in your setup - 12HP
Notes: Smith: it's an 8 inputs & 8 outputs precision buffered matrix with presets. Each of the 8 outputs can take the signal from any of the 8 inputs, allowing over 16 million possible combinations.
This is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
… Read moreThis is not a mixer, the same input can be routed to many outputs, but several inputs can't be present at the same output simultaneously. The module works with both audio and CV signals, ins & outs have i10 volts range and minimum offset (1 millivolt approx.), which makes it perfect for distributing V/Oct signals too.
8 scenes that can be accessed through the dedicated push buttons but also by CV and trigger. 8 banks (with 8 scenes each, 64 scenes per preset). 8 persistent presets (with 8 banks of 8 scenes each).
This module can be used to store 'presets' for your live setup, allowing patch changes and easy rerouting signals with literally just pressing a button.
Another (more chaotic) way to use it is to plug several modulation sources to the inputs (such as envelopes, LFOs, sequenced CVs) and several modulation destinations to the outputs (filter cutoff, PWM, VCAs...). If you want to introduce a variation in the sound, select a different scene or directly randomize the current one to drastically change 'what is modulating what'.
Using audio sources can lead us to interesting territories too, sequencing waveform changes or using different processors (filter, distortion, folder...). Keep in mind that the switch performs pretty fast and the signal is passed without any modification (to preserve its accuracy, which is pretty important when using the module for v/oct) so with audio, the switching may be clicky. This depends on the sound source too, with 'dirty' ones there's no problem but with clean ones, like low pitched sine waves, it will be.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $174.74
(No payment required now - pay when released)
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BlaknBlu Oscar Tria Triple Mode Stereo VCO Module (oscillator synth module)
Cat: 1081156
VCO module that functions as a stereo oscillator, a super saw/square/triangle/sub and a chord engine,
Notes: Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.
Green Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
… Read moreGreen Mode:
A 'traditional' stereo oscillator. In Green Mode you get the usual three waveforms - saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog's 'shark tooth'. Green mode also gives you a square wave sub oscillator - one octave below the main oscillators - and a sub sub, two octaves below. Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image - or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound. Green mode also features through zero FM, and hard sync.
Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.
Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $326.92
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Doepfer A-149-3 Fluctuating Random Voltages Module (random synth module)
Cat: 1081649
Based on the homonymous "Fluctuating Random Voltages" by Buchla, with more functions added
Notes: A-149-3 is the third module of the A-149-x range. In this group, this module present several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Some functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules.
Module A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
… Read moreModule A-149-3 is based on the homonymous "Fluctuating Random Voltages" by Buchla. Compared to the historic original, a lot of functions have been added. For example the user has access to virtually all internal signals (e.g. Noisy Triangle or S&H) and there are a lot of adjustable parameters which were fixed in the original.
For example, the frequency and noisiness of the internal triangle oscillator, the correlation of the S&H and manual or automatic frequency control of the S&H clock oscillator. The fixed internal connections of the original are wired to sockets in the A-149-3 and can be used also individually as the connections of the original are realized as normalled sockets. That way e.g. the S&H or slew unit can be used independent from the other units.
The functions in detail:
As in the original a digital noise signal is filtered in three different ways. The three "noise flavours" are available at three sockets and can be used for all kind of noise applications:
+3db (+3dB per octave, a bright noise, also called blue noise)
-3dB (-3dB per octave, a dark noise, also called red or brown noise, Allan Strange calls it "reciprocal white noise")
Flat (flat spectrum, also called pink noise)
In the original the -3dB output is used add some noise to an internal triangle oscillator with fixed frequency (~ 100 Hz) and fixed "noisiness". The result is called "noisy triangle". In the A-149-3 the frequency of the triangle oscillator and the level of the noisiness can be adjusted. The frequency is adusted by means of the Frq. control and the Range switch (~ 110Hz ... 5 seconds period in position high). In addition one can select between the -3dB and Flat output as noisiness source by means of an internal jumper. When Noisiness control is fully CCW one obtains a clean undisturbed triangle signal. With Noisiness control fully CW the result is a triangle signal with a lot of noise or randomness. The noisy triangle signal is available at the socket "N Tri" and is displayed with a dual colour LED.
The "N Tri" signal is normalled to the signal input of the subsequent Sample&Hold unit (S&H). The clock signal for the S&H is generated by an internal rectangle oscillator. This signal is normalled to the S&H clock socket and is displayed by an LED. One can select between manual and automatic control of the clock period by means of a toggle switch. In position "man." the period is controlled manually by the "Period" control. With control "Period" fully CCW one obtains the shortest period or highest frequency. Turning the control up increases the period or lowers the frequency. In position "auto" of the switch the period is controlled by the slew unit.
In this position a vactrol is used to define the frequency of the S&H clock. This vactrol is controlled in the same way as the vactrols of the slew unit, i.e. the period of the S&H clock changes simultaneously with the slew time. In the historic original only the auto mode was available. There was no manual control available.
The S&H has another special feature: the Correllation control. It's a feedback function where shares of the S&H output are fed back to the S&H signal input and mixed with the actual S&H input signal. The result is slurring the signal like a sub-audio lowpass filter, kind of a "digital slew function" because the gradation of the signal persists.
The S&H output is availabe at the corresponding socket and is displayed with a dual colour LED.
The S&H output is normalled to the signal input of the subsequent Slew Limiter unit (SL). The core of the slew limiter are two vactrols (vactrol = combination of a light emitting diode/LED and a light dependent resistor/LDR built into lightproof case). The brightness of the vactrol LEDs can be controlled manually (control "Man." of the slew unit) and by an external control voltage (socket "SL CV" with associated attenuator "CV" of the slew unit). The brightness of the vactrol LEDs is displayed at the top of the front planel. As already mentioned a third vactrol can be used to control the frequency of the S&H clock oscillator simultaneously to the slew limiter. The SL output is availabe at the corresponding socket and is displayed with a dual colour LED.
Due to the access facilities to many of the internal signals and connections it's possible to use the sub-units also for other applications. E.g. the noisy triangle signal, the S&H unit (incl. correlation) or the SL unit can be used for other signals. The S&H clock can be applied also from outside to synchronize the S&H to other signals.
If required, the internal clock signal is available at a pin header of the pc board.
