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People also bought...
Zoom MS-90LP+ Multi-Stomp Looper Effect Pedal (time effects pedal)
Cat: 1061944 Rel: 03 Apr 25
A stereo looper for guitarists and keyboardists offering high quality sound
Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.
… Read more 1 in stock $149.41
Click for better price!
or call +44 20 7424 1960
quote 1061944
quote 1061944
People also bought...
Zoom MS-70CDR+ Multi-Effect Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032 Rel: 31 Mar 25
Chorus, delay, reverb, dyanmics & filter effect pedal
Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs
The Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
… Read moreThe Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
2 in stock $127.11
People also bought...
Zoom G1X Four Multi-Effect Pedal (multi-effect pedal)
Cat: 726487 Rel: 04 Apr 19
Multi-effects processor with 70+ effects, 13 amp models, 68 drum patterns, looper & expression pedal
Notes: The Zoom G1X FOUR features over 70 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!
X is for Xpression:
The G1X FOUR comes with ZOOM's expression pedal, which provides control over effects such as volume, wah, delay and pitch.
Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.
Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.
You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.
Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.
Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.
Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.
Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.
PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.
STOMP mode lets you turn individual effects on and off with the tap of your foot.
Off the Floor:
The G1X FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.
Power Options:
The G1X FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.
… Read moreX is for Xpression:
The G1X FOUR comes with ZOOM's expression pedal, which provides control over effects such as volume, wah, delay and pitch.
Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.
Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.
You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.
Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.
Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.
Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.
Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.
PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.
STOMP mode lets you turn individual effects on and off with the tap of your foot.
Off the Floor:
The G1X FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.
Power Options:
The G1X FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.
1 in stock $113.24
People also bought...
Zoom G1 Four Multi-Effect Pedal (multi-effect pedal)
Cat: 726481 Rel: 04 Apr 19
Multi-effects processor with 60+ effects, 13 amp models, 68 drum patterns & looper
Notes: The Zoom G1 FOUR features over 60 effects and amp models, looper and drum machine. Plus, access ZOOM Guitar Lab's additional library of downloadable effects. Plug in and be amazed!
Sounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.
Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.
You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.
Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.
Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.
Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.
Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.
PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.
STOMP mode lets you turn individual effects on and off with the tap of your foot.
Off the Floor:
The G1 FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.
Power Options:
The G1 FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.
… Read moreSounds That Inspire:
The pedal has more than 60 traditional and boutique effects, including ring modulator, pitch-shifting delay and even sitar simulation.
Your Favourite Amps & Cabinets:
With 13 classic amps and cabinets like Fender, Marshall, Orange and more, the G1 series brings big stage sound wherever you go.
You'll Love The Free Guitar Lab Software:
With ZOOM Guitar Lab, explore an endless world of artist patches, effects and more. And with its ability to manage and backup all of your patches, you can experiment and create endless combinations.
Drums Included:
Play along with 68 great-sounding rhythm patterns in different time signatures, including 4/4, 3/4 and more.
Stay Looped In:
The built-in looper can record up to 30 seconds of playing, allowing you to create dynamic, multi-part arrangements.
Auto Patch Backup:
Your patches and level settings are instantly backed up when using the Auto Save function, ensuring you never lose your latest creation.
Perform Live:
Seamlessly switch up your sounds during live shows using either of 2 performance modes.
PRESELECT mode lets you jump from patch to patch without affecting the patch your currently playing.
STOMP mode lets you turn individual effects on and off with the tap of your foot.
Off the Floor:
The G1 FOUR control panel is also designed for hands-on, desktop use. Dial in tones and adjust level settings with absolute precision to craft your perfect sound.
Power Options:
The G1 FOUR runs on just four AA batteries. Alternatively, it can be powered using the optional Zoom AD-16 AC adapter or via USB bus power.
1 in stock $103.69
People also bought...
Wampler Mini Faux Spring Reverb Effects Pedal (time effects pedal)
Cat: 1090596 Rel: 21 May 25
Updated version of Wampler's renowned Faux Spring Reverb
Notes: The Faux Spring Reverb has been a staple on many players boards for many years now, and when it was discontinued a few years ago Brian Wampler received numerous requests to bring it back since then. Not being one to be content with just reissuing something, Brian decided to take all of the feedback from players he had received and give it a bit if an upgrade.
The result was the birth of the Mini Faux Spring Reverb. Following the idea of - If it's not broke, don't fix it - he just added more of what players love. More decay, more drippiness and more of that bouncy spring tone players love in the bigger Reverb tanks. Despite sounding bigger and fuller, he decided to condense it down into a mini enclosure to fit perfectly at the end if any chain to grab and go.
When the moment calls for the sound of spring reverb, you'll be glad you have this little guy. With an extended decay time, the Mini Faux Spring Reverb pedal serves up authentic tones that drip with boing (Don't you love spring reverb adjectives?) just like a great spring tank. And thanks to an easy-to-navigate control layout, you'll have your perfect tone pulled up in no time.
For years, the Wampler Faux Spring Reverb was the very best spring reverb pedal available, Brian Wampler updated it, made it smaller, made it bouncier - made it even more perfect for your rig!
There no denying the popularity and convenience of this pedal's mini design. Not only does it fit wonderfully on even the most cramped pedalboards, but it's easy to throw in the back of your open-back combo when running in the amp's effects loop.
Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Mini Faux Spring Reverb. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.
Technical Details
Built in the U.S.A.
High-grade components picked for their superior sound and response
True bypass Small profile, ideal for pedal board placement
Signal is split, core tone is unchanged through the pedal, the effect is laid on top of your tone
Volume, Depth, and Tone control allowing you full control of your reverb trail
9v power jack (no battery connector inside)
3PDT True Bypass
Includes Wampler's limited 5-year warranty
Power draw: 64.3mA (at 9v) and 69.5mA (at 12v)
1.50" x 3.50" x 1.5" (38.1mm x 88.9mm x 38.1mm) - height excludes knobs and switches
… Read moreThe result was the birth of the Mini Faux Spring Reverb. Following the idea of - If it's not broke, don't fix it - he just added more of what players love. More decay, more drippiness and more of that bouncy spring tone players love in the bigger Reverb tanks. Despite sounding bigger and fuller, he decided to condense it down into a mini enclosure to fit perfectly at the end if any chain to grab and go.
When the moment calls for the sound of spring reverb, you'll be glad you have this little guy. With an extended decay time, the Mini Faux Spring Reverb pedal serves up authentic tones that drip with boing (Don't you love spring reverb adjectives?) just like a great spring tank. And thanks to an easy-to-navigate control layout, you'll have your perfect tone pulled up in no time.
For years, the Wampler Faux Spring Reverb was the very best spring reverb pedal available, Brian Wampler updated it, made it smaller, made it bouncier - made it even more perfect for your rig!
There no denying the popularity and convenience of this pedal's mini design. Not only does it fit wonderfully on even the most cramped pedalboards, but it's easy to throw in the back of your open-back combo when running in the amp's effects loop.
Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Mini Faux Spring Reverb. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.
Technical Details
Built in the U.S.A.
High-grade components picked for their superior sound and response
True bypass Small profile, ideal for pedal board placement
Signal is split, core tone is unchanged through the pedal, the effect is laid on top of your tone
Volume, Depth, and Tone control allowing you full control of your reverb trail
9v power jack (no battery connector inside)
3PDT True Bypass
Includes Wampler's limited 5-year warranty
Power draw: 64.3mA (at 9v) and 69.5mA (at 12v)
1.50" x 3.50" x 1.5" (38.1mm x 88.9mm x 38.1mm) - height excludes knobs and switches
1 in stock $139.38
People also bought...
Walrus Audio Fundamental Series Delay Effects Pedal (time effects pedal)
Cat: 939293 Rel: 14 Apr 23
Digital Delay that provides core sounds of repeated effects.
Notes: The Fundamental Delay provides you with the core sounds of repeated effects. With three delay algorithms, you can go from clean digital feedback to an analogue delay emulation, as well as reversing your trails.
Time slider controls the rate of the delayed repeats.
Feedback slider sets the number of repeats.
Mix controls the mix of the effect and the original clean signal. All the way to the left outputs a fully clean signal, and all the way to the right outputs only the delay repeats.
The slide switch allows you to change between three distinct delay algorithms:
Digital: add a clean rhythmic delay back into your signal, with transparent repeats.
Analogue: add a filtered and slightly distorted delay back into your signal, designed to replicate the characteristics of bucket brigade delay chips.
Reverse: add reversed trails back into your signal, create gentle melodies, or push into reverse feedback overload.
Tap Mode: To enter tap mode, hold down the bypass stompswitch until you see the LED flashing. Once it is flashing, tap mode is engaged and the stomp switch will only work as a tap tempo until tap mode is disengaged. While tap mode is engaged, adjusting the program Slide Switch will only change the division of the tap control, and not the delay program. To disengage tap mode, hold down bypass again until you see the LED turn back to solid white. The pedal will remember the tempo you have tapped in until adjusted again by either the time control or another tempo is tapped in.
Trails Modes: The Delay comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your delay repeats will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.
For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.
… Read moreTime slider controls the rate of the delayed repeats.
Feedback slider sets the number of repeats.
Mix controls the mix of the effect and the original clean signal. All the way to the left outputs a fully clean signal, and all the way to the right outputs only the delay repeats.
The slide switch allows you to change between three distinct delay algorithms:
Digital: add a clean rhythmic delay back into your signal, with transparent repeats.
Analogue: add a filtered and slightly distorted delay back into your signal, designed to replicate the characteristics of bucket brigade delay chips.
Reverse: add reversed trails back into your signal, create gentle melodies, or push into reverse feedback overload.
Tap Mode: To enter tap mode, hold down the bypass stompswitch until you see the LED flashing. Once it is flashing, tap mode is engaged and the stomp switch will only work as a tap tempo until tap mode is disengaged. While tap mode is engaged, adjusting the program Slide Switch will only change the division of the tap control, and not the delay program. To disengage tap mode, hold down bypass again until you see the LED turn back to solid white. The pedal will remember the tempo you have tapped in until adjusted again by either the time control or another tempo is tapped in.
Trails Modes: The Delay comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your delay repeats will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.
For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.
1 in stock $113.73
Click for better price!
or call +44 20 7424 1960
quote 939293
quote 939293
People also bought...
Walrus Audio Fundamental Series Ambient Reverb Effects Pedal (time effects pedal)
Cat: 1008777 Rel: 27 Mar 24
Expansive pillowy reverb with three atmospheric modes in a compact size
Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.
Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.
The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.
Modes:
Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.
Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.
… Read moreBecause vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.
The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.
Modes:
Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.
Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.
1 in stock $111.50
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Stomp Wizard Cosmic Echo Analogue-Sounding LoFi Delay Effects Pedal (time effects pedal)
Cat: 971611 Rel: 04 Mar 24
Analogue-sounding LoFi delay effects pedal.
Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.
The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.
Dark, rich sounds with the analogue vibe of a tape echo.
Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.
Delay length: 30ms-1,250ms
3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.
Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.
Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.
Pedal may have a slight volume drop.
Great for shoegaze, surf rock, ambient and experimental sounds.
Pedal uses a 125B case
Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).
Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).
… Read moreThe dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.
Dark, rich sounds with the analogue vibe of a tape echo.
Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.
Delay length: 30ms-1,250ms
3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.
Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.
Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.
Pedal may have a slight volume drop.
Great for shoegaze, surf rock, ambient and experimental sounds.
Pedal uses a 125B case
Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).
Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).
1 in stock $111.50
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or call +44 20 7424 1960
quote 971611
quote 971611
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Pigtronix Cosmosis 1 Stereo Ambient Reverb Effects Pedal (time effects pedal)
Cat: 1069819 Rel: 06 Feb 25
A high-fidelity digital reverb that delivers premium ambient reverb sounds in a streamlined, single-footswitch enclosure
Notes: Morph across the spacetime spectrum.
Cosmosis 1 is a high-fidelity digital reverb that delivers premium ambient reverb sounds in a streamlined, single-footswitch enclosure. Cosmosis 1 contains three unique Pigtronix space algorithms with onboard controls for the size of the reverb, wet/dry blend, and filtering. Custom-made LED touch switches provide instant color-coded access to three unique reverb spaces as well as three user-defined presets. Theatre (blue) puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple (amber) occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos (purple) creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed.
Cosmosis 1 also features Pigtronix's signature 'Morph' function that allows musicians to alter their settings in real-time by pressing and holding the footswitch. This feature provides a simple way for players to trigger a gradual change to various reverb parameters simultaneously. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph to traverse the difference between these values as indicated by the color-changing Engage LED. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Stereo functionality is available via the TRS output jack. Cosmosis 1 runs on standard 9VDC power.
Knob-by-knob
Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.
Size: Sets the size of the reverb space
Blend: Sets the balance between wet (reverb) and dry (clean signal)
Space Select: Push to toggle through 3 available reverb spaces.
Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).
Three Evocative Spaces
The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.
Single-Footswitch Streamlining
Maintaining all of the functionality of the original dual-footswitch Cosmosis, the Cosmosis I prioritizes a streamlined interface that gets you to your favorite sounds even more quickly, plus its standard stompbox size doesn't disrupt your pedalboard.
Specifications
Function: Stereo Ambient Reverb with Morphing
Bypass: Buffered
Electronics
Voltage: 9VDC
Current Draw: 100mA
Input Impedance: High
Output Impedance: 1k
Body
Length (inches): 4.5
Width (inches): 2.5
Height (inches): 2
Weight (lbs): 1
… Read moreCosmosis 1 is a high-fidelity digital reverb that delivers premium ambient reverb sounds in a streamlined, single-footswitch enclosure. Cosmosis 1 contains three unique Pigtronix space algorithms with onboard controls for the size of the reverb, wet/dry blend, and filtering. Custom-made LED touch switches provide instant color-coded access to three unique reverb spaces as well as three user-defined presets. Theatre (blue) puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple (amber) occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos (purple) creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed.
