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Back catalogue: Roots/Lovers Rock
Juno's full catalogue of Roots/Lovers Rock
Albums
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Review: Following their relocation to the United States in the early 1980s, roots reggae pioneers Israel Vibration found a home on Real Authentic Sound, the label helmed by Washington D.C-based entrepreneur and producer Doctor Dread (real name Gary Himelfarb). He took over behind the desk, producing and mixing a string of albums in the late 80s and '90s - including this freshly remastered gem from 1995. In keeping with the reggae style of the time, the sound blends digital and acoustic instrumentation - synths, drum machines, guitar and bass, basically - with the band's effortlessly soulful vocals sitting atop. Highlights are plentiful, from sun-soaked opener 'Mr Consular Man' and the organ-splashed shuffler 'Rebel For Real', to fan favourite 'Rude Boy Shufflin' and the conscious 'Struggling Youth'.
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Review: J Nile is the son of reggae legend Gregory Isaacs and his vocal work is almost as powerful as that of his great father. To prove it once more he presents his powerful new album Tired which manages another sound both fresh and new but also a descendant of roots greats who have gone before, not least his dad. The authentic tunes feature collaborations with some of reggae's finest musicians including Sly Dunbar, Vin Gordon, Michael "Megahbass" Fletcher and Alan Weekes, With deep roots and a modern production edge in things like the shiny synth work, Tired blends conscious lyrics and soulful rhythms that capture the spirit of classic reggae. There are plenty of sunny horns and swaggering low ends with substance, soul and timeless grooves never far away.
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Review: Jamaican singer Clive Matthews has enjoyed a stop-start career, with relatively brief periods of activity in the 70s, 80s and early 2000s followed by a late blossoming over the last decade - a career bump provided by the backing of Spanish roots reggae outfit A-Lone Productions. They're at the controls again on Matthews' second album, Going Home, which marks the Trenchtown-born artist's first full length for seven years. Rooted in his love of roots reggae albums of the 1970s, but with occasional updated instrumentation, it's a classic-sounding set that provides a perfect platform for Matthews' conscious lyrics and honeyed, effortlessly soulful voice. The results are undeniably impressive, with our current favourites including 'Yes I Do', 'Ancient Lion', dancefloor-ready title track 'Going Home' and the pleasingly jaunty 'Reggae Music'.
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NINEY THE OBSERVER / VARIOUS
Roots With Quality: The Observer Singles 1980-1983 (unmixed 2xCD)
Cat: DB2CD 145. Rel: 15 Aug 24
Review: Cherry Red's Doctor Bird offshoot continues to trawl through the archives of legendary Jamaican label Observer and its' owner and producer-in-chief, Winston Holness AKA Niney The Observer. Having previously focused on the label's 1970s output, they've now turned their attention to the early, where Holness was influential in defining the formative dancehall sound. The first disc here boasts the vocal sides of singles, with Holness and his in-house bands providing a platform for such undoubted talents as Freddie McGregor, Don Carlos, Third World, Yellowman and Sugar Minott. Disc two, meanwhile, is the one for dub heads: an exhaustive collection of instrumental 'riddims' laid down by the Roots Radics and mixed in true 'version' style by Holness.
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NINEY THE OBSERVER / VARIOUS
Cat: DB 2CD138. Rel: 18 Apr 24
Review: Having previously delivered a box set dedicated to the early-to-mid 70s singles produced by legendary Jamaican studio don Niney The Observer, Doctor Bird has now moved on to the next stage of his career. This two-disc set focuses on seven-inch singles he produced and released on his Observer label in 1976 and 1977, supplementing vocal cuts with flipside alternate versions and his own 'riddim'-focused takes. It's a fine collection of often hard-to-find Jamaican reggae gems from a golden period in the country's musical culture, with headline-grabbing contributions from such scene staples as Gregory Isaacs, Horace Andy, Clint Eastwood, I-Roy, Big Youth, Junior Delgado and Bobby Ellis.
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Review: Two and a half years on from his death, Lee 'Scratch' Perry's "final album" - for the avoidance of doubt, it's the last one he recorded - arrives. Given his history of sonic innovation, it's striking that King Perry sees he late dub titan applying his dub aesthetic (with a little help from producer Daniel Boyle and a string of guest vocalists) to a wide variety of contemporary styles. Elements of synthwave, drum & bass, big beat and electronica are thrown into the mix, with his ten-ton basslines, dub effects, reggae riffs and freewheeling vocals rooting it in his extensive musical history. Highlights include breakbeat-driven Greentea Peng collaboration '100 Llbs of Summer', the Meat Beat Manifesto-ish 'Green Banana' (where Shaun Ryder does a typically distinctive turn on lead vocals) and closer 'Goodbye', which features Perry's last recorded vocal performance.
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Review: Volume One of For the Love Of You was an instant hit and so it makes sense the irrepressible Athens of the North label has come back with a second volume. Once again this is a collection of soul covers featuring interpretations of Grover Washington Jr., Midnight Star, Meli'sa Morgan and Simply Red and loads more. The music is golden, the soul vibes rich, and the new styles brought to these classics is instantly appealing in a whole new way. As alwayss, this is another superb release from Athens of the North.
… Read more in stock $5.93
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Review: The Irie Ites label, founded by the French production collective of the same name, has long been one of the international reggae scene's leading lights - an impression only strengthened by the Le Mans-based stable's latest annual compilation. Comprising a mixture of 2024 label highlights and previously unheard cuts, the set offers a range of quality conscious and roots cuts (as well as a few curveballs such as the reggae/hip-hop fusion of Anthony B hook-up 'Rub-A-Dub (Stop That Sound Riddim)') featuring such global stars as Eek-a-Mouse, Sly & Robbie, Linval Thompson, Solo Banton, Screwdriver and Frankie Paul. To top it all off, crew member Jericho d'Irie Ites serves up a quintet of quality dub versions to get soundsystems rattling and dancefloors shaking.
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Review: Jah Upton joins Lloyd Barnes and Prince Douglas at the desk for another must-have Bullwackies dub set, originally released in 1977. The music is drawn from tapes recorded at King Tubby's with the Soul Syndicate band, in 1974-75 (before Wackies' move to New York). Certain tracks were also voiced in JA - like Don Carlos' deadly Prepare Jah Man, available here and nowhere else, over a hallmark rhythm re-run on Wayne Jarrett's Bubble Up album. Other highlights include dubs of Wackies' deep Black Harmony rhythm, Joe Morgan's Basement Session, the Love Joys' I Belong To You (a Barry White homage issued on Versatile 7"), a Chosen Brothers and two great John Clarkes (including a version of In Search Of The Human Race which eclipses the Tafari single); also a dedication to the Chinese restaurant next door in White Plains Road.
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Review: Fresh from appearing in Bob Marley biopic One Love (as one of the early, lesser-known members of the Wailers), 30-year-old Jamaican J Written (real name Jason Wright) drop his debut album - a set produced by legendary American reggae mixer Doctor Dread and featuring a stellar line-up of backing musicians (drummer Sly Dunbar included). Sitting somewhere between classic lover's rock and digital roots-reggae, the album's focal point is undoubtedly the artist's rich, soulful voice. While he does 'toast' in patois at times (see 'West Indies'), for the most part Wright showcases his full vocal range. The results are undeniably impressive, with the tender 'We Alright', ska-influenced 'King Kong', vibrant opener 'Work To Do' and exotic 'Keep People Poor' (where sitars and electric guitar solos catch the ear) standing out.
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