Controls, Switches and Displays:
Slew Unit
Man.: manual adjustment of the slew time
CV: attenuator for the SL CV input
LED: display of the slew function (bright = short slew lime, dark = long slew time), identical to the brightmess of the vactrol LEDs
Triangle LFO
Frq.: LFO frequency, range ~ 110 Hz ... 5 seconds period
Noise: adjustment of noisiness (= perturbance of the triangle signal)
+3dB/-3dB: switch for the source of noisiness
LED: display of the noisy triangle signal, dual color LED (rot = positive / yellow = negative output voltage)
Sample&Hold (S&H)
Period: period of the internal clock signal for the S&H unit, fully CCW = shortest period or highest frequency, fully CW = longest period or lowest frequency
LED: display of the internal clock signal
Correl.: adjustment of the correllation of the S&H unit
Man./Auto: switching between manual and automatic control of the clock frequency, when auto is selected the clock frequency is controlled by the slew unit
LED: display of S&H output, dual color LED (rot = positive / yellow = negative output voltage)
Slew Limiter (SL)
LED: display of SK output, dual color LED (rot = positive / yellow = negative output voltage)
Sockets:
+3dB : filtered digital noise with +3dB per octave (output)
-3dB : filtered digital noise with -3dB per octave (output)
Flat : flat noise output
N Tri : Noisy Triangle output, about 10Vpp (-5V ... +5V)
S&H In: S&H signal input, normalled to N Tri
S&H Out : S&H signal output
SL CV: control voltage of the slew limiter unit, connected to the corresponding attenuator "CV" of the slew unit
S&H Clk: clock input of the S&H unit, normalled to the internal clock oscillator
SL In: slew limiter input, normalled to S&H Out
SL Out : slew limiter output
The arrow symbols indicate the normalling of sockets. Outputs are inverse labelled.
Technical details:
Frequency range of the triangle LFO: about 110 Hz ... 5 seconds period
Output level of the triangle LFO: ~ 10 Vss (-5 V...+5 V)
Frequency range of the internal clock oscillator: about 3 seconds ... 30Hz
Output level of the internal clock oscillator: ~ 10 Vss (0 V...+10 V)
Required input level of the S&H clock input: +5V
Depth: 45mm
8 HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $253.65
(No payment required now - pay when released)
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Qu-Bit Bloom v2 Fractal Sequencer Module (sequencer synth module)
Cat: 1086697
Updated version of Qu-Bit's Bloom sequencer module, boasting 3 channels with 64 steps per channel.
Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.
In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
… Read moreIn its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!
Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!
Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!
Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!
Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.
Plant the seeds of your next patch with Bloom.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $501.66
(No payment required now - pay when released)
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Teia OpticShifter 20-Pole Phase Shifter Module (phase shifter module)
Cat: 1091899 Rel: 06 Jun 25
A 20-stage optical phaser module - 12 HP
Notes: OpticShifter is a 20-Stage optical Phaser with flexible feedback and pole selection. Drawing inspiration from classic 70's era phase shifters, it combines vintage charm with modern versatility. Whether you're aiming for subtle movement or dramatic swooshing and whooshing, from phasing to vibing, OpticShifter creates an immersive Phase Shifting experience.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $353.97
(No payment required now - pay when released)
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Teia OpticTone MK2 Multimode Optical Gate Module (low pass gate module)
Cat: 1091908 Rel: 06 Jun 25
An update of Teia's OpticTone module, combining a VCF and VCA.
Notes: The OpticTone MK2 is an improved revision of our original module, combining a 12dB multi-mode Vactrol VCF and a Vactrol VCA. This unique circuit is inspired by the distinct characteristics of Vactrols and Lowpass gates, celebrated for their fluid and natural character.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 06 Jun 25 $245.75
(No payment required now - pay when released)
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Xaoc Devices Oradea 1950 Quadruple Voltage Controlled Resonator Module (resonator synth module)
Cat: 1088989
Oradea is a quadruple voltage controlled analogue resonator which can be ued to enhance external audio, generate tones or mimic the resonant characteristics of physical objects or spaces
Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.
Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
… Read moreIndividual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.
Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection
Expandability
Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $505.04
(No payment required now - pay when released)
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Xaoc Devices Arad 1950 Resonator Commander Module For Oradea (expander synth module)
Cat: 1088991
Wxpander for the Oradea quadruple resonato
Notes: Arad is an expander for the Oradea quadruple resonator. It adds three additional features. Arad features direct audio inputs for individual channels, so you can use each channel for a different audio source (the individual channel outputs are already incorporated into the main module). There are buttons and gate inputs for manual and/or remote clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the EXCITE inputs of Oradea, allowing for manual triggering.
Technical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
… Read moreTechnical details
Eurorack synth compatible
6hp, 30mm deep (incl. ribbon bracket)
Current draw: +10mA / -0mA
Reverse power protection
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $110.47
(No payment required now - pay when released)
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WMDevices Skorpion Waveform Reanimator Module (waveshaper synth module)
Cat: 1089360
8-stage analogue wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface
Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.
Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
… Read moreSkorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.
Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.
Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.
The Controls
The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.
FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).
SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.
SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.
SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.
OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.
The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.
TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.
SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.
HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).
ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.
The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.
The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.
The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.
MACRO SETUP:
Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.
Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.
LFO Rates are slowest at the bottom of the slider and fastest at the top.
Fold, Slope, Shift, and Shape modulation
Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $968.37
(No payment required now - pay when released)
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Clatters Sonora Spectral Mixing Output Module (panning module)
Cat: 1093390 Rel: 20 Jun 25
Output module featuring 12 inputs, an LED meter to monitor levels and a soft clipping limiter, perfect as the end point of your modular setup.
Notes: Sonora is a spectral mixing output module that aims to be the ultimate sound stage of a modular setup. A place where all your mixes meet and find a stereophonic solution for your final track thanks to its twelve fixed panning inputs that allow you to give each track its own space and importance in the stereo field.
While being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.
… Read moreWhile being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 20 Jun 25 $280.71
(No payment required now - pay when released)
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Cycle Tetrachords 4-Track Polyphonic CV & MIDI Note Sequencer Module (sequencer module)
Cat: 1093342 Rel: 13 Jun 25
A 4 track polyphonic CV & MIDI note sequencer for modular systems.
Notes: Featuring extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.
The unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.
The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.
… Read moreThe unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.
The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Jun 25 $707.96
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Euterpe Itinera Analogue Filterbank Module (filter module)
Cat: 1093379 Rel: 20 Jun 25
Multimode analogue filter based off the Vertice filter bank, featuring an integrated preamp and transistor-based distortion.
Notes: Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.
The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.
These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.
With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!
… Read moreThe Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.
These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.
With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!
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Ohm Force Bohm:Performer Sidechain/FX/Stereo Processing Module for Bohm (expander synth module)
Cat: 1089463 Rel: 22 Aug 25
Optional expansion for the Bohm Stereo Kick Synthesiser module, allowing further customisation of kick sounds.
Notes: Bohm:Performer is a mixer for both the main Bohm Stereo kick module and the Bohm: groove expander, blending dual kick engines with external stereo input, offering precise side-chain ducking, intuitive one-touch DJ effects (filters, beat/slip rolls), and full CV assignabilityiempowering live performers with seamless, dynamic mix control.