Cosmosis 1 also features Pigtronix's signature 'Morph' function that allows musicians to alter their settings in real-time by pressing and holding the footswitch. This feature provides a simple way for players to trigger a gradual change to various reverb parameters simultaneously. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph to traverse the difference between these values as indicated by the color-changing Engage LED. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Stereo functionality is available via the TRS output jack. Cosmosis 1 runs on standard 9VDC power.
Knob-by-knob
Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.
Size: Sets the size of the reverb space
Blend: Sets the balance between wet (reverb) and dry (clean signal)
Space Select: Push to toggle through 3 available reverb spaces.
Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).
Three Evocative Spaces
The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.
Single-Footswitch Streamlining
Maintaining all of the functionality of the original dual-footswitch Cosmosis, the Cosmosis I prioritizes a streamlined interface that gets you to your favorite sounds even more quickly, plus its standard stompbox size doesn't disrupt your pedalboard.
Specifications
Function: Stereo Ambient Reverb with Morphing
Bypass: Buffered
Electronics
Voltage: 9VDC
Current Draw: 100mA
Input Impedance: High
Output Impedance: 1k
Body
Length (inches): 4.5
Width (inches): 2.5
Height (inches): 2
Weight (lbs): 1
1 in stock $143.85
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or call +44 20 7424 1960
quote 1069819
quote 1069819
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Nu-X NDR-5 Atlantic Delay & Reverb Effects Pedal (delay/reverb effects pedal)
Cat: 712793 Rel: 29 Nov 18
Effect Pedal with Inside Routing and Secondary Reverb Effects
Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.
… Read more1 in stock $126.45
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Notes: MG-101 is a complete guitarist's tone companion in a compact yet versatile floor unit. Hiding inside the minimalist housing is a full suite of amplifier tones and a huge palette of guitar and bass effects across 10 distinct audio processing blocks. Amp modelling is based on TSAC-HD White Box Amp Modeling Technology, which delivers high definition analogue circuit simulation for pro quality guitar tones, with speaker cabinet emulation processed via an impulse response (IR) loader with 25 internal models and 12 additional user slots for importing your own files. A built-in expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard with parameters shown on the full colour display or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations for recalling at will. In addition to the internal metronome, the built-in Jam function has a fully featured drum machine and 30 second stereo (60s mono) phrase looper. To integrate with a DAW studio suite, the USB also functions as a high quality audio interface, completing the studio-ready guitar rig. The main output can deliver stereo or mono audio directly to a PA or to guitar amplifiers, with a separate TRRS minijack output for headphones or 2-way connection to a smart phone for live streaming. Without breaking the bank, you can have world-class amp modelling and effects with all the essential tools a recording and gigging guitarist needs in a portable and convenient package.
Power supply: 9Vdc DC5521 pin-negative (power adaptor included)
Current consumption: <250mA
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB-C audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Output: 6.3mm stereo jack line out (to amp or mixer)
Headphone connector:3.5mm jack (TRRS for smartphone livestreaming)
Input impedance: Guitar 470k Ohms, Aux 25k Ohms
Dynamic range: 104dB
Output impedance: 1k Ohm
Dimensions: 289 x 160 x 71mm
Weight: 920g
In the Box:
MG-202 multi-effect pedal
9Vdc 500mA power adaptor
USB cable
User manual
Warranty card
… Read morePower supply: 9Vdc DC5521 pin-negative (power adaptor included)
Current consumption: <250mA
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB-C audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Output: 6.3mm stereo jack line out (to amp or mixer)
Headphone connector:3.5mm jack (TRRS for smartphone livestreaming)
Input impedance: Guitar 470k Ohms, Aux 25k Ohms
Dynamic range: 104dB
Output impedance: 1k Ohm
Dimensions: 289 x 160 x 71mm
Weight: 920g
In the Box:
MG-202 multi-effect pedal
9Vdc 500mA power adaptor
USB cable
User manual
Warranty card
1 in stock $105.55
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Nobels ODR-1X Natural Overdrive Effects Pedal (distortion effects pedal)
Cat: 1048328 Rel: 17 Dec 24
Natural overdrive effects pedal with bass cut control
Notes: For over 30 years, the Nobels ODR-1 overdrive pedal has become a renowned classic and has developed cult-like status among guitarists worldwide. Seen as an indispensable staple in many professional setups, the pedal has become an industry standard that is widely imitated, but seldom surpassed.
The new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent 'Glow in the Dark' pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite.
For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal's bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels' unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles.
ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal's TRS connection.
The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards.
… Read moreThe new Nobels ODR-1X is the next generation of this now legendary overdrive, heralding a new chapter in the Nobels overdrive legacy. Due to popular demand, a convenient external bass cut pot has been added, as well as the option to change between true bypass or buffered bypass. For hi-gain aficionados, a new switchable hi-gain boost is also now available. This is capable of transforming ODR-1X into a true hard rock monster. With the ability to control both the gain boost and bypass remotely, along with the unique SPECTRUM tone control, fold-out Mounty-P mounting plates and knobs with fluorescent 'Glow in the Dark' pointers, the ODR-1X adds worthwhile flexibility and utility to a time-tested favourite.
For extended ease of use, the internal Bass Cut feature originally included in the ODR-1BC is now available as an external variable control right on the face of the pedal. This allows for complete optimisation of the pedal's bass response on the fly, at the simple turn of a knob. The flexibility of this new additional control compliments Nobels' unique and renowned SPECTRUM tone control, which alters the proportion of both the low-mid and high frequencies simultaneously. At midday, the frequencies remain almost untouched. However, moving from the minimum to maximum positions will deliver variations in frequency response that are suitable for a wealth of musical tastes and styles.
ODR-1X also now features the ability to switch between True Bypass and Buffered Bypass via a mini switch that is located within the top loading battery compartment. True Bypass gives the maximum tonal purity. While players who are using longer cable runs, can switch to Buffered Bypass mode to preserve high frequencies. No matter what Bypass mode you choose, you also have the functionality of being able to switch the pedal on and off and control the new Gain Boost feature remotely via the pedal's TRS connection.
The pedal operates at standard 9 V DC, however if run at 18 V, this allows ODR-1X to deliver increased dynamic headroom. As with all Nobels pedals, the ODR-1X features integrated Mounty-P Mounting Plates for safe and secure attachment to pedalboards.
1 in stock $142.45
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Neural Devices Emerald OTA Compressor Effects Pedal (compression pedal)
Cat: 939087 Rel: 13 Apr 23
An operational transconductance amplifier compressor effects pedal.
Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.
Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks
… Read moreAnalogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks
1 in stock $139.38
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Mooer Audio R7 X2 Dual Stereo Reverb Effects Pedal (time effects pedal)
Cat: 845406 Rel: 10 Jan 22
Dual stereo reverb effects pedal
Notes: The R7 X2 Reverb combines MOOER's best digital effects algorithms from the A7 Ambiance and R7 Reverb pedals and combines 14 different types of high-quality stereo reverb in to one ultimate pedal. Parameter knobs include High Cut, Low Cut, and Mix for adjusting the EQ and Decay and Pre-Delay knobs for adjusting the intensity of each effect. Unique features of the R7 X2 include the Infinite and Trail-on functions to customize how each effect fades out.
Each pedal features a single designated save slot for each effect where users can save their settings after being tweaked to perfection. A BYPASS footswitch is included for easy toggling. Simultaneously pressing the TAP and BYPASS switches turns on Preset Rolling Mode to switch between saved presets easily
14 different reverbs
Classic: Room, Hall, Church, Cave, Plate, Spring, Studio
Modern Ambient: Mod, Reverse, Wrap, Shake, Crush, Shimmer, Dream
… Read moreEach pedal features a single designated save slot for each effect where users can save their settings after being tweaked to perfection. A BYPASS footswitch is included for easy toggling. Simultaneously pressing the TAP and BYPASS switches turns on Preset Rolling Mode to switch between saved presets easily
14 different reverbs
Classic: Room, Hall, Church, Cave, Plate, Spring, Studio
Modern Ambient: Mod, Reverse, Wrap, Shake, Crush, Shimmer, Dream
1 in stock $116.12
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Mooer Audio Prime S1 Multi-Effects Pedal (B-STOCK) (multi-effects pedal)
Cat: 1074844 Rel: 01 Jan 90
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***
MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.
Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.
This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.
When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.
Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.
Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.
… Read moreMOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.
Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.
This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.
When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.
Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.
Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.
1 in stock $122.66
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Mooer Audio Prime S1 Multi-Effects Pedal (multi-effects pedal)
Cat: 1010796 Rel: 02 Apr 24
Multi-effects pedal: 128 effect and tone presets, 80-second looping module, 40 synchronizable drum machines & 10 metronomes
Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.
Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.
This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.
When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.
Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.
Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.
… Read moreInitially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.
This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.
When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.
Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.
Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.
1 in stock $141.61
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Mooer Audio Prime M1 Mini-Intelligent Multi-Effect Pedal (multi-effects pedal)
Cat: 1064241 Rel: 21 Mar 25
Multi-effects unit and audio interface for electric guitar and electric bass
Notes: Last year in 2023, MOOER released its Prime Stomp S1 multi-effects pedal, to great critical acclaim. The device expanded on MOOER's previous pedalboard creations, applying a more sleek, lightweight, and, most importantly, chargeable design. Now, the company is turning heads once again with the Prime Minimax M1, an upgraded device that improves functionality not only for electric guitarists, but for bassists too.
Packed inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.
As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.
Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.
Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.
In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.
Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.
Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.
… Read morePacked inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.
As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.
Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.
Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.
In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.
Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.
Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.
2 in stock $104.81
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Mooer Audio Looper X2 Stereo Looper Effects Pedal (looper effects pedal)
Cat: 907082 Rel: 14 Feb 23
The Looper X2 is a dual-footswitch operated looper pedal aimed at providing fast loop creation with no shortage of space to save your favorite tracks and samples.
Notes: The Looper X2 is the culmination of over a decade of experience developing easy-to-use standalone and combination pedals. The Looper X2 supercharges practice sessions as well as live performances by empowering the player to start jamming as soon as possible.
The Looper X2 is a dual-footswitch operated looper pedal aimed at providing fast loop creation with no shortage of space to save your favorite tracks and samples. With 11 song banks, each bank featuring 7 save slots, the Looper X2 provides a total of 300 minutes recording time (2.5 mins per slot in bank 1-9, 10 min each in bank 10, 11). Each slot also corresponds to common song structures as to make organizing sections and tracks easier, as indicated on the front of the pedal. Save slots and recorded tracks can also be managed using the specialized editor software that can be downloaded for free, and compatible with Mac and Windows PCs.
Additional features of the Looper X2 include a FADE knob for controlling and toggling the Fade out function for each loop. Users can also toggle an Auto Rec function to start recording a loop every time a guitar signal input is detected by employing the THRESHOLD knob. Additional knobs include separate volume level controls for Recording and Playback, as well as an 11-option knob for scrolling through the song banks. The dual footswitch setup offers familiar Looper controls and for users desiring more control, the Looper X2 also supports an external footswitch that can perform a variety of operations like cycling through different parts of the current selected song bank. See the manual for more information on compatibility.
The Looper X2, like with other X2 devices, includes Stereo I/O and a 14" External Control out for connecting a footswitch as well as True Bypass to stay quiet when not in use.
Specifications:
Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Recording capacity: Approximate 300 minutes (stereo)
Sample rate/sample depth: 44.1kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WAV
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker
… Read moreThe Looper X2 is a dual-footswitch operated looper pedal aimed at providing fast loop creation with no shortage of space to save your favorite tracks and samples. With 11 song banks, each bank featuring 7 save slots, the Looper X2 provides a total of 300 minutes recording time (2.5 mins per slot in bank 1-9, 10 min each in bank 10, 11). Each slot also corresponds to common song structures as to make organizing sections and tracks easier, as indicated on the front of the pedal. Save slots and recorded tracks can also be managed using the specialized editor software that can be downloaded for free, and compatible with Mac and Windows PCs.
Additional features of the Looper X2 include a FADE knob for controlling and toggling the Fade out function for each loop. Users can also toggle an Auto Rec function to start recording a loop every time a guitar signal input is detected by employing the THRESHOLD knob. Additional knobs include separate volume level controls for Recording and Playback, as well as an 11-option knob for scrolling through the song banks. The dual footswitch setup offers familiar Looper controls and for users desiring more control, the Looper X2 also supports an external footswitch that can perform a variety of operations like cycling through different parts of the current selected song bank. See the manual for more information on compatibility.
The Looper X2, like with other X2 devices, includes Stereo I/O and a 14" External Control out for connecting a footswitch as well as True Bypass to stay quiet when not in use.
Specifications:
Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Recording capacity: Approximate 300 minutes (stereo)
Sample rate/sample depth: 44.1kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WAV
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker
1 in stock $123.76
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Mooer Audio Harmonier Vocal Harmony Effects Pedal (pitch/frequency effects pedal)
Cat: 992162 Rel: 04 Apr 24
Vocal harmony effects pedal
Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.
At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.
The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.
'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.
Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.
Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
… Read moreAt its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.
The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.
'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.
Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.
Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
1 in stock $146.07
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Mooer Audio Groove Loop X2 Stereo Looper & Drum Machine Effects Pedal (drum/looper effects pedal)
Cat: 847894 Rel: 10 Jan 22
Stereo looper & drum machine pedal.
Notes: Excellent value from this smart little pedal, combining a looper with a built-in drum machine. Pick a rhythm backing, dial in a tempo and then improvise over the top to build up loops and grooves.
