La Victoria (feat Lido Pimienta & Manu Ranks) (3:58)
Kawa Kawa (feat Kaleema) (4:00)
Alegria (4:46)
Indios Tilcara (3:45)
Gira Gira (1:59)
Review: Chancha Via Circuito, AKA Argentine producer Pedro Canale, has a reputation for doing things differently. This often manifests itself in eccentric but thrillingly forward-thinking productions that join the dots between traditional South American rhythms and instrumentation, dub, hip-hop and contemporary bass music. On his latest full-length adventure - his first for nearly three years - Canale pushes the envelope further, serving up a mixture of breezy, sun-kissed takes on traditional Colombian tropes, dusty, bass-heavy hip-hop instrumentals, mind-altering South American electronica, hazy ambient interludes and life-affirming tropical pop. The result is a joyful and vibrant set that could be the producer's strongest work to date.
La Mujer Serpiente (with Lido Pimienta & Oliwa - album version) (3:55)
Quiero Que Mami (with Verito Asprilla) (4:25)
Limones (with Oliwa, Numu & Semblanzas Del Rio Guapi) (5:46)
Dei Dream II (3:43)
Selam (with Etsegenet Mekonnen - dub) (3:17)
Salta La Cuerda (with Huaira) (4:18)
Song Of The Wind (2:07)
Selam (with Etsegenet Mekonnen) (4:02)
Waves (2:27)
Review: Earthtones land on Wonderwheel here with their first full-length album. The title encapsulates a message of unity and hope for humanity and aims to emphasise our interconnectedness and the universal bond of love. Rooted in Folkloric Futurism, Earthtones merges global folk traditions with modern technology inspired by pioneers like Mr. Fingers and Kevin Saunderson. Analog synthesisers, vintage drum machines, and folk vocals create a truly unique sound that celebrates the past and the future, spirituality, feminism, and peace. Highlights include '??sanyin' featuring Maikel Alberto Salazar and 'La Mujer Serpiente' with Lido Pimienta.
Review: El Buho's fifth studio album may be his most personal yet. Strata draws from Robin's attempts to grapple with the tension of experiencing happiness, joy and gratitude in our daily lives with loved ones or through sharing music, while the world falls apart around us. This dynamic of trying to live in the moment and enjoy the privileged life we have, yet in the back of your mind there is an overwhelming sense of dread that the world will never be the same and, as climate change really starts to hit home, there are incredibly difficult times ahead. It is about our attempts to find a place of peace, balance and fulfillment between these powerful strata above and below us.
Review: Brooklyn-born, New Orleans-based multi-instrumentalist Gitkin delivers a rich fusion of global sounds on Golden Age, his latest ten-track album. Known for his guitar-driven style, Gitkin blends the rhythms of cumbia, North African, and Middle Eastern music, creating a sonic journey that feels both expansive and deeply rooted. As the frontman of The Pimps of Joytime, a staple in the festival circuit, his influence on the soul-funk scene is undeniable. From Bonnaroo to Electric Forest, Gitkin has built a reputation for electrifying live performances. Beyond his own projects, he's produced for artists like Corey Henry, Bernard Purdie and Cedric Burnside, whose Benton County Relic earned a Grammy nomination for Best Traditional Blues Album. With Golden Age, Gitkin further explores the intersections of global music traditions, weaving his soulful guitar into a captivating tapestry that speaks to his wide-ranging influences.
Plastic (A Bigger Name) (feat The Illustrious Blacks) (4:06)
Mamaciterranea (feat Captures, Mauro Durante & Huaira) (6:23)
Soul & Science (feat The Real live Show & Indigo Prodigy) (4:01)
The Shadow Thief (feat Alsarah) (4:14)
Knockin (feat The Illustrious Blacks & Bad Colours) (4:17)
Race To Robotics (feat MC Saturn 6 & Internet Provider) (3:22)
No Puedo Parar (feat Troy Simms, Jungle Fire Horns & Barzo) (3:47)
Review: American DJ and producer Nickodemus commands an eclectic and global sound, mixing EDM with organic instrumentation and vocals through a cross-cultural musical lens. Coming to his very own Wonderwheel Recordings, Soul & Science is a befitting name thanks to the seeming fusion of electronically-programmed dance beats and regional organics, but this is also one of those albums that could also potentially shatter the hard border between the two connotations. Vocal contributors and instrumentalists from Sudan (Alsarah), Cameroon (Pat Kalla), the Caribbean (Hector "Tempo" Alomar) and Cuba (Quantic) make for a floor-shakingly diverse and humanist appreciation of the collective dance-spirit.
The Love Feeling (feat Brian J Of The Pimps Of Joytime) (6:11)
2 Sips & Magic (4:02)
Just Move (feat MC Kwasi - Zeb edit) (4:37)
Brookarest (feat Costel & Robert Of The Taraf De Haidouks) (4:28)
Didibina (feat Falu) (3:28)
Gira Do Sol (feat Liliana) (3:52)
Calle Sol (feat Tempo & The Candela Allstars) (2:37)
N'Dini (feat Ismael Kouyate) (4:16)
Review: This is the first pressing of Nickodemus' classic Sun People on translucent yellow vinyl and it comes from Wonderwheel. Originally released in 2009 by Thievery Corporation's Eighteenth Street Lounge label, the album features tracks inspired by Nickodemus' global travels and the people he met on the way. Known for his NYC summer soundtrack with Turntables On The Hudson and 20 years of worldwide tours, Nickodemus crafted songs for sun lovers and optimists here and as such listening toit leaves ou with a warming glow. Collaborators from Guinea, Colombia, Puerto Rico, Brazil, Romania, India, Turkey, the UK and NYC contribute to this vibrant album and make it a truly cultural affair with hits like 'N'dini,' 'Sun Children,' and 'The Love Feeling' all sounding great.
Review: Thornato's Bennu album was first released in 2021 and proved a quick hit. Wonderwheel now reissues it on limited translucent blue vinyl which is as mesmerising as the fusion of global rhythms and electronic beats contained within. From the infectious opening and worldly grooves of 'Bennu' to the darker vocals and heavier drums of 'Rhinoceros', each track showcases Thornato's mastery of blending traditional instrumentation with modern production techniques. Standout cuts like 'Shu Swamp' seamlessly weave together influences from around the world with claps, xylophones, chanting vocals and shuffling rhythms that exude vibrant energy. A truly global blend of bass and beats this album will bring plenty of warmth into your life.
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