… Read morePre-orders at Juno
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ADDAC System ADDAC320 Servo Control Module (controller synth module)
Cat: 1088350
Motorised module allowing control of any knob that doesn't have a CV input - 4HP
Notes: The new ADDAC320 Servo Control is a nod to Neil Young's Whizzer, a device that was ahead of its time. This tool enabled control over amplifier pots through the use of pedals, resulting in far-reaching tonal variation. Inspired by this methodology, ADDAC's Servo Control incorporates a Servo motor into a 4 HP Eurorack module, enabling it to control any knob that doesn't have a CV input, or other gear such as guitar pedals - within certain distance constraints.
A servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
… Read moreA servo is a specific type of motor that can be digitally controlled to work at precise angles. On the ADDAC320, it is controlled by a microcontroller which is able to receive an incoming CV voltage from 0 to +5v and linearly converts this voltage range to the 270 degree Servo motor range. Using a spring wire and metal couplers, the motor shaft is then attached to the target knob to be controlled, which will turn as the Servo turns.?Two other knobs, Maximum Angle and Minimum Angle, allow further control of the "sweet spot" of the target knob, establishing a smaller Servo range.
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ADDAC System ADDAC220 Dual Envelope Follower+ Module (envelope follower synth module)
Cat: 1088356
An analog/digital hybrid for better dynamic range analysis,
Notes: The new ADDAC220 Dual Envelope Follower + is ADDAC's latest stereo envelope follower, which can generate CV from two simultaneous envelopes, enabling the user to control any range of other instrument/module parameters. The module is an analog/digital hybrid, allowing greater precision and analysis of an incoming signal.
The level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
… Read moreThe level of an incoming audio signal gain can be set by using the Gain control. Then, the signal is then fully rectified and passed through an analog envelope follower with a fixed short attack and decay. The analog signal is then sent into a 12bit ADC (analog to digital converter) of an MCU (microcontroller unit), and hereafter the signal is processed digitally. Whenever the ADC detects audio clipping the Clip led will light up.
Then, the digitized signal is then passed through a Savitsky-Golay filter for noise reduction smoothing of the incoming signal, before it is slewed using the Attack and Decay controls. The MCU keeps a history of the last sampling points and detects the minimum and maximum values, which reflect the current dynamic range and maps the signal minimum and maximum amplitude to 0V and the maximum voltage detected.
This new mapped signal is then processed via the Response Curve control balacing the response like one would with a standard AD envelope with LOG/EXP control. The Envelope Gain attenuverter control goes up to x2 amplification and sets the attenuation / amplification factor of the output range, while the red LED monitors this level with precise visualization across the full output range
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ADDAC System ADDAC220 Crossover Module (filter synth module)
Cat: 1088365
Companion module to the ADDAC220 Dual Envelope Follower+, allowing the splitting of frequencies into 3 bands.
Notes: Crossover: enabling new processing possibilities: Commonly, audio crossovers are designed to split an audio signal into several frequency ranges so that each resulting signal is adequate for the speaker drivers they are connected to. Typically, low range is sent to the big woofers, mid range to smaller woofers and high range to the tweeters.
Introducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
… Read moreIntroducing the ADDAC607, which enables users to split the signal into different bands. This creates many interesting processing possibilities. For example, by independently processing specific frequency ranges, one can add delay on only the high frequency range. Or, users split a signal to feed three different compressors for multi-band compression. Finally, DJs can use the Gain knob as a 'kill switch' to remove an entire frequency band, if desired.
Although ADDAC607 operates in Mono (for Stereo signals two modules can be used) there are two audio inputs, making it easy to achieve stereo to mono summing. The Mono Sum Out carries this summed signal. This is pre-gain and can also be used as a buffered Thru output.
The ADDAC607 is a great companion to the ADDAC220 Dual Envelope Follower+, since it allows extraction of dynamics from any signal in a focused frequency range. This allows it to separate the frequencies of a kick drum and a snare, for instance.
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Eowave 1U Germaniac Vintage Warmer/VCA Module (VCA module)
Cat: 1092114 Rel: 06 Jun 25
VCA module inspired by vintage Russian germanium transistors.
Notes: Germaniac is a discrete VCA/warmer module build around with the sound characteristic of the vintage Russian germanium transistors.
Warm things up:
That fat Analog Character: It's not question here be in the area of the "most transparent VCA ». We specifically select our transistors to add harmonics and give a rich and thick saturation.
Variable Texture Control: Choose the amount of distortion with the "Warmth" knob, providing from a very soft and subtle one to a heavily pronounced distortion. you can also CV control this warmth variation to play with.
Some Applications:
Classical VCA
CV controllable distortion
… Read moreWarm things up:
That fat Analog Character: It's not question here be in the area of the "most transparent VCA ». We specifically select our transistors to add harmonics and give a rich and thick saturation.
Variable Texture Control: Choose the amount of distortion with the "Warmth" knob, providing from a very soft and subtle one to a heavily pronounced distortion. you can also CV control this warmth variation to play with.
Some Applications:
Classical VCA
CV controllable distortion
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Eowave 1U Levers Dual VCA Module (VCA module)
Cat: 1092313 Rel: 06 Jun 25
A compact dual VCA for your 1u rack - 10HP
Notes: Levers is a compact dual VCA for your 1U rack. It is simple and efficient for modulating signal levels.
… Read morePre-orders at Juno
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Eowave 1U Bye Bye Line/Phone Output Module (external module)
Cat: 1092319 Rel: 06 Jun 25
A simple but efficient line and phone stereo output - 10HP
Notes: Bye bye is a simple but efficient analog line and phone stereo output with a header on the back to connect it to the Supamix and a led indicator showing clipping.
… Read morePre-orders at Juno
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Elektrofon Klang 4-Voice Polyphonic Controller & Sequencer Module (controller/sequencer synth module)
Cat: 835247 Rel: 28 May 25
A 4-voice polyphonic controller module in 14HP.
Notes: Polyphonic sequencing from Elektrofon, the Klang allows you to program and perform chords and multi-layered harmonies. Circular clock-style display gives visual feedback and real-time indication of chord progressions.
Supplier's Notes:
«Klang» is a 4 voice polyphonic controller. It stores, traverses and manipulates chord progressions.
Overview
«Klang» is a unique take on polyphonic control within Eurorack.
Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.
The module can store up to 99 chords, where each chord is made up of 4 voices.
Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.
The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.
Interface
The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.
The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.
The - button removes the current chord.
Inputs
The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.
Trigger input
The trigger input triggers a chord change.
If the direction input is unconnected, a single trigger results in a single step in the forwards direction.
Direction input (+-5V)
The direction input normalizes to a single step in the forwards direction.
You can feed this input a bipolar CV (+-5V).
Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.
A negative voltage will do exactly the same but resulting in backwards stepping.
0V equals no movement.