Supplier's Notes:
The Groove Loop X2 aims to serve as the ultimate looper and drum machine combo pedal whether in the practice room or on stage. The X2 looper features a whopping 14 save slots that can store loops of up to 10 minutes in length in each slot. Looper controls are familiar and flexible with the ability to toggle count-in mode on/off and an automatic mode that detects and begins the looper once an instrument signal is detected. Time Stretch functionality is also included to allow users to alter the speed of playback without affecting the original pitch.
On the drum machine, the Groove Loop packs in a huge variety of drum grooves separated by 11 different genres, each with 11 different variations that can be easily selected with the included GENRE and PATTERN knobs. Drum machine tempo can be set manually by Tap Tempo or when used in combination with the Looper, tempo will be automatically detected while playing.
The X2 edition of the Groove Loop also adds many requested features such as split stereo inputs and outputs. Looper and Drum machine can also be split to two different outputs for added flexibility. A justify function is included to make sure your drum groove and loop is perfectly in sync and free editor software cand be downloaded from mooeraudio.com and connected to the Groove Loop for easier editing of stored tracks.
Specifications:
Input: 2*1/4'' mono audio input jack (Impedance value 1M ohms)
Output: 2*1/4" mono audio output jack (Impedance value 510 ohms)
EXT CTRL: 1/8" stereo audio jack
Saving slots: 14
Total recording time: 140 minutes (Stereo audio)
Export audio file format: MP3/WAV/FLAC/APE
Sample rate/Sample depth: 44.1 kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WA
Power requirements: 9V 300mA (Center negative). Original power supply is recommended to avoid unexpected noise.
Dimensions: 75mm(D)x115mm(W)x33mm(H)
Weight: 0.334kg
… Read moreSupplier's Notes:
The Groove Loop X2 aims to serve as the ultimate looper and drum machine combo pedal whether in the practice room or on stage. The X2 looper features a whopping 14 save slots that can store loops of up to 10 minutes in length in each slot. Looper controls are familiar and flexible with the ability to toggle count-in mode on/off and an automatic mode that detects and begins the looper once an instrument signal is detected. Time Stretch functionality is also included to allow users to alter the speed of playback without affecting the original pitch.
On the drum machine, the Groove Loop packs in a huge variety of drum grooves separated by 11 different genres, each with 11 different variations that can be easily selected with the included GENRE and PATTERN knobs. Drum machine tempo can be set manually by Tap Tempo or when used in combination with the Looper, tempo will be automatically detected while playing.
The X2 edition of the Groove Loop also adds many requested features such as split stereo inputs and outputs. Looper and Drum machine can also be split to two different outputs for added flexibility. A justify function is included to make sure your drum groove and loop is perfectly in sync and free editor software cand be downloaded from mooeraudio.com and connected to the Groove Loop for easier editing of stored tracks.
Specifications:
Input: 2*1/4'' mono audio input jack (Impedance value 1M ohms)
Output: 2*1/4" mono audio output jack (Impedance value 510 ohms)
EXT CTRL: 1/8" stereo audio jack
Saving slots: 14
Total recording time: 140 minutes (Stereo audio)
Export audio file format: MP3/WAV/FLAC/APE
Sample rate/Sample depth: 44.1 kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WA
Power requirements: 9V 300mA (Center negative). Original power supply is recommended to avoid unexpected noise.
Dimensions: 75mm(D)x115mm(W)x33mm(H)
Weight: 0.334kg
2 in stock $121.42
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Mooer Audio GL100 Groove Loop Phrase & Drum Station (looper/drummer effects pedal)
Cat: 1064240 Rel: 21 Mar 25
A feature-packed dual-footswitch stereo phrase looper and drum machine
Notes: Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.
Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.
Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.
The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.
In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.
Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.
As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.
Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.
Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.
2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g
… Read moreSupplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.
Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.
The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.
In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.
Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.
As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.
Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.
Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.
2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g
4 in stock $120.42
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Mooer Audio D7 X2 Dual Stereo Delay Effects Pedal (delay effects pedal)
Cat: 845408 Rel: 10 Jan 22
A dual footswitch stereo delay pedal.
Notes: The first pedal to get the X2 treatment is the D7 X2 Delay Pedal. With the 14 high-quality delay effects, this pedal features more than double the effects of its skinnier brother, the D7 Delay, while also adding stereo inputs and outputs. The array of delay effects in the D7 X2 have a wide range from classic analog and tape delays to more modern and experimental delays such as "Low-Bit", "Galaxy", and "PingPong". Adjustable parameters are different based on each effect and can be customized with the Tweak 1 and Tweak 2 knobs. Additional parameters can be adjusted by using the MIX, TIME, and FEEDBACK knobs. Timing of each delay can be adjusted with the TIME knob or by using the TAP TEMPO footswitch for quick adjustments on the fly.
… Read more1 in stock $130.18
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Mooer Audio Autuner Vocal Autotune Effects Pedal (pitch/frequency effects pedal)
Cat: 992160 Rel: 04 Apr 24
Vocal autotune effects pedal
Notes: MOOER has unveiled its latest effect pedal innovation, the MVP1 AUTUNER vocal processor. Unlike most of MOOER's products, this pedal is designed primarily for use with vocals, offering precise pitch correction and exceptional vocal enhancement features. However, MOOER hasn't forgotten about its primary audience, so AUTUNER still provides features that will interest guitarists.
Due to the pedal's primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard 1/4" guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.
The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different colour. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction's vocal synthesizer mode.
AUTUNER's versatility shines particularly brightly thanks to its built-in effects modules. The first of these is delay; the delay module can be can controlled with its dedicated dial, with users having the option to choose between tape delay, digital delay, slapback delay, or bypass. The pedal's left footswitch serves as a tap switch, which allows the user to determine the speed of the delay module.
A reverb module is also featured within AUTUNER. This too has its own dedicated dial, which can be used to morph between room delay, hall delay, and plate delay. Whilst the pitch correction features of the pedal are limited only to vocals, these delay and reverb modules ensure that the pedal has plenty of dedicated features to offer MOOER's guitarist fanbase.
As is common with MOOER products, AUTUNER features a wide range of control mechanisms. In addition to the left footswitch's dual functionality, the right footswitch also acts as a bypass for the pitch correction and effects, whilst still ensuring the tone processing remains active. The pedal's tonal enhancements can then be fully bypassed with the 'flat' tone option.
In addition to its core features, the MVP1 AUTUNER also includes a gain dial, a 48V phantom power switch for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Overall, the features of this pedal ensure that musicians have everything they need for impressive pitch correction, vocal synthesis, and special processing, whilst ensuring that they never have to rely on external batteries.
