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Back catalogue: Funk
Juno's full catalogue of Funk
Singles
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Review: DJ DSK kicks off another series of Edits Instrumentals volumes here with another pair of his vital cut up and reworked classics. The key to it is the source material - he always knows how to find just the right sort of disco tune or 80s classic to tease apart and rebuild in more robust and dance floor friendly fashion, all with a modern edge. 'Love Thang' is a sultry, low slung disco tune with big strings and funky riffs, while on the reverse, 'Just An Illusion' offers a more squelchy and late night groove for dancing to under a setting sun, maybe.
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Review: The relentless edit surgeon that is DJ DSK must have spent the whole of lockdown digging for beats, then taking them to his operating table and setting to work, boucle he has a glut of new Eps out in close proximity. He kicks off here with a huge disco classic in 'Bad Girls' and strips out the vocals, turns up the fun and allows the beats to roll on uninterrupted. On the flip he takes the classic, jittery, 80s INXS gem 'Need You Tonight' and strips out the vocals, makes the beats that bit more crisp and sharp and adds some reverb for extra weight.
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Review: A-grade edit specialists DJ DSK is having a hugely prolific year. He has already put put a wealth of 7"s this year and now comes on strong with yet another. DNA Edits Instrumentals Vol 3 finds him hunt down some killer source material and cut it and rework it with his surgeons sonic scalpel. 'That's The Way Love Goes' has a hard hitting boom-bap break with a bouncy bassline bringing some air. A neat and funk guitar riff acts as the main hook with synth strings bring expansive feels. On the back side is 'The Thrill Is Gone', a more laid back but still funky break for those earlier or even later night hours.
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Review: DJ DSK has released some heavyweight seven-inch singles over the years, with his 2016 45 "Laminate" - an original slab of funk made in cahoots with the previously unheralded "Lost Soul Collective". Here he gathers together the band once more for a follow-up four years in the making. "Lost Soul" is a two-part affair in keeping with the funk tradition. The A-side is an infectious vocal number that sits somewhere between Sharon Jones & the Dap-Kings and the more psychedelic flavour associated with turn-of-the-70s San Francisco soul. As you'd expect, the flipside "Part 2" version strips out most of the vocals to allow the band's warm and heady instrumentation room to breathe.
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