Transpose input (+-5V)
This bipolar CV lets you transpose the current chord up or down within 1 octave.
It is therefore a 5V/oct input.
The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.
It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.
Outputs
Each voice has a separate color coded 1V/oct CV output.
… Read moreSupplier's Notes:
«Klang» is a 4 voice polyphonic controller. It stores, traverses and manipulates chord progressions.
Overview
«Klang» is a unique take on polyphonic control within Eurorack.
Displaying chords in a circular clock-like display, and giving the user immediate control over every aspect without "menu diving" makes for an easy to use and inspiring module.
The module can store up to 99 chords, where each chord is made up of 4 voices.
Each voice is represented by a colored indicator on the clock-face which in turn is controlled by an encoder.
The indicators points to notes on the chromatic scale drawn in 360- around the clock-face.
Interface
The big grey encoder in the middle of the module lets you browse the chords - the active chord and total chord count is shown just above the encoder on the display.
The + button lets you ad a new chord. The new chord is added after the currently active chord, and the new chord is then set as the active chord.
The - button removes the current chord.
Inputs
The module has 3 inputs - 1 trigger input and 2 bipolar CV inputs.
Trigger input
The trigger input triggers a chord change.
If the direction input is unconnected, a single trigger results in a single step in the forwards direction.
Direction input (+-5V)
The direction input normalizes to a single step in the forwards direction.
You can feed this input a bipolar CV (+-5V).
Direction maps the total chord count to 5V. This means that +5V results in a single trigger progressing +n steps, where n is the total chord count.
A negative voltage will do exactly the same but resulting in backwards stepping.
0V equals no movement.
Transpose input (+-5V)
This bipolar CV lets you transpose the current chord up or down within 1 octave.
It is therefore a 5V/oct input.
The reason for this is that it is intended to be used with an analoge voltage source like the Pressure Points from Make Noise, or any other analoge sequencer.
It is much easier to fine tune a 5V/oct signal with a regular potentiometer than a 1V/oct signal.
Outputs
Each voice has a separate color coded 1V/oct CV output.
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DivKid Mutes MK2 Performance Focussed Multi-Channel Mute Module (multiple synth module)
Cat: 1090345 Rel: 28 May 25
Updated version of Divkids Mutes module - 4HP
Notes: Mutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.
Vactrols on the circuit gives to the switching a pleasing decay for both audio and modulation as well a totally click free muting.
Three-position switch: MOMENTARY signal pass-through (it springs back to the center when released); OFF (or muted) in the center; and ON to the right.
… Read moreVactrols on the circuit gives to the switching a pleasing decay for both audio and modulation as well a totally click free muting.
Three-position switch: MOMENTARY signal pass-through (it springs back to the center when released); OFF (or muted) in the center; and ON to the right.
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Doepfer A-145-2 LFO Low Frequency Oscillator Module (slim line series) (LFO synth module)
Cat: 1081646 Rel: 28 May 25
Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies
Notes: Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies.
Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.
A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).
The LFO signal can also be synchronised, via the reset input.
Identical to the A-145-1, but only 4 HP wide and with additional LEDs for the square wave and the sawtooth signal.
Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
4 HP
… Read moreFive waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave. The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.
A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).
The LFO signal can also be synchronised, via the reset input.
Identical to the A-145-1, but only 4 HP wide and with additional LEDs for the square wave and the sawtooth signal.
Power consumption: 30mA at +12V and 20mA at -12V
Depth: 45mm
4 HP
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Doepfer A-119-2 Dual External Input/Amplifier Module (amplifier synth module)
Cat: 1081647 Rel: 28 May 25
Module A-119-2 is a Dual external input amplifiers with only 4HP module width
Notes: Module A-119-2 is a Dual external input amplifiers with only 4HP module width. The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can also be used for stereo signals, e.g. the stereo output of a smartphone.
Controls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical Details:
For higher amplifications the two amplifiers can be daisy-chained
Different normallling options are available via the rear of the modules with jumpers.
All inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
Power consumption: 20mA at +12V and 20mA at -12V
Depth: 30mm
4 HP
… Read moreControls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical Details:
For higher amplifications the two amplifiers can be daisy-chained
Different normallling options are available via the rear of the modules with jumpers.
All inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
Power consumption: 20mA at +12V and 20mA at -12V
Depth: 30mm
4 HP
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Happy Nerding ADSR Envelope Generator Module (silver) (envelope generator synth module)
Cat: 1086761 Rel: 28 May 25
Envelope Generator Module - 5HP
Notes: ADSR (Attack-Decay-Sustain-Release) is a module designed to generate a voltage, which acts as the envelope with the adjustable stages. This envelope, generated in response to the incoming gate signal or manually pushed button, can then be used to shape the sound amplitude via VCA, modulate filter's cutoff frequency or any other parameters expecting CV control.
It features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
… Read moreIt features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
1 in stock $89.34
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Happy Nerding ADSR Envelope Generator Module (black) (envelope generator synth module)
Cat: 1086749 Rel: 28 May 25
Envelope generator module - 5HP
Notes: ADSR (Attack-Decay-Sustain-Release) is a module designed to generate a voltage, which acts as the envelope with the adjustable stages. This envelope, generated in response to the incoming gate signal or manually pushed button, can then be used to shape the sound amplitude via VCA, modulate filter's cutoff frequency or any other parameters expecting CV control.
It features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
… Read moreIt features exponential Attack, Decay and Release stages, switch to select fast/slow operation mode, push button with led indicator to manually activate the envelope.
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Clank Thererec Sketchable Dual Function Generator Module (function generator synth module)
Cat: 1084191 Rel: 28 May 25
Smart dual-function generator - 6HP
Notes: Thererec is a 6hp smart dual-function generator based on a different approach! Two modern proximity sensors have replaced all the Attack/Decay thing, and this not only saved a lot of space but also turned Thererec into a whole new thing: a fusion between THEREmin gestural expressiveness and a tape RECorder,
Thererec, indeed, can quickly capture your hand movements and translate them into complex Envelopes and LFOs, adding a lot of expressiveness to your set. Once recorded, your movements can be mangled in both time and amplitude; they can be cycled or triggered in one-shot mode, letting you create complex but synchronized control voltage streams.
A straightforward movement with immediate feedback: move your fingers, listen, and connect yourself to the environment. Your body will do the rest.
Thererec sensors will track your movements to generate a voltage flow, and the LEDs and the CV outputs will reflect those movements.
… Read moreThererec, indeed, can quickly capture your hand movements and translate them into complex Envelopes and LFOs, adding a lot of expressiveness to your set. Once recorded, your movements can be mangled in both time and amplitude; they can be cycled or triggered in one-shot mode, letting you create complex but synchronized control voltage streams.
A straightforward movement with immediate feedback: move your fingers, listen, and connect yourself to the environment. Your body will do the rest.
