People All Around The World, Can Make It (Studio live take) (5:51)
Review: Milanese quartet The Invisible Session has a proven track record of delivering soulful nu-jazz workouts, with each successive release displaying a different range of influences (think jazz-funk, soul-jazz, Afrobeat, spiritual jazz and so on). So what do they have in store for us this time round? In its original form (side A), 'People All Around The World Can Make It' is a deliciously languid, fluid, sun-splashed number that effortlessly joins the dots between Afro-soul, soul jazz-and jazz-funk - all spiritual group vocals, Tony Allen-style drums, punchy horns and spacey synthesizer flourishes. The accompanying 'studio live take' is stripped-back affair that adds attractive delay trails to the horns, removes the vocals and prioritises the Fela-inspired groove. In other words, it's effectively their take on a reggae style 'riddem' version. Proper.
Review: Space Echo returns with a bold funk-fuelled trip here that is powered by irresistible rhythms built on downtempo grooves. The track reflects on war-driven forces destabilising communities and Gianluca Petrella's trombone work channels pure Fred Wesley-esque funk energy while 1970s-inspired choral arrangements amplify its introspective message. Alongside this, Agosta's remix of 'Mother Forgive Us' from The Invisible Session's Echoes Of Africa transforms the track into a futuristic Afro-funk odyssey with tribal percussion tubing up next to pulsating electronics. A great package with a message of climate urgency that calls for a reconnection to nature.
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