Back catalogue: Post Rock/Experimental

Review: Jinxed By Being see Shackleton and Heather Leigh continues the run of great music initiated by their previous collaboration, Flesh & The Dream LP, this time enlisting the talents of Ben Chasny aka Six Organs of Admittance, resulting in a genre-bending masterpiece that seamlessly blends haunting mantras, tangly riffs and sub-heavy rumbles. Chasny's cosmic folk jangling intertwines with Shackleton's illusory, ritualistic rhythms, creating a sonic landscape reminiscent of Talk Talk, Sun City Girls, Comus, and Kluster. The album, influenced by the New Weird America movement, sees Chasny's fingerpicking immersed in Shackleton's fractal treatments, resulting in a hypnotic fusion of acoustic and electronic elements. Tracks like 'The Grip of the Flesh' and 'Stages of Capitulation impress, with Chasny's spectral vocals and manipulated guitar blending seamlessly with Shackleton's atmospheric basslines and dreamy keys. Jinxed By Being defies categorisation, offering a fresh direction for progressive psychedelic music, whether folk, rock, or electronic.

Review: Six Organs of Admittance is the main project of the American guitarist Ben Chasny. His music is widely considered new folk but he operates differently to most, infusing various sounds like chimes, percussive elements and layered drones and here features nine new songs that explore a strictly more soundtrack approach than anything he's done before. The result is riveting, with tracks like 'Summer's Last Rays' busy tonal compositions where multiple instruments and percussion blend together to a triumphant crescendo. Whether something left on in the background and absorbing your full attention, this works well and the evolution of the band's sound is exciting. With over 25 albums to their credits, this may be their most experimental and groundbreaking yet.