Thererec sensors will track your movements to generate a voltage flow, and the LEDs and the CV outputs will reflect those movements.
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Clank Toolbox Problem Solver/Ideas Enhancer Module (utility synth module)
Cat: 1084207 Rel: 28 May 25
Utility module - 12HP
Notes: Toolbox is the newest essential utility module for your modular system. It's designed to summarize and replace all those necessary small one-function modules, often overlooked due to their space and cost requirements. With a compact 12hp design, it offers a comprehensive selection of carefully curated blocks to expand and enhance the potential of every patch. The module is also specifically designed for internal interaction, allowing the combination of various basic blocks to achieve compelling outcomes, from complex rhythm creation to unusual sound shaper. Every system needs a Toolbox!
Since VCAs are always not enough, the first two blocks on the top row consist of two linear and very fast VCAs, which are also great for AM modulation. They are arranged from left to right: input (DC coupled), control voltage input (ranging from 0 to 8V), and output. The two inputs and control voltages are normalized from left to right, facilitating easy stereo operation. These VCAs, designed primarily for voltage attenuation, are versatile tools that excel in scenarios requiring linear response. With audio, their true strengths shine when applied to amplitude modulation (AM) scenarios, where the benefits of linear control become quite significant. Although they are optimized for AM and voltage control, using exponential envelopes with these VCAs can transform them into two highly effective and fast VCAs for audio applications.
The threshold CV (0-8V) is crucial for the functionality of the blocks labeled with an asterisk (*): AND/OR gates, sequential switches, and flip-flops. By default, the threshold for each block (the voltage that must be reached at every input for the circuit to operate) is set very low, allowing almost any positive signal to be used. By increasing the threshold with an external voltage, you will change the point at which the circuits marked with the * begin to operate. This may seem a little tricky at first, but once you master all the functionality of the Toolbox, the Threshold CV rarely found in other Eurorack modules will open up many more possibilities!
Still composed of two identical parts, the second and third rows contain two blocks of two-channel summing (A & B). This region offers many ways to combine two signals. From left to right, input A, B, SUM out inverted SUM out, and two Boolean operators: AND/OR While any input signal can be used here, the first two outputs are primarily intended for audio sources. In contrast, the Boolean outputs are more suitable for summing gates and logic signals. This setup also allows for the use of both logic and analog signals together; don't hesitate to experiment with Boolean operators using analog or audio signals.For example, connecting two different LFOs to the input of the summing section can create many gate rhythms from the two Boolean outputs by varying the threshold with external voltages.
Summing mixers/Mult Out: This section consists of two 3-input summing mixers connected in series: the output of the upper mixer is routed to the first input of the lower mixer, allowing you to combine a total of five signals with two outputs available. To break this connection, insert a patch cable into the first input of the lower mixer. This action separates the two sections, enabling you to sum two sets of three signals each. Additionally, the lower section includes a multed output by default.
A bidirectional sequential switch is located at the center of the module and labeled with three "I/O" tags. This often overlooked component allows for a wide range of functions, from the most practical to the most creative. When a voltage exceeding the threshold level is applied to the * input, the switch connects the upper left jack to the lower right one. If the voltage is below the threshold, the lower left jack is connected instead. Being bidirectional, each I/O can function as both an input and an output, enabling a 2:1 or 1:2 configuration. Try using the switch at audio rate; this can function as a versatile oscillator waveform shaper. Think of something other than this block as a simple channel switcher!
On the right side of the sequential switch, we have a more classic block: the flip-flop. This block outputs a square wave at half the frequency of any signal applied to the input, whether audio or gate. Two flip-flops are available, which can be used individually or normalized in series. This block is handy for creating sub-octaves of square format from any sound or as a clock divider.
Offset / Attenuverters: Located at the bottom are two offset and attenuverting channels.This section comprises two identical blocks that can easily attenuate, invert, and offset any input signal. Each block features an input jack, one output, and two small knobs. The first knob functions as an attenuverter, allowing you to invert and scale the signal at the same moment. The second knob, the offset, adds a static voltage of +/-0-8V to the resulting output. This functionality is crucial when seeking a more refined control over voltage or a signal. Without any signal at the input, you can use the offset knob as a manual control generator for any control voltage (CV) in your system. For example, try to change the threshold with it.
… Read moreSince VCAs are always not enough, the first two blocks on the top row consist of two linear and very fast VCAs, which are also great for AM modulation. They are arranged from left to right: input (DC coupled), control voltage input (ranging from 0 to 8V), and output. The two inputs and control voltages are normalized from left to right, facilitating easy stereo operation. These VCAs, designed primarily for voltage attenuation, are versatile tools that excel in scenarios requiring linear response. With audio, their true strengths shine when applied to amplitude modulation (AM) scenarios, where the benefits of linear control become quite significant. Although they are optimized for AM and voltage control, using exponential envelopes with these VCAs can transform them into two highly effective and fast VCAs for audio applications.
The threshold CV (0-8V) is crucial for the functionality of the blocks labeled with an asterisk (*): AND/OR gates, sequential switches, and flip-flops. By default, the threshold for each block (the voltage that must be reached at every input for the circuit to operate) is set very low, allowing almost any positive signal to be used. By increasing the threshold with an external voltage, you will change the point at which the circuits marked with the * begin to operate. This may seem a little tricky at first, but once you master all the functionality of the Toolbox, the Threshold CV rarely found in other Eurorack modules will open up many more possibilities!
Still composed of two identical parts, the second and third rows contain two blocks of two-channel summing (A & B). This region offers many ways to combine two signals. From left to right, input A, B, SUM out inverted SUM out, and two Boolean operators: AND/OR While any input signal can be used here, the first two outputs are primarily intended for audio sources. In contrast, the Boolean outputs are more suitable for summing gates and logic signals. This setup also allows for the use of both logic and analog signals together; don't hesitate to experiment with Boolean operators using analog or audio signals.For example, connecting two different LFOs to the input of the summing section can create many gate rhythms from the two Boolean outputs by varying the threshold with external voltages.
Summing mixers/Mult Out: This section consists of two 3-input summing mixers connected in series: the output of the upper mixer is routed to the first input of the lower mixer, allowing you to combine a total of five signals with two outputs available. To break this connection, insert a patch cable into the first input of the lower mixer. This action separates the two sections, enabling you to sum two sets of three signals each. Additionally, the lower section includes a multed output by default.
A bidirectional sequential switch is located at the center of the module and labeled with three "I/O" tags. This often overlooked component allows for a wide range of functions, from the most practical to the most creative. When a voltage exceeding the threshold level is applied to the * input, the switch connects the upper left jack to the lower right one. If the voltage is below the threshold, the lower left jack is connected instead. Being bidirectional, each I/O can function as both an input and an output, enabling a 2:1 or 1:2 configuration. Try using the switch at audio rate; this can function as a versatile oscillator waveform shaper. Think of something other than this block as a simple channel switcher!
