Review: Originally recorded in Rome with top-tier players like Giorgio Carnini and Giovanni Tommaso, this psychedelic library session bridges modal jazz, Latin percussion, and fuzzed-out funk. This reissue restores the 1970 cut in full, swirling through ghostly organ grooves and spiralling rhythm sections with a clarity that feels startlingly fresh. 'Psichefreelico (Sostenuto)' and 'Bacharachico' glide between dreamy lounge and scorched delay-drenched oddness, while 'Africaneidico' pulses with loose Afro-Latin syncopation. Mined from Italy's golden age of library music and remastered from mono tapes, it's a masterclass in instrumental storytellingivivid, woozy and totally transportive.
Review: Candeleros is a six-member, Colombia- and Venezuela-rooted collective based in Madrid that fuse Cumbia, merengue, dub and an array of Afro-Caribbean rhythms, creating a psychedelic, postmodern celebration of Latin sound. Their music blends Andean echoes, cinematic textures and hypnotic percussion into what feels like a ritualistic dance experience and has seen them collaborating with artists like Dodosound and Carlos Talez. They always reject the usual genre boundaries while focusing on cultural activism and the power of collective expression and have performed across Europe. As this album shows, their sound is passionate, borderless and proof that Cumbia has truly rooted itself in Europe.
Review: Carpet of Fallen Leaves serves as the luminous introduction to Eddie Marcon, a folk-pop project from Eddie Corman and Jules Marcon. The collection takes in more than two decades of intimate, self-released recordings that all bring fragile beauty and melodic grace from Japan's underground psych-folk scene. Gentle guitar, soft organ and deft bass interlace with pristine vibraphone, flute and pedal steel sounds to form sparse and spare yet intricate arrangements. Collaborators like Ikuro Takahashi and Shintaro Sakamoto add their own contributions, and so songs shimmer with a real emotional depth and Eastern charm. Highlights like 'Tora To Lion' and 'Shoujo' inspire quiet wonder while capturing fleeting moments of everyday life with a real tenderness and elegance.
Review: Charif Megarbane, the Beirut-based multi-instrumentalist and composer, stretches his sonic vocabulary on this sprawling new full-length, a genre-hopping journey that draws as much from the Lebanese coast as it does from the wider diaspora. Where his earlier work painted intimate portraits of local life, this one looks outwarditoward cultural entanglement, exile, and exchange. 'Hanadi' kicks things off with a sax-led, Somali-inspired groove, while 'Dreams of an Insomniac' drifts through hazy keys and fluttering violin. 'Al Dollarji' recalls his signature Mediterranean funk, full of ornate strings, but 'Al Bahriye' disrupts the flow with hip-hop motifs and vocal samples. Collaborations feel purposeful: 'Helia', with Swedish composer Sven Wunder and the Stockholm Studio Orchestra, layers lush cinematic strings into Megarbane's idiosyncratic palette. Even miniature pieces like 'Sfiha' or 'Preamble to the Conclusion' feel essential, punctuating the record's narrative of displacement with clarity and warmth. It's a collection that resists linearity, folding nostalgia and innovation into a rich, borderless soundian informal transmission between traditions, cities and moods.
Review: Sometimes, Record Store Day releases really do come through, and this is one of them as it unearths extremely rare 1988 demo recordings from alt-rock trailblazers Royal Trux, previously only circulated on a handful of cassettes in 1998. Now available for the first time on wax, the collection captures the raw, unfiltered energy that preceded their breakthrough Twin Infinitives and features early versions of 'Walkin' Machine,' 'Cut You Loose,' 'Gold Dust' and a cover of Neil Young's 'Time Fades Away,' These demos really give you a window into the band's formative chaos and brilliance and highlight the uncompromising vision that made Royal Trux such favourites.
The Wizard In The Field(180 gram eco vinyl LP + insert + MP3 download code limited to 200 copies (comes in random coloured vinyl, we cannot guarantee what you will receive))
Review: With their sixth album in seven years, German jazz quartet Web Web return with a fresh touch: Plexus Plexus is more psychedelic and at times far "Krautier" than before, representing a speedy departure from their previous Web Max release. Special guest JJ Whitefield (The Poets Of Rhythm, Karl Hector & The Malcouns, Syrup) weaves a remarkable guitar thread throughout, gluing its sound together through solo intermissions, riffs and vamps. In his style, we hear everything from The Poets of Rhythm and Syrup to the more psychedelic vibes of Karl Hector & The Malcouns, injecting the record with the zoomed-out energy of 70s jazz-Kraut bands. Departing from their last record, Web Web have truly a back-to-basics approach through spontaneity, riffing on the back of an intense three-day recording sesh in Munich.
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