Vocal pitch correction feature with a controllable sensitivity dial
Footswitch-controllable vocal synthesizer mode
Three vocal tone modes: flat, warm, and bright
Four delay modes: tape, digital, slapback, and OFF
Four reverb modes: room, hall, plate, and OFF
Tap tempo footswitch for delay speed
Bypass footswitch functionality for isolating the tone from effects
Multifunctional footswitches for 'hidden mode'
LED button for tonal control
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
… Read moreDue to the pedal's primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard 1/4" guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.
The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different colour. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction's vocal synthesizer mode.
AUTUNER's versatility shines particularly brightly thanks to its built-in effects modules. The first of these is delay; the delay module can be can controlled with its dedicated dial, with users having the option to choose between tape delay, digital delay, slapback delay, or bypass. The pedal's left footswitch serves as a tap switch, which allows the user to determine the speed of the delay module.
A reverb module is also featured within AUTUNER. This too has its own dedicated dial, which can be used to morph between room delay, hall delay, and plate delay. Whilst the pitch correction features of the pedal are limited only to vocals, these delay and reverb modules ensure that the pedal has plenty of dedicated features to offer MOOER's guitarist fanbase.
As is common with MOOER products, AUTUNER features a wide range of control mechanisms. In addition to the left footswitch's dual functionality, the right footswitch also acts as a bypass for the pitch correction and effects, whilst still ensuring the tone processing remains active. The pedal's tonal enhancements can then be fully bypassed with the 'flat' tone option.
In addition to its core features, the MVP1 AUTUNER also includes a gain dial, a 48V phantom power switch for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Overall, the features of this pedal ensure that musicians have everything they need for impressive pitch correction, vocal synthesis, and special processing, whilst ensuring that they never have to rely on external batteries.
Vocal pitch correction feature with a controllable sensitivity dial
Footswitch-controllable vocal synthesizer mode
Three vocal tone modes: flat, warm, and bright
Four delay modes: tape, digital, slapback, and OFF
Four reverb modes: room, hall, plate, and OFF
Tap tempo footswitch for delay speed
Bypass footswitch functionality for isolating the tone from effects
Multifunctional footswitches for 'hidden mode'
LED button for tonal control
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
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Matthews Effects The Traveler 3-Algorithm Reverb Effect Pedal (time effects pedal)
Cat: 1062853
This compact and versatile pedal packs a punch with its three unique algorithms: Mod, Shimmer, and Vintage, giving you endless creative possibilities for your sound
Notes: Introducing "The Traveler" - the ultimate reverb pedal for any musician. This compact and versatile pedal packs a punch with its three unique algorithms: Mod, Shimmer, and Vintage, giving you endless creative possibilities for your sound.
The three knobs, Mix, M, and Feedback, allow you to customize your tone with ease. Use the Mix knob to blend your wet signal in, adjust the M knob to control a different unique feature on each algorithm, and the Feedback knob to control how long the reverb is. With "The Traveler", you can create anything from subtle reverb textures to full-blown sonic landscapes.
"The Traveler" also features MIDI capabilities, allowing you to control your presets, algorithms and features remotely. By holding the "Bypass/Hold" switch you activate the 'Hold" function which instantly jumps the feedback control to its max setting and then returns it to its previous place once the switch is released.
The six preset slots make it easy to switch between your favourite sounds, while the compact size makes it the perfect companion for gigging musicians. Whether you're playing in a small club or a large stadium, "The Traveler" will deliver the perfect tone every time.
"The Traveler" is the ideal guitar pedal for any musician looking for a compact, versatile, and high-quality effect. With its three unique algorithms, MIDI capabilities, Hold function, and six preset slots, you will explore new sonic landscapes with 'The Traveler' - your ultimate musical companion.
… Read moreThe three knobs, Mix, M, and Feedback, allow you to customize your tone with ease. Use the Mix knob to blend your wet signal in, adjust the M knob to control a different unique feature on each algorithm, and the Feedback knob to control how long the reverb is. With "The Traveler", you can create anything from subtle reverb textures to full-blown sonic landscapes.
"The Traveler" also features MIDI capabilities, allowing you to control your presets, algorithms and features remotely. By holding the "Bypass/Hold" switch you activate the 'Hold" function which instantly jumps the feedback control to its max setting and then returns it to its previous place once the switch is released.
The six preset slots make it easy to switch between your favourite sounds, while the compact size makes it the perfect companion for gigging musicians. Whether you're playing in a small club or a large stadium, "The Traveler" will deliver the perfect tone every time.
"The Traveler" is the ideal guitar pedal for any musician looking for a compact, versatile, and high-quality effect. With its three unique algorithms, MIDI capabilities, Hold function, and six preset slots, you will explore new sonic landscapes with 'The Traveler' - your ultimate musical companion.
Pre-orders at Juno
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $139.39
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JHS Pedlas 3 Series Octave Reverb Effects Pedal (pitch shifter/time effects pedal)
Cat: 1076227
Octave reverb pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
In the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
… Read moreIn the early 1980s, Brian Eno invented an effect called "Shimmer," which was popularized in U2's The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb's decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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JHS Pedals 3 Series Tape Delay Effects Pedal (time effects pedal)
Cat: 1076251
Tape delay pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
Tape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
… Read moreTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201's tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear & tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
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JHS Pedals 3 Series Screamer Effects Pedal (distortion effects pedal)
Cat: 1076228
Tube screamer clone combining affordability and simplicity with a faithful replication of the tones of the legendary Ibanez pedal.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
… Read moreThe 3-Series Screamer is the beloved JHS Tube Screamer Strong Mod, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that's for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
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JHS Pedals 3 Series Rotary Chorus Effects Pedal (modulation effects pedal)
Cat: 1076247
Rotary chorus pedal combining affordability and simplicty with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made byJHSusing high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
… Read moreThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond organs, the Leslie was a rotating speaker that created the recognizable Doppler effect (think church organ). You've heard rotary effects on everything from It's Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It's everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!
Intensity determines the modulation depth. Speed lets you control how fast the simulated speaker spins. When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient room microphone sound that happens when recording a real Leslie.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
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JHS Pedals 3 Series Reverb Effects Pedal (time effects pedal)
Cat: 1076214
Reverb pedal combining affordabilty and simplicity with high quality effects.
Pre-orders at Juno
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JHS Pedals 3 Series Phaser Effects Pedal (modulation effects pedal)
Cat: 1076236
Phaser pedal combining affordability and simplicity with high quality effects
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
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JHS Pedals 3 Series Overdrive Effects Pedal (distrotion effects pedal)
Cat: 1076244
Overdrive pedal combining affordability and simplicity with a wide range of tones
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
… Read moreThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
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JHS Pedals 3 Series Oil Can Delay Effects Pedal (delay pedal)
Cat: 1076220
Delay pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
After being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
… Read moreAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay.
These delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal charge was written and read through rubber wiper heads. The playback speed was directly related to the drum's rotation speed. The oil acted as a protective layer to keep the audio signal "charge" electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: Why settle for less with a Leslie when you can get more with Morley? Morley manufactured oil can delays up until 1989.