On the right side of the sequential switch, we have a more classic block: the flip-flop. This block outputs a square wave at half the frequency of any signal applied to the input, whether audio or gate. Two flip-flops are available, which can be used individually or normalized in series. This block is handy for creating sub-octaves of square format from any sound or as a clock divider.
Offset / Attenuverters: Located at the bottom are two offset and attenuverting channels.This section comprises two identical blocks that can easily attenuate, invert, and offset any input signal. Each block features an input jack, one output, and two small knobs. The first knob functions as an attenuverter, allowing you to invert and scale the signal at the same moment. The second knob, the offset, adds a static voltage of +/-0-8V to the resulting output. This functionality is crucial when seeking a more refined control over voltage or a signal. Without any signal at the input, you can use the offset knob as a manual control generator for any control voltage (CV) in your system. For example, try to change the threshold with it.
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Clank Proteo Shapeshifting Stereo Oscillator Module (oscillator synth module)
Cat: 1084164 Rel: 28 May 25
Stereo oscillator module with an internal-pseudo tape recorder.
Notes: The name, indeed, comes from ancient Greek mythology since Proteo was a shapeshifter who could assume whatever shapes he preferred. In this way, our Proteo, has not a precise sound on its own but a clever mechanism that permits to acquire and transform every signal into waveforms. What if you can use your envelopes, LFOs or any other signal as a sound source?
What sets it apart from other oscillators? What's very different in Proteo is its internal pseudo-tape recorder, which is capable of continuously acquiring and transforming any external signal into waveforms and morphing them from a basic sine.
In Proteo, waveforms are not a static digital representation of a sound; they can continuously evolve in a very organic way, and tape loop time is a fundamental factor: changing it will drastically affect the resulting output even with the same sources at the inputs. Slowing down the time will capture a bigger portion of the incoming source with more harmonics. As a result, increasing it allows to capture up to low audio rate signals or really small fragments of the signal.
Exploring the interaction between Proteo, the sources and the time will force you to change your mind about how sounds and harmonics can be generated: visualizing how different shapes can sound and looking for new sources to generate YOUR waveform is the fundamental idea behind Proteo.
Proteo is also stereo, thanks to the Span knob you can easily detune one oscillator from the other to create nice stereo effects. Beside the common pitch the two oscillators have independent acquisition paths and morph controls, each one can emit different waveform.
… Read moreWhat sets it apart from other oscillators? What's very different in Proteo is its internal pseudo-tape recorder, which is capable of continuously acquiring and transforming any external signal into waveforms and morphing them from a basic sine.
In Proteo, waveforms are not a static digital representation of a sound; they can continuously evolve in a very organic way, and tape loop time is a fundamental factor: changing it will drastically affect the resulting output even with the same sources at the inputs. Slowing down the time will capture a bigger portion of the incoming source with more harmonics. As a result, increasing it allows to capture up to low audio rate signals or really small fragments of the signal.
Exploring the interaction between Proteo, the sources and the time will force you to change your mind about how sounds and harmonics can be generated: visualizing how different shapes can sound and looking for new sources to generate YOUR waveform is the fundamental idea behind Proteo.
Proteo is also stereo, thanks to the Span knob you can easily detune one oscillator from the other to create nice stereo effects. Beside the common pitch the two oscillators have independent acquisition paths and morph controls, each one can emit different waveform.
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Clank Axis 3 Dimensions Amplitude Management Module (envelope generator synth module)
Cat: 1084174 Rel: 28 May 25
Dual envelope generator that features an integrated VCA, crossfader and voltage controlled mixer section.
Notes: In only 12hp, Axis condenses all the classical blocks for the audio amplitude management, redefining the classical envelope -> vca -> mixer path. The idea is to manipulate a sound over three axes: its length, its volume, and its place inside the stereo field.
Axis is a dual envelope generator that features an integrated VCA, a crossfader, and a voltage-controllable mixer section. The initial concept was to combine digital control over an analog VCA to closely emulate the classic Vactrol sound. After more than a year of refinement, Axis has evolved into more than just that. It offers exceptional versatility, providing a wide range of waveforms and the unique capability to simulate the natural percussive qualities of different materials. All this is in a complete analog path.
For the function generator section, we choose a faster method over the classic AD/ ADSR style: a selection of waveforms studied to give back a precise musical effect can be selected with the shape knob. The function length is independent from the actual wave shape and can be settled with the fader timeX from 30hz to 15 seconds. Also, setting the timeX fader at its maximum level will leave the VCA open.
A more typical collection of envelopes can be found in the first half of the dial. All kinds of sounds, from plucked notes to long volume swells passing through lead-friendly lines, can be obtained here.
More unusual, the last section of the knob is thought to simulate the acoustic vibration of a percussed object. Starting with a triangular envelope, from this point on, the more you turn the knob, the more rebounds will be added, simulating the natural ring of a material. Using this section at low rates can generate complex envelopes that could also be suitable for the vibrato-style AM effect. The envelope generator section includes a mode switch (cycle,trigger,hold), a trigger/gate input, an EOC trigger out, a function output, a CV for the envelope shape selection, and one CV for time.
As a cherry on the cake, a crossfader is placed at the end of the chain, blending both Axis halves. With a dedicated fader and CV control, raising it will invert the L/R output, creating nice stereo effects or moving the voices around the stereo field.
The VCA section is more straightforward: it has an audio input/output[1] and a VCA CV input[3].
You can plug the audio I/O to use Axis in its completeness and eliminate a lot of cables and mess!
Soundwise, here at Clank, we are all about vactrols LPGs, but since we knew it's not the most versatile option on the market, we came up with a different design. Blending together a VCA with a not-so-step filter, we obtained a VCA with a nice mild LPG flavor: enough to sound not so "clicky" but not too slow to inficiate really fast sounds.
By default, the envelope created by the function generator is normalized to the CV in of the VCA. Plugging a cable into the VCA in breaks the normalization, in this way you can use a different source to control the VCA and free the function generator for LFOs or modulation duties.
The range Y fader sets the strength of the envelope, but you can also see this control as a volume fader, which is nice since you won't necessarily need an additional volume for your voice after the Axis. Take into consideration that since the Axis VCA is actually a low-pass gate, lowering the rangeY fader also affects the cutoff frequency. The range fader also has its CV control to program dynamic changes to the sound. Basically, it's a VCA over a VCA that permits every note to be at different intensities. Last but not least, Range CV can also be fed by a unipolar modulation CV to obtain vibrato effects or audio rate AM modulations
… Read moreAxis is a dual envelope generator that features an integrated VCA, a crossfader, and a voltage-controllable mixer section. The initial concept was to combine digital control over an analog VCA to closely emulate the classic Vactrol sound. After more than a year of refinement, Axis has evolved into more than just that. It offers exceptional versatility, providing a wide range of waveforms and the unique capability to simulate the natural percussive qualities of different materials. All this is in a complete analog path.
