Review: Nick Ingram is a criminally lesser-spotted artist whose credits stretch back to 1998, among which include his various instrumental and production contributions to the band The New Electrics, as well as single contributions to compilations by NME and Melody Maker. But Dynamite Cuts here call 'Trip Wire' and 'Throng' two tracks expressly made for TV soundtracking - never heard before, they reveal Ingram's repertoire in library scoring; the former track is a feverish trip-funker, packed with twang guitar and yodelling flutes, while the latter is a chromatic instrumental soul-jazz number starring a deeply haunting counterpoint, shared equally between synth and voice.
Review: Dynamite Cuts' current reissuing efforts once more focus on the legacy of the classic library label De Wolfe Music, this time selecting three choice songs from Frank McDonald and Chris Rea, two esteemed musicians who together debuted these cuts while forming a part of the in-house De Wolfe label ensemble, Patchwork. All three numbers are nighttime alleyway slinkers, recalling, in their finger-snapping funk palette, a slick combo of flared trousers, leather jackets, sunshaded visages and strange bumps in the night.
Review: At first an obscure library music curio made by Keith Papworth under the aegis of Music De Wolfe - the brainchild of Dutch composer and oboist Meyer De Wolfe - Hard Hitter long flew under the radar as Papworth's unsung instrumental funk magnum opus, that is, until it was reissued in 2022 by Fat Beats, and again now by Dynamite Cuts. We'd wager that it was the Fat Beats reissue that really cemented the legacy of this gem, which placed its intensely sampleable funk breaks in the context of NYC hip-hop culture, cementing its legacy as a favourite sample source for beatmakers, not just a simple and enduring joy in the realm of hard-hitting library funk.
Review: A unique slice of classic library music flies off the shelf. These four tracks were lifted from the classic library music series known only as 'Sounds Music Album Volume 18', and were made by the library maestro Klaus Weiss, the former jazz drummer who later turned to the trade after falling in with German music publisher Ring Musik. An eerie uncanniness cuts across these instrumentals, as Weiss' drumming provides steady boppage to serene yet dubious backings of strings and synth.
Review: The work of legendary drummer turned library musician Klaus Weiss continues to be reissued. For this series, Dynamite Cuts are looking back on a mid-1970s series of EPs released by Weiss originally for the famous library Sound Music. Carrying a minimal production that still has appeal for the modern listener (don't Dynamite know it), the four tracks here are curt, squelchy and beat-centric, with highlights including the clavichord-wacky 'Frogs', the sonically obese 'Productive Facilities', and the space-age drum freakout 'Coordinates Meeting'.
Review: This great series from Dynamite Cuts continues to delve deep into the alluring world of library music. It is sound that captures real feelings and evokes all sorts of memories, even those that are imagined, with a single note or seductive groove. This collection is made of tracks from the German Library series Sound Music Albums which sell for over L150 if you can find a copy. There are four tunes in all, three from Klaus Weiss and one from Peter Thomas, all of which add up to another great collection and a must for serious music heads.
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