At Wilco's Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they'd ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn't have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco's Cruel Country and now their latest release, Cousin.
Though the JHS Oil Can Delay isn't a signature artist pedal, we're still grateful to Nels Cline for inspiring it. We're proud to offer you this unique pedal for your own collection.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
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JHS Pedals 3 Series Harmonic Trem Effects Pedal (modulation effects pedal)
Cat: 1076235 Rel: 13 Feb 26
Tremolo pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
In 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the Harmonic Tremolo. Essentially, the amp's signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender's revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.
… Read moreIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the Harmonic Tremolo. Essentially, the amp's signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender's revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 13 Feb 26 $105.94
(No payment required now - pay when released)
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JHS Pedals 3 Series Hall Reverb Effects Pedal (time effects pedal)
Cat: 1076217
Reverb pedal combining affordabilty and simplicity with high quality effects, imitating large spaces.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
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JHS Pedals 3 Series Fuzz Effects Pedal (distortion effects pedal)
Cat: 1076243
Fuzz pedal combining affordabilty and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
FORTHCOMING
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JHS Pedals 3 Series Flanger Effects Pedal (modulation effects pedal)
Cat: 1076240
Flanger pedal combining simplicity and affordabilty with a high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
… Read moreThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
FORTHCOMING
Related products...
JHS Pedals 3 Series Distortion Effects Pedal (distortion effects pedal)
Cat: 1076215
Distortion pedal combining affordabilty and simplicity with a wide range of high quality distorted tones.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
… Read moreThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
FORTHCOMING
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JHS Pedals 3 Series Delay Effects Pedal (time effects pedal)
Cat: 1076225
Delay pedal combining affordability and simplicity with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
… Read moreThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
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JHS Pedals 3 Series Compressor Effects Pedal (dynamics effects pedal)
Cat: 1076238
Compressor pedal combining simplicity and affordability with a wide range of effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
… Read moreThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
FORTHCOMING
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JHS Pedals 3 Series Chorus Effects Pedal (modulation effects pedal)
Cat: 1076222
Chorus pedal combining affordability and simplicity with high quality effects.
Notes: The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us JHS using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.
The JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
… Read moreThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $105.94
(No payment required now - pay when released)
People also bought...
Electro-Harmonix Worm Analogue Wah/Phaser/Vibrato/Tremolo Effects Pedal (modulation effects pedal)
Cat: 560471 Rel: 04 Feb 15
All-analog multi-functional modulation pedal!
Notes: Modulation madness! All-analog multi-functional modulation effects processor featuring Phaser, Tremolo, Vibrato, and a Neo-modulated Wah. At the heart of the EHX Worm is a specially designed tone-bending engine that creates groundbreaking oscillatory effects.
True bypass
Mode selectable analog modulation effects: wah, phaser, vibrato, tremolo
Manual mode removes the modulation so the effects can be swept by hand
Optional expression pedal sweep capability
Tough and compact die-cast chassis
Power adapter included
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 24VDC-100mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 50mA
Year Released: 2008
… Read moreTrue bypass
Mode selectable analog modulation effects: wah, phaser, vibrato, tremolo
Manual mode removes the modulation so the effects can be swept by hand
Optional expression pedal sweep capability
Tough and compact die-cast chassis
Power adapter included
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 24VDC-100mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 50mA
Year Released: 2008
1 in stock $117.08
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quote 560471
quote 560471
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Electro-Harmonix Walking On The Moon Analogue Flanger & Filter Matrix Effects Pedal (modulation/filter efefcts pedal)
Cat: 959596 Rel: 27 Jul 23
Andy Summer's flanger effects pedal.
Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.
"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers
The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.
Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.
Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.
Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023
… Read more"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers
The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.
Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.
Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.
Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023
1 in stock $113.74
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or call +44 20 7424 1960
quote 959596
quote 959596
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Electro-Harmonix Turnip Greens Analogue/Digital Overdrive & Reverb Multi-Effect Pedal (multi-effects pedal)
Cat: 560463 Rel: 03 Feb 15
Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!
Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!
The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.
The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.
The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.
A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.
The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.
Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included
Specifications
Circuit: Analogue / Digital
Bypass: Selectable True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 125mA
Year Released: 2014
… Read moreThe EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.
The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.
The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.
A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.
The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.
Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included
Specifications
Circuit: Analogue / Digital
Bypass: Selectable True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 125mA
Year Released: 2014
1 in stock $126.29
Click for better price!
or call +44 20 7424 1960
quote 560463
quote 560463
People also bought...
Electro-Harmonix Spruce Goose Analogue Overdrive Effects Pedal (distortion effects pedal)
Cat: 977361 Rel: 06 Nov 23
Liftoff with the EHX Spruce Goose Overdrive!
Notes: Liftoff with the EHX Spruce Goose Overdrive!
Liftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.
The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.
The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.
All trademarks are the property of their respective owners.
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023
… Read moreLiftoff with the EHX Spruce Goose Overdrive, an elevated take on a Bluesbreakerr-style OD with a smooth, rich breakup that retains clarity and dynamics. The Spruce Goose soars with a host of new features including a LIFT switch accessing 3 input gain settings, additional output, and expanded EQ to send you tone flying! From meaty boost to smooth singing leads, the Spruce Goose steers your tone into a variety of inspiring and musical directions.
The engine of the Spruce Goose is an overdrive circuit renowned for its natural breakup and amp-like response. This circuit is then elevated to new heights by the LIFT switch which selects between 3 levels of input gain. LIFT effectively works as an input boost, goosing the front end of the drive circuit hitting harder and producing a more compressed, saturated tone while still retaining its dynamic feel and transparent tone. GAIN and VOL knobs adjust for exact drive and output levels. EQ of the pedal consists of a TREBLE knob for taming topping and an active BASS knob to cut or boost bass frequencies. BASS is especially helpful for adding girth to single coil guitars or tightening the low end on warmer humbucker guitars.
The Spruce Goose also features mechanical relay true bypass switching with latching and momentary action. Tap the footswitch for a normal latching toggle or press and hold the footswitch for a momentary blast of gain and boost! Great for stepping out in front of the mix for pulling quick lick or moment of sonic chaos.
All trademarks are the property of their respective owners.
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 20mA
Year Released: 2023
1 in stock $117.08
Click for better price!
or call +44 20 7424 1960
quote 977361
quote 977361
People also bought...
Electro-Harmonix Ripped Speaker Analogue Fuzz Effects Pedal (distortion effects pedal)
Cat: 813753 Rel: 24 Feb 21
A modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made!
Notes: A modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made!
The Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It's modern and monumental with a searing, fully saturated, fuzz tone.
The Ripped Speaker's RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased... fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect and the signal sputters and chokes. It's great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly.
The Ripped Speaker's TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows.
The Ripped Speaker features true bypass switching, comes equipped with a 9 Volt battery and accepts a standard EHX 9 Volt power supply.
Versatile pedal delivers fuzz that goes from old school to modern
Bias control
Active tone control
True bypass switching
Pedalboard-friendly size
9V battery included
Specifications:
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA
Year Released: 2021
… Read moreThe Ripped Speaker is a modern fuzz with old school roots and pays homage to one of the ways that early, distorted guitar and bass sounds were made. At low fuzz settings the pedal emulates the lo-fi distortion sounds of yesteryear, the kinds of sounds created by a razor blade applied to a speaker cone, a loose tube or a faulty channel on a recording console. When you crank the fuzz up the sound is transformed. It's modern and monumental with a searing, fully saturated, fuzz tone.
The Ripped Speaker's RIP knob is a bias control which sets the amount of clipping at the top and bottom of the signal wave form. It adds a lot of versatility and lets you tailor the character of the fuzz. Noon is neutral, a position where the fuzz is perfectly biased... fat, with a great low end and top end bite without being harsh. As you turn the knob clockwise the pedal produces a hard gating effect and the signal sputters and chokes. It's great for creating a dying battery effect. Turning the knob CCW produces yet a different style of fuzz with a smoother gating effect where the signal fades out quickly.
The Ripped Speaker's TONE control is active and delivers a tilt-shift type EQ. That means at noon the EQ is flat. As you turn the knob counter-clockwise the frequency response gets darker with more pronounced lows and less highs. Going clockwise yields a brighter tone with more highs and rolled back lows.
The Ripped Speaker features true bypass switching, comes equipped with a 9 Volt battery and accepts a standard EHX 9 Volt power supply.
Versatile pedal delivers fuzz that goes from old school to modern
Bias control
Active tone control
True bypass switching
Pedalboard-friendly size
9V battery included
Specifications:
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA
Year Released: 2021
1 in stock $104.81
Click for better price!
or call +44 20 7424 1960
quote 813753
quote 813753
People also bought...
Electro-Harmonix Pico Triboro Bridge Digital Overdrive/Distortion/Fuzz Effects Pedal (distortion effects pedal)
Cat: 972467 Rel: 12 Oct 23
Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!
Notes: Bridging the worlds of overdrive, distortion, and fuzz in a sub-compact pico chassis!
The EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.
Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.
The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
… Read moreThe EHX Pico Triboro Bridge is a tri-mode drive box with a wide range of tonal possibilities. Featuring Overdrive, Distortion, and Fuzz modes, it bridges any gap in your gain. With a powerful EQ, input contouring, and a pico-sized footprint, the Triboro Bridge can be your tonal keystone or a welcome change from the routine drive.
Starting with Overdrive mode, the gain spectrum ranges from low to mid with an open voicing that can be used as a light always on drive or a solo boost. Engage the Triboro's Distortion mode for additional gain-staging for a tone from crunchy rhythms to fully saturated leads. Transform the pedal into something completely different with the Fuzz mode's over-the-top gain, Gate and Low Pass Filter.
The Triboro Bridge controls features Volume and Gain knobs to control the overall output and saturation of the tone. In Overdrive and Distortion modes, the Treble and Bass knobs act as a Baxandall EQ for simple yet effective tone shaping. In Fuzz mode the Treble knob is now the gate more, controlling the Fuzz's noise gate threshold, and the Bass knob controls a Low Pass Filter for extreme tonal variations. Additionally, the Triboro Bridge features an Input Contouring EQ which can be applied to your tone at the input, for a more modern, sculpted tone in all modes.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
2 in stock $139.34
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quote 972467
quote 972467
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Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal (time effects pedal)
Cat: 972470 Rel: 12 Oct 23
Vintage tape-style delay smaller than a cassette player!
Notes: Vintage tape-style delay smaller than a cassette player!
Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.
The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.
Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
… Read moreTape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.
The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.
Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
1 in stock $113.73
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quote 972470
quote 972470
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Electro-Harmonix Pico 360+ Looper Effect Pedal (time effects pedal)
Cat: 1062978 Rel: 15 Jan 25
Pico-sized version of our best-selling looper with 360 seconds of loop recording time, 11 storable loops, Overdub Control, Loop Fadeout and more!
Notes: Pico-sized version of EHX's best-selling looper with 360 seconds of loop recording time, 11 storable loops, Overdub Control, Loop Fadeout and more!
Building on the simplicity of our Nano Looper 360, this Pico-sized 360+ Looper pedal is packed with musical features to keep you jamming without missing a beat! With 6 minutes of loop recording time with unlimited overdubs over 11 loop memory banks, the 360+ also features an OVERDUB control which sets the level of playback of previously recorded loops while overdub new loops, making it possible to create ever-changing loops and ambient soundscapes.
Undo-Redo allows for quickly taking out the last overdub to change texture on the fly or fix a pesky mistake. Programmable Overdub/Playback order lets you change which mode the looper enters after recording the initial loop. Adjustable fadeout time from 1-10 seconds applies a musical fade to your loop when you stop the loop. DRY and LOOP levels are independently adjustable for a precision blend of layers.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2024
… Read moreBuilding on the simplicity of our Nano Looper 360, this Pico-sized 360+ Looper pedal is packed with musical features to keep you jamming without missing a beat! With 6 minutes of loop recording time with unlimited overdubs over 11 loop memory banks, the 360+ also features an OVERDUB control which sets the level of playback of previously recorded loops while overdub new loops, making it possible to create ever-changing loops and ambient soundscapes.
Undo-Redo allows for quickly taking out the last overdub to change texture on the fly or fix a pesky mistake. Programmable Overdub/Playback order lets you change which mode the looper enters after recording the initial loop. Adjustable fadeout time from 1-10 seconds applies a musical fade to your loop when you stop the loop. DRY and LOOP levels are independently adjustable for a precision blend of layers.
Specifications
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2024
1 in stock $123.55
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quote 1062978
quote 1062978
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Electro-Harmonix Octavix Analogue Octave Fuzz Effects Pedal (pitch/frequency/modulation effects pedal)
Cat: 563346 Rel: 16 Mar 15
Analogue octave fuzz effects pedal
Notes: Get that late 1960's fuzzed out, octave up sound!
The EHX Octavix Octave Fuzz delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept. Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe.
Classic octave up + fuzztone effect pedal
Switchable 9 and 24 volt power rails give a saggy or tight sound
True bypass
Blue LED
9V battery included
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 65mA
Year Released: 2015
… Read moreThe EHX Octavix Octave Fuzz delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept. Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe.
Classic octave up + fuzztone effect pedal
Switchable 9 and 24 volt power rails give a saggy or tight sound
True bypass
Blue LED
9V battery included
Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 65mA
Year Released: 2015
1 in stock $109.28
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quote 563346
quote 563346
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Electro-Harmonix Oceans 11 Reverb Effects Pedal (time effects pedal)
Cat: 691705 Rel: 25 Jun 18
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.
Reverb types:
Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
… Read moreReverb types:
Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
1 in stock $142.11
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or call +44 20 7424 1960
quote 691705
quote 691705