For the function generator section, we choose a faster method over the classic AD/ ADSR style: a selection of waveforms studied to give back a precise musical effect can be selected with the shape knob. The function length is independent from the actual wave shape and can be settled with the fader timeX from 30hz to 15 seconds. Also, setting the timeX fader at its maximum level will leave the VCA open.
A more typical collection of envelopes can be found in the first half of the dial. All kinds of sounds, from plucked notes to long volume swells passing through lead-friendly lines, can be obtained here.
More unusual, the last section of the knob is thought to simulate the acoustic vibration of a percussed object. Starting with a triangular envelope, from this point on, the more you turn the knob, the more rebounds will be added, simulating the natural ring of a material. Using this section at low rates can generate complex envelopes that could also be suitable for the vibrato-style AM effect. The envelope generator section includes a mode switch (cycle,trigger,hold), a trigger/gate input, an EOC trigger out, a function output, a CV for the envelope shape selection, and one CV for time.
As a cherry on the cake, a crossfader is placed at the end of the chain, blending both Axis halves. With a dedicated fader and CV control, raising it will invert the L/R output, creating nice stereo effects or moving the voices around the stereo field.
The VCA section is more straightforward: it has an audio input/output[1] and a VCA CV input[3].
You can plug the audio I/O to use Axis in its completeness and eliminate a lot of cables and mess!
Soundwise, here at Clank, we are all about vactrols LPGs, but since we knew it's not the most versatile option on the market, we came up with a different design. Blending together a VCA with a not-so-step filter, we obtained a VCA with a nice mild LPG flavor: enough to sound not so "clicky" but not too slow to inficiate really fast sounds.
By default, the envelope created by the function generator is normalized to the CV in of the VCA. Plugging a cable into the VCA in breaks the normalization, in this way you can use a different source to control the VCA and free the function generator for LFOs or modulation duties.
The range Y fader sets the strength of the envelope, but you can also see this control as a volume fader, which is nice since you won't necessarily need an additional volume for your voice after the Axis. Take into consideration that since the Axis VCA is actually a low-pass gate, lowering the rangeY fader also affects the cutoff frequency. The range fader also has its CV control to program dynamic changes to the sound. Basically, it's a VCA over a VCA that permits every note to be at different intensities. Last but not least, Range CV can also be fed by a unipolar modulation CV to obtain vibrato effects or audio rate AM modulations
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Clank Chaos 6-Channel Aleatoric Brain Module (clock generator/CV modulation/sequencer synth module)
Cat: 1084154 Rel: 28 May 25
Six channel CV/gate/looper module.
Notes: Chaos is excellent for modulation purposes or as a clock multiplier/ divider, but that's only scratching the surface... It takes a different approach to writing sequences than traditional sequencers, as it is built on six touring machines combined with an effective pattern and clock generator. One of the biggest challenges in electronic music production, especially when it comes to sequencing, is finding that sweet spot between hands-on control and possibilities.
It can be frustrating because many sequencers with lots of fun and playable controls don't always pack the punch you need. On the flip side, you have those bigger menu-based sequencers with tons of options but can feel overwhelming with all the programming they require. It's designed to help you overcome these challenges and make your music-making experience smoother and more enjoyable, whether you're jamming or writing a song you want to execute live.
Typically, a sequencer starts with a blank canvas. However, with Chaos, you begin with all possibilities at your disposal and can easily narrow them down to fit your vision with just a few adjustments. This makes creating a sequence that conveys a specific mood quick and straightforward. Once you have established this initial mood, you can loop it from the last step to step 32 whenever you hear something you like. At this point, you can choose to modify the entire loop or adjust the parameters of any individual step. There is no need for extensive menu navigation; simply pressing a button and turning the encoder gives you control over parameters such as gate time, gate probability, gate width, gate ratcheting, gate swing, notes, scale, slew, and slew amount.
The LED bar continuously displays the voltage output of the selected channel, as well as the gate and each parameter's value, eliminating the need for a screen. You can save and recall the entire sequence of its six channels at any time. Additionally, there is an internal function that allows you to randomize all parameters or just a select few within a specified range, helping you discover new melodies to work with.
Chaos is an endless reservoir of tunes and is incredibly quick and powerful for composing sequences, gate patterns, or modulation. In a short time, it will become the brain of your system.
Six CV outputs can be used for a wide range of applications; everything from chaotic modulations to fine-tuned sequences can be obtained. Thanks to its interface you can quickly adjust the voltages from where the random engine picks new values and then edit them in every aspect.In addition, Slew amount, Quantization, and external sampling are available on every channel.
Thanks to its 6 gate outputs, Chaos can be used as your system's quick and effective clock manager and gate pattern generator. Chaos also provides a stable master clock (10mS to 10Sec) from a separate output and can be clocked from external devices. On every channel, you can set Probability, Width, Swing, Ratcheting, and Time as a multiplier/divider of the master clock or unquantized in mS.
You can freeze the last 1 to 32 steps of randomly generated CVs and Gates in a locked loop when you hear something you like. Loops are not static; every parameter of Chaos can be used again to change the loop behavior in a non-destructive way.
Entering sequencer mode means taking control of every aspect of the looped sequence generated by the random engine. You can change time, width, probability, ratcheting, slew, slew amount, note, note deviation, etc., for each of the 32 steps of all six channels.
Thanks to the external input, you can substitute the random generator with external voltages, transpose a sequence on the fly, and a lot more.
If you're more into generative stuff or want to add a bit of craziness to the patch, you can use the Chaos function to randomize all the parameters on a channel. A sophisticated control named entropy is available on every parameter to set the distance of the new value from the last one.
Chaos can save and recall 10 slots where you can save entire sets or preferred channel behavior. Recall can also be done with an external voltage.
… Read moreIt can be frustrating because many sequencers with lots of fun and playable controls don't always pack the punch you need. On the flip side, you have those bigger menu-based sequencers with tons of options but can feel overwhelming with all the programming they require. It's designed to help you overcome these challenges and make your music-making experience smoother and more enjoyable, whether you're jamming or writing a song you want to execute live.
Typically, a sequencer starts with a blank canvas. However, with Chaos, you begin with all possibilities at your disposal and can easily narrow them down to fit your vision with just a few adjustments. This makes creating a sequence that conveys a specific mood quick and straightforward. Once you have established this initial mood, you can loop it from the last step to step 32 whenever you hear something you like. At this point, you can choose to modify the entire loop or adjust the parameters of any individual step. There is no need for extensive menu navigation; simply pressing a button and turning the encoder gives you control over parameters such as gate time, gate probability, gate width, gate ratcheting, gate swing, notes, scale, slew, and slew amount.
