Back catalogue: Funk

Review: Self-proclaimed "quadruple threat" (he is, after all, a DJ, comedian, actor and poet) Craig Charles swings open his colossal Trunk of Funk for a third time. In line with previous dives into the popular BBC 6 Music DJ's music collection, he's served up a selection that moves between the decades, taking in all manner of funky treats (think funk breaks, modern soul, jazz-funk, disco-boogie, classic soul and more). Flick through the clips and you'll find genius-like gospel (the Harlem Gospel Travellers), recent remixes (Smoove reworking the Third Degree, A Skillz putting his stamp on The Niceguys), classics reimagined (the Boogie Back rework of Beggar & Co classic 'Somebody Help Me Out'), modern gems (Dave Lee and Omar) and the odd exclusive (a previously unheard vocal version of The New Mastersounds' 'Watchu Want').

Review: Craig Charles, renowned for his soulful groove, presents The Craig Charles Trunk Of Funk Volume 3, a collection of 19 tracks that epitomize his passion for soul, blues, disco, and funk. This compilation, curated with long-time collaborator Greg Boraman, showcases Charles' lifelong dedication to soul music. With a career spanning poetry, acting, and television hosting, Charles' love for soul and funk has remained constant. His BBC 6 Music shows and global DJ sets have solidified his reputation as a premier ambassador for these genres. Volume 3 is a blend of club classics, contemporary hits, and timeless soul tunes. The collection, available in double LP gatefold sleeve and CD, is a testament to Charles' ability to seamlessly blend old-school classics with modern beats, creating a dynamic and infectious musical experience. Whether you're a long-time listener or a newcomer to his trunk of funk, this album will make you a fan.

Review: 'Strata Records: The Sound Of Detroit Volume 1' is a careful yet exquisite collection of soul, funk and jazz classics from Detroit's rich musical history, throwing back to a time before techno took the Motor City by storm. DJ Amir has curated a diverse selection of songs from the Strata Records catalog, showcasing the label's extensive roster of artists (the likes of Kenny Cox, The Soulmates, and Charles Mingus), and in some cases restoring tracks whose recordings have suffered a loss of quality over the years, for an ultimately soul-bearing listen.

Review: Bristolian turntablist and crate digger Andy Smith has long been renowned for the depth of his funk, soul and hip-hop selections, though it's only in recent years that we've discovered the quality and diversity of his disco collection. He continues to flex those credentials on the third instalment in his Reach Up - Disco Wonderland series. While there's plenty of obscurity on show, as you'd expect, Smith has chosen to include contemporary nu-disco cuts and fresh re-edits alongside vintage picks. So, while we cuts from The Sunshine Band, the disco-highlife of Orlando Julius and some late 70s electro-disco courtesy of French outfit Quartz, we're also treated to fresher tracks and edits from BB Soul, Birdee and Nick Reach Up, Yam Who and Full Intention. Throw in a killer DJ mix of the same material by Skratch Bastid and you have a genuinely essential collection.

Review: The concept behind this new collection on BBE is a simple but effective one: sommelier Frederic Beneix has picked out a selection of wines, and beat maker DJ Cam has dug deep to serve up some rare but fitting musical accompaniments that were produced in the same year. Wine4Melomanes, therefore, is a unique collection of sounds from all over Europe that connects the complexity and sensuality of a tipple with the rhythm and melody of a song. Most are lush and sophisticated jazz cuts that sound good whether you're drinking or not. Delicious.

Review: Japan's revered DJ Muro has put together his first ever compilation for BBE. Diggers Dozen is a real gem with 12 tracks of Japanese jazz-funk and Latin-jazz goodness that fuse traditional instrumental with traditional melodies. These tunes were originally made for the 70s for Nippon Columbia by legendary composers of the time such as Kiyoshi Yamaya, Tadaaki Misago & Tokyo Cuban Boys, Kifu Mitsuhashi, Toshiyuki Miyama and more. Finding these cuts on their original pressings is rare and expensive so don't sleep on this real collector's essential.

Review: BBE unearth another batch of rare and underexposed disco cuts on Off Track Vol 3. Compiled by the crate digging New York/Boston based duo Kon & Amir, the release gives an authentic representation of Brooklyn’s ghetto, funk and afro music scenes. Sophisticated tracks for real music heads

Review: Prepare yourself for a wry chuckle, as we impart the fact that the compilation you see hyperlinked before you was not at all prepackaged, with work cut out for its curators. Rather, it came from the source, having first manifested as a pile of Ghanaian highlife LPs buried at the bottom of DJ Jerry Frempong's wife's garden. Frempong is the son of one of one of the most prominent former Ghanaian-British label owners, Anthony Roberts Frempong of Asona Records, whose founding movements in the South East London district of Peckham proved highly popular helping disseminate highlife music in the English capital. BBE Music owner Pete Adarkwah caught wind of the serendipitous discovery and approached Jerry to discuss the reissue of this historic catalogue, which you hear here. The sweetest of early and untrodden highlife highlights are heard here, including sparklers by Kantata, Jewel Ackah, Sam Yeboah, Mr Cee and even Thomas Frempong himself.

Review: Mark GV Taylor and George Arthur are the deep diggers behind this new compilation on BBE and it takes its same from their own Reference Point events which pop up all over the place. They are known for travelling far and wide through various genres to explore lesser-known niches and that's what they do here with a broad and brilliant mix from across the ages. Across 15 cuts they serve up jazzy vocals numbers, 1970's Brazilian jazz and everything from soul, jazz, fusion, electronica, yacht rock and plenty more. Many of the tunes are hard to find in their original form, but some are much cheaper but totally less well-known - until now.