The LED bar continuously displays the voltage output of the selected channel, as well as the gate and each parameter's value, eliminating the need for a screen. You can save and recall the entire sequence of its six channels at any time. Additionally, there is an internal function that allows you to randomize all parameters or just a select few within a specified range, helping you discover new melodies to work with.
Chaos is an endless reservoir of tunes and is incredibly quick and powerful for composing sequences, gate patterns, or modulation. In a short time, it will become the brain of your system.
Six CV outputs can be used for a wide range of applications; everything from chaotic modulations to fine-tuned sequences can be obtained. Thanks to its interface you can quickly adjust the voltages from where the random engine picks new values and then edit them in every aspect.In addition, Slew amount, Quantization, and external sampling are available on every channel.
Thanks to its 6 gate outputs, Chaos can be used as your system's quick and effective clock manager and gate pattern generator. Chaos also provides a stable master clock (10mS to 10Sec) from a separate output and can be clocked from external devices. On every channel, you can set Probability, Width, Swing, Ratcheting, and Time as a multiplier/divider of the master clock or unquantized in mS.
You can freeze the last 1 to 32 steps of randomly generated CVs and Gates in a locked loop when you hear something you like. Loops are not static; every parameter of Chaos can be used again to change the loop behavior in a non-destructive way.
Entering sequencer mode means taking control of every aspect of the looped sequence generated by the random engine. You can change time, width, probability, ratcheting, slew, slew amount, note, note deviation, etc., for each of the 32 steps of all six channels.
Thanks to the external input, you can substitute the random generator with external voltages, transpose a sequence on the fly, and a lot more.
If you're more into generative stuff or want to add a bit of craziness to the patch, you can use the Chaos function to randomize all the parameters on a channel. A sophisticated control named entropy is available on every parameter to set the distance of the new value from the last one.
Chaos can save and recall 10 slots where you can save entire sets or preferred channel behavior. Recall can also be done with an external voltage.
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Make Noise MultiMod Multi-Modulation Module (modulation synth module)
Cat: 1067782 Rel: 12 Feb 25
Multi-modulation module in 10hp
Notes: A typically clever approach to modulation from Make Noise, the MultiMod takes a control signal and modifies it into eight related outputs, adjustable by phase and timing. Hugely versatile.
Supplier's Notes:
With MultiMod...from one control signal, we create many.
In a modular synthesiser, it is easy to create complex results via complex means - patching an elaborate network of independent control signals, for example. This can be very powerful but also cumbersome to set up, and potentially difficult to control in a meaningful way. MultiMod represents a new approach: it takes a single control signal and copies it 8 times, not unlike a simple mult, except that it allows you to modify those copies by weighted adjustment of their relative phase and speed. The result is modulation that is related to the source, but not identical at each destination.
Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.
When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.
MultiMod is built with the latest DSP hardware which offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analogue eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.
Specifications
Width: 10hp
Max depth (incl power cable): 39mm
Power:
195mA @+12V
10mA @-12V
… Read moreSupplier's Notes:
With MultiMod...from one control signal, we create many.
In a modular synthesiser, it is easy to create complex results via complex means - patching an elaborate network of independent control signals, for example. This can be very powerful but also cumbersome to set up, and potentially difficult to control in a meaningful way. MultiMod represents a new approach: it takes a single control signal and copies it 8 times, not unlike a simple mult, except that it allows you to modify those copies by weighted adjustment of their relative phase and speed. The result is modulation that is related to the source, but not identical at each destination.
Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.
When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.
MultiMod is built with the latest DSP hardware which offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analogue eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.
Specifications
Width: 10hp
Max depth (incl power cable): 39mm
Power:
195mA @+12V
10mA @-12V
4 in stock $374.27
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Make Noise Jumbler 6x6 Channel Analogue Signal Combiner & Distributor Module (mixer/multiple synth module)
Cat: 1084227 Rel: 28 Apr 25
Signal combiner/distributor module ideal for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more
Notes: Designed for Make Noise's New Universal Synthesizer System but compatible with all Eurorack modules, the Jumbled is a 6-in/6-out VCA-based signal router, designed to manipulate and reimagine control voltage signals.
Supplier's Notes:
The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Width: 10hp
Max Depth (incl. power cable): 43 mm
Power:
178mA@ +12V
92mA @ -12V
… Read moreSupplier's Notes:
The Jumbler music synthesiser module is a six by six channel analogue signal combiner and distributor for the New Universal Synthesizer System or any Eurorack modular synthesiser. Jumble is one of the N.U.S.S. concepts where the routings of a patch could be re-configured, or jumbled, instantly via voltage control to produce variations on a theme.
Jumbler gives you powerful two-parameter access to the rearrangement of both origins and destinations for up to six modular signals. One to six inputs are routed to one to six outputs, in an order determined by the Rotate control, and combination determined by the Radiate control. Unlike a simple switch module, Jumbler's analogue VCA-based design is specially geared for smooth transitions and hybrid signals.
Jumbler is a great module for hybrid control voltage mashing, complex waveform mixing, on-the-fly effects re-routing, gate and clock re-combinations and more. Some folks have said it is like patching a stack of 6 RxMx circuits.
Width: 10hp
Max Depth (incl. power cable): 43 mm
Power:
178mA@ +12V
92mA @ -12V
5 in stock $268.30
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ALM MCO MKII Digital VCO & Voice Module (sound source synth module)
Cat: 1057708 Rel: 02 Dec 24
Digital VCO & Voice Module - 6HP
Notes: The MCO MK II is a highly versatile digital VCO and voice module inspired by 90s/00s digital synths shrunk into just 6HP.
It offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.
Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.
Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.
The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.
A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.
… Read moreIt offers a broad collection of unique, high-quality synth voices, each with extensive, customizable parameters. These parameters can be directly controlled or modulated through assignable internal and external sources. Certain per-voice parameters support audio-rate modulation, including FM, sync, and DSP. Each voice also supports up to four-voice chords, external-triggered envelopes, multiple LFOs, and dual audio outputs for comprehensive desktop like synth functionality.
Voices include a multi dimensional wavetable oscillator based on the original MCO, a complex additive synthesis engine, a multi mode 'JP' type digi-synth, a lush virtual analog implementation, a fully featured vocoder, a bass synth for both kicks and sub sonic tones and finally arebirth and porting of our discontinued SID GUTs chip voice.
Each voice includes factory presets as well as the ability to store and recall user presets. All state is preserved across power cycles.
The MCO is designed to be familiar, quick and easy to use with a high resolution colour display and a rich visual user interface.
A USB-C connection allows for easy firmware updates, user wavetables upload and device config backup and restore. Axon expander modules are also supported to increase CV control options.
2 in